β
I'm not psycho...I just like psychotic things.
β
β
Gerard Way
β
Leo: "So...giants who can throw mountains. Friendly wolves that will eat us if we show weakness. Evil espresso drinks. Gotcha. Maybe this isn't the best time to bring up my psycho babysitter."
Piper: "Is that another joke?
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
I gave him a smile. I was aiming for sweet, but he turned a shade paler and scooted a bit farther from me. Note to self: work more on sweet and less on psycho-killer.
β
β
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
β
He bared his teeth in a happy feral grin. My own personal psycho.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
All it comes down to is this: I feel like shit but look great.
β
β
Bret Easton Ellis (American Psycho)
β
Nick - Psycho-ass? You're bringing psycho-ass back?
Zarek - That's Mister Psycho-ass to you, punk.
β
β
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
β
she thinks I'm psycho cause I like to rhyme her name with things.
β
β
Taylor Swift
β
Calvin: I used to hate writing assignments, but now I enjoy them. I realized that the purpose of writing is to inflate weak ideas, obscure poor reasoning, and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog! Want to see my book report?
Hobbes: (Reading Calvin's paper) "The Dynamics of Interbeing and Monological Imperatives in Dick and Jane: A Study in Psychic Transrelational Gender modes."
Calvin: Academia, here I come!
β
β
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
β
...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.
β
β
Bret Easton Ellis (American Psycho)
β
I have to return some videotapes
β
β
Bret Easton Ellis (American Psycho)
β
Is evil something you are? Or is it something you do?
β
β
Bret Easton Ellis (American Psycho)
β
Dude, you ran off with the crazy chick! You ran off with the psycho girl!" he's calling after Adam. "I thought they made that shit up. What the hell were you thinking? What are you going to do with the psycho chick? No wonder Warner wants you dead - OW, MAN, what the hell - "
"She's not crazy. And she's not deaf, asshole.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
Only psychos and shamans create their own reality
β
β
Terence McKenna
β
I'm just messing with you guys. I like seeing psycho chick get all intense." He glances at me, lowers his voice. "I mean that as a compliment--because, you know"--he waves a haphazard hand in my direction--"psycho kind of works for you.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel. I told him that I had recently read a novel called American Psycho,and that it was a shame that young Americans were serial murderers.
β
β
Chimamanda Ngozi Adichie
β
From now on, I'm not doing anything I don't want to do! The world owes me happiness, fulfillment and success.... I'm just here to cash in.
β
β
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
β
I had all the characteristics of a human beingβflesh, blood, skin, hairβbut my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
β
β
Bret Easton Ellis (American Psycho)
β
I'm into, oh murders and executions mostly. It depends.
β
β
Bret Easton Ellis (American Psycho)
β
I was just kidding, shuck-face," Minho said. "Let's all go over there. She could have an army of psycho girl ninjas hiding in that shack of hers."
"Psycho girl ninjas?" Newt repeated, his voice showing he was surprised, if not annoyed, by Minho's additude.
β
β
James Dashner (The Scorch Trials (The Maze Runner, #2))
β
I think perhaps all of us go a little crazy at times.
β
β
Robert Bloch (Psycho)
β
Ew. Someone put the dog out, "Rosalie murmured wrinkling her nose.
Have you herd this one, Psycho?
how do a blond's brain cells die?"
She didn't say anything.
Well?" I asked."Do you know the punch line or not?"
She looked pointedly at the TV and ignored me.
Has she heard it?" I asked Edward.
No." He answered.
Awesome. So you'll enjoy this, bloodsucker--a blond's brain cells die alone.
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
No, my friend. We are lunatics from the hospital up the highway, psycho-ceramics, the cracked pots of mankind. Would you like me to decipher a Rorschach for you?
β
β
Ken Kesey (One Flew Over the Cuckooβs Nest)
β
It's a well-known fact. All women are clinically insane, but especially ballet dancers. Psycho. extremely psycho. Trust me.
β
β
Marisa de los Santos (Belong to Me)
β
I like to dissect girls. Did you know I'm utterly insane?
