Desperately Waiting For You Quotes

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Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me. Ash? “Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.” I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob. “Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
So what are you doing next Friday night?" "What have you got in mind?" "We could try hitting each other with cars," she suggested cheerfully. "Did that last weekend with Jase," he said with mock regret. "Go to the zoo and throw ourselves to the lions?" she fired back quickly, desperate to keep him focused on her rather than his caved-in chest. "The Romans sort of wore that one out. Got anything original?" "I'll think of something," she warned him. "Can't wait!
Josephine Angelini (Starcrossed (Starcrossed, #1))
We're all sinking in the same boat here. We're all bored and desperate and waiting for something to happen. Waiting for life to get better. Waiting for things to change. Waiting for that one person to finally notice us. We're all waiting. But we also need to realize that we all have the power to make those changes for ourselves.
Susane Colasanti (Waiting for You)
Madness is not what it seems. Time stops. All my life I've been obsessed with time, its motion and velocity, the way it works you over, the way it rushes you onward, a pebble turning in a brook. I've always been obsessed with where I'd go, and what I'd do, and how I would live. I've always harbored a desperate hope that I would make something of myself. Not then. Time stopped seeming so much like the thing that would transform me into something worthwhile and began to be inseparable from death. I spent my time merely waiting.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Confusion is a gift from God. Those times when you feel most desperate for a solution, sit. Wait. The information will become clear. The confusion is there to guide you. Seek detachment and become the producer of your life.
The RZA (The Tao of Wu)
Wait,” he said. “That’s not a word.” I looked down to where, in a moment of desperation, I’d played zixic on a triple-word-score space. “Uh, sure it is.” “What’s it mean?” “It’s sort of like…quixotic, but with more…” “Bullshit?” I laughed out loud. I’d never heard him swear before. “More zeal. Hence the z.” “Uh-huh. Use it in a sentence.” “Um…’You are a zixic writer.’“ “I don’t believe this.” “That you’re zixic?” “That you’re trying to cheat at Scrabble.” He leaned back against my couch, shaking his head. “I mean, I was ready to accept the whole evil thing, but this is kind of extreme.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
His hands tightened around mine. “I love you,” he said. “I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?” I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of Earth. Except that the sunlight was false, and his love was real. It was real. Very deliberately, I pulled my hands out of his. “You’re a demon,” I said, staring at the ground. “Most likely.” “I know what you’ve done.” “The exciting parts, anyway.” “And I still don’t know your name.” My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. “But I know you’re my husband.” The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I was a bird that might be startled into flight. Finally I met his eyes. “And,” I said. “I suppose I do love you.” Then he pulled me into his arms.
Rosamund Hodge (Cruel Beauty)
Alice watched and listened and focused beyond the words the actress spoke. She saw her eyes become desperate, searching, pleading for truth. She saw them land softly and gratefully on it. Her voice felt at first tentative and scared. Slowly, and without getting louder, it grew more confident and then joyful, playing sometimes like a song. Her eyebrows and shoulders and hands softened and opened, asking for acceptance and offering forgiveness. Her voice and body created an energy that filled Alice and moved her to tears. She squeezed the beautiful baby in her lap and kissed his sweet-smelling head. The actress stopped and came back into herself. She looked at Alice and waited. “Okay, what do you feel?” “I feel love. It’s about love.
Lisa Genova (Still Alice)
Forget about the scant hours in her brief life when Sylvia Plath was able to produce the works in Ariel. Forget about that tiny bit of time and just remember the days that spanned into years when she could not move, couldn’t think straight, could only lie in wait in a hospital bed, hoping for the relief that electroconvulsive therapy would bring. Don’t think of the striking on-screen picture, the mental movie you create of the pretty young woman being wheeled on the gurney to get her shock treatments, and don’t think of the psychedelic, photonegative image of this sane woman at the moment she receives that bolt of electricity. Think, instead, of the girl herself, of the way she must have felt right then, of the way no amount of great poetry and fascination and fame could make the pain she felt at that moment worth suffering. Remember that when you’re at the point at which you’re doing something as desperate and violent as sticking your head in an oven, it is only because the life that preceded this act felt worse. Think about living in depression from moment to moment, and know it is not worth any of the great art that comes a its by-product.
Elizabeth Wurtzel (Prozac Nation)
The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end
Jim Morrison (The Doors: The Complete Lyrics)
I suppose I merely thought it would be enough for you to know. That you might — if anything were to happen to me, you would remember I loved you desperately. And if for some reason, at the end of the year, you and James divorced. I would have waited
Cassandra Clare (Chain of Iron (The Last Hours, #2))
When we are harassed and reach the limit of our own strength, many of us then turn in desperation to God-"There are no atheists in foxholes." But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons. When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: "Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective." At such times, I frequently drop into the first church that I find open. Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick's Cathedral on Fifth Avenue, and remind myself that I'll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
One minute past desperation,” I whispered. “You have to wait one minute past desperation, Reid. That’s when it happens. You’ll get a break. You will. It’s coming” ...
Kate Stewart
You need to wake up and realize that you deserve more, and there is more waiting for you out there. Stop settling; it only tarnishes and corrodes your soul.
Lebo Grand
It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.
William Faulkner (Intruder in the Dust)
I know. And I couldn't wait any longer, I have to tell you - " The panic rises, and I grip the French band tighter. "Cricket, please -" But his words pour forth in a torrent. "I can't stop thinking about you, and I'm not the guy I used to be, I've changed -" "Cricket -" I look back up, feeling faint. His blue eyes are bright. Sincere. Desperate. "Go out with me tonight. Tomorrow night, every ni -" The words cut off in his throat as he sees something behind me. Cigarettes and spearmint. I want to die. "This is Max. My boyfriend. Max, this is Cricket Bell.
Stephanie Perkins
You must strive for your own voice, boys, and the longer you wait to begin, the less likely you are to find it at all. Thoreau said, 'Most men lead lives of quiet desperation.' Why be resigned to that? Risk walking new ground.
N.H. Kleinbaum (Dead Poets Society)
Perhaps, deep down inside that rugged shell of yours, there is a little girl desperately waiting for her Prince Charming to propose.” “Of course there is. Only until now, I'd been pretty successful at keeping that little brat's mouth shut.” “What will your answer be if he asks?” “You're funny. He can't ask. I'll find a way to be bitchy enough for the next forty years so that perfect moment never comes.” “You seem to have a good handle on that little girl after all.
Sylvain Neuvel (Sleeping Giants (Themis Files, #1))
Rage swept over her at being young, young and little, as if some evil fairy had put that spell on her. Why must you be locked up in this dreadful cage of childhood for twenty or a hundred years? Nothing in life was possible unless you were old and rich, until then you were only small and futile before your tormentors, desperately waiting for the release that only years could bring.
Dawn Powell (Dance Night)
A wife! No one else could love a man who had been trampled on by iron feet. She would wash his feet after he had been spat on; she would comb his tangled hair; she would look into his embittered eyes. The more lacerated his soul, the more revolting and contemptible he became to the world, the more she would love him. She would run after a truck; she would wait in queues on Kuznetsky Most, or even by the camp boundary fence, desperate to hand over a few sweets or an onion; she would bake shortbread for him on an oil stove; she would give years of her life just to be able to see him for half an hour... Not every woman you sleep with can be called a wife.
Vasily Grossman (Life and Fate)
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day.… —GUSTAVE FLAUBERT, Madame Bovary
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
How it must break His heart when we walk around so desperate for a love He waits to give us each and every day.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
She asked me for some advice regarding Mark’s financial affairs. It’s a very common problem for the families of missing persons – what happens when someone disappears? How long do you wait before you clean out their flat? Do you reregister their car? Who keeps paying the car payments? How do you access their bank account? What about rent and mortgage? When do you tell their employer you don’t think they’re coming back to their job?
