Dickies Quotes

We've searched our database for all the quotes and captions related to Dickies. Here they are! All 100 of them:

No short-haired, yellow-bellied, son of tricky dicky Is gonna mother hubbard soft soap me With just a pocketful of soap.
John Lennon
When the warden appeared outside their cell, he ogled Regin's bared midriff. Gross. Whenever men leered at her, Regin tended to leer back. She canted her head on the floor, turning it one way, then the other. "I finally understand what a dickie-do is. Your gut does stick out more than your dickie do.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Regin to Fegley: "I finally understand what a dickie-do is. Your gut does stick out more than your dickie do.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Regin: “I finally understand what a dickie-do is. Your gut does stick out more than your dickie do.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I finally understand what a dickie-do is. Your gut does stick out more than your dickie do.--Regin
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Am I to assume you would rather not have us as clients?"
 "Let me think about that for a nanosecond," Dickie said. "Yes! Last time you were in my office you tried to kill me."
 "That's an exaggeration. Maim you, yes. Kill you, probably not."

Janet Evanovich (Lean Mean Thirteen (Stephanie Plum, #13))
In fact, I can't think of much I'd like better than for him to step into the room right now, glasses fogged and smelling of damp wool, shaking the rain from his hair like an old dog and saying: 'Dickie, my boy, what you got for a thirsty old man to drink tonight?
Donna Tartt (The Secret History)
Will his work survive? Alas, I worry that it will not. As an American liberal with impeccable credentials, I would like to say that political correctness is going to kill American liberalism if it is not fought to the death by people like me for the dangers it represents to free speech, to the exchange of ideas, to openheartedness, or to the spirit of art itself. Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and maggotry, and has already silenced the voices of writers like James Dicky across the land.
Pat Conroy (My Reading Life)
Why should Dickie want to come back to subways and taxis and starched collars and a nine-to- five job? Or even a chauffeured car and vacations in Florida and Maine? It wasn't as much fun as sailing a boat in old clothes and being answerable to nobody for the way
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
I won't ever set the world on fire as a painter,' Dickie said, 'but I get a great deal of pleasure out of it.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
Tutti colpevoli, nessuno colpevole,’ as the Italian saying has it: ‘If everyone is guilty, no one is guilty.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
What do you mean SOS?” “Same old shit, Dickie. It’s always SOS with you.
J.D. Robb (Rapture in Death (In Death, #4))
It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.” “Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?” “Dicky,” Summer chides. “You’re being grumpy.” I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter. The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.” Oh for fuck’s sake.
Elle Kennedy (The Score (Off-Campus, #3))
I grew up being told, "If you do marijuana you'll be a slave for the rest of your life," and it only took me ten minutes to realize smoking marijuana was pretty cool. Then it was, "If you take LSD you'll be a slave for the rest of your life. Then it got to be, "If you take cocaine, you'll be slave for life." There was a time when I thought, "Hey, I've been taking Heroin for six months and I feel fine. You know, just on weekends." I actually believed that you didn't have to become addicted. I was wrong. The most important thing out of this is, don't lie to the kids. If marijuana is not going to make you homeless and addicted, don't tell people it is, because they'll found out it doesn't, then when they get to the stuff that really WILL, they ain't gonna believe you." - Dickie Peterson
Jon Wiederhorn (Louder Than Hell: The Definitive Oral History of Metal)
Oh, how I wish I had already regenerated to become the tall one with the dicky bow, thought the Doctor, who occasionally had visions of his future selves. He is always so fit and agile. I suppose all that incessant running down corridors that he does . . . will do . . . may do, in one of my possible futures . . . is good for something.
Eoin Colfer (A Big Hand for the Doctor (Doctor Who 50th Anniversary E-Shorts, #1))
If thou does not move the spear forth and back, thou does not have the fountain of ending climax.
Charles Jake Dickie
This was the end of Dickie Greenleaf, he knew. He hated becoming Thomas Ripley again, hated being nobody, hated putting on his old set of habits again, and feeling that people looked down on him and were bored with him unless he put on an act for them like a clown, feeling incompetent and incapable of doing anything with himself except entertaining people for minutes at a time.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
And how does my aide come by this information before I do?" "Well, you know . . . pillow talk. See, sex—in this case—is an advantage to you. McNab said they'd get through faster, but at data clubs like that, the units are totally clogged. But he's on it and it's his top priority." She cleared her throat when Eve made no comment. "Should I still contact Captain Feeney?" "Oh, Feeney and I appear to be superfluous at this point. You and McPecker can fill us in whenever you feel it's appropriate." "McPecker." Peabody snorted. "That's a good one. I'm going to use it on him." "Happy to help." She shot Peabody a deceptively friendly look. "Perhaps I'm wasting my time going to the lab. Have you and Dickie also had a liaison?" " Eeeuw." "My faith in you is, at least, partially restored.
J.D. Robb (Portrait in Death (In Death, #16))
Floyd poured us each a cup and we headed back to the floor, the squad room, a sea of desks with computers and fluorescent lighting where A-type personalities killed themselves trying to find out who killed someone else.
Danny R. Smith (A Good Bunch of Men)
Dicky and Maude lived within familiar confines: the Ivy League, the Junior League, The Social Register, Emily Post, Lilly Pulitzer, the Daughters of the American Revolution, Windsor knots, cummerbunds, needlepointed tissue box covers, L.L. Bean, Memorial Day, Labor Day, waterfowl-based décor.