β
β
Bret Easton Ellis (American Psycho)
β
Funny how we take it for granted that we know all there is to know about another person, just because we see them frequently or because of some strong emotional tie.
β
β
Robert Bloch (Psycho (Psycho, #1))
β
This is not an exit.
β
β
Bret Easton Ellis (American Psycho)
β
Thereβs no use in denying it: this has been a bad week. Iβve started drinking my own urine.
β
β
Bret Easton Ellis (American Psycho)
β
Yes, heβs a good boy. Never been in trouble at school and heβs on the honor roll. Captain of the football team. All-around psycho serial killer who hides bodies in the fridge whenever his parents go out of town. (Nick)
I also eat babies for breakfast and torture small animals for fun. My therapist says Iβm making real progress though. (Caleb)
β
β
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
β
I laugh maniacally, then take a deep breath and touch my chest- expecting a heart to be thumping quickly, impatiently, but there's nothing there, not even a beat.
β
β
Bret Easton Ellis (American Psycho)
β
Honestly, itβs so easy to get what you want from people if they think youβre a psycho.
β
β
Sophie Kinsella (Twenties Girl)
β
The nutritionist said I should eat root vegetables.
Said if I could get down thirteen turnips a day
I would be grounded, rooted.
Said my head would not keep flying away
to where the darkness lives.
The psychic told me my heart carries too much weight.
Said for twenty dollars sheβd tell me what to do.
I handed her the twenty. She said, βStop worrying, darling.
You will find a good man soon.β
The first psycho therapist told me to spend
three hours each day sitting in a dark closet
with my eyes closed and ears plugged.
I tried it once but couldnβt stop thinking
about how gay it was to be sitting in the closet.
The yogi told me to stretch everything but the truth.
Said to focus on the out breath. Said everyone finds happiness
when they care more about what they give
than what they get.
The pharmacist said, βLexapro, Lamicatl, Lithium, Xanax.β
The doctor said an anti-psychotic might help me
forget what the trauma said.
The trauma said, βDonβt write these poems.
Nobody wants to hear you cry
about the grief inside your bones.β
But my bones said, βTyler Clementi jumped
from the George Washington Bridge
into the Hudson River convinced
he was entirely alone.β
My bones said, βWrite the poems.
β
β
Andrea Gibson (The Madness Vase)
β
It strikes me profoundly that the world is more often than not a bad and cruel place.
β
β
Bret Easton Ellis (American Psycho)
β
We buy balloons, we let them go.
β
β
Bret Easton Ellis (American Psycho)
β
Four givens are particularly relevant for psycho-therapy: the inevitability of death for each of us and for those we love; the freedom to make our lives as we will; our ultimate aloneness; and, finally, the absence of any obvious meaning or sense to life.
β
β
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
β
Um, because you're loopier than Flacky McPsycho, Mayor of Crazytown?"
"My databases show no record of this Crazytown of which you speak. A brain the size of an entire city burns inside me. My intelligence quotient is beyond the human scale. I would prefer if you did not refer to me in such a fashion."
"Oh, poor baby. Did I hurt the mass-murdering psychopathic artificial intelligence's feelings?
β
β
Amie Kaufman (Illuminae (The Illuminae Files, #1))
β
Whoa, boy, he told himself. Golden Rule for Demigods: Thou shalt not Hokey Pokey with psychos.
β
β
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
β
History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.
β
β
Bill Watterson (Homicidal Psycho Jungle Cat)
β
I didn't mean to push your psycho button.
β
β
Shannon K. Butcher (Burning Alive (Sentinel Wars, #1))
β
I've got about ten things to say to you right now. But at least nine of them would make me sound like a psycho.β
In spite of the seriousness of the situation, I nearly smiled. βWhatβs the tenth thing?β I asked his shirtfront.
He paused, considering it. βNever mind,β he grumbled. βThat one would make me sound like a psycho, too.
β
β
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
β
Willa might be a bit of a psychoβafter all, she did just push a child into the poolβbut the more time I spend with her, the more I feel like sheβs my psycho.
