Despair Funny Quotes

It's funny how despair can soon become an old companion

Panicky despair is an underrated element of writing.

We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.

Is there any good news?' Tesla said. Who ever promised that? Who ever said there'd be good news?

My life is a black hole of boredom and despair." "So basically you've been doing homework." "Like I said, black hole.

On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox... Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.

I hope that the kind reader recognises this as a despairing attempt at humour.

Anna shuddered. "Orange is not the colour of seduction, Christopher. Orange is the colour of despair, and pumpkins.

It is a fact that even warming moments overwhelm me with despair, and this is why I am I.

I swam through the thick, smelly, greyish ocean of pressure toward nowhere.

Funny how even a grain of hope can manage to eclipse a whole world of despair.

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.

The Black Pit of Despair is temporarily closed for renovations. We apologize for any inconvenience.

Shame upon him who can look on calmly, and exclaim, ‘The foolish girl! she should have waited; she should have allowed time to wear off the impression; her despair would have been softened, and she would have found another lover to comfort her.’ One might as well say, ‘The fool, to die of a fever! why did he not wait till his strength was restored, till his blood became calm? all would then have gone well, and he would have been alive now.

Evan Handler is a man who’s looked into the abyss and laughed. His book, It’s Only Temporary, made me laugh along with him. He covers love, lust, showbiz, triumph, and despair – and he manages to be both funny and inspiring about all of it. It’s an important book that I think can help to spread goodness around the world. Something we desperately need.

Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.

It may look as though I do not know how to start. Funny sight, the elderly gentleman who comes lumbering by, jowl flesh flopping, in a valiant dash for the last bus, which he eventually overtakes but is afraid to board in motion and so, with a sheepish smile, drops back, still going at a trot. Is it that I dare not make the leap? It roars, gathers speed, will presently vanish irrevocably around the corner, the bus, the motorbus, the mighty montibus of my tale. Rather bulky imagery, this. I am still running.

Here’s the weird part: even when I was in the darkest and most despairing times of my depression, I still found depression funny. It was funny to me that the illness distorted my view of the real world like a funhouse mirror. It was funny that I could be immobilized by something that had no basis in a broken bone or bacteria or any tangible factor. And when other people, especially comedians and writers, shared their experiences with depression and those experiences were resonant with my own, I could laugh because we were all getting fooled together. I laughed in the same way an audience laughs at a particularly good trick pulled off by a magician. “We’ve all been deceived, but we don’t know how!

I was reminded of this in the AA rooms. One day this guy said, “I just can’t believe I’ll never do blow off a hooker’s ass again.” He wasn’t being funny. His face was in total despair.

May knew John had a very bad tendency, when things got unusually difficult, to sink with an almost sensuous pleasure into a warm bath of despair. Once you’ve handed the reins over to despair, to mix a metaphor just a teeny bit, your job is done. You don’t have to sweat it any more, you’ve taken yourself out of the game. Despair is the bench, and you are warming it.

Sometimes she despaired at other women - their feebleness, their triviality, the nonsense they absorbed. So many were like little doe-eyed deer waiting to be chased, clueless with a different mindset and a bit of effort they could be the predators.

The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going?

That’s just how my brain works: words of wisdom are produced at random intervals, and always in times of great despair.

Seeing the lovely red of your lips, darling the cherries hang themselves from a tree in despair.

Funny little thing. How could she know that even despair can work for you if you’re lucky enough to outlive it.   I’d

You were raised on a planet that treats death like a celebration. I was raised on one that treats death like despair. The funny thing is, right now, I can't tell you which is worse.

It was funny, what friendship meant in Rebecca’s world. It mainly meant lunch, twice a year, and the occasional dinner party, except for Dorothea, who was an old school friend, a genuine friend. Rebecca had realized, ruefully, that she should have made more friends in school; they seemed to be the only ones women really talked to honestly because the shared history meant fewer lies were available to them. With the others shared meals had become a substitute for intimacy, but not the kind of substitute that allowed for dark nights of the soul, calls at 1:00 A.M., tears and drinking and despair in pajamas.

It is funny how we often want what we cannot have. What do we do in these prickly moments of disorientation and despair? we plunge in for one dance with our tormentor or we ignore our feelings, hoping in time, they will fade away..

