Deck Railing Quotes

We've searched our database for all the quotes and captions related to Deck Railing. Here they are! All 72 of them:

Gundar, seeing Halt upright for the first time in two days, stumped up the deck to join them. 'Back on your feet then?' he boomed cheerfully, with typical Skandian tact. 'By Gorlag's toenails, with all the heaving abd puking you've been doing, I thought you'd turn yourself inside out and puke yourself over the rail!'... 'You do paint a pretty picture, Gundar,' Will said... 'Thank you for your concern,' Halt said icily... 'So, did you find Albert?' Gundar went on, unabashed. Even Halt was puzzled by this sudden apparent change of subject. 'Albert?' he asked. Too late, he saw Gundar's grin widening and knew he'd stepped into a trap. 'You seemed to be looking for him. You'd lean over the rail and call, 'Al-b-e-e-e-e-e-r-t!' I thought he might be some Araluen sea god.' 'No, I didn't find him. Maybe I could look for him in your helmet.' He reached out a hand. But Gundar had heard what happened when Skandians lent their helmets to the grim-faced Ranger while onboard ship... 'No, I'm pretty sure he's not there,' he said hurriedly.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Karen, her elbows folded on the deck-rail, wanted to share with someone her pleasure in being alone: this is the paradox of any happy solitude.
Elizabeth Bowen (The House in Paris)
Karen, her elbows folded on the deck-rail, wanted to share with someone the pleasure in being alone: this is the paradox of any happy solitude. She had never landed at Cork, so this hill and that hill beyond were as unexpected as pictures at which you say "Oh look!" Nobody was beside her to share the moment, which would have been imperfect with anyone else there.
Elizabeth Bowen
Why hunt the sea whip if you only meant to turn it over to Alina?” “I wasn’t hunting the sea whip. I was hunting you.” “That’s why you raised a mutiny against the Darkling?” I asked. “To get at me?” “You can’t very well mutiny on your own ship.” “Call it what you like,” I said, exasperated. “Just explain yourself.” Sturmhond leaned back and rested his elbows on the rail, surveying the deck. “As I would have explained to the Darkling had he bothered to ask—which, thankfully, he didn’t—the problem with hiring a man who sells his honor is that you can always be outbid.” I gaped at him. “You betrayed the Darkling for money?” “‘Betrayed’ seems a strong word. I hardly know the fellow.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Well, I am terribly concerned for your health. One simply should not weigh so much at your age.” Lady Maccon poked at a sagging carrot and wondered if anyone would miss her dear sister were she to be oh-so-gently tipped over the rail of the upper deck.
Gail Carriger