β
β
Elsie Silver (Heartless (Chestnut Springs, #2))
β
Why do all men seem to think they need to rescue a woman? Are we not capable of rescuing our damn selves? Why do I need to be rescued? I donβt need a man to rescue me, and I certainly donβt need no wallbanging, Purina-fucking, listening-at-my-wall-like-a-goddamn-psycho coming over here to rescue me! You got that, mister?
β
β
Alice Clayton (Wallbanger (Cocktail, #1))
β
Minds that have withered into psychosis are far more terrifying than any character of fiction.
β
β
Christian Baloga
β
I know thatβs weird, but thatβs what you love about me. You love how much I love you. Because yes. I love you way too much. More than anyone deserves to be loved. But I canβt help it. You make normal love hard. You make me psycho-love you.
β
β
Colleen Hoover (Never Never: Part Two (Never Never, #2))
β
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone, in fact I want my pain to be inflicted on others. I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
β
β
Bret Easton Ellis (American Psycho)
β
You can present the material, but you can't make me care.
β
β
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
β
Trust her; we girls are two sheets short of psycho when it comes to our special little time.
β
β
Sandi Lynn (Forever Black (Forever, #1))
β
Disintegration---I'm taking it in stride.
β
β
Bret Easton Ellis (American Psycho)
β
So if you were a boy band, youβd be One Erection,β I state, rambling because they have me nervous.
β
β
Kristy Cunning (Four Psychos (The Dark Side, #1))
β
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
β
β
Alfred Hitchcock
β
My pain is constant and sharp...this confession has meant nothing
β
β
Bret Easton Ellis (American Psycho)
β
Unbelievable," I said. "First you wanted to hide her away to keep you alive. Now you actually want her out in the world to use her compulsion for your own psycho plans.
β
β
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β
We waited and waited. All of us. Didn't the shrink know that waiting was one of the things that drove people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
β
β
Charles Bukowski (Pulp)
β
You will act like the sort of person you conceive yourself to be.
β
β
Maxwell Maltz (Psycho-Cybernetics: A New Way to Get More Living Out of Life)
β
Why not? Give me one good reason why we shouldn't get married."
Because trying to fuck you is like trying to french-kiss a very.... small and... lively gerbil? With braces?
β
β
Bret Easton Ellis (American Psycho)
β
But... what about us? What about the past?" she asks blankly.
"The past isn't real. it's just a dream," I say. "Don't mention the past.
β
β
Bret Easton Ellis (American Psycho)
β
He kissed me, and I pulled my personal psycho into bed with me.
β
β
Ilona Andrews (Magic Slays (Kate Daniels, #5))
β
And though the coldness I have always felt leaves me, the numbness doesn't and probably never will. this relationship will probably lead to nothing... this didn't change anything. I imagine her smelling clean, like tea...
β
β
Bret Easton Ellis (American Psycho)
β
A psycho murderer who lubed. How considerate.
β
β
Jordan Castillo Price (Among the Living (PsyCop, #1))
β
Let me go!" She tore off a mirror and brandished it in his face. "I mean it! I don't want to go to your godforsaken hellbarn, you retarded psycho farmer!
β
β
Gina Damico (Croak (Croak, #1))
β
I stare into a thin, web-like crack above the urinal's handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone. No... one... would... care. In fact some, if they noticed my absence, might feel an odd, indefinable sense of relief. This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.
β
β
Bret Easton Ellis (American Psycho)
β
You, psycho-ass, and Talon, Iβll cover, but not him. (Nick)
Psycho-ass? Hmm, I like that. (Zarek)
Nickβ (Acheron)
Itβs all right, Greek. I would rather die than have his plebeian help anyway. (Valerius)
Make that three votes, then. I would rather he died, too. Now all together, letβs vote this asshole off the island. (Zarek)
β
β
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
β
I feel I'm moving toward as well as away from something, and anything is possible.