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
The Fever Bird The fever bird sand out last night. I could not sleep, try as I might. My brain was split, my spirit raw. I looked into the garden, saw The shadow of the amaltas Shake slightly on the moonlit grass Unseen, the bird cried out its grief, Its lunacy, without relief: Three notes repeated closer, higher, Soaring, then sinking down like fire Only to breathe the night and soar, As crazed, as desperate, as before. I shivered in the midnight heat And smelt the sweat that soaked my sheet. And now tonight I hear again The call that skewers though my brain, The call, the brain-sick triple note-- A cone of pain stuck inits throat. I am so tired I could weep. Mad bird, for God's sake let me sleep Why do you cry like one possessed? When will you rest? When will you rest? Why wait each night till all but I Lie sleeping in the house, then cry? Why do you scream into my ear What no one else but I can hear?
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
So the White House wants to eat the Washington Post, so what? It will be wearing on you, but the end is in sight. It’s building and they see it and they know that they can’t stop the real story from coming out. That’s why they’re so desperate. Just be careful, yourselves and the paper, and wait them out, don’t jump too fast. Be careful and don’t be too anxious.
Carl Bernstein (All the President's Men)
Sit tight, I'm gonna need you to keep time Come on just snap, snap, snap your fingers for me Good, good now we're making some progress Come on just tap, tap, tap your toes to the beat And I believe this may call for a proper introduction, and well Don't you see, I'm the narrator, and this is just the prologue? Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Applause, applause, no wait wait Dear studio audience, I've an announcement to make: It seems the artists these days are not who you think So we'll pick back up on that on another page And I believe this may call for a proper introduction, and well Don't you see, I'm the narrator and this is just the prologue Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, you swear to listen Swear to shake it up, you swear to listen Swear to shake it up, you swear to listen Swear to shake it up, swear to shake it up Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes, trophy boys, trophy wives Swear to shake it up, if you swear to listen Oh, we're still so young, desperate for attention I aim to be your eyes
Panic at the Disco
As long as you call on God, He will answer you.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
He waits every day with every answer we need, every comfort we crave, every affection we’re desperate for, while we look everywhere else but at Him.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
Like night, the desert is boundless, comfortless and infinite. Like night, it intrigues the mind and leads it to futility. When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of it's coming is lost. You fly forever, weary with an invariable scene, and when you are at last released from its monotony, you remember nothing of it because there was nothing there.
Beryl Markham (West with the Night)
You want it, boy?" He pulled his prick out of his jeans. "God, yes. That's why I'm here." "Good." He left his jeans open, left his prick hard and pushing out. "Come on. Shower." "Turn around." He wanted to see it. Griff went a deep red, but the man turned to show the weird, stylized whip branded into one ass cheek. Groaning, Brian reached out and touched it, traced it with his fingers. He'd done that. He'd marked his boy. "You still clean?" Brian kept rubbing his prick back and forth across Griff's hole. "I am. I couldn't... I couldn't get it up with anyone else." "Good." He grabbed the shampoo and poured it over his fingers. "Was not. You fucked me up" "We fucked each other up." He was not in this alone. He couldn't wait to be inside Griff again. His wild, desperate baby boy. His fingers traced the brand on Griff's ass. His. All fucking his. Marked permanently. And Griff had let him do it. The man knew it was true.
Sean Michael (Breaking Cover)
If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.
Henry Rollins (Solipsist (Henry Rollins))
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
Shouldn't be having a birthday party two weeks after your birthday ... Okay, three days, no more than that though, it's not your birthday anymore! There’s gotta be a time, there’s gotta be a cutoff point where you can’t have birthday parties. You’re so desperate for a party that you have to have a party two weeks after? Wait till next year, you missed it!
Larry David
God is not bound by time, nor is our story. We desperately want our situation to be solved. We want resolution. But, God unfolds the plot in His own time. It is in our months or years of waiting that our story comes to maturity. It is over a lifetime of stories that he turns our desire toward Him.
Dan B. Allender (To Be Told: God Invites You to Coauthor Your Future)
My story starts at sea, a perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces. And all the helpless souls within her drowned. All save one. A lady. Whose soul is greater than the ocean, and her spirit stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story. For she will be my heroine for all time. And her name will be Viola." "She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself." "He knew that there was passion there, but there was no shadow of it in her eyes or on her mouth; there was a faint spray of champagne on her breath. She clung nearer desperately and once more he kissed her and was chilled by the innocence of her kiss, by the glance that at the moment of contact looked beyond him out into the darkness of the night, the darkness of the world." "Her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him." "I used to build dreams about you." "Then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.
F. Scott Fitzgerald
Wait." He paused, and she held out a hand to him. His thick fingers engulfed her tapering ones; his skin was warm and dry, and scorched her. "Before we go pick up poor Lieutenant Illyan again..." He took her in his arms, and they kissed, for the first time, for a long time. "Oh," she muttered after. "Perhaps that was a mistake. It hurts so much when you stop." "Well, let me..." his hand stroked her hair, gently, then desperately wrapped itself in a shimmering coil; they kissed again.
Lois McMaster Bujold (Shards of Honour (Vorkosigan Saga, #1))
Unrequited. The word is written next to a passage that has been underlined with thick black lines. It says that the unrequited lover is the one who waits. He waits and waits, and then waits some more. He is the one who drops vital moments of his life, lets them scatter away, lets himself scatter away piece by piece for those three words. I love you. He is desperate and lonely, both by choice and circumstance. It’s
Saffron A. Kent (The Unrequited)
Jacin’s fingers curled around his knife. It was torture. Jacin looked more afraid than when he’s stood on trial. More afraid than when his torso had been stripped raw from the lashings. This was the last time she would ever see him. This was her last moment. Her last breath. Suddenly, all of the politics and all of the games stopped mattering. Suddenly, she felt daring. “Jacin,” she said, with a shaky smile. “You must know. I cannot remember a time when I didn’t love you. I don’t think such a time ever existed.” His eyes filled with a thousand emotions. But before he could say whatever he would say, before he could kill her, Winter grabbed the front of his shirt with both hands and kissed him. He thawed much quicker than shed expected. Almost instantly, like he’d been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped, and he deepened the kiss, threading one hand into the hair at the nape of her neck. Her head swam, muddles with heat and a lifetime of desire. Jacin’s other hand abandoned her hip. She heard the ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she’d ever had. Jacin’s hand slipped out of her hair. His arm encircled her. He held her against him like he couldn’t get close enough. Like he meant to absorb her body into his. Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn’t tell if it was desire or pain or regret or a mix of everything. His arm tensed against her back. His weight shifted as he raised the knife.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Power dies, power goes under and gutters out, ungraspable. It is momentary, quick of flight and liable to deceive. As soon as you rely on the possession it is gone. Forget that it ever existed, and it returns. I never made the mistake of thinking that I owned my own strength, that was my secret. And so I never was alone in my failures. I was never to blame entirely when all was lost, when my desperate cures had no effect on the suffering of those I loved. For who can blame a man waiting, the doors open, the windows open, food offered, arms stretched wide? Who can blame him if the visitor does not arrive.
Louise Erdrich
I kissed his forehead and then his temples. I kissed every place on his face all except his lips. I got close, but never full on the lips. I gave every place on his face my full attention. Maverick quietly said to me, "You missed a spot Charlie." "I'm pretty sure I didn't," I replied. "No Charlie, you did and I'm not waiting anymore for you to give it the attention that it so desperately deserves.
Heather Gunter (Love Notes (Love Notes, #1))
A bird is safe when it’s closed in a cage, but it isn’t living. It isn’t flying. You have beautiful wings desperate to stretch out and catch the wind. Don’t. Let. Anyone. Stop you.” “And what happens,” I whisper, “when I fall?” “Then you have someone waiting to catch you. That’s the right kind of safe.
