Chimney Cake Quotes

The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a child’s tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.

A lot of Britain’s secret war was fought at the end of long, sweeping drives like this one, running through neglected parks, between overgrown rhododendrons and dripping elms, to hidden country houses where codes were broken, special operations planned, the conversations of captured Nazi generals bugged, spies interrogated, agents trained. Kay had walked this drive for the past two years – always with an unwanted memory of school – and at the end of it stood Danesfield House, a mock-Elizabethan mansion, built at the turn of the century, as sparkling white as the icing on a wedding cake, with crenellated walls, steep red roofs and tall red-brick chimneys.

Sir Edmund’s home is an architectural grotesque, the ornate facade the unlikely union of a warship and a wedding cake. A riot of musket loops, carved shells, liquorice-twist chimneys, mock battlements, a first-floor prow, and an exuberance of portholes. On the carved stone pediment above the wide front door Neptune cavorts with sea nymphs. The lower-floor windows are festooned with theatrical swags of stone starfish and scallop shells. For all this, the house looks unlived in.

It has always seemed to me significant that Robert’s first memories, whenever he spoke of them, should not be of the farmhouse le Maurier, or of the lowing of cattle, the scratching of hens and other homely sounds, or even of the roar of the furnace chimney and the bustle of the glass-house; but always of an immense salon, so he described it, filled with mirrors and satin-covered chairs, with a harpsichord standing in one corner, and a fine lady, not my mother, picking him up in her arms and kissing him, then feeding him with little sugared cakes.

Who put poison ivy leaves in the kale salad?” Gabe thundered, pointing at the bowl that had miraculously reappeared yet again on the table. “And laxatives in the fruit cake.” Rafi laughed. I grinned because it hadn’t been me. He might not have stuck around, but Samael had been here. And that made our little holiday celebration complete.

She would, on the birthday of Christ, allow herself what she called "an extra helping of prayer." At the time of the Civil War, she would pray for peace. Always, she asked God to spare me and my father. But at Christmas, she talked to God as if He were Clerk of the Acts in the Office of Public Works. She prayed for cleaner air in London. She prayed that our chimneys would not fall over in the January winds; she prayed that our neighbour, Mister Simkins, would attend to his cesspit, so that it would cease its overflow into ours. She prayed that Amos Treefeller would not slip and drown "going down the public steps to the river at Blackfriars, which are much neglected and covered in slime, Lord." And she prayed, of course, that plague would not come. As a child, she allowed me to ask God to grant me things for which my heart longed. I would reply that my heart longed for a pair of skates made of bone or for a kitten from Siam. And we would sit by the fire, the two of us, praying. And then we would eat a lardy cake, which my mother had baked herself, and ever since that time the taste of lardy cake has had about it the taste of prayer.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

I feel like Alice when she drinks the potion in the White Rabbit's house. Except that this time there's no chimney or window to stick an arm or leg out of, no cake to eat that will make me smaller, and no lizards running around, yelling at me. Actually, I'm quite glad about that last point. I don't think shouting lizards tend to help situations like this.