β
β
Bret Easton Ellis (American Psycho)
β
Mentally, I was a slut. Physically, I was terrified of intimacy. Spiritually, I didnβt like men.
I was confused.
β
β
Jasmine Mas (Psycho Devils (Cruel Shifterverse #5))
β
I think a lot of snowflakes are alike...and I think a lot of people are alike too.
β
β
Bret Easton Ellis (American Psycho)
β
This means that I don't have to run faster than the psychotic-maniac-vampire-cannibal, I just have to run faster than whoever is with me when the psychotic-maniac-vampire-cannibal starts chasing us.
β
β
Jim Benton (Okay, So Maybe I Do Have Superpowers (Dear Dumb Diary #11))
β
Thatβs why I have Jericho, Jared, and Zarek. (Acheron)
Psycho-ass? Youβre bringing Psycho-ass back? (Nick)
Thatβs Mister Psycho-ass to you, punk. (Zarek)
β
β
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
β
Your nervous system cannot tell the difference between an imagined experience and a βrealβ experience.
β
β
Maxwell Maltz (Psycho-Cybernetics: A New Way to Get More Living Out of Life)
β
You never know when some crazed rodent with cold feet could be running loose in your pants.
β
β
Bill Watterson (Homicidal Psycho Jungle Cat: A Calvin and Hobbes Collection)
β
Youβre kind of a psycho. I get that.β
βI might be,β Monica agreed, and gave her a slow, strange smile. βYouβre one smart little freak. Now run away, smart little freak, before I change my mind and stick you in one of these old suitcases for some architect to find a hundred years from now.β
Claire blinked. βArchaeologist.β
Monicaβs eyes turned winter cold. βOh, youβd better start running away now.
β
β
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
β
β¦there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting thisβand I have countless times, in just about every act Iβve committedβand coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothingβ¦.
β
β
Bret Easton Ellis (American Psycho)
β
Da. This is going very well already."
Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?"
Mouse sneezed.
"Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine."
"It is like movie," Sanya said, nodding. "Dibs on Legolas."
"Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn."
"Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's."
"Aragorn wishes he looked that good," countered Thomas.
"What about Karrin?" Sanya asked.
"What--for Gimli?" Thomas mused. "She is fairly--"
"Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice.
"Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' "
As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest--
"Sanya," I said. "Who did I get cast as?"
"Sam," Sanya said.
I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been."
Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.
β
β
Jim Butcher (Changes (The Dresden Files, #12))
β
I've forgotten who I had lunch with earlier, and even more important, where.
β
β
Bret Easton Ellis (American Psycho)
β
Iβll give you this, Spartan. You sure can kiss. Feel free to lay one on me anytime you want to."
βWell, I do aim to please,β he drawled. βYou should see what I can do with my hands. And other parts of my body.β
I rolled my eyes. βSeriously? Youβve been cut open like a fish, thereβs a psycho-killer Reaper after us, and youβre still hitting me up for sex?β
Logan shrugged, but the devilish light didnβt fade from his gaze. βHey, you canβt blame a guy for trying.
β
β
Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β
Stephanie,' Valerie said. 'She's going to have a baby, and she's getting married.'
My father was confused. He looked around the room. No Joe. No Ranger. His eyes locked on Diesel. 'Not the psycho,' he said.
Diesel blew out a sigh.
My father turned to my mother. 'Get me the carving knife. Make sure it's sharp.
β
β
Janet Evanovich (Plum Lovin' (Stephanie Plum, #12.5))
β
We're all not quite as sane as we pretend to be.
β
β
Robert Bloch (Psycho (Psycho, #1))
β
Yeah, well, to hear you talk, most men should come with warning labels. (She lifted her hands up to frame her next statement.) Attention, please, Psycho Alert. Me, he-man, am prone to nasty mood swings, lengthy pouts, and possess the ability to tell a woman the truth about her weight without warning. (Selena)
β
β
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
β
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
β
β
Bret Easton Ellis (American Psycho)
β
This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.
β
β
Bret Easton Ellis (American Psycho)
β
I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
β
β
Bret Easton Ellis (American Psycho)
β
Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."