Rachel Morgan (The Trouble with Flying (The Trouble Series, #1))
But Violetta does not wake. My eagerness wavers. In this overwhelming silence, I wait desperately for her to open her eyes. Moritas looks at me again. I can barely see her through the black, churning mist. Your time in the Underworld has not come, Adelina, she says. In giving up your power, I offer you your life back. She turns to Violetta.
Marie Lu (The Midnight Star (Young Elites, #3))
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.” Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked. “But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.” “Twice?” Hyacinth echoed, wondering why this was important. “Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ” A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise. “And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.” Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence. For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.” Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child. “In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.” “Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Sometimes I want to quit - not performing, but being a woman altogether. I want to throw my hands in the air after reading a mean Twitter comment and say, "All right, you got me. You figured me out. I'm not pretty. I'm not thin. I don't deserve love. I have no right to use my voice. I will start wearing a burka and move to a small town upstate and wait tables at a pancake house." So much has changed about me since I was that confident, happy girl in high school. In the years since then, I've experienced a lot of desperation and self-doubt, but in a way, I've come full circle. I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my story. I will. I'll speak and share and fuck and love, and I will never apologise for it. I am amazing for you, not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you.
Amy Schumer (The Girl with the Lower Back Tattoo)
the most precious beings to her, and so is June. She likes to imagine a place, a safe place, where she can live one day with June and the children. June is older, wiser. She knows. She knows that two women cannot live together like a couple and be treated normally. This may occur in New York, perhaps, but not in Paris. Not in 1973. Certainly not in the kind of society the Rey family live in. She tries to explain this to Clarisse. She says they need to wait, to take their time, that things can happen quietly, slowly, with less difficulty. But Clarisse is younger and more impatient. She doesn’t want to wait. She doesn’t want to take her time.” The pain is setting in at last, like a familiar, dangerous friend you let in with apprehension. My chest feels constricted, too small to contain my lungs. I stop and take a couple of deep breaths. Angèle comes to stand behind me. Her warm body presses against mine. It gives me the strength to carry on. “That Christmas is a dreadful one for Clarisse. Never has she felt lonelier. She misses June desperately. June has her busy, active life in New York, her gallery, her society, her friends, her artists. Clarisse has only her children. She has no friends apart from Gaspard, the son of her mother-in-law’s maid. Can she trust him? What
Tatiana de Rosnay (A Secret Kept)
All right," Eric agreed. "If you were me, and your wife were sick, desperately so, with no hope of recovery, would you leave her? Or would you stay with her, even if you had traveled ten years into the future and knew for an absolute certainty that the damage to her brain could never be reversed? And staying with her would mean-" "I can see what it would mean, sir," the cab broke in. "It would mean no other life for you beyond caring for her." "That's right," Eric said. "I'd stay with her," the cab decided. "Why?" "Because," the cab said, "life is composed of reality configurations so constituted. To abandon her would be to say, I can't endure reality as such. I have to have uniquely special easier conditions." "I think I agree," Eric said after a time. "I think I will stay with her." God bless you, sir," the cab said. "I can see that you're a good man.
Philip K. Dick (Now Wait for Last Year)
You blast me open and then You stand back and watch My feeble attempts To deal with myself. Where do I turn In my now desperate need for love? You are not there. There is no one else to turn to For I have made you my Everything. And in my exhaustion From my desperate moments, I slip into myself And there I find God waiting for me To love Him to love me to love you Because you are the matchmaker. I thought He was leading me to you But, surprise surprise, You were leading me to Him.
Kate McGahan
I am home, you soggy-faced, entitled little prick, he barely stopped himself saying. You think it took northern sorcery to make me the way I am now? You think it took a war? Those things were tonic compared to what came before. Desperation and deception were waiting for me at the nursery door, took me by either hand as I walked out into my youth, have been my constant companions since.
Richard K. Morgan (The Dark Defiles (A Land Fit for Heroes, #3))
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
Alice Hoffman (Blue Diary)
My incomparable beloved, Seven months you have been gone, and I fear you will never return. I await your brief, infrequent letters like a boy, desperate for any small indication that you remember I exist, hoping for evidence that you tire of that foreign land where you now live. I read your missives a hundred times for the slightest intimation that you will be coming home. The part of my mind that does nothing but wait grows daily, and soon nothing will be left to attend to life's duties. One word, my love, just one; that is all I seek. One word to let me know that you will not stay away forever, and that I will at least have your presence and friendship in my life, even if I can never have your passion and your love." --Julian Hampton to Penelope, Countess of Glasbury
Madeline Hunter (The Romantic (Seducers #5))
If you’re not pursuing a dangerous quest with your life, well, then, you don’t need a Guide. If you haven’t found yourself in the midst of a ferocious war, then you won’t need a seasoned Captain. If you’ve settled in your mind to live as though this is a fairly neutral world and you are simply trying to live your life as best you can, then you can probably get by with the Christianity of tips and techniques. Maybe. I’ll give you about a fifty-fifty chance. But if you intend to live in the Story that God is telling, and if you want the life he offers, then you are going to need more than a handful of principles, however noble they may be. There are too many twists and turns in the road ahead, too many ambushes waiting only God knows where, too much at stake. You cannot possibly prepare yourself for every situation. Narrow is the way, said Jesus. How shall we be sure to find it? We need God intimately, and we need him desperately.
John Eldredge (Waking the Dead: The Glory of a Heart Fully Alive)
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried - "My heart will break!" What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept. "Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck. To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving. "Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke. "But this will never do," said Madame, with sternness. More sternly rejoined her kinsman - "Sortez d'ici!" "I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously. "Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!" He was roused, and I loved him in his wrath with a passion beyond what I had yet felt. "What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character." "You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!" This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second. The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death. "It made you very sad then to lose your friend?" said he. "It kills me to be forgotten, Monsieur," I said.
Charlotte Brontë (Villette)
The Tustin police seemed reluctant to publicise the racial implication of the crime. For instance, the Tustian Weekly omitted the words- I killed a jap- in their rendition of Lindberg's letter.' Wait, they did edit it. I don't get it. Why the hell would they do that?" "I am sorry" Junes looked up from the article. Margaret hold out a hand and placed it on top of his. He couldn't tell if it was trembling because his own hand was shaking pretty badly now. "Why are you sorry?" "Because you're Korean" "So?" "He was one of your people" Junseok snatched his hand away from her. Hequicklc shoved it under the table. "I'm Korean-American," he said. "But still" "Still what? This guy was Vietnamese. How is he one of my people?" "Well, both of you are Asians" Junseok stared back at her sincere eyes, then at his hand under the table. He wanted desperately to explain how non-sensical her comment was, but instead, he folded up the paper slowly and carefully. Tucking it under his arm, he got up , and whiteout saying anything to her, walked towards the exit. She called from behind, but he walked on, feeling the dirties expand inside him like a large flower. Each step quickened until he was running, running out the door and into the street, running past people and cars, running without the finest idea of what he was running from, to a place that he couldn't possibly picture in his mind.
Tablo (Pieces of You)
I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
Listen to me, David. I’m going to tell you something you didn’t learn from your minister or your Bible. For all I know it’s a message from God himself. Are you listening?” David only looked at him, saying nothing. “You said ‘God is cruel’ the way a person who’s lived his whole life on Tahiti might say ‘Snow is cold.’ You knew, but you didn’t understand.” He stepped close to David and put his palms on the boy’s cold cheeks. “Do you know how cruel your God can be, David. How fantastically cruel?” David waited, saying nothing. Maybe listening, maybe not. Johnny couldn’t tell. “Sometimes he makes us live.
