Lynne Truss Quotes

We've searched our database for all the quotes and captions related to Lynne Truss. Here they are! All 100 of them:

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The rule is: don’t use commas like a stupid person. I mean it.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Proper punctuation is both the sign and the cause of clear thinking.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Thurber was asked by a correspondent: "Why did you have a comma in the sentence, 'After dinner, the men went into the living-room'?" And his answer was probably one of the loveliest things ever said about punctuation. "This particular comma," Thurber explained, "was Ross's way of giving the men time to push back their chairs and stand up.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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A panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots in the air. "Why?" asks the confused waiter, as the panda makes towards the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a panda," he says, at the door. "Look it up." The waiter turns to the relevant entry and, sure enough, finds an explanation. Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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There are people who embrace the Oxford comma and those who don't, and I'll just say this: never get between these people when drink has been taken.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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The reason it's worth standing up for punctuation is not that it's an arbitrary system of notation known only to an over-sensitive elite who have attacks of the vapours when they see it misapplied. The reason to stand up for punctuation is that without it there is no reliable way of communicating meaning.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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If you still persist in writing, "Good food at it's best", you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Manners are about imagination, ultimately. They are about imagining being the other person.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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What the semicolon's anxious supporters fret about is the tendency of contemporary writers to use a dash instead of a semicolon and thus precipitate the end of the world. Are they being alarmist?
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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The rule is: the word 'it's' (with apostrophe) stands for 'it is' or 'it has'. If the word does not stand for 'it is' or 'it has' then what you require is 'its'. This is extremely easy to grasp. Getting your itses mixed up is the greatest solecism in the world of punctuation. No matter that you have a PhD and have read all of Henry James twice. If you still persist in writing, 'Good food at it's best', you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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In the family of punctuation, where the full stop is daddy and the comma is mummy, and the semicolon quietly practises the piano with crossed hands, the exclamation mark is the big attention-deficit brother who gets overexcited and breaks things and laughs too loudly.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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...punctuation marks are the traffic signals of language: they tell us to slow down, notice this, take a detour, and stop.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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We read privately, mentally listening to the author's voice and translating the writer's thoughts. The book remains static and fixed; the reader journeys through it.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Why did the Apostrophe Protection Society not have a militant wing? Could I start one? Where do you get balaclavas?
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Truly good manners are invisible: they ease the way for others, without drawing attention to themselves. It is no accident that the word "punctilious" ("attentive to formality or etiquette") comes from the same original root as punctuation.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.
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Stephen Fry
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To those who care about punctuation, a sentence such as "Thank God its Friday" (without the apostrophe) rouses feelings not only of despair but of violence. The confusion of the possessive "its" (no apostrophe) with the contractive "it's" (with apostrophe) is an unequivocal signal of illiteracy and sets off a Pavlovian "kill" response in the average stickler.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Offence is so easily given. And where the 'minority' issue is involved, the rules seem to shift about: most of the time a person who is female/black/disabled/gay wants this not to be their defining characteristic; you are supposed to be blind to it. But then, on other occasions, you are supposed to observe special sensitivity, or show special respect.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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For any true stickler, you see, the sight of the plural word β€œBook’s” with an apostrophe in it will trigger a ghastly private emotional process similar to the stages of bereavement, though greatly accelerated. First there is shock. Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger. Finally (and this is where the analogy breaks down), anger gives way to a righteous urge to perpetrate an act of criminal damage with the aid of a permanent marker.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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We have a language that is full of ambiguities; we have a way of expressing ourselves that is often complex and elusive, poetic and modulated; all our thoughts can be rendered with absolute clarity if we bother to put the right dots and squiggles between the words in the right places. Proper punctuation is both the sign and the cause of clear thinking. If it goes, the degree of intellectual impoverishment we face is unimaginable.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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The problem is that it has become politically awkward to draw attention to absolutes of bad and good. In place of manners, we now have doctrines of political correctness, against which one offends at one's peril: by means of a considerable circular logic, such offences mark you as reactionary and therefore a bad person. Therefore if you say people are bad, you are bad.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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Sticklers never read a book without a pencil at hand, to correct the typographical errors. In short, we are unattractive know-all obsessives who get things out of proportion and are in continual peril of being disowned by our exasperated families.