[Q&A with Larry McCaffery, Review of Contemporary Fiction, Summer 1993, Vol. 13.2]
β
β
David Foster Wallace
β
You're all trying to figure out what went wrong inside my head. Fucking idiots. You'll never crack the code that's inside my head. You'll never get into my castle. You'll never even get past the gate.
β
β
Brent Runyon
β
Every single person is a fool, insane, a failure, or a bad person to at least ten people.
β
β
Mokokoma Mokhonoana
β
Do you know what Ed Gein said about women?"
[...]
"'When I see a pretty girl walking down the street I think two things. One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.'" I stop finish my J&B in one swallow.
"What does the other part of him think?" Hamlin asks tentatively.
"What her head would look like on a stick
β
β
Bret Easton Ellis (American Psycho)
β
...when I look over at Luis in one brief flashing moment his head looks like a talking vagina and it scares the bejesus out of me...
β
β
Bret Easton Ellis (American Psycho)
β
Price. You're priceless.
β
β
Bret Easton Ellis (American Psycho)
β
You can't get dyslexia from pussy.
β
β
Bret Easton Ellis (American Psycho)
β
Magic--that's just a label, you know. Completely meaningless. It wasn't so very long ago that people were saying that electricity was magic.
β
β
Robert Bloch (Psycho (Psycho, #1))
β
If you do the job badly enough, sometimes you don't get asked to do it again.
β
β
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
β
The claim to a national culture in the past does not only rehabilitate that nation and serve as a justification for the hope of a future national culture. In the sphere of psycho-affective equilibrium it is responsible for an important change in the native. Perhaps we haven't sufficiently demonstrated that colonialism is not satisfied merely with holding a people in its grip and emptying the native's brain of all form and content. By a kind of perverted logic, it turns to the past of the oppressed people, and distorts, disfigures, and destroys it. This work of devaluing pre-colonial history takes on a dialectical significance today.
β
β
Frantz Fanon (The Wretched of the Earth)
β
A curtain of stars, miles of them, are scattered, glowing, across the sky and their multitude humbles me, which I have a hard time tolerating. She shrugs and nods after I say something about forms of anxiety. It's as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there... is... no... key.
β
β
Bret Easton Ellis (American Psycho)
β
A human being always acts and feels and performs in accordance with what he imagines to be true about himself and his environment...For imagination sets the goal βpictureβ which our automatic mechanism works on. We act, or fail to act, not because of βwill,β as is so commonly believed, but because of imagination.
β
β
Maxwell Maltz (The New Psycho-Cybernetics: The Original Science of Self-Improvement and Success That Has Changed the Lives of 30 Million People)
β
Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did. There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning. Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.
β
β
Bret Easton Ellis (American Psycho)
β
People just... disappear," he says.
"The Earth just opens up and swallows people," I say, some what sadly, checking my Rolex.
"Eerie." Kimball yawns, stretching. "Really eerie."
"Ominous." I nod my agreement.
"It's just"- he sights, exasperated- "futile.
β
β
Bret Easton Ellis (American Psycho)
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Where there was nature and earth, life and water, I saw a desert landscape that was unending, resembling some sort of crater, so devoid of reason and light and spirit that the mind could not grasp it on any sort of conscious level and if you came close the mind would reel backward, unable to take it in. It was a vision so clear and real and vital to me that in its purity it was almost abstract. This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through oneβs own taking pleasure in a feeling or a look or a gesture, of receiving another personβs love or kindness. Nothing was affirmative, the term βgenerosity of spiritβ applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface, was all that anyone found meaning inβ¦this was civilization as I saw it, colossal and jaggedβ¦
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Bret Easton Ellis (American Psycho)
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It is no exaggeration to say that every human being is hypnotized to some extent either by ideas he has uncritically accepted from others or ideas he has repeated to himself or convinced himself are true. These negative ideas have exactly the same effect upon our behavior as the negative ideas implanted into the mind of a hypnotized subject by a professional hypnotist.