Maggie Shipstead (Seating Arrangements)
The drug dealer leaned forward and covered his mouth conspiratorily with the back of his hand. In a voice softer than a gust of wind, he said: ‘Got some new merch, though. High tech, top of the line. Muy experimental. Packs quite the punch they say, and hits you like a brick wall, espiritualmente,’ he pushed three fingers together and planted them a kiss. ‘Real sweet. Un dragón muy poderoso.’ ‘Any... particular side-side-side-effects?’ Mario scratched his chin, thinking back on his aggresive nosebleeds. ‘Not a dicky bird,’ affirmed the dealer. ‘This stuff’s cleaner than la cocina de tu abuela. Mind you, it does call for some weird shit, no doubt about it. And you gotta watch yourself for sharp table corners and the lot, cause you WILL be tripping.
Louise Blackwick (The Underworld Rhapsody)
How the devil did he get himself caught?" "By being no brighter than you," Suzette snapped before her father could answer. "God, you are a fishwife," Jeremy said with disgust and then muttered to himself, "It figures Dicky would marry sweet little mousy Christiana himself and stick me with the sister who was a harpy.
Lynsay Sands (The Heiress (Madison Sisters, #2))
And both were more fortunate than Hecky Noble who, within a few nights of Mrs Hetherington’s widowhood, was a victim of that gay desperado, Dickie Armstrong of Dryhope,49 and his 100 jolly followers. Apart from reiving a herd of 200 head, and destroying nine houses, the raiders also burned alive Hecky’s son John, and his daughter-in-law, who was pregnant.
George MacDonald Fraser (The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers)
the mafia kills in the way a state does; it does not murder, it executes.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
the origins of the mafia are closely related to the origins of an untrustworthy state – the Italian state.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
A company commander,’ said Dicky Umfraville, when we met later that year, ‘needs the qualifications of a ringmaster in a first-class circus, and a nanny in a large family.
Anthony Powell (The Valley of Bones (A Dance to the Music of Time, #7))
You should never have told them,’ said Dicky, who could always be relied upon for excellent advice long after it was any use.
Len Deighton (London Match (Bernard Samson, #3))
Dicki mõtetes elasid edasi puberteediea kassikuldsed unistused. Aga selles pisut pilla-palla kümne-sendi-poes oli alati miilanud ka piinarikas mõistusetuli.
F. Scott Fitzgerald (Tender is the Night)
When God finished putting together Dicky Roper, He took a deep breath and shuddered a bit, then He ran up our Jonathan to restore the ecological balance.
John le Carré (The Night Manager)
Trent’s a Balliol man, like me,’ said Dicky suddenly. ‘Are you boasting, confessing or complaining?’ I asked.
Len Deighton (Berlin Game (Bernard Samson, #1))
Jared’s a dick, but he’s my dick—I mean, no, that’s not what I mean, not like that.
Val Emmich and Justin Paul (Dear Evan Hansen)
Dude, he put ass cream on his face. You do know I’m going to have to start calling your son Ass Face now, right?” Gavin: “Shut up, dicky.” Drew: “You shut up. You’re the one with the ass face.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
But Dickie’s questions remind me that while I can choose my own silence, and I can choose the kinship or camouflage of others’ silence, I can’t choose what other people say or do when I’m not there.
Edith Eger (The Choice)
The odd thing was, Dickie longed to experience that feeling. It wasn't any kind of death wish: there was not a suicidal cell in his body. rather, it seemed that the very sensation, the inner force that made Dickie's scrotum tighten, his throat constrict, and his eyeballs swim in dizziness also made him want to tumble into the precipitous void. And ultimately, his fear of longing to fall was greater, more disturbing, than his fear of falling.
Tom Robbins (Villa Incognito)
Dickie Arbiter Once I came across her rummaging in the trunk of a new car. “Not a German car for an English princess, surely,” I said. Quick as a flash she replied, “Well, at least it’s more reliable than a German husband.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
All Carolina folk are crazy for mayonnaise, mayonnaise is as ambrosia to them, the food of their tarheeled gods. Mayonnaise comforts them, causes the vowels to slide more musically along their slow tongues, appeasing their grease-conditioned taste buds while transporting those buds to a place higher than lard could ever hope to fly. Yellow as summer sunlight, soft as young thighs, smooth as a Baptist preacher's rant, falsely innocent as a magician's handkerchief, mayonnaise will cloak a lettuce leaf, some shreds of cabbage, a few hunks of cold potato in the simplest splendor, restyling their dull character, making them lively and attractive again, granting them the capacity to delight the gullet if not the heart. Fried oysters, leftover roast, peanut butter: rare are the rations that fail to become instantly more scintillating from contact with this inanimate seductress, this goopy glory-monger, this alchemist in a jar. The mystery of mayonnaise-and others besides Dickie Goldwire have surely puzzled over this_is how egg yolks, vegetable oil, vinegar (wine's angry brother), salt, sugar (earth's primal grain-energy), lemon juice, water, and, naturally, a pinch of the ol' calcium disodium EDTA could be combined in such a way as to produce a condiment so versatile, satisfying, and outright majestic that mustard, ketchup, and their ilk must bow down before it (though, a at two bucks a jar, mayonnaise certainly doesn't put on airs)or else slink away in disgrace. Who but the French could have wrought this gastronomic miracle? Mayonnaise is France's gift to the New World's muddled palate, a boon that combines humanity's ancient instinctive craving for the cellular warmth of pure fat with the modern, romantic fondness for complex flavors: mayo (as the lazy call it) may appear mild and prosaic, but behind its creamy veil it fairly seethes with tangy disposition. Cholesterol aside, it projects the luster that we astro-orphans have identified with well-being ever since we fell from the stars.