Have you heard of the 'Deaths of Despair' epidemic in rural America? The quality of life in Republican-run red states is so bad, rednecks are literally killing themselves because they'd rather be dead than live in a Republican state for another day.

God is moving round my house Setting things to rights. I hear his step upon the stair, But like a savant in my lair Crouch and nurse my fine despair. . . . He wants to make of this my house A sanitary sight. He thinks it has a curious smell— But I should do so very well If I could keep my funny hell.

We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...

I know it’s late, but could you find a book for me? It’s called The Slavs: The Study of Pagan Traditions by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an arm-lock.

I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.

Since my biographer may be too staid Or know too little to affirm that Shade Shaved in his bath, here goes: "He'd fixed a sort Of hinge-and-screw affair, a steel support Running across the tub to hold in place The shaving mirror right before his face And with his toe renewing tap-warmth, he'd Sit like a king there, and like Marat bleed." The more I weigh, the less secure my skin; In places it's ridiculously thin; Thus near the mouth: the space between its wick And my grimace, invited the wicked nick. Or this dewlap: some day I must set free The Newport Frill inveterate in me. My Adam's apple is a prickly pear: Now I shall speak of evil and despair As none has spoken. Five, six, seven, eight, Nine strokes are not enough. Ten. I palpate Through strawberry-and-cream the gory mess And find unchanged that patch of prickliness. I have my doubts about the one-armed bloke Who in commercials with one gliding stroke Clears a smooth path of flesh from ear to chin, Then wipes his faces and fondly tries his skin. I'm in the class of fussy bimanists. As a discreet ephebe in tights assists A female in an acrobatic dance, My left hand help, and holds, and shifts its stance. Now I shall speak...Better than any soap Is the sensation for which poets hope When inspiration and its icy blaze, The sudden image, the immediate phrase Over the skin a triple ripple send Making the little hairs all stand on end As in the enlarged animated scheme Of whiskers mowed when held up by Our Cream.

Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.

I can’t be intelligent,’ Clarissa said miserably. ‘I must be stupid. Mother Ryan says that I’m stupid, and Bob says that I’m stupid, and even Mrs Talbot says that I’m stupid, and–’ She began to cry. She went to a mirror and dried her eyes. Baxter followed. He put his arms around her. ‘Don’t put your arms around me,’ she said, more in despair than in anger. ‘Nobody ever takes me seriously until they get their arms around me.’ She sat down again and Baxter sat near her. ‘But you’re not stupid, Clarissa,’ he said. ‘You have a wonderful intelligence, a wonderful mind. I’ve often thought so. I’ve often felt that you must have a lot of very interesting opinions.’ ‘ Well, that’s funny,’ she said, ‘because I do have a lot of opinions. Of course, I never dare say them to anyone, and Bob and Mother Ryan don’t ever let me speak. They always interrupt me, as if they were ashamed of me. But I do have these opinions. I mean, I think we’re like cogs in a wheel. I’ve concluded that we’re like cogs in a wheel. Do you think we’re like cogs in a wheel?’ ‘Oh, yes,’ he said. ‘Oh, yes, I do!’ ‘I think we’re like cogs in a wheel,’ she said. ‘For instance, do you think that women should work? I’ve given that a lot of thought. My opinion is that I don’t think married women should work. I mean, unless they have a lot of money, of course, but even then I think it’s a full-time job to take care of a man. Or do you think that women should work?’ ‘What do you think?’ he asked. ‘I’m terribly interested in knowing what you think.’ ‘Well, my opinion is,’ she said timidly, ‘that you just have to hoe your row. I don’t think that working or joining the church is going to change everything, or special diets, either. I don’t put much stock in fancy diets. We have a friend who eats a quarter of a pound of meat at every meal. He has a scales right on the table and he weighs the meat. It makes the table look awful and I don’t see what good it’s going to do him. I buy what’s reasonable. If ham is reasonable, I buy ham. If lamb is reasonable, I buy lamb. Don’t you think that’s intelligent?