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Maxwell Maltz (Psycho-Cybernetics: A New Way to Get More Living Out of Life)
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The seals stupidly dive off rocks into swirling black water, barking mindlessly. The zookeepers feed them dead fish. A crowd gathers around the tank, mostly adults, a few accompanied by children. On the seals' tank a plaque warns: COINS CAN KILLββIF SWALLOWED, COINS CAN LODGE IN AN ANIMAL'S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL. So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It's not the seals I hateββit's the audience's enjoyment of them that bothers me.
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Bret Easton Ellis (American Psycho)
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God judges men from the inside out; men judge men from the outside in. Perhaps to God, an extreme mental patient is doing quite well in going a month without murder, for he fought his chemical imbalance and succeeded; oppositely, perhaps the healthy, able and stable man who has never murdered in his life yet went a lifetime consciously, willingly never loving anyone but himself may then be subject to harsher judgment than the extreme mental patient. It might be so that God will stand for the weak and question the strong.
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Criss Jami (Healology)
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Humanity has in the course of time had to endure from the hands of science two great outrages upon its naive self-love. The first was when it realized that our earth was not the center of the universe, but only a tiny speck in a world-system of a magnitude hardly conceivable; this is associated in our minds with the name of Copernicus, although Alexandrian doctrines taught something very similar. The second was when biological research robbed man of his peculiar privilege of having been specially created, and relegated him to a descent from the animal world, implying an ineradicable animal nature in him: this transvaluation has been accomplished in our own time upon the instigation of Charles Darwin, Wallace, and their predecessors, and not without the most violent opposition from their contemporaries. But man's craving for grandiosity is now suffering the third and most bitter blow from present-day psychological research which is endeavoring to prove to the ego of each one of us that he is not even master in his own house, but that he must remain content with the veriest scraps of information about what is going on unconsciously in his own mind. We psycho-analysts were neither the first nor the only ones to propose to mankind that they should look inward; but it appears to be our lot to advocate it most insistently and to support it by empirical evidence which touches every man closely.
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Sigmund Freud (Introduction Γ la psychanalyse)
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Interviewer ...In the case of "American Psycho" I felt there was something more than just this desire to inflict pain--or that Ellis was being cruel the way you said serious artists need to be willing to be.
DFW: You're just displaying the sort of cynicism that lets readers be manipulated by bad writing. I think it's a kind of black cynicism about today's world that Ellis and certain others depend on for their readership. Look, if the contemporary condition is hopelessly shitty, insipid, materialistic, emotionally retarded, sadomasochistic, and stupid, then I (or any writer) can get away with slapping together stories with characters who are stupid, vapid, emotionally retarded, which is easy, because these sorts of characters require no development. With descriptions that are simply lists of brand-name consumer products. Where stupid people say insipid stuff to each other. If what's always distinguished bad writing -- flat characters, a narrative world that's cliched and not recognizably human, etc. -- is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. You can defend "Psycho" as being a sort of performative digest of late-eighties social problems, but it's no more than that.
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David Foster Wallace
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...a flood of reality. I get an odd feeling that this is a crucial moment in my life and I'm startled by the suddenness of what I guess passes for an epiphany. There is nothing of value I can offer her. For the first time I see her as uninhibited; she seems stronger, less controllable, wanting to take me into a new and unfamiliar land - the dreaded uncertainty of a totally different world. I sense she wants to rearrange my life in a significant way - her eyes tell me this and though I see truth in them, I also know that one day, sometime very soon, she too will be locked in the rhythm of my insanity. All I have to do is keep silent about this and not bring it up - yet she weakens me, it's almost as if she's making the decision about who I am, and in my own stubborn, willful way I can admit to feeling a pang, something tightening inside, and before I can stop it I find myself almost dazzled and moved that I might have the capacity to accept, though not return, her love. I wonder if even now, right here in Nowheres, she can see the darkening clouds behind my eyes lifting. And though the coldness I have always felt leaves me, the numbness doesn't and probably never will.
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Bret Easton Ellis (American Psycho)