Tom Robbins (Villa Incognito)
Hal Incandenza, though he has no idea yet of why his father really put his head in a specially-dickied microwave in the Year of the Trial-Size Dove Bar, is pretty sure that it wasn’t because of standard U.S. anhedonia. Hal himself hasn’t had a bona fide intensity-of-interior-life-type emotion since he was tiny; he finds terms like joie and value to be like so many variables in rarified equations, and he can manipulate them well enough to satisfy everyone but himself that he’s in there, inside his own hull, as a human being – but in fact he is far more robotic than John Wayne. One of his troubles with his Moms is the fact that Avril Incandenza believes she knows him inside and out as a human being, and an internally worthy one at that, when in fact inside Hal there’s pretty much nothing at all, he knows. His Moms Avril hears her own echoes inside him and thinks what she hears is him, and this makes Hal feel the one thing he feels to the limit, lately: he is lonely.
David Foster Wallace (Infinite Jest)
Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the suitcase with a special English leather dressing, not that it needed polishing because he took such good care of it, but for its protection. He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take money, masses of money, it took a certain security. He had been on the road to it, even with Marc Priminger. He had appreciated Marc’s possessions, and they were what had attracted him to the house, but they were not his own, and it had been impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given him only an added momentum on the road he had been travelling. The money gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had recently read an interesting book on that subject by an American living in Rome), to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
I doubt that I will ever forget those last two years of high school or the devastation that rained upon every person involved. One could say that, in a way, Dickie continued to bully me for many years even after his death. Dickie lost his life, and I lost my ability to control mine.
C. Michael Smith
I'm okay,' Tom said in a quiet, deep voice. 'I don't know what was the matter. Must have been the heat that got me for a minute.' He laughed a little. That was reality, laughing it off, making it silly, something that was more important than anything that had happened to him in the five weeks since he had met Dickie, maybe that had ever happened to him.
Patricia Highsmith (Ripley: The Talented Mr. Ripley / Ripley Underground / Ripley's Game / The Boy Who Followed Ripley (Ripley, #1-4))
Wisdom was knowing what to do. Skill was the ability to do it.Virtue was doing it. When wisdom didn't subdue anger, anger destroyed everything.
Eric Jerome Dickey
Semakin kalian merasa dewasa, semakin kalian jauh dari kesempurnaan" - Kumpulan Cerita Pendek Mama Rice
Ignasius Dicky Takndare
Al contadino non gli far sapere, quanto sia buono il cacio colle pere’ –
John Dickie (Delizia!)
This is one of mommy's friends, buddy," I told Gavin. (...) "You're Mommy's fwiend?" he questioned. Carter just nodded with his mouth open and no sound coming out. I’m pretty sure he didn’t even hear Gavin. Someone could have asked him if he liked to watch gay porn while painting pictures of kittens and he would have nodded his head. Before anyone could react, Gavin pulled back one of his little fists of fury and slammed it right into Carters manhood. He immediately bent over at the waist, clutching his hands between his legs and gasping for breath. "Oh my God! Gavin!" I yelled, as I scrambled over to him, bent down and turned him around to face me while my dad and Liz laughed like hyenas behind me. "What is wrong with you? We don't hit people. EVER," I scolded. While Carter tried to breathe again, my dad managed to stop laughing long enough to apologize. "Sorry, Claire, that's probably my fault. I let Gavin watch "Fight Club" with me last night." "Your fwiends got you sick the other night. You said he was your fwiend," Gavin explained, like it made all the sense in the world. This just made my dad laugh even louder. "Not helping, Dad," I growled through clenched teeth. "You don't make my mommy sick, dicky-punk!" Gavin yelled at Carter, putting his two little fingers up by his eyes, and then pointing them right at Carter just like Liz had done to him earlier. "Jesus Christ," Carter wheezed. "Did he just threaten me?" "Jesus Cwist!" Gavin repeated back.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Beyond Sicily came Greece. He definitely wanted to see Greece. He wanted to see Greece as Dickie Greenleaf with Dickie’s money, Dickie’s clothes, Dickie’s way of behaving with strangers. But would it happen that he couldn’t see Greece as Dickie Greenleaf? Would one thing after another come up to thwart him—murder, suspicion, people? He hadn’t wanted to murder, it had been a necessity.
Patricia Highsmith (The Talented Mr. Ripley (Ripley, #1))
French rule brought a whole series of innovations in the way the Kingdom was run. Out went feudalism, and in came private property. Out went a messy assemblage of local customs, baronial and church jurisdictions, and public ordinances: in came a new code of civil law and the beginnings of a police force. The southern part of the Italian peninsula began to resemble a modern, centralised state.