Stephen King (Desperation)
She averted her eyes from his naked chest and reached up to close her window. He lifted his arms, curling his hands around the sash of his own window. Between his upraised arms, he stared at her, and his smile widened. "What's wrong, Lily? Are you shutting your window because you're afraid I'll breathe the same air you do?" She met his gaze across the short distance that separated them. "I didn't know leeches could breathe." He didn't get angry at the insult. Instead, he laughed. "You're a worthy opponent. I don't think I've ever met a woman with a quicker wit than you. If you'd been a man, there's no telling what you might have accomplished." "If I'd been a man, I'd have called you out in the fine old Southern tradition five years ago and shot you. That would have been a fine accomplishment." She slammed the window shut and closed the curtains. Daniel was right, of course. Within minutes, the room became suffocatingly hot. She desperately wanted to open the window again, but she didn't want to give him any victory, no matter how small. So, she waited in the dark as her bedroom became an oven, listening to the clock on her dressing table tick away the minutes. When the clock chimed the quarter hour twice, she got out of bed and walked to the window. He was sure to be asleep by now. She slipped the curtains open, and as quietly as possible, she raised the sash. "Told you so," a sleepy male voice murmured. Lord, she hated him.
Laura Lee Guhrke (Breathless)
The writing and telling of history is bedevilled by two human neuroses: horror at the desperate shapelessness and seeming lack of pattern in events, and regret for a lost golden age, a moment of happiness when all was well. Put these together and you have an urge to create elaborate patterns to make sense of things and to create a situation where the golden age is just waiting to spring to life again. This is the impulse which makes King Arthur’s knights sleep under certain mountains, ready to bring deliverance, or creates the fascination with the Knights Templar and occult conspiracy which propelled The Da Vinci Code into best-seller lists.
Diarmaid MacCulloch (A History of Christianity: The First Three Thousand Years)
Jacin" she said, with a shaky smile. "You must know. I cannot remember a time when I didn't love you. I don't think such a time ever existed." His eyes filled with a thousand emotions. But before he could kill her, Winter grabbed the front of his shirt with the both hands and kissed him. He thawed much quicker than she expected. Almost instantly, like he'd been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped and he deepened the kiss, threading one into the at the base of her neck.
Marissa Meyer
She [Angie] looked at the plate he’d set down. “You’re not hungry?” “I’m starving. Hungrier than I’ve ever been in my entire life.” He’d waited for weeks for the right time and even though it was the worst timing possible, he couldn’t wait a second more. Her jaw dropped as he took her plate from her wobbly grip. “I, uh, am in desperate need of a shower.” “Me too,” he whispered, then leaned in and pressed his mouth to her lush lips. She opened immediately for him, inviting his tongue and more as she sighed and sank closer against him. He thrust deep into her mouth, tasting the spicy sauce, tasting her, and plundered for more as pleasure washed over him like a benediction from heaven.
Jennifer St. Giles (Tactical Deception (Silent Warrior, #2))
I venture to say Kierkegaard meant that truth has lost its force with us and horrible pain and evil must teach it to us again, the eternal punishments of Hell will have to regain their reality before mankind turns serious once more. I do not see this. Let us set aside the fact that such convictions in the mouths of safe, comfortable people playing at crisis, alienation, apocalypse and desperation, make me sick. We must get it out of our heads that this is a doomed time, that we are waiting for the end, and th rest of it, mere junk from fashionable magazines. Things are grim enough without these shivery games. People frightening one another--a poor sort of moral exercise. But, to get to the main point, the advocacy and praise of suffering take us in the wrong direction and those of us who remain loyal to civilization must not go for it. You have to have the power to employ pain, to repent, to be illuminated, you must have the opportunity and even the time.
Saul Bellow (Herzog)
Imagine all of L.A. filled with windup men wandering empty-headed and waiting for orders and directions and purpose. That’s L.A. in a nutshell. A city of driven creatures, but no one is a hundred percent sure what they’re driven toward. Wealth. Fame. Power. Love. Revenge. These are all the obvious end points for the citizens of a spectral city, but none of them quite encompass a final goal. That’s more fragile. Something that slips away like smoke the moment it’s in your hands. It’s a moonshine cocktail of desperation and desire, the certainty that you can find perfection through sheer willpower and the cold terror that if you do reach the goal it will have twisted into something new. A new fevered need born of the search for this one. Searching for the next goal will breed another. And on and on. L.A. and Kill City full of Pinocchios with whirring gears for brains, all wanting to be real boys but sunk in the certainty that they’ll never become anything because they’re nothing. They came from nothing and are headed for a further and harder nothing.
Richard Kadrey (Kill City Blues (Sandman Slim, #5))
A couple months after school started that year, I just plain stopped going to see the Maje. I remember coming home one day and checking the answering machine in my bedroom. The first message was from the Maje. He was waiting for me to come over. He sounded feeble and desperate: "Steve, where are you? I need you? Are you coming? Please . . ." I deleted it. The next message was also from the Maje and said pretty much the same thing. Delete. There must have been a dozen messages on that machine from the Maje, all begging me, pleading with me, to come help him. I deleted every single one of them. To this day, I have no idea what happened to the Maje, no idea if he ever got that cataract surgery. That's how our relationship ended. It still makes me feel horrible to think about now: I just deleted the Maje.
Stephen "Steve-O" Glover (Professional Idiot: A Memoir)
Never Underestimate the Divine Strength of a Mother who appears Broken..... This phrase, in the most reciprocal form, is powerful. A broken woman is perceived as weak, battered, useless, and incapable, among many other low states of Human life, effortlessly causing her to think it might be best to lie down and die. The thought represents a desperation to escape a pain more powerful than she. There is, but one superseding power, greater than the pain itself. You take this woman, who loves her kids to the highest degree of unselfishness and give her a hint they’re suffering. A Divine Strength that can’t be seen, perhaps not even felt will ignite a fire within her from miles away. No one in its path will see it coming, not even her. This strength indicates that she will go beyond any limits to protect her offspring even if it means rising to her death. There’s no mountain too high, no fire too crucible, nor a fear she won’t face, to ensure they are safe, both mentally and physically. The best part is, no matter how broken down she appears, or how robbed she may be, no one can take from her, what they don’t know she possesses. Following the exhaustion of all other choices, this strength is activated, only when it’s most necessary. It may never be discovered in a lifetime by many, but you can bet it’s there when you need it most. It’s in every one of us, festering, waiting for what may be the last moments of life or death.
L. Yingling
Oskan, do you really believe that I don’t understand exactly what my soldiers are going through? Do you really think I’m a stranger to burdens?” She almost laughed at the bitter absurdity of it all, but she controlled herself, knowing that if she started, she wouldn’t be able to stop. “They’re lucky, they only have to worry about a flogging if they break ranks and endanger their own lives again. But if I make a mistake, thousands could die, a country could be lost, and who knows what else could be inflicted on those unlucky enough to survive!” Her voice had slowly risen in strength as she spoke, and suddenly she let everything go in a glorious outpouring of emotion. “Don’t talk to me about burdens, I drew up the plans for them! How many fourteen-year-olds do you know who rule a kingdom at war, who command an army, who keep together an alliance of more species than she can remember, who’s killed more people than she can count, who waits desperately day in, day out, every living blessed second, for the arrival of allies she’s terrified are going to let her down? Please tell me, Oskan, tell me her name. I’d like to have a cozy chat with her and compare notes! I’d like that, it might make me feel just a little less isolated, and just a little less afraid that at any minute the whole sorry, ludicrous, deadly, hellish mess is going to collapse around me, and everyone will finally find out that I don’t know what I’m doing and that I’m making it up as I go along!
Stuart Hill (The Cry of the Icemark)
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl... Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys. Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health. Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be! Just as long as you follow the rules.
Candace Bushnell (Rules for Being a Girl)
It’s an heirloom, isn’t it?” ... “I got it from my father.” The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.