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Lynne Truss
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No matter that you have a PhD and have read all of Henry James twice. If you still persist in writing, "Good food at it's best", you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Brackets come in various shapes, types and names: 1 round brackets (which we call brackets, and the Americans call parentheses) 2 square brackets [which we call square brackets, and the Americans call brackets]
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Evidently an A level in English is a sacred trust, like something out of "The Lord of the Rings". You must go forth with your A level and protect the English language with your bow of elfin gold.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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I apologise if you all know this, but the point is many, many people do not. Why else would they open a large play area for children, hang up a sign saying "Giant Kid's Playground", and then wonder why everyone stays away from it? (Answer: everyone is scared of the Giant Kid.)
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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The reason to stand up for punctuation is that without it there is no reliable way of communicating meaning.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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No one else understands us 7th sense people. They regard us as freaks. When we point out illiterate mistakes, we are often aggressively instructed to 'get a life' by people who, interestingly, display no evidence of having lives themselves.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Part of one's despair, of course, is that the world cares nothing for the little shocks endured by the sensitive stickler. While we look in horror at a badly punctuated sign, the world carries on around us, blind to our plight. We are like the little boy in The Sixth Sense who can see dead people, except that we can see dead punctuation. Whisper it in petrified little-boy tones: dead punctuation is invisible to everyone else -- yet we see it all the time. No one understands us seventh-sense people. They regard us as freaks. When we point out illiterate mistakes we are often aggressively instructed to "get a life" by people who, interestingly, display no evidence of having lives themselves. Naturally we become timid about making our insights known, in such inhospitable conditions. Being burned as a witch is not safely enough off the agenda.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Jessie had never heard you could inherit madness. She thought madness was something that just happened to people in Shakespeare when the wind got up.
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Lynne Truss (Tennyson's Gift: Stories from the Lynne Truss Omnibus, Book 2)
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We may curse our bad luck that it's sounds like its; who's sounds like whose; they're sounds like their (and their); there's sounds like theirs; and you're sounds like your. But if we are grown-ups who have been through full-time education, we have no excuse for muddling them up.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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To those of us accustomed to newspaper headlines, 'PIZZAS' in inverted commas suggests these might be pizzas, but nobody's promising anything, and if they turn out to be cardboard with a bit of cheese on top, you can't say you weren't warned.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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That man was Aldus Manutius the Elder (1450-1515) and I will happily admit I hadn't heard of him until about a year ago, but am now absolutely kicking myself that I never volunteered to have his babies.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Using the comma well announces that you have an ear for sense and rhythm, confidence in your style and a proper respect for your reader,
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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we are unattractive know-all obsessives who get things out of proportion and are in continual peril of being disowned by our exasperated families.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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When you by nature subscribe to the view that everyone except yourself is a berk or a wanker, it is hard to bond with anybody in any rational common cause.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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All the important roles shortly boiled down to one: remember your with other people; show some consideration.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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I recently heard of someone studying the ellipsis (or three dots) for a PhD. And, I have to say, I was horrified. The ellipsis is the black hole of the punctuation universe, surely, into which no right-minded person would willingly be sucked, for three years, with no guarantee of a job at the end.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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It used to be just CIA agents with ear-pieces who walked round with preoccupied, faraway expressions, and consequently regarded all the little people as irrelevant scum. Now, understandably, it's nearly everybody.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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On the page, punctuation performs its grammatical function, but in the mind of the reader it does more than that. It tells the reader how to hum the tune.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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nothing is straightforward in the world of literary taste.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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If there is one lesson to be learned from this book, it is that there is never a dull moment in the world of punctuation.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Sticklers unite, you have nothing to lose but your sense of proportion, and arguably you didn't have a lot of that to begin with.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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If we looked inside ourselves and remembered how insignificant we are, just for a couple of minutes a day, respect for other people would be an automatic result.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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there used to be a shopkeeper in Bristol who deliberately stuck ungrammatical signs in his window as a ruse to draw people into the shop; they would come in to complain, and he would then talk them into buying something.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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You should read Wodehouse when you're well and when you're poorly;when you're travelling, and when you're not;when you're feeling clever, and when you're feeling utterly dim. Wodehouse always lifts your spirits,no matter how high they happen to be already.