John Dickie (Blood Brotherhoods: A History of Italy's Three Mafias)
I grew up being told, "If you do marijuana you'll be a slave for the rest of your life," and it only took me ten minutes to realize smoking marijuana was pretty cool. Then it was, "If you take LSD you'll be a slave for the rest of your life. Then it got to be, "If you take cocaine, you'll be slave for life." I took LSD, and I wasn't a slave for life. There was a time when I thought, "Hey, I've been taking Heroin for six months and I feel fine. You know, just on weekends." I actually believed that you didn't have to become addicted. I was wrong. The most important thing out of this is, don't lie to the kids. If marijuana is not going to make you homeless and addicted, don't tell people it is, because they'll found out it doesn't, then when they get to the stuff that really WILL, they ain't gonna believe you." - Dickie Peterson
Jon Wiederhorn (Louder Than Hell: The Definitive Oral History of Metal)
When Pat gave her ‘criminal-hero’ Tom Ripley a charmed and parentless life, a wealthy, socially poised Alter Ego (Dickie Greenleaf), and a guilt-free modus operandi (after he kills Dickie, Tom murders only when necessary), she was doing just what her fellow comic book artists were doing with their Superheroes: allowing her fictional character to finesse situations she herself could only approach in wish fulfillment. And when she reimagined her own psychological split in Ripley’s character — endowing him with both her weakest traits (paralyzing self-consciousness and hero-worship) and her wildest dreams (murder and money) — she was turning the material of the ‘comic book’ upside down and making it into something very like a ‘tragic book.’ 'It is always so easy for me to see the world upside down,’ Pat wrote in her diary– and everywhere else.
Joan Schenkar (The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith)
knees and your shirt caught in your zipper.” “I don’t remember that part,” Dickie said. “Did I used to do that?” “Yes.” Dickie started laughing. “I wasn’t making a lot of money back then. I couldn’t afford a hotel room.” “It’s not funny!” I said. “Sure it is. Grass stains and rug burns are always funny.” He looked over at Morelli. “She didn’t like to do doggy.” Morelli slid a look at me and smiled. There wasn’t much I didn’t like
Janet Evanovich (Lean Mean Thirteen (Stephanie Plum, #13))
Trouble with arms is, everyone thought they were recession-proof, but they’re not. Iran–Iraq was an arms dealers’ charter, and they thought it would never end. Since then it’s been downhill all the way. Too many manufacturers chasing too few wars. Too much loose hardware being dumped on the market. Too much peace about and not enough hard currency. Our Dicky did a bit of the Serbo-Croat thing, of course – Croats via Athens, Serbs via Poland – but the numbers weren’t in his league and there were too many dogs in the hunt. Cuba’s gone dead, so’s South Africa, they make their own. Ireland isn’t worth a light or he’d have done that too. Peru, he’s got a thing going there, supplying the Shining Path boys. And he’s been making a play for the Muslim insurgents in the Southern Philippines, but the North Koreans are in there ahead of him and I’ve a suspicion he’s going to get his nose bloodied again.
John le Carré (The Night Manager)
Half a dozen epicene young pagans who haven’t even been to Algiers will tell you, first, that your notion is borrowed, and, secondly, that it isn’t Art. ‘This comes of my leaving town for a month. Dickie, you’ve been promenading among the toy-shops and hearing people talk.’ ‘I couldn’t help it,’ said Dick, penitently. ‘You weren’t here, and it was lonely these long evenings. A man can’t work for ever.’ ‘A man might have gone to a pub, and got decently drunk.
Rudyard Kipling (The Complete Works of Rudyard Kipling)
Well, you're to stay here and be my little boy till we find out where father is. We shall let the police know. They're sure to find him." "The pleece!" Dickie cried in horror. "Why, father, 'e ain't done nothing." "No, no, of course not," said the lady in a hurry; "but the police know all sorts of things—about where people are, I know, and what they're doing—even when they haven't done anything." "The pleece knows a jolly sight too much," said Dickie, in gloom.
E. Nesbit (Harding's Luck)
Above all, mafiosi in both Sicily and the US continued to think of themselves as a breed apart from other human beings and even other criminals. American or Sicilian, to be a man of honour means to operate beyond society’s measures of right and wrong.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
Ketika kita berada di kaki gunung dan hendak mendaki, yang paling kita butuhkan hanyalah untuk sampai di puncaknya, lalu setalah sampai di sana yang paling kita butuhkan adalah oksigen yang jauh lebih banyak tersedia di kaki gunung" - Kumpulan Cerita Pendek Mama Rice
Ignasius Dicky Takndare
The inhumanity of slavery is incomprehensible. It's glossed over in our schools, and washes over our heads with only passing mention. That bell (slavery) can't be unrung, but I believe the real stories, often horrific, should be told in the hope that history won't repeat itself.
Dickie Erman
Claire, you think about a situation or a person or a book as hard as you can and you keep thinking about it and you don't stop until you find something wrong with it. You might find that difficult as you go through life.' This she said to a doughy twelve-year-old child dressed in yellow Dickies painter's paints and a baseball jersey. I am certain I stared at her speechless from under my enormous mop of tangled, unbrushed hair. But I never forgot what she said. Did she see something true in me, even then, something restlessly critical, or did she make me a critic with those words, cursing me as if she were an evil fairy?
Claire Dederer (Monsters: A Fan's Dilemma)
At Tulliallan Police College DI John Rebus based at St. Leonard’s police station in Edinburgh DI James “Jazz” McCullough based in Dundee DI Francis Gray based in Glasgow DS Stu Sutherland based in Livingston DI Thomas “Tam” Barclay based in Falkirk DC Allan Ward based in Dumfries DCI Archibald Tennant the Resurrection Men’s boss Andrea Thomson career analyst The Rico Lomax Murder Case Eric “Rico” Lomax murder victim Fenella Rico’s widow “Chib” Kelly Fenella’s current lover, Glasgow bar owner and criminal Richard “Dickie” Diamond Rico’s friend Malky Dickie’s nephew, barman in Edinburgh Jenny Bell Dickie’s onetime girlfriend Bernie Johns deceased Glasgow drug baron
Ian Rankin (Resurrection Men (Inspector Rebus, #13))
However,I suspect you aren't a proper lady so we should do well enough." Suzette suddenly came to an abrupt halt and this time even his firm grip couldn't keep her moving,at least not gracefully. If he didn't stop he'd be dragging her along behind him like an old robe. Pausing,Daniel raised an eyebrow in question. "Would you care to repeat that?" she asked coldly. Daniel hesitated and then pointed out mildly, "I simply meant that I suspect you can be a little less than proper at times. Surely a proper young lady wouldn't say what you did back there to Richard?" Her eyes became daggers, her mouth turning down with dislike. "Dicky deserved it. The man is a bounder.