William Faulkner (Intruder in the Dust)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
N. Scott Momaday (House Made of Dawn)
Ready for what?” Just then, Jonah came bouncing over, wearing a blue-and-red dinosaur costume. “Let’s go, let’s go, let’s go!” he yelled louder than necessary. My mom put her hand on his shoulder and he stopped bouncing. She continued to look at me, waiting for an answer. “I’m going out with Isabel,” I said. “You didn’t tell me that,” Mom said. I panicked, my mind rewinding through the week to try to pick out the conversation I could’ve sworn I had with my mom so I could reference it now. It didn’t exist. “You said you’d take us trick-or-treating,” Jonah whined. “Ashley can take you,” I said. My sister shook her head. “Nope. I’m going to a Halloween party tonight.” “Can’t Mom take you?” I asked Jonah, desperate now because I knew how he got when he had his mind set on something. Mom gave me her disappointed look but to Jonah said, “Yes, I’ll take you.” The dinosaur head tipped forward as he looked at the ground in a pout. It was a really pathetic sight. As I clung to my stained shirt, I knew neither
Kasie West (P.S. I Like You)
But what if I don't believe in God? It's like they've sat me in front of a mannequin and said, Fall in love with him. You can't will feeling. What Jack says issues from some still, true place that could not be extinguished by all the schizophrenia his genetic code could muster. It sounds something like this. Get on your knees and find some quiet space inside yourself, a little sunshine right about here. Jack holds his hands in a ball shape about midchest, saying, Let go. Surrender, Dorothy, the witch wrote in the sky. Surrender, Mary. I want to surrender but have no idea what that means. He goes on with a level gaze and a steady tone: Yield up what scares you. Yield up what makes you want to scream and cry. Enter into that quiet. It's a cathedral. It's an empty football stadium with all the lights on. And pray to be an instrument of peace. Where there is hatred, let me sow love; where there is conflict, pardon; where there is doubt, faith; where there is despair hope... What if I get no answer there? If God hasn't spoken, do nothing. Fulfill the contract you entered into at the box factory, amen. Make the containers you promised to tape and staple. Go quietly and shine. Wait. Those not impelled to act must remain in the cathedral. Don't be lonely. I get so lonely sometimes, I could put a box on my head and mail myself to a stranger ...
Mary Karr
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.” “I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.” Tate’s eyes widened. “I beg your pardon?” he asked, affronted. “You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.” “Infatuation dies,” Tate said. Holden nodded. “Yes, it does. Goodbye.” “So does hero worship,” he continued, laboring the point. “And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously. The words had power. They wounded. “You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly. “Wait!” Holden paused with his hand on the doorknob and turned. “What?” Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.” Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.” Tate searched the older man’s eyes. “You’re a fine one to talk.” Holden’s face fell. “Yes, that’s true.” He turned away. Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.” “If it weren’t for the cultural difference, how would you feel about Cecily?” Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.” “And you couldn’t live with being the second man.” Tate’s face hardened. His eyes flashed. Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.” Tate’s mouth made a thin line. He didn’t reply. “When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
Diana Palmer (Paper Rose (Hutton & Co. #2))
Inaction is not the same thing as patience. It is instead a kind of perpetual waiting room, a sterile holding pen for unlived desire, a negative sanctuary. You wait and wait, but the receptionist is very stern and, somehow, the appointment book always full. To make matters worse, crowded into the adjoining cell like so many desperate immigrants, and separated from you by nothing more than the thin permeable wall of your own fear, are all the anticipated rejections of your life. You would think it might be noisy in there, but you'd be wrong. It is totally silent. There's a small Plexiglas window through which you can study these things, this silence, if you have the inclination and the nerve. And eventually, if you have been a diligent enough student and not wasted your time in dreaming, you come to understand that it is not the rejections that make this a prison, not the defeats, but rather your own grim expectation of defeat; not life but its bodily outline drawn in chalk, where the body should be but isn't, where it once was, this ingrained cowardly pessimism, this relentless betting against love and instinct. This is where the silence comes from.
John Burnham Schwartz (Claire Marvel)
Have you lost your teeny tiny mind, you too-tall, too-skinny, too-crazy jerk?” “Oh, look who’s talking, Miss Let’s Blunder Around the Time Stream and Hang the Consequences! Thanks to you, we’ve got a dead Marc and a live Marc in the same timeline . . . in the same house! Thanks to you, I got chomped on by a dim, blonde, undead, selfish, whorish, blood-sucking leech when I was minding my own business in the past.” “Don’t you call me dim!” “Um. Everyone. Perhaps we should—” Tina began. “Wait, when did this happen?” Marc asked. He had the look of a man desperately trying to buy a vowel. “Past, an hour ago? Past, last year? Help me out.” “Oh, biiiiig surprise!” Laura threw her (perfectly manicured) hands in the air. “Let me guess, you were soooo busy banging your dead husband that you haven’t had time to tell anybody anything.” “I was getting to it,” I whined. “Then after not telling anyone anything and not being proactive—or even active!—you grow up to destroy the world and bring about eternal nuclear winter or whatever the heck that was and how do you deal with your foreknowledge of terrible events to come? Have sex!” “An affirmation of life?” Sinclair suggested. Never, I repeat, never had I loved him more. I was torn between slugging my sister and blowing my husband. Hmm. Laura might have a point about my priorities . . . but jeez. Look at him. Yum. “—even do it and what do you have to say for yourself? Huh?” “You’re just uptight, repressed, smug, antisex, and jealous, you Antichristing morally superior, fundamentally evil bitch.” Laura and Marc gasped. My husband groaned.
MaryJanice Davidson (Undead and Undermined (Undead, #10))
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
He unfastened his pants and shrugged off his shirt, baring his beautiful chest, the ripple of his abs, and the soft trail of hair leading below. "I was saving the best for last." He ground his palm over his erection. "Tease." She couldn't tear her eyes away. "Take it all off." "You're not in a position to make demands." But he didn't make her wait. Instead he lowered his zipper and pulled out his cock. Thick and hard, he was more than ready for her. "Do you want this, sweetheart?" She wasn't complaining about the term of endearment now. "Very much." He gave a casual shrug that belied the evidence of his desire. "Maybe when I've finished my search." "What else..." Her voice trailed off when he lay between her legs, slid off her panties, and placed her feet on his shoulders. "The best things are found in the most secret places." He lowered his head. His tongue did the most wicked things that had her arching and twisting on the bed. "Jay..." It was a plea. It was a demand. "That's Mr. Dayal to you." Without warning, he slid two fingers deep inside her, his firm steady strokes making all her nerve endings fire at once. His tongue found her sensitive clit and her inner walls tightened around his fingers. She soared and peaked, her orgasm crashing through her body in a tidal wave of sensation. Dazed, languid on the bed, she watched him shrug off his trousers and roll on a condom. "Did you find what you were looking for?" "Not yet." He lifted her legs, spread them wide, opening her for him as he positioned himself between her thighs. "You're very good at your job." Now that her body was sated, she was generous with her praise. "And you are a beautiful, sexy temptress who is about to be fucked by a man who wants her so desperately he's willing to do anything to have her.