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Lynne Truss
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There is an old German fable about porcupines who need to huddle together for warmth, but are in danger of hurting each other with their spines. When they find the optimum distance to share each other's warmth without putting each other's eyes out, their state of contrived cooperation is called good manners. Well, those old German fabulists certainly knew a thing or two. When you acknowledge other people politely, the signal goes out, "I'm here. You're there. I'm staying here. You're staying there. Aren't we both glad we sorted that out?" When people don't acknowledge each other politely, the lesson from the porcupine fable is unmistakeable. "Freeze or get stabbed, mate. It's your choice.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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That's why they came up with the emoticon, tooβ€”the emoticon being the greatest (or most desperate, depending how you look at it) advance in punctuation since the question mark in the reign of Charlemagne.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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semicolons are dangerously habit-forming. Many writers hooked on semicolons become an embarrassment to their families and friends.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Those spineless types who talk about abolishing the apostrophe are missing the point.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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There is even a rather delightful publication for children called "The Punctuation Repair Kit", which takes the line "Hey! It's uncool to be stupid!" - which is a lie, of course, but you have to admire them for trying.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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...when a phone call competes for attention with a real-world conversation, it wins. Everyone knows the distinctive high-and-dry feeling of being abandoned for a phone call, and of having to compensate - with quite elaborate behaviours = for the sudden half-disappearance of the person we were just speaking to. 'Go ahead!' we say. 'Don't mind us! Oh look, here's a magazine I can read!' When the call is over, other rituals come into play, to minimise the disruption caused and to restore good feeling.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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the Law of Conservation of Apostrophes. A heresy since the 13th century, this law states that a balance exists in nature: β€œFor every apostrophe omitted from an it’s, there is an extra one put into an its.” Thus the number of apostrophes in circulation remains constant,
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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I have been told that the dying words of one famous 20th-century writer were, β€œI should have used fewer semicolons” – and although I have spent months fruitlessly trying to track down the chap responsible, I believe it none the less. If it turns out that no one actually did say this on their deathbed, I shall certainly save it up for my own.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Whether it’s the Manual that peers down from your bookshelf, or Strunk and White, or the APA style guide, or Fowler, or Lynne Truss, it’s fair to ask why we consider these books authoritative, and if there might not be some better way to assess our writing than through their dicta.