Lynsay Sands (The Heiress (Madison Sisters, #2))
Why I Like Being Baldy • Never have to pay for a haircut • No need for styling • The birds love it • You can get together with a fellow baldy and pretend to be a pair of tits • You can pretend to be Ming the Merciless, Emperor of the Galaxy, with more conviction than people with hair • It makes you look hard • Richard O’Brien • You can draw a line down the middle of your head and pretend to be a cock • A hat will always fit • No dickies • Save money on Shampoo • Time saver should you wish to become ordained into an order of Buddhist monks Why I Don’t Like Being Baldy • Can never make a balloon static to entertain a child • Might get mistaken for Ross Kemp • Lack of hair
Steven LaVey (Shorts)
Tisn't life that matters! 'Tis the courage you bring to it" … this from old Frosted Moses in the warm corner by the door. There might have been an answer, but Dicky Tasset, the Town Idiot, filled in the pause with the tale that he was telling Mother Figgis. "And I ran—a mile or more with the stars dotted all over the ground for yer pickin', as yer might say…." A little boy, Peter Westcott, heard what old Frosted Moses had said, and turned it over in his mind. He was twelve years old, was short and thick-necked, and just now looked very small because he was perched on so high a chair. It was one of the four ancient chairs that Sam Figgis always kept in the great kitchen behind the taproom.
Hugh Walpole (Fortitude)
It was a horse-world, that’s what it was. When I think of him sitting beside me up there on the cart I don’t think of scrap metal, brass, copper, lead, cast-iron. I think of Duke. I think of the life of carters and pedlars. I see him lean forward, elbows on knees, after I’ve taken up the reins, and start to look around him as if he hadn’t noticed the world passing by. I see him scratch his neck and reset his cap. I see him light up a snout, dicky chest or no dicky chest, and breathe out the first drag, bottom lip jutting, then rub his chin with the tip of his thumb, cigarette between his fingers, then run the ball of his thumb across his forehead, and I know I do all those things, without helping it, the same gestures, the same motions.
Graham Swift (Last Orders)
The camorra turned the needs and rights of their fellow prisoners (like their bread or their pizzo) into favours. Favours that had to be paid for, one way or another. The camorra system was based on the power to grant those favours and to take them away. Or even to throw them in people’s faces. The real cruelty of the turnip-throwing episode is that the camorrista was bestowing a favour that he could just as easily have withheld.
John Dickie (Blood Brotherhoods: A History of Italy's Three Mafias)
When their brother-in-law turned toward them at the sound,Lisa breathed with horror, "But you're dead." Her head swiveled to Christiana. "Wasn't he dead, Chrissy? We packed ice around him and everything." "The ice must have revived his cold dead heart," Suzette said, anger helping her recover quickly from her shock. Glaring at the man, she added a dry but heartfelt, "More's the pity." If Dicky looked surprised by her comments, Christiana looked absolutely horrified. "Suzette!" she gasped, shuffling a little closer as if to phsyically silence her if Suzette tried to make another such comment. "Perhaps we should go out for some air. Lisa looks ready to faint and you, Suzie, obviously need some time to cool yourself. Perhaps so much dancing has overheated you." Suzette was about to snort at the suggestion that dancing had brought about her bitter words when her arm was suddenly taken in a firm grip and the words "Allow me" rang in her ears. Glancing around with a start, she frowned at the man who had suddenly appeared out of seemingly thin air and stepped between her and Lisa, taking both of them in hand like recalcitrant children. He was already turning them firmly away from Christiana and Dicky as he added, "I shall see the ladies outside so the two of you might talk.
Lynsay Sands (The Heiress (Madison Sisters, #2))
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
Margaret Irwin (Bloodstock and Other Stories)
If he had any sense of honor at all, the man would have stayed dead." "Unfortunately, it appears he was merely unconscious," Daniel murmured. He was becoming quite certain George was dead. This might greaty simplify matters, or at least it would if Richard was willing to uphold the marriage to Christiana...and really, Daniel was beginning to think that would be the most honorable thing to do here. While he didn't think much of their looking to marry a man with money to solve their problems, it did seem a shame to cast the scandal of George's actions on these three women when none of it was their fault at all. Unconscious," Suzette spat the word with disdain. "He must have been, and he had obviously been drinking." She tsked with exasperation and stomped her foot, muttering, "Why could the beast not have been dead? I should have smothered him in his bed to be sure he was and stayed that way." Daniel stared at her with amazement. His first thought was that, really, aside froom her fortune hunting and homicidal tendencies, the woman was quite fascinating in her complete and utter lack of artifice. His next thought was that the ton would eat her alive. Artifice and subterfuge were necessary tools to survive society and she was obviously completely lacking in both. Suzette suddenly heaved a put upon breath and muttered, "I suppose I had best be sure I find a husband tonight. Otherwise, surely Dicky will find some way to throw a spanner in my plans." Daniel's eyebrows flew up at her words and then she peered at him with interest. "You're a handsome enough fellow," she commented thoughtfully. Daniel blinked, and then muttered, "Oh...er...thank you. I think." "You don't seem a dullard either," she added, tilting her head to inspect him consideringly. "Erm," he said weakly. "And you aren't old. That's another plus." Daniel was puzzling over that when she asked abruptly, "Are you rich?