Sara Desai (The Singles Table (Marriage Game, #3))
It means what it says," he managed, staring at her again. "There's not a lot of subtlety in this particular strip." She took the paper back from him and stuck it in her pocket. It was something she intended to keep forever. "You've used me rather lavishly in your work recently." She had to tilt back her head in order to keep her eyes level with his. Grant thought she looked more regal than ever. If she turned her thumb down, she could throw him to the lions. "Didn't it occur to you to ask permission first?" "Artist's privilage." He felt the light spray hit his back, saw it dampen her hair. "Where the hell did you go?" he heard himself demand. "Where the hell have you been?" Her eyes narrowed. "That's my business, isn't it?" "Oh,no." He grabbed her arms and shook. "Oh,no,it's not.You're not going to walk out on me." Gennie set her teeth and waited until he'd stopped shaking her. "If memory serves,you did the walking figuratively before I did it literally." "All right! I acted like an idiot. You want an apology?" he shouted at her. "I'll give you any kind you want. I'll-" He broke off, his breath heaving. "Oh,God,first." And his mouth crushed down on hers, his fingers digging into her shoulders. The groan that was wrenched from him was only one more sign of a desperate need. She was here,she was his.He'd never let her go again.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Meanwhile, where is God? This is one of the most disquieting symptoms. When you are happy, so happy that you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be - or so it feels - welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence. You may as well turn away. The longer you wait, the more emphatic the silence will become. There are no lights in the windows. It might be an empty house. Was it ever inhabited? It seemed so once. And that seeming was as strong as this. What can this mean? Why is He so present a commander in our time of prosperity and so very absent a help in time of trouble? I tried to put some of these thoughts to C. this afternoon. He reminded me that the same thing seems to have happened to Christ: 'Why hast thou forsaken me?' I know. Does that make it easier to understand? Not that I am (I think) in much danger of ceasing to believe in God. The real danger is of coming to believe such dreadful things about Him. The conclusion I dread is not 'So there's no God after all,' but 'So this is what God's really like. Deceive yourself no longer.
C.S. Lewis (A Grief Observed)
Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched. Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you. Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours. Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does. That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.” Psst. Here’s a secret: holding back in your life is what’s keeping him away. Don’t wait until you find someone. You are someone.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
I’m sorry,” I say and the words start spilling out. “I’m sorry. I should have just talked to you and then you wouldn’t have felt guilty and then you wouldn’t have gotten into this accident. It’s my fault. I’m so sorry.” I’m still holding his hand and he’s looking at me with his beautiful blue eyes. “You’re sorry?” he asks in confusion. “You’re sorry? For what? It’s not your fault. None of this is your fault.” “I was being a baby,” I tell him. “I didn’t know what to say to you and I was trying to be strong but I was so upset that you were kissing Elena.” “Elena kissed me,” he answers. “I just want to clarify that. And she kissed me because I had just told her that I can’t see her anymore. Because I want to be with someone else.” “Someone else?” My voice is small in the large hospital suite and all of a sudden my heart is numb again. This time, it is numb because it is waiting hopefully for words that I am desperately wanting to hear. “Yes,” he nods. “Someone else.” My heart is still waiting. There is a pause. Then another pause. He doesn’t say anything so I do. “Is it anyone I know?” I look down and he looks up and our eyes lock. “I should hope so since it is you,” he says. My heart stops. And then starts again. And then I bend down and kiss Dante Gili-bear-ti as softly and gently as I can. “You want to be with me?” I ask this as I pull away and look at him. He smells like iodine and rubbing alcohol and bleached hospital sheets. It’s a foreign, unfamiliar smell. And I don’t like it. But his hand is strong and he squeezes mine. He nods. “Ever since you ran into me in the airport.” “You ran into me,” I answer. He rolls his eyes and I kiss him again.
Courtney Cole
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
Jean Lorrain (Monsieur De Phocas)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
He twirled her around a few more times before he said offhandedly, "Aren't you tired of fighting yet? I'm beginning to find it quite tedious m'self. I've even given you the benefit of the doubt-" "Don't do me any favor." He cocked his head to the side because she'd turned away to mumble that. "Are you challenging me to make you sweet and lovable again? I believe you are!" Her eyes flew back to his, but she could't do anything more than sputter over the absurdity. His pale eyes were twinkling, holding back laughter no doubt. What the devil as he doing! Je couldn't be serious.Yet he rubbed his cheek against hers right there on the dance floor! "What-" She should never have turned in toward that unexpected caress. Was she destined to bump lips with him by accident? She drew back instantly while she had the presence of mine to do so. But he didn't.In fact, he moved closer, his mouth actually persuing hers until there was nothing accidental about it! She stumbled as her sensed whirled. That just encouraged him to hold her closer and kiss her more deeply. She was fast approaching the point of not caring! Desperately, she tore her mouth away to gasp out, "You're going to cause a scandal!" "I do believe it would be worth it," he said softly by her ear. "But it's only a minor infraction and quite overlooked, since everyone here knows we're married." "No,they don't.I didn't have it announced." He stopped abruptly. Several other couples even bumped into them. "Why not?" She looked away from his frown, which make her feel distinctly uneasy. How to explain her earlier hesitancy without him seeing it for what it was, a full-blown panic? But he didn't wait for her answer. Suddenly he was leading her off the dance floor. He began a social circuit around the room, missing no one who wasn't currently dancing. From group to group he stopped to introduce Rebecca as his wife,the Marchioness of Rochwood. He did it curtly,as if here completing a task assigned to him, which gave her the odd feeling he was punishing her.She was mortified. Most of those people thought he was joking! They knew him.They knew his reputation. And he wasn't behaving the least bit normally.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
Snowbound up here with you. Without books or business to occupy my time, I wonder what I’ll do,” he added with a leer. She blushed gorgeously, but her voice was serious as she studied his face. “If things hadn’t gone so well for you-if you hadn’t accumulated so much wealth-you could have been happy up here, couldn’t you?” “With you?” “Of course.” His smile was as somber as hers. “Absolutely.” “Although,” he added, linking her hands behind her back and drawing her a little closer, “you may not want to remain up here when you learn your emeralds are back in their cases at Montmayne.” Her head snapped up, and her eyes shone with love and relief. “I’m so glad. When I realized Robert’s story had been fabrication, it hurt beyond belief to realize I’d sold them.” “It’s going to hurt more,” he teased outrageously, “when you realize your bank draft to cover their cost was a little bit short. It cost me $45,000 to buy back the pieces that had already been sold, and $5,000 to buy the rest back from the jeweler you sold them to.” “That-that unconscionable thief!” she burst out. “He only gave me $5,000 for all of them!” She shook her head in despair at Ian’s lack of bargaining prowess. “He took dreadful advantage of you.” “I wasn’t concerned, however,” Ian continued teasing, enjoying himself hugely, “because I knew I’d get it all back out of your allowance. With interest, of course. According to my figures,” he said, pausing to calculate in his mind what it would have taken Elizabeth several minutes to figure out on paper, “as of today, you now owe me roughly $151,126.” “One hundred and- what?” she cried, half laughing and half irate. “There’s the little matter of the cost of Havenhurst. I added that in to the figure.” Tears of joy clouded her magnificent eyes. “You bought it back from that horrid Mr. Demarcus?” “Yes. And he is ‘horrid.’ He and your uncle ought to be partners. They both possess the instincts of camel traders. I paid $100,000 for it.” Her mouth fell open, and admiration lit her face. “$100,000! Oh, Ian-“ “I love it when you say my name.” She smiled at that, but her mind was still on the splendid bargain he’d gotten. “I could not have done a bit better!” she generously admitted. “That’s exactly what he paid for it, and he told me after the papers were signed that he was certain he could get $150,000 if he waited a year or so.” “He probably could have.” “But not from you!” she announced proudly. “Not from me,” he agreed, grinning. “Did he try?” “He tried for $200,000 as soon as he realized how important it was to me to buy it back for you.” “You must have been very clever and skillful to make him agree to accept so much less.” Trying desperately not to laugh, Ian put his forehead against hers and nodded. “Very skillful,” he agreed in a suffocated voice. “Still, I wonder why he was so agreeable?” Swallowing a surge of laughter, Ian said, “I imagine it was because I showed him that I had something he needed more than he needed an exorbitant profit.” “Really?” she said, fascinated and impressed. “What did you have?” “His throat.