An unexpected sight opens in front of my eyes, a sight I cannot ignore. Instead of the calm waters in front of the fortress, the rear side offers a view of a different sea—the sea of small, dark streets and alleys—like an intricate puzzle. The breathtaking scenery visible from the other side had been replaced by the panorama of poverty–stricken streets, crumbling house walls, and dilapidated facades that struggle to hide the building materials beneath them. It reminds me of the ghettos in Barcelona, the ghettos I came to know far too well. I take a deep breath and look for a sign of life—a life not affected by its surroundings. Nothing. Down, between the rows of dirty dwellings stretches a clothesline. Heavy with the freshly washed laundry it droops down, droplets of water trickling onto the soiled pavement from its burden. Around the corner, a group of filthy children plays with a semi–deflated soccer ball—it makes a funny sound as it bounces off the wall—plunk, plunk. A man sitting on a staircase puts out a cigarette; he coughs, spits phlegm on the sidewalk, and lights a new one. A mucky dog wanders to a house, lifts his leg, and pisses on it. His urine flows down the wall and onto the street, forming a puddle on the pavement. The children run about, stepping in the piss, unconcerned. An old woman watches from the window, her large breasts hanging over the windowsill for the world to see. Une vie ordinaire, a mundane life...life in its purest. These streets bring me back to all the places I had escaped when I sneaked onto the ferry. The same feeling of conformity within despair, conformity with their destiny, prearranged long before these people were born. Nothing ever changes, nothing ever disturbs the gloomy corners of the underworld. Tucked away from the bright lights, tucked away from the shiny pavers on the promenade, hidden from the eyes of the tourists, the misery thrives. I cannot help but think of myself—only a few weeks ago my life was not much different from the view in front of my eyes. Yet, there is a certain peace soaring from these streets, a peace embedded in each cobblestone, in each rotten wall. The peace of men, unconcerned with the rest of the world, disturbed neither by global issues, nor by the stock market prices. A peace so ancient that it can only be found in the few corners of the world that remain unchanged for centuries. This is one of the places. I miss the intricacy of the street, I miss the feeling of excitement and danger melted together into one exceptional, nonconforming emotion. There is the real—the street; and then there is all the other—the removed. I am now on the other side of reality, unable to reach out with my hand and touch the pure life. I miss the street.

I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.

These stunning global improvements have already been tested, vetted and proven effective: 1. To feed the world, easily. Yet grains waste in warehouses to ensure “Profitable Supply and Demand Ratios.” 2. To power the world endlessly, freely, without pollution or waste. Yet basic subsidies are given to polluting, exploiting, un-replenishable resources to ensure power remains in the hands of the controllers. 3. To end all armed conflict and usher in an era of global prosperity. Yet childish leaders propagate “The Demonic Other” to ensure they remain in power. 4. To improve global quality of life by a factor of 3x to 8x in under a decade. Yet it is suppressed to ensure that the elite remain an Elite and separate ruling class. 5. To end drug addictions and social inequality. Yet drugs are industriously pumped into ghettos to breed despair and ensure that ordinary people remain in conflict with each other. 6. To radically reduce crime worldwide. Yet again, suppressed to ensure the reign of an elite prison complex. 7. To reduce the work week by over 50%. Suppressed to occupy the masses with trifling banality. 8. To globally stabilize and secure the world’s clean drinking water supply, EASILY. Suppressed to retain control over the world’s most impoverished. All of these “Trigger Ready Solutions” are suppressed by humans to ensure their power and control over other Humans. They argue about currency manipulation while poisoning the collective air and water to a level where the oceans have little left to give. Absolving themselves of all crimes, preaching kindness and forgiveness, they race into battle against the OTHER while denouncing greed and indoctrinating youth to find it funny to say, “He who dies with the most toys wins.

I know it’s late, but could you find a book for me? It’s called The Slavs: Study of Pagan Tradition by Osvintsev.” Barabas sighed dramatically. “Kate, you make me despair. Let’s try that again from the top, except this time pretend you are an alpha.” “I don’t need a lecture. I just need the book.” “Much better. Little more growl in the voice?” “Barabas!” “And we’re there. Congratulations! There is hope for you yet. I will look into the book.” I hung up the phone and glared at Curran. “What’s so funny?” “You.” “Laugh while you can. You have to sleep eventually, and then I’ll take my revenge.” “You’re such a violent woman. Always with the threats. You should look into some meditation techniques . . .” I jumped on the couch and put the Beast Lord into an armlock.