Lynsay Sands (The Heiress (Madison Sisters, #2))
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
Mafiosi, for Franchetti, were entrepreneurs in violence, specialists who had developed what today would be called the most sophisticated business model in the marketplace. Under the leadership of their bosses, mafia bands ‘invested’ violence in various commercial spheres in order to extort protection money and guarantee monopolies. This was what he called the violence industry. As Franchetti wrote, [in the violence industry] the mafia boss . . . acts as capitalist, impresario and manager. He unifies the management of the crimes committed . . . he regulates the way labour and duties are divided out, and controls discipline amongst the workers. (Discipline is indispensable in this as in any other industry if abundant and constant profits are to be obtained.) It is the mafia boss’s job to judge from circumstances whether the acts of violence should be suspended for a while, or multiplied and made fiercer. He has to adapt to market conditions to choose which operations to carry out, which people to exploit, which form of violence to use.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
Capitalism runs on investment, and lawlessness puts investment at risk. No one wants to buy new machinery or more land to plant with commercial crops when there is a strong risk that those machines or crops will be stolen or vandalized by competitors. When it supplanted feudalism, the modern state was supposed to establish a monopoly on violence, on the power to wage war and punish criminals. When the modern state monopolizes violence in this way, it helps create the conditions in which commerce can flourish. The barons’ ramshackle, unruly private militias were scheduled to disappear. Franchetti argued that the key to the development of the mafia in Sicily was that the state had fallen catastrophically short of this ideal. It was untrustworthy because, after 1812, it failed to establish its monopoly on the use of violence. The barons’ power on the ground was such that the central state’s courts and policemen could be pressurized into doing what the local lord wanted. Worse still, it was now no longer only the barons who felt they had the right to use force. Violence became ‘democratized’,
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
Conservatism" in America's politics means "Let's keep the niggers in their place." And "liberalism" means "Let's keep the knee-grows in their place-but tell them we'll treat them a little better; let's fool them more, with more promises." With these choices, I felt that the American black man only needed to choose which one to be eaten by, the "liberal" fox or the "conservative" wolf-because both of them would eat him. I didn't go for Goldwater any more than for Johnson-except that in a wolf's den, I'd always known exactly where I stood; I'd watch the dangerous wolf closer than I would the smooth, sly fox. The wolf's very growling would keep me alert and fighting him to survive, whereas I might be lulled and fooled by the tricky fox. I'll give you an illustration of the fox. When the assassination in Dallas made Johnson President, who was the first person he called for? It was for his best friend, "Dicky"-Richard Russell of Georgia. Civil rights was "a moral issue," Johnson was declaring to everybody-while his best friend was the Southern racist who led the civil rights opposition. How would some sheriff sound, declaring himself so against bank robbery-and Jesse James his best friend? How would some sheriff sound, declaring himself so against bank robbery-and Jesse James his best friend? Goldwater as a man, I respected for speaking out his true convictions-something rarely done in politics today. He wasn't whispering to racists and smiling at integrationists. I felt Goldwater wouldn't have risked his unpopular stand without conviction. He flatly told black men he wasn't for them-and there is this to consider: always, the black people have advanced further when they have seen they had to rise up against a system that they clearly saw was outright against them. Under the steady lullabies sung by foxy liberals, the Northern Negro became a beggar. But the Southern Negro, facing the honestly snarling white man, rose up to battle that white man for his freedom-long before it happened in the North. Anyway, I didn't feel that Goldwater was any better for black men than Johnson, or vice-versa. I wasn't in the United States at election time, but if I had been, I wouldn't have put myself in the position of voting for either candidate for the Presidency, or of recommending to any black man to do so. It has turned out that it's Johnson in the White House-and black votes were a major factor in his winning as decisively as he wanted to. If it had been Goldwater, all I am saying is that the black people would at least have known they were dealing with an honestly growling wolf, rather than a fox who could have them half-digested before they even knew what was happening.