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Cecelia Watson (Semicolon: The Past, Present, and Future of a Misunderstood Mark)
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you know those self-help books that give you permission to love yourself? This one gives you permission to love punctuation.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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humorous writing, the exclamation mark is the equivalent of canned laughter (F. Scott Fitzgerald – that well-known knockabout gag-man – said it was like laughing at your own jokes),
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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I’m sure people did question whether Italian printers were quite the right people to legislate on the meaning of everything; but on the other hand, resistance was obviously useless against a family that could invent italics.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Many aspects of our screen-bound lives are bad for our social skills simply because we get accustomed to controlling the information that comes in, managing our relationships electronically, deleting stuff that doesn't interest us. We edit the world; we select from menus; we pick and choose; our social 'group' focuses on us and disintegrates without us. This makes it rather confusing for us when we step outdoors and discover that other people's behaviour can't be deleted with a simple one-stroke command or dragged to the trash icon.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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Everyday, you get home from the shops with a bag of cat food and bin-liners and realise that, yet again, you failed to have cosmetic surgery, book a cheap weekend in Paris, change your name to something more glamorous, buy the fifth series of The Sopranos, divorce your spouse, sell up and move to Devon, or adopt a child from Guatemala.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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Remember that thing Truman Capote said years ago about Jack Kerouac: β€œThat’s not writing, it’s typing”? I keep thinking that what we do now, with this medium of instant delivery, isn’t writing, and doesn’t even qualify as typing either: it’s just sending.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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...intelligence nowadays is all about application: it is the ability 'to take in a complex system and learn its rules on the fly'. For young people, this ability is second nature. Any fool knows that, if you need a new and unfamiliar VCR programmed in a hurry, you commandeer any small passing child to do it.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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I mean, full stops are quite important, aren't they? Yet by contrast to the versatile apostrophe, they are stolid little chaps, to say the least. In fact one might dare to say that while the full stop is the lumpen male of the punctuation world (do one job at a time; do it well; forget about it instantly), the apostrophe is the frantically multi-tasking female, dotting hither and yon, and succumbing to burn-out from all the thankless effort.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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is only one thing more mortifying than having an exclamation mark removed by an editor: an exclamation mark added in.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Punctuation is no more a class issue than the air we breathe.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Il modo in cui ci comportiamo con gli altri, anche nelle cose piΓΉ piccole, Γ¨ una misura del nostro valore come esseri umani.
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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(β€œBirds’ heads in profile, mate? You having a laugh?”).
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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I think about death sometimes. Analytically, of course.
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Lynne Truss (Making the Cat Laugh)
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No valentines from the cats again.
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Lynne Truss (Making the Cat Laugh)
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What the semicolon’s anxious supporters fret about is the tendency of contemporary writers to use a dash instead of a semicolon and thus precipitate the end of the world.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Wait for it,' the single dash seems to whisper, with a twinkle if you're lucky.
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Lynne Truss
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She was one of those invalids who has to lie down a lot, and sometimes can't lift a bread knife, but can shift a mahogany wardrobe if the fancy is upon her to see it in a different place.
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Lynne Truss (Tennyson's Gift: Stories from the Lynne Truss Omnibus, Book 2)
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one might dare to say that while the full stop is the lumpen male of the punctuation world (do one job at a time; do it well; forget about it instantly), the apostrophe is the frantically multi-tasking female, dotting hither and yon, and succumbing to burnout from all the thankless effort.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Cruelty to punctuation is quite unlegislated: you can get away with pulling the legs off semicolons; shrivelling question marks on the garden path under a powerful magnifying glass; you name it.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Writers jealous of their individual style are obliged to wring the utmost effect from a tiny range of marks – which explains why they get so desperate when their choices are challenged (or corrected) by copy-editors legislating according to a β€œhouse style”.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Oh yes, sir. There's no doubt about it, sir. The Punctuation Murderer has struck again.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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If colons and semicolons give themselves airs and graces, at least they also confer airs and graces that the language would be lost without.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Correct me if I'm wrong, but isn't it usually aspiring gangsta rappers who set such store by designer labels?
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Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
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Come inside,” it says, β€œfor CD’s, VIDEO’s, DVD’s, and BOOK’s.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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pretentious and over-active” semicolons have reached epidemic proportions in the world of academe, where they are used to gloss over imprecise thought.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Blood was now spurting in all directions, and the almighty purr was deafening.
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Lynne Truss (Cat Out of Hell)
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I hear there are now Knightsbridge clinics offering semicolonic irrigation – but for many it may be too late.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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L'insulto Γ© l'arma del debole.