We found this,” Debs said, standing at my shoulder and holding up a plastic evidence bag with a sheet of plain white paper in it. There was a red-brown stain of dried blood on one corner, but I took the bag from her and looked: On the paper was written a short message, in a large and ornate font that could have come from any computer printer in the world. It said, He disagreed with someone who ate him. “I didn’t realize cannibals were so clever,” I said. Deborah stared at me, and all the soft despair she had been fighting with lately seemed to settle on her face and begin to smolder. “Yeah,” she said. “It’s pretty funny. Especially to somebody like you who enjoys this kind of thing.” “Debs,” I said, looking around me to see if anybody might have overheard. There was no one in immediate earshot, but judging by her face, I doubt she would have cared.

It will sound to be perhaps funny. But of, its the fact.. On 19th January 2015 I suddenly had fallen sick. My nearest and dearest person, our beloved family physician had expired on 18th January, 2015 at 6P.M. Every length and breadth of nostalgic thoughts fogged to my mind. I was becoming too restless.No particular medicine, as such acted upon me.My mother's words were in despair..I heard her to say on me, "What should I do with her now?" On other doctor's prescription, medicines were been continuing but my weakness was all along on my way, severely... 20th January, 7P.M.-On one side my mother's inspiration that I have to be awaken, I need to be shaken up myself again and, on the other hand my own teachings to my students when they repel my words "Life and Death together is temporary. When there is Birth, prepare for Death: When there is Hope, prepare for Despair : When there is Happiness, prepare for Sadness: Laugh and Be Merry..:""Life is not a stagnant water,A man is mortal:" And today is 21st January, Feeling much better ..I am, now again to continue with my work-my Life..

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

Babies demand your entire self, but it is a funny kind of self. It is a mixture of the “all” a factory worker gives to the conveyor belt and the “all” a lover offers to the one he adores. It involves, on both counts, a fair degree of self-abnegation. This is why people who mind children suffer from despair; it happens all of a sudden—they realise, all of a sudden, that they still exist.

We take the original plays of William Shakespeare and Christopher Marlowe, and Markus gives them . . . well, the necessary polish.” “Aren’t the plays good enough by themselves?” Barbara asked. “Well, for the general public they’re sometimes just too difficult and dry, so we cut out the long monologues and concentrate on the funny parts and, above all, the bloody passages. Many of the pieces have not yet been translated into German, and Markus takes care of that, as well.” “I butcher Shakespeare’s plays by turning them into bloody spectacles for the masses,” Markus sighed in despair. “Carefully constructed pentameter, beautiful images—for that the world clearly has no taste nowadays. The more blood, the better. But I myself have written original pieces that—” “Yes, yes,” Malcolm interrupted, “that would be enough to make Shakespeare cry, I know—or simply put him to sleep. I’m afraid you’re boring the ladies, Markus. Just like your plays. We can’t afford experiments. After all, I have a whole troupe to feed,” he said, clapping his hands. “But now it’s time to get back to building the stage. Will you excuse us?” He bowed to Magdalena and Barbara and stomped off toward the stage, but not without first casting a final, reproachful look at his two actors. “Old slave driver,” Markus mumbled and followed him, while Matheo paused a moment and winked at Barbara. “Then can we look forward to seeing you again at tomorrow’s performance? We’ll save a few seats for you up in the gallery. Ciao, signorine.” “Ciao,” Barbara said, batting her eyelashes as Matheo, in one single, flowing movement, jumped back onto the stage. Magdalena grinned at her sister. “Ciao?” she asked. “Is that the way a Schongau hangman’s daughter says good-bye, or are you an Italian contessa addressing her prince just before their wedding?