Judith McNaught (Almost Heaven (Sequels, #3))
The females, in the terrifying, exhilarating experience of becoming rather than reflecting, would discover that they too have been effected by the dynamics of the Mirror World. Having learned only to mirror, they would find in themselves reflections of sickness in their masters. They would find themselves doing the same things, fighting the same way. Looking inside for something there, they would be confused by what would at first appear to be an endless Hall of Mirrors. What to copy? What model to imitate? Where to look? What is a mere mirror to do? But wait - How could a mere mirror even frame such a question? The question itself is the beginning of an answer that keeps unfolding itself. The question-answer is a verb, and when one begins to move in the current of the verb, of the Verb, she knows that she is not a mirror. Once she knows this she knows it s so deeply that she cannot completely forget. She knows it so deeply she has to say it to her sisters. What if more and more of her sisters should begin to hear and to see and to speak? This would be a disaster. It would throw the whole society backward into the future. Without Magnifying Mirrors all around, men would have to look inside and outside. They would start to look inside, wondering what was wrong with them. They would have to look outside because without the mirrors they would begin to receive impressions from real Things out there. They would even have to look at women, instead of reflections. This would be confusing and they would be forced to look inside again, only to have the harrowing experience of finding *there* the Eternal Woman, the Perfect Parakeet. Desperately looking outside again, they would find that the Parakeet is no longer *out there*. Dashing back inside, males would find other horrors: All of the Others - the whole crowd - would be in there: the lazy niggers, the dirty Chicanos, the greedy Jews, faggots and dykes, plus the entire crowd of Communists and the backward population of the Third World. Looking outward again, mirrorless males would be forced to see - people. Where to go? Paroxysm toward the Omega Point? But without the Magnifying Mirror even that last refuge is gone. What to do for relief? Send more bombing missions? But no. It is pointless to be killing The Enemy after you find out The Enemy is yourself.
Mary Daly (Beyond God the Father: Toward a Philosophy of Women's Liberation)
About two years ago," Cymbra went on, "Wolf conceived the idea of an alliance between Norse and Saxon to stand against the Danes.He thought such an alliance would be best confirmed by a marriage between himself and me.This did he propose in a letter to my brother. With the help of a traitorous house priest, Father Elbert, Daria intercepted that letter and stole Hawk's seal as well. She sent back to Wolf a refusal in Hawk's name and mine that not merely rejected the alliance but also insulted him deeply. His repsonse was all too predictable, although it is certain Daria herself never thought of it." "What did he do?" Rycca asked,trying very hard not to sound breathless. Cymbra smiled in fond memory. "Wolf came to Essex and took me by stealth. We were married as I told you and only then did he send word to Hawk as to where I could be found. Naturally, my brother was very angry and concerned. He came to Sciringesheal, where I did my utmost to convince him that I was happily wed,which certainly was true but unfortunately he did not believe. So are men ever stubborn. One thing led to another and Hawk spirited me back to Essex. Winter set in and it was months before Wolf could follow.During that time, Hawk realized his mistake. Once Wolf arrived, all was settled amicably, which was a good thing because this little one"-she smiled at her drowsy son-"had just been norn and I was in no mood to put up with any more foolishness on the part of bull-headed men. It was while we were at Hawkforte, waiting as I regained strength to return home, that Wolf suggested Hawk and Dragon should also make marriages for the alliance." "Such suggestion I am sure they both heartily welcomed," Rycca said sardonically. Cymbra laughed. "About as much as they would being boiled in oil.Hawk was especially bad. He had been married years ago when he was very young and had no good memories of the experience. But I must say, Krysta brought him round in far shorter time than I would have thought possible." "Do you have any idea how she did it?" Rycca ventured,hoping not to sound too desperately curious. "Oh,I know exactly how." Cymbra looked at her new sister-in-law and smiled. "She loved him." "Loved him? That was all it took?" "Well,to be fair,I think she also maddened, irked, frustrated, and bewildered him. All that certainly helped.But I will leave Krysta to tell her own story,as I am sure she will when opportunity arises.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
They got to the classroom she and Jay shared this period, but it wasn’t Grady’s class. Instead of walking on, Grady paused. “Violet, can I talk to you for a minute?” His deep voice surprised her again. “Yeah, okay,” Violet agreed, curious about what he might have to say to her. Jay stopped and waited too, but when Grady didn’t say anything, it became clear that he’d meant he wanted to talk to her . . . alone. Jay suddenly seemed uncomfortable and tried to excuse himself as casually as he could. “I’ll see you inside,” he finally said to Violet. She nodded to him as he left. Violet was a little worried that the bell was going to ring and she’d be tardy again, but her curiosity had kicked up a notch when she realized that Grady didn’t want Jay to hear what he had to say, and that far outweighed her concern for late slips. When they were alone, and Grady didn’t start talking right away, Violet prompted him. “What’s going on?” She watched him swallow, and his Adam’s apple bobbed up and down along the length of his throat. It was strange to see her old guy friends in this new light. He’d always been a good-looking kid, but now he looked like a man . . . even though he still acted like a boy. He shifted back and forth, and if she had taken the time to think about it, she would have realized that he was nervous. But she misread his discomfort altogether. She thought that, like her, he was worried about being late. “Do you want to talk after school? I could meet you in the parking lot.” “No. No. Now’s good.” He ran his hand through his hair in a discouraged gesture. He took a deep breath, but his voice was still shaking when he spoke. “I . . . I was wondering . . .” He looked Violet right in the eye now, and suddenly she felt very nervous about where this might be going. She was desperately wishing she hadn’t let Jay leave her here alone. “I was wondering if you’re planning to go to Homecoming,” Grady finally blurted out. She stood there, looking at him, feeling trapped by the question and not sure what she was going to say. The bell rang, and both of them jumped. Violet was grateful for the excuse, and she clung to it like a life preserver. Her eyes were wide, and she pointed to the door behind her. “I gotta . . . can we . . .” She pointed again, and she knew she looked and sounded like an idiot, incapable of coherent speech. “Can we talk after school?” Grady seemed relieved to have been let off the hook for the moment. “Sure. Yeah. I’ll talk to you after school.” He left without saying good-bye, and Violet, thankful herself, tried to slip into her classroom unnoticed. But she had no such luck. The teacher marked her tardy, and everyone in class watched as she made her way to her seat beside Jay’s. Her face felt flushed and hot. “What was that all about?” Jay asked in a loud whisper. She still felt like her head was reeling. She had no idea what she was going to say to Grady when school was out. “I think Grady just asked me to Homecoming,” she announced to Jay. He looked at her suspiciously. “The game?” Violet cocked her head to the side and gave him a look that told him to be serious. “No, I’m pretty sure he meant the dance,” Violet clarified, exasperated by the obtuse question. Jay frowned at her. “What did you say?” “I didn’t say anything. The bell rang and I told him we’d have to talk later.” The teacher glanced their way, and they pretended not to be talking to each other.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.