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Lynne Truss (I Maleducati: Contro La Cafoneria Della Vita Quotidiana)
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I have been told that the dying words of one famous 20th-century writer were, β€œI should have used fewer semicolons
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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In fact, it seemed to me that every single item on the news – concerning economic doom and political hypocrisy and social breakdown – was not β€œnews” at all. What I could hear was just a series of utterly transparent ploys to frighten and alarm the listeners – and frighten them, moreover, about the wrong things. The
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Lynne Truss (Cat Out of Hell)
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As with other paired bracketing devices (such as parentheses, dashes and quotation marks), there is actual mental cruelty involved , incidentally, in opening up a pair of commas and then neglecting to deliver the closing one. The reader hears the first shoe drop and then strains in agony to hear the second. In dramatic terms, it's like putting a gun on the mantelpiece in Act I and then having the heroine drown herself quietly offstage in the bath during the interval. It's just not cricket.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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the Law of Conservation of Apostrophes. A heresy since the 13th century, this law states that a balance exists in nature: β€œFor every apostrophe omitted from an it’s, there is an extra one put into an its.” Thus the number of apostrophes in circulation remains constant, even if this means we have double the reason to go and bang our heads against a wall.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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If this satanic sprinkling of redundant apostrophes causes no little gasp of horror or quickening of the pulse, you should probably put down this book. By all means congratulate yourself that you are not a pedant or even a stickler; that you are happily equipped to live in a world of plummeting punctuation standards; but just don't bother to go any further.
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Lynne Truss
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So the particular strengths of the colon are beginning to become clear. A colon is nearly always preceded by a complete sentence, and in its simplest usage it rather theatrically announces what is to come. Like a well-trained magician's assistant, it pauses slightly to give you time to get a bit worried, and then efficiently whisks away the cloth and reveals the trick complete.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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No one understands us seventh-sense people. They regard us as freaks. When we point out illiterate mistakes we are often aggressively instructed to "get a life" by people who, interestingly, display no evidence of having lives themselves.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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While we look in horror at a badly punctuated sign, the world carries on around us, blind to our plight. We are like the little boy in The Sixth Sense who can see dead people, except that we can see dead punctuation. Whisper it in petrified little-boy tones: dead punctuation is invisible to everyone else - yet we see it all the time.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Yes, you can see the bullet points here, here and here, sir; there are multiple back-slashes, of course. And that’s a forward slash. I would have to call this a frenzied attack. Did anyone hear the interrobang?” β€œOh yes. Woman next door was temporarily deafened by it. What’s this?” β€œAh. You don’t see many of these any more. It’s an emoticon. Hold your head this way and it appears to be winking.” β€œGood God! You mean – ?” β€œThat’s the mouth.” β€œYou mean – ?” β€œThat’s the nose.” β€œGood grief Then it’s – ?” β€œOh yes, sir. There’s no doubt about it, sir. The Punctuation Murderer has struck again.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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When we point out illiterate mistakes we are often aggressively instructed to β€œget a life” by people who, interestingly, display no evidence of having lives themselves. Naturally we become timid about making our insights known, in such inhospitable conditions.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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...by tragic historical coincidence a period of abysmal under-educating in literacy has coincided with this unexpected explosion of global self-publishing. Thus people who don't know their apostrophe from their elbow are positively invited to disseminate their writings to anyone on the planet stupid enough to double-click and scroll.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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the American essayist Lewis Thomas on the semicolon: The semicolon tells you that there is still some question about the preceding full sentence; something needs to be added [Β .Β .Β .] The period [or full stop] tells you that that is that; if you didn’t get all the meaning you wanted or expected, anyway you got all the writer intended to parcel out and now you have to move along. But with the semicolon there you get a pleasant feeling of expectancy; there is more to come; read on; it will get clearer. The Medusa and the Snail, 1979
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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For the first time since she met him, she asked herself whether mr Dodgson was really the sunny personality she had at first imagined. Did she honestly want to spend the rest of her life with him, setting up home in a bathing machine, and living on what she could catch in a shrimp net? She pulled a face, stood up, brushed her frock. She was only eight, she told herself. As Jessie Fowler had pointed out this afternoon, a girl of eight needn't say yes to the first man who says he loves his love with a D. 'Panic about spinsterhood when you are ten and a half', said the worldly Jessie. 'But really, not before'.