Malcolm X (The Autobiography of Malcolm X)
And then she would discuss very different people whom she had been led to believe existed; hard-working, honourable men and women, not a few of them possessed of fine brains, yet lacking the courage to admit their inversion. Honourable, it seemed, in all things save this that the world had forced on them - this dishonourable lie whereby alone they could hope to find peace, could hope to stake out a claim on existence. And always these people must carry that lie like a poisonous asp pressed against their bosoms; must unworthily hide and deny their love, which might well be the finest thing about them. And what of the women who had worked in the war - those quiet, gaunt women she had seen about London? England had called them and they had come; for once, unabashed, they had faced the daylight. And now because they were not prepared to slink back and hide in their holes and corners, the very public whom they had served was the first to turn round and spit upon them; to cry: 'Away with this canker in our midst, this nest of unrighteousness and corruption!' That was the gratitude they had received for the work they had done out of love for England! And what of that curious craving for religion which so often went hand in hand with inversion? Many such people were deeply religious, and this surely was one of their bitterest problems. They believed, and believing they craved a blessing on what to some of them seemed very sacred - a faithful and deeply devoted union. But the Church's blessing was not for them. Faithful they might be, leading orderly lives, harming no one, and yet the Church turned away; her blessings were strictly reserved for the normal. Then Stephen would come to the thing of all others that to her was the most agonising question. Youth, what of youth? Where could it turn for its natural and harmless recreations? There was Dickie West and many more like her, vigorous, courageous and kind-hearted youngsters; yet shut away from so many of the pleasures that belonged by right to every young creature - and more pitiful still was the lot of a girl who, herself being normal, gave her love to an invert. The young had a right to their innocent pleasures, a right to social companionship; had a right, indeed, to resent isolation. But here, as in all the great cities of the world, they were isolated until they went under; until, in their ignorance and resentment, they turned to the only communal life that a world bent upon their destruction had left them; turned to the worst elements of their kind, to those who haunted the bars of Paris. Their lovers were helpless, for what could they do? Empty-handed they were, having nothing to offer. And even the tolerant normal were helpless - those who went to Valérie's parties, for instance. If they had sons and daughters, they left them at home; and considering all things, who could blame them? While as for themselves, they were far too old - only tolerant, no doubt, because they were ageing. They could not provide the frivolities for which youth had a perfectly natural craving.
Radclyffe Hall (The Well of Loneliness)
When I was a wee lad, Uncle Dickie sat me on his knee, and regaled me with stories about the genesis of a game that involved trying to jam a ball into a hole in the ground with a stick,
David Feherty (A Nasty Bit of Rough)
Little black and tan older dog?" Verdie asked. "Do you know who he belongs to?" "Belonged to, not belongs. Old man Rawling died about two weeks ago. His family intended to have Pete and Joe put to sleep the day after the funeral, but they both vanished."... "Dickie bought that crazy bird for his wife, Mary, about six years ago. He'd promised her that someday he'd take her to a tropical island and then she got cancer and he couldn't take her so he bought her the bird.
Carolyn Brown (Cowboy Boots for Christmas: Cowboy Not Included (Burnt Boot, Texas, #1))
report that because the tabloid in question
Dickie Arbiter (On Duty With the Queen)
good with my hands, and out of necessity
Dickie Arbiter (On Duty With the Queen)
Dicky was intelligent but he ended up selling tea because he was socially retarded.
Johnny B. Truant (The Bialy Pimps)
FreshBooks,
Robert Dickie (The Leap: Launching Your Full-Time Career in Our Part-Time Economy)
Welcome to the barship Fools’ Glory. I’m the head honcho, John Murphy. And you are the Supreme Exalted Dictator for Life. A bit long. Mind if I call you Dicky for short?
Patrick Thomas (Startenders: Book 1)
Dickie Arbiter Former press secretary to Queen Elizabeth II Dickie Arbiter is a British broadcaster and journalist. He has covered royalty, heads of state, and other international personalities for more than thirty years, and his unique access to so many important figures of recent history makes him one of the most experienced commentators in Britain. He is currently in high demand throughout the world as a lecturer and commentator on radio and television. I traveled a great deal with her at home and abroad, and we spent many hours in each other’s company. We occasionally swam together early in the morning or late at night, and we had many laughs--she had a great sense of humor. She was intoxicating, and any man she met immediately fell in love with her--including me.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
--she had a great sense of humor. She was intoxicating, and any man she met immediately fell in love with her—including me. --Dickie Arbiter
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
SpottieOttieDopaliscious [Hook] Damn damn damn James [Verse 1: Sleepy Brown] Dickie shorts and Lincoln's clean Leanin', checking out the scene Gangsta boys, blizzes lit Ridin' out, talkin' shit Nigga where you wanna go? You know the club don't close 'til four Let's party 'til we can't no more Watch out here come the folks (Damn - oh lord) [Verse 2: André 3000] As the plot thickens it gives me the dickens Reminiscent of Charles a lil' discotheque Nestled in the ghettos of Niggaville, USA Via Atlanta, Georgia a lil' spot where Young men and young women go to experience They first li'l taste of the night life Me? Well I've never been there; well perhaps once But I was so engulfed in the Olde E I never made it to the door you speak of, hardcore While the DJ sweatin' out all the problems And the troubles of the day While this fine bow-legged girl fine as all outdoors Lulls lukewarm lullabies in your left ear Competing with "Set it Off," in the right But it all blends perfectly let the liquor tell it "Hey hey look baby they playin' our song" And the crowd goes wild as if Holyfield has just won the fight But in actuality it's only about 3 A.M And three niggas just don' got hauled Off in the ambulance (sliced up) Two niggas don' start bustin' (wham wham) And one nigga don' took his shirt off talkin' 'bout "Now who else wanna fuck with Hollywood Courts?" It's just my interpretation of the situation [Hook] [Verse 3: Big Boi] Yes, when I first met my SpottieOttieDopalicious Angel I can remember that damn thing like yesterday The way she moved reminded me of a Brown Stallion Horse with skates on, ya know Smooth like a hot comb on nappy ass hair I walked up on her and was almost paralyzed Her neck was smelling sweeter Than a plate of yams with extra syrup Eyes beaming like four karats apiece just blindin' a nigga Felt like I chiefed a whole O of that Presidential My heart was beating so damn fast Never knowing this moment would bring another Life into this world Funny how shit come together sometimes (ya dig) One moment you frequent the booty clubs and The next four years you & somebody's daughter Raisin' y'all own young'n now that's a beautiful thang That's if you're on top of your game And man enough to handle real life situations (that is) Can't gamble feeding baby on that dope money Might not always be sufficient but the United Parcel Service & the people at the Post Office Didn't call you back because you had cloudy piss So now you back in the trap just that, trapped Go on and marinate on that for a minute
OutKast
What do you mean SOS?” “Same old shit, Dickie. It’s always SOS with you.