Judith McNaught (Almost Heaven (Sequels, #3))
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
Jane, I don’t care what capacity you let me have in your life. I just want to be there. And if that means I have to keep my distance, I’ll do that.” I sighed. If ever there was a time for me to lay all my cards on the table, this was it. Naked, wounded, and vulnerable. “So, here’s my basic problem with us, the reason I can’t seem to relax into a relationship with you, the reason I find problems where none exist and I push you away. I—I can’t figure out why you’re with me!” I exclaimed, clapping my hand over my mouth. I hadn’t meant for that part to come out. I had meant to say, “You lie and hide things from me.” Gabriel pried my fingers away from my lips. My hands trembled as stuff I’d been feeling for months tumbled from my tongue. “I know that makes me neurotic and sad, but I can’t figure out why you want to be with me. Every other woman in your life is exotic and beautiful and has all this history. And I’m just some drunk girl you followed home from a bar, some pathetic human you felt your usual need to protect, and you got stuck with a lifetime tie to her because she was dumb enough to get shot. I can’t stand the idea that you feel obligated to me. I know I’m insecure and pushy and spastic, desperately inappropriate at times and just plain odd at others. And I can’t help but wonder why you would want that when there are obviously so many other options. I can’t help but feel that I’m keeping you from someone better.” I let out a loud, long breath. It felt as if some tremendous weight on my chest had wiggled loose and then dropped away. No more running. No more floating along and waiting. My cards were on the table. If Gabriel and I couldn’t have a future after this, it wasn’t because I held back from him. Now I could only hope it didn’t blow up in my face in some horrible way. I wasn’t sure my face could handle much more. Gabriel sighed and cupped my chin, forcing me to look him in the eye. “I didn’t follow you that night because I wanted to protect you. I followed you that night because you were one of the most interesting people I’d met in decades. You had this light about you, this sweetness, this biting humor. After I’d only known you for an hour, you made me laugh harder than I had since before I was turned. You made me feel normal, at peace, for the first time in years. And I didn’t want to lose that yet. Even if it was just watching over you from a mile away, I didn’t want to leave your presence. I followed you because I didn’t want to let you go. Even then, I saw you were one of the most extraordinary, fascinating, maddening people I would ever know. Even then, I think I knew that I would love you. If you don’t love me, that’s one thing. But if you do, just stop arguing with me about it. It’s annoying. ” “Fair enough,” I conceded. “Why the hell couldn’t you have told me this a year ago?” “I’ve wanted to. You weren’t ready to hear it.
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
He raised an eyebrow. "Where did you get this? Is our Anne Boleyn suddenly from Mars?" He chuckled. "I always thought she hailed from Wiltshire." Luce's mind raced to catch up. She was playing Anne Boleyn? She'd never read this play, but Daniel's costume suggested he was playing the king, Henry VIII. "Mr. Shakespeare-ah,Will-thought it would look good-" "Oh,Will did?" Daniel smirked, bot believing her at all but seeming not to care. It was strange to feel that she could do or say almost anything and Daniel would still find it charming. "You're a little bit mad, aren't you, Lucinda?" "I-well-" He brushed her cheek with the back of his finger. "I adore you." "I adore you,too." The words tumbled from her mouth,feeling so real and so true after the last few stammering lies. It was like letting out a long-held breath. "I've been thinking, thinking a lot,and I wanted to tell you that-that-" "Yes?" "The truth is that what I feel for you is...deeper than adoration." She pressed her hands over his heart. "I trust you. I trust your love. I know how strong it is,and how beautiful." Luce knew that she couldn't come right out and say what she really meant-she was supposed to be a different version of herself,and the other times,when Daniel had figured out who she was, where she'd come from,he'd clammed up immediately and told her to leave. But maybe if she chose her words carefully, Daniel would understand. "It may seem like sometimes I-I forgot what you mean to me and what I mean to you,but deep down...I know.I know because we are meant to be together.I love you, Daniel." Daniel looked shocked. "You-you love me?" "Of course." Luce almost laughed at how obvious it was-but then she remembered: She had no idea which moment from her past she'd walked into.Maybe in this lifetime they'd only exchanged coy glances. Daniel's chest rose and fell violently and his lower lip began to quiver. "I want you to come away with me," he said quickly.There was a desperate edge to his voice. Luce wanted to cry out Yes!, but something held her back.It was so easy to get lost in Daniel when his body was pressed so close to hers and she could feel the heat coming off his skin and the beating of his heart through his shirt.She felt she could tell him anything now-from how glorious it had felt to die in his arms in Versailles to how devastated she was now that she knew the scope of his suffering. But she held back: The girl he thought she was in this lifetime wouldn't talk about those things, wouldn't know them. Neither would Daniel. So when she finally opened her mouth,her voice faltered. Daniel put a finger over her lips. "Wait. Don't protest yet. Let me ask you properly.By and by, my love." He peeked out the cracked wardrobe door, toward the curtain.A cheer came from the stage.The audience roared with laughter and applause. Luce hadn't even realized the play had begun. "That's my entrance.I'll see you soon." He kissed her forehead,then dashed out and onto the stage.
Lauren Kate (Passion (Fallen, #3))
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle. 'That's a sound I never thought to hear from you, girl,' Amren said beside her. The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight. Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting. Nesta fell to one knee and bowed her head. 'I am sorry.' Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.' Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.' Nesta's brow furrowed. She hadn't changed anything. Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.' 'I didn't do anything.' 'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?' Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.' 'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.' 'But my power only creates terrible things. The House is good,' Nesta breathed. 'Is it?' Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.' Amren nodded. 'And where is it now?' 'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.' Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.' But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it. Amren chuckled gently. 'And worth it for that, too.' Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Then Daniel stepped forward and a trumpet sounded, followed by a drum. The dance was beginning. He took her hand. When he spoke, he spoke to her, not to the audience,as the other players did. "The fairest hand I ever touched," Daniel said. "O Beauty, till now I never knew thee." As if the lines had been written for the two of them. They began to dance,and Daniel locked eyes with her the whole time. His eyes were crystal clear and violet, and the way they never strayed from hers chipped away at Luce's heart. She knew he'd loved her always,but until this moment,dancing with him on the stage in front of all these people,she had never really thought about what it meant. It meant that when she saw him for the first time in every life,Daniel was already in love with her. Every time. And always had been. And every time, she had to fall in love with him from scratch.He could never pressure her or push her into loving him. He had to win her anew each time. Daniel's love for her was one long, uninterrupted stream.It was the purest form of love there was,purer even than the love Luce returned. His love flowed without breaking,without stopping. Whereas Luce's love was wiped clean with every death, Daniel's grew over time, across all eternity. How powerfully strong must it be by now? Hundreds of love stacked one on top of the other? It was almost too massive for Luce to comprehend. He loved her that much,and yet in every lifetime,over and over again,he had to wait for her to catch up. All this time,they had been dancing with the rest of the troupe, bounding in and out of the wings at breaks in the music,coming back onstage for more gallantry,for longer sets with more ornate steps,until the whole company was dancing. At the close of the scene,even though it wasn't in the script,even though Cam was standing right there watching,Luce held fast to Daniel's hand and pulled him to her,up against the potted orange trees.He looked at her like she was crazy and tried to tug her to the mark dictated by her stage directions. "What are you doing?" he murmured. He had doubted her before,backstage when she'd tried to speak freely about her feelings.She had to make him believe her.Especially if Lucinda died tonight,understanding the depth of her love would mean everything to him. It would help him to carry on,to keep loving her for hundreds more years, through all the pain and hardship she'd witnessed,right up to the present. Luce knew that it wasn't in the script, but she couldn't stop herself: She grabbed Daniel and she kissed him. She expected him to stop her,but instead he swooped her into his arms and kissed her back.Hard and passionately, responding with such intensity that she felt the way she did when they were flying,though she knew her feet were planted on the ground. For a moment, the audience was silent. Then they began to holler and jeer.Someone threw a shoe at Daniel, but he ignored it. His kisses told Luce that he believed her,that he understood the depth of her love,but she wanted to be absolutely sure. "I will always love you,Daniel." Only, that didn't seem quite right-or not quite enough. She had to make him understand,and damn the consequences-if she changed history,so be it. "I'll always choose you." Yes, that was the word. "Every single lifetime, I'll choose you.Just as you have always chosen me.Forever." His lips parted.Did he believe her? Did he already know? It was a choice, a long-standing, deep-seated choice that reached beyond anything else Luce was capable of.Something powerful was behind it.Something beautiful and- Shadows began to swirl in the rigging overhead. Heat quaked through her body, making her convulse,desperate for the fiery release she knew was coming. Daniel's eyes flashed with pain. "No," he whispered. "Please don't go yet." Somehow,it always took both of them by surprise.
Lauren Kate (Passion (Fallen, #3))