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Sound can manipulate emotions better than almost anything else.
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Alaina Urquhart (The Butcher and The Wren)
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Nothing is worse than being forgotten.
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Alaina Urquhart (The Butcher and The Wren)
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WRENS ARE TRULY MAGNIFICENT LITTLE creatures. They signify rebirth and protection, immortality, and strength. Because of the wrenβs small stature, most larger birds and predators underestimate its incredible ingenuity and intelligence. But while technically fragile, the wren outwits its underprepared predator to come out on top when threatened.
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Alaina Urquhart (The Butcher and The Wren)
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Everything in his view is cast in a sickly green hue, but to Tara itβs as dark as the inside of an executionerβs hood.
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Alaina Urquhart (The Butcher and The Wren)
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People are just too dumb to understand that their own predilections are suggestive of a gene pool that is rooted in brutality.
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Alaina Urquhart (The Butcher and The Wren)
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Besides, it is hard to feel anything but disgust for a man sitting in his own piss and still using words like pussy.
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Alaina Urquhart (The Butcher and The Wren)
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he almost pulls a muscle trying to stop his eyes from rolling.
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Alaina Urquhart (The Butcher and The Wren)
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these calling cards indicate insecurity more than confidence, like someone who tells a joke but then spends a half hour explaining the punch line.
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Alaina Urquhart (The Butcher and The Wren)
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They will fail to acknowledge that sometimes the devil is just a human who wants to inflict pain. Heβs not some entity to summon or some demon to combat. Heβs your neighbor. Heβs a teacher. Heβs a police officer. Humans are the real rulers of hell.
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Alaina Urquhart (The Butcher Game (Dr. Wren Muller, #2))
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What, scattering bird entrails across the cobblestones? Or do you inhale mystical vapours and babble prophecy in a stupor?β βI made a pendulum of an acorn,β said Butcher, βand ate it.β Wren stared at him. Butcher did not elaborate. Nor did he seem in any way discomfited by Wrenβs continued scepticism.
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Sebastian Nothwell (Oak King Holly King)
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Her wails had been his lullaby for a deep, if brief, sleep.
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Alaina Urquhart (The Butcher and the Wren (Dr. Wren Muller, #1))
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The room seems to agree that overreacting is highly preferable to possibly risking more lives.
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Alaina Urquhart (The Butcher and The Wren)
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They will fail to acknowledge that sometimes the devil is just a human who wants to inflict pain. Heβs not some entity to summon or some demon to combat.
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Alaina Urquhart (The Butcher Game (Dr. Wren Muller, #2))
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But as safe as it should have felt, it was all so foreign to Jeremy. He managed to find discomfort in the comfort.
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Alaina Urquhart (The Butcher Game (Dr. Wren Muller, #2))
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The ensuing pause drew out into a lengthy silence as the two men stared each other down. Then, in a single stride, Butcher was upon him. Even barefoot, he towered over Wren. Near enough to fill Wrenβs lungs with his woodsmoke musk. Near enough for Wren to feel the heat of his body radiating through his woollen tunic. And near enough for Butcher to raise his hand to Wrenβs jaw and gently lift his chin.
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Sebastian Nothwell (Oak King Holly King)
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She says thanks,β Butcher murmured before Wren could ask. Wren stopped himself from questioning the pronoun. He knew little enough of human women. He could hardly expect to know a she-wolf on first sight, though now he knew better than to assume.
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Sebastian Nothwell (Oak King Holly King)
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Nature always makes the best soundtrack.
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Alaina Urquhart (The Butcher and The Wren)
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Itβs like the universe was asking him to take out its trash. Of course, he obliged.
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Alaina Urquhart (The Butcher and The Wren)
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You owe me,β she says with a wink. βI donβt owe you shit,β he responds to her coldly
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Alaina Urquhart (The Butcher and The Wren)
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Holdfast
The dead are for morticians & butchers
to touch. Only a gloved hand. Even my son
will leave a grounded wren or bat alone
like a hot stove. When he spots a monarch
in the driveway he stares. Itβs dead,
I say, you can touch it. The opposite rule:
butterflies are too fragile to hold
alive, just the brush of skin could rip
a wing. He skims the orange & black whorls
with only two fingers, the way he learned
to feel the backs of starfish & horseshoe crabs
at the zoo, the way he thinks we touch
all strangers. I was sad to be born, he tells me,
because it means I will die. I once loved someone
I never touched. We played records & drank
coffee from chipped bowls, but didnβt speak
of the days pierced by radiation. A friend
said: Let her pretend. She needs one person
who doesnβt know. If I held her, I would
have left bruises, if I undressed her, I would
have seen scars, so we never touched
& she never had to say she was dying.
We should hold each other more
while we are still alive, even if it hurts.
People really die of loneliness, skin hunger
the doctors call it. In a study on love,
baby monkeys were given a choice
between a wire mother with milk
& a wool mother with none. Like them,
I would choose to starve & hold the soft body.
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Robin Beth Schaer