J.D. Robb
I want to strip that underwear off you. I want to lay you flat and bury my head between your thighs and stay there until you forget the name of any other man who’s ever gone down on you....I want to kiss you until we both can’t breathe...I want to push your gorgeous breasts together and thrust my cock between them until I come all over them....I want to look down and see your mouth around my dick...I want to turn you upside down and inside out with wanting me.
Amy Andrews (Playing It Cool (Sydney Smoke Rugby, #2))
Zach’s Fanfare #2” (MFSB)* “Comeback Kid” (Sleigh Bells) “Monkey Gone to Heaven” (The Pixies) “Spaceman” (Harry Nilsson) “Going Down” (Freddie King) “I’m Bad” (Rocket to Memphis) “Pumped Up Kicks” (Foster the People) “Nobody Does It Better” (Me First and the Gimme Gimmes) “Skull & Crossbones” (Sparkle Moore & Dan Belloc and His Orchestra) “Switchblade Smiles” (Kasabian) “I Wanna Destroy You” (The Soft Boys) “Drain You” (Foxy Shazam) “T.O.R.N.A.D.O.” (The Go! Team) “Woman of Mass Destruction” (The Woolly Bandits) “Tough Lover” (Nick Curran and the Lowlifes) “(I’m Stuck in a Pagoda With) Tricia Toyota” (The Dickies) “Apache” (The Sugarhill Gang) “For Whom the Bell Tolls” (Metallica) “We All Go Back to Where We Belong” (R.E.M.) “Change Reaction” (David Uosikkinen) “Satellite” (The Hooters) “Fanfare for Rocky” (Bill Conti)*
Duane Swierczynski (Point & Shoot (Charlie Hardie, #3))
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
Christian Galacar (Cicada Spring)
pop
Dickie Arbiter (On Duty With the Queen)
snick! snick! snick! “Lordy, this is fun!” After a lot more snickin’, all them fingers’n toes’d been clipped right off, an’ Dicky could see ’em sittin’ there on the ground. Weren’t much blood, though, on account’a how tight Balls’d tied the wrists’n ankles. “Lookit! The big dumb cracker’s passin’ out.
Edward Lee (The Bighead)
Palermo also seemed like a stone palimpsest of cultures stretching back over many hundreds of years.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
when feudalism ended; the legal preconditions were put in place for a property market. Quite simply, bits of the estates could now be bought and sold. And land that is acquired rather than inherited needs to be paid for; it is an investment that has to be put to profitable use. Capitalism had arrived in Sicily.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
I had had a chance to get to know her, and in doing so began to understand the kind of person she was. In a word, she was complicated. If things were going her way, she was fine. If anything out of the ordinary occurred – anything that conflicted with what she wanted to do, and in her way – then you were frozen out and left to stew until she decided to invite you back into the fold. The freeze could last days or even weeks, and no-one was immune.
Dickie Arbiter (On Duty with the Queen)
Rather than being a ‘ship of state’, Italy often seems more like a flotilla of boats, each piloted according to a different chart, each competing for access to the most favourable winds, yet each afraid of being isolated from the other craft.
John Dickie (Cosa Nostra: The Definitive History of the Sicilian Mafia)
Depression is being trapped in the past. Anxiety is being trapped in the future.
Robert Dickie III (Love Your Work: 4 Practical Ways You Can Pivot to Your Best Career)
Drew: “Dude, he put ass cream on his face. You do know I’m going to have to start calling your son Ass Face now, right?” Gavin: “Shut up, dicky.” Drew: “You shut up. You’re the one with the ass face.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
So why’d you part ways with this Dickie Orr person?” Lula asked. “He’s a jerk.” “Good enough for me,” she said. “I hate him already.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Sayang, pinang buat mama bukan cuma sekedar cari uang. Ko pu nene moyang makan pinang, dan sampai sekarang kitong teruskan budaya itu. Ini tentang kitong orang Papua
Ignatius Dicky Takndare
Kalau kamu memiliki cita - cita, hidupmu akan memiliki arah. Berusahalah sekuat tenaga untuk mencapai cita - citamu - Halaman 144.
Ignasius Dicky Takndare
Jangan pernah sepelekan dong pu impian di sini, bahkan ketika ko berpikir mereka tidak mungkin mewujudkannya !" - Kumpulan Cerita Pendek : Mama Rice
Ignasius Dicky Takndare
Kau ditakdirkan menjadi prajurit, bertempur tanpa bertanya, maju tanpa mundur..para pion, maju" - Kumpulan Cerita Pendek : Mama Rice
Ignasius Dicky Takndare
Kita semua menangis karena perang, tapi beberapa orang merasa mereka terlahir untuk itu. - Kumpulan Cerita Pendek : Mama Rice
Ignasius Dicky Takndare
Puji - pujian membuka tingkap - tingkap langit dan membawa hatimu pulang ke tempat dari mana ia datang"- Kumpulan Cerita Pendek Mama Rice
Ignasius Dicky Takndare
Apa itu kesalahan ? Dan, apa itu kebenaran ? Bersyukurlah, kalian telah sampai di sini". - Kumpulan Cerita Pendek Mama Rice
Ignasius Dicky Takndare