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Lynne Truss (Tennyson's Gift: Stories from the Lynne Truss Omnibus, Book 2)
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The virus is causing something akin to panic throughout corporate America, which has become used to the typos, misspellings, missing words and mangled syntax so acceptable in cyberspace. The CEO of LoseItAll.com, an Internet startup, said the virus had rendered him helpless. β€œEach time I tried to send one particular e-mail this morning, I got back this error message: β€˜Your dependent clause preceding your independent clause must be set off by commas, but one must not precede the conjunction.’ I threw my laptop across the room.” Β .Β .Β . If Strunkenwhite makes e-mailing impossible, it could mean the end to a communication revolution once hailed as a significant timesaver. A study of 1,254 office workers in Leonia, N.J., found that e-mail increased employees’ productivity by 1.8 hours a day because they took less time to formulate their thoughts. (The same study also found that they lost 2.2 hours of productivity because they were e-mailing so many jokes to their spouses, parents and stockbrokers.) Β .Β .Β . β€œThis is one of the most complex and invasive examples of computer code we have ever encountered. We just can’t imagine what kind of devious mind would want to tamper with e-mails to create this burden on communications,” said an FBI agent who insisted on speaking via the telephone out of concern that trying to e-mail his comments could leave him tied up for hours.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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In Beachcomber’s hilarious columns about the Apostropher Royal in The Express, a certain perversely comforting law is often reiterated: the Law of Conservation of Apostrophes. A heresy since the 13th century, this law states that a balance exists in nature: β€œFor every apostrophe omitted from an it’s, there is an extra one put into an its.” Thus the number of apostrophes in circulation remains constant, even if this means we have double the reason to go and bang our heads against a wall.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Clicking on "send" has its limitations as a system of subtle communication. Which is why, of course, people use so many dashes and italics and capitals ("I AM joking!") to compensate. That's why they came up with the emoticon, tooβ€”the emoticon being the greatest (or most desperate, depending how you look at it) advance in punctuation since the question mark in the reign of Charlemagne. You will know all about emoticons. Emoticons are the proper name for smileys. And a smiley is, famously, this: :β€”) Forget the idea of selecting the right words in the right order and channelling the reader's attention by means of artful pointing. Just add the right emoticon to your email and everyone will know what self-expressive effect you thought you kind-of had in mind. Anyone interested in punctuation has a dual reason to feel aggrieved about smileys, because not only are they a paltry substitute for expressing oneself properly; they are also designed by people who evidently thought the punctuation marks on the standard keyboard cried out for an ornamental function. What's this dot-on-top-of-a-dot thing for? What earthly good is it? Well, if you look at it sideways, it could be a pair of eyes. What's this curvy thing for? It's a mouth, look! Hey, I think we're on to something. :β€”( Now it's sad! ;β€”) It looks like it's winking! :β€”r It looks like it's sticking its tongue out! The permutations may be endless: :~/ mixed up! <:β€”) dunce! :β€”[ pouting! :β€”O surprise! Well, that's enough. I've just spotted a third reason to loathe emoticons, which is that when they pass from fashion (and I do hope they already have), future generations will associate punctuation marks with an outmoded and rather primitive graphic pastime and despise them all the more. "Why do they still have all these keys with things like dots and spots and eyes and mouths and things?" they will grumble. "Nobody does smileys any more.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
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Punctuation has been defined many ways. Some grammarians use the analogy of stitching: punctuation as the basting that holds the fabric of language in shape. Another writer tells us that punctuation marks are the traffic signals of language: they tell us to slow down, notice this, take a detour, and stop. I have even seen a rather fanciful reference to the full stop and comma as β€œthe invisible servants in fairy tales – the ones who bring glasses of water and pillows, not storms of weather or love”. But best of all, I think, is the simple advice given by the style book of a national newspaper: that punctuation is β€œa courtesy designed to help readers to understand a story without stumbling”.
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Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)