Marcus could see why the biographies were so popular. The stories told by Suetonius were brutal, funny, and shocking. The people he described were, for the most part, appalling. Had Caligula really given his horse Incitatus a stall of marble, a manger of ivory, purple blankets, and a collar of precious stones, all in preparation for making him a consul? Had Nero really tried to kill his mother by putting her on a collapsing boat? Had Domitian invited guests to a black room where he treated them like men already dead, and then released them, making a joke of their despair? What amazing and terrible times Marcus’s father and grandfather and great-grandfather had lived through—and how very

Marcus could see why the biographies were so popular. The stories told by Suetonius were brutal, funny, and shocking. The people he described were, for the most part, appalling. Had Caligula really given his horse Incitatus a stall of marble, a manger of ivory, purple blankets, and a collar of precious stones, all in preparation for making him a consul? Had Nero really tried to kill his mother by putting her on a collapsing boat? Had Domitian invited guests to a black room where he treated them like men already dead, and then released them, making a joke of their despair? What amazing and terrible times Marcus’s father and grandfather and great-grandfather had lived through—and how very little Marcus knew about their lives!

How I miss you two. I was so used to turning to you. It was heaven. Always to have you two to turn to in despair, in joy. There you were: strong—funny. Two rocks. What you did for me—wow! What luck to be born out of love and to live in an atmosphere of warmth and interest.

While boredom can be fairly subtle and cynicism can appear quite intelligent and even funny, despair is like a dull thud in the heart. Despair says, Nothing that we make matters.

All rational beings laugh--and maybe only rational beings laugh. And all rational beings benefit from laughing. As a result there has emerged a peculiar human institution--that of the joke, the repeatable performance in words or gestures that is designed as an object of laughter. Now there is a great difficulty in saying exactly what laughter is. It is not just a sound--not even a sound, since it can be silent. Nor is it just a thought, like the thought of some object as incongruous. It is a response to something, which also involves a judgment of that thing. Moreover, it is not an individual peculiarity, like a nervous tic or a sneeze. Laughter is an expression of amusement, and amusement is an outwardly directly, socially pregnant state of mind. Laughter begins as a collective condition, as when children giggle together over some absurdity. And in adulthood amusements remains one of the ways in which human beings enjoy each other's company, become reconciled to their differences, and accept their common lot. Laughter helps us to overcome out isolation and fortifies us against despair. That does not mean that laughter is subjective in the sense that 'anything goes,' or that it is uncritical of its object. On the contrary, jokes are the object of fierce disputes, and many are dismissed as 'not funny,' 'in bad taste,' 'offensive,' and so on. The habit of laughing at things is not detachable from the habit of judging things to be worthy of laughter. Indeed, amusement, although a spontaneous outflow of social emotion, is also the most frequently practiced form of judgment. To laugh at something is already to judge it.

Dreamy tosspots, they stand all afternoon in a 2nd Avenue bar looking at the sun-patterns under the L or their own faces in the mirror; they do good but not good enough work on the paper and dream of the novel they're certainly going to get around to someday; they stand behind a desk on the lecture-platform lecturing with loving and fruitless persuasion to students watching the clock; throughout whole evenings with sinking heart they sit watching their wives over the edge of a book and wondering how, how, how had it ever come about; they live in and search the past not to discover where and at what point they missed the boat but only to revel in the fancied and fanciful pleasures of a better happier and easier day; they see not wisely but too well and what they see isn't worth it; they eat of and are eaten by ennui, with no relief from boredom even in their periodic plunges from euphoria to despair or their rapid rise back to the top again. They wake up mornings such as this, all but out of their minds with remorse, enduring what others call and can call a hangover—that funny word Americans will joke about forever, even when the morning-after is their own.

Phi cang Saigon Tansonnhut"   "He puzzled at the meaning and smiled inwardly. The sign probably said, “Welcome and Affectionate Salutations to All Who Enter the Glorious Tan Son Nhut Air Base, Home of Seventh Air Force, Only Minutes from Beautiful Saigon.” Or maybe not; he couldn’t know. Maybe it read, “Welcome to the Dung Heap of Despair—Abandon Cheer, All Ye Who Enter.

Many people don’t know that God has abandoned us. It is a well established fact that existence is a meaningless pit of despair and suffering. Alleviated only by the occasional glimpse of what we are hardwired to perceive as happiness. Which in and of itself is merely a mechanism to leave us with an acute sense of ennui, When we realize that all satisfaction is fleeting and contentment with life is an illusion. What many don’t realize is that we are built this way not because God hates us, but because he hasn’t bothered fixing reality, as he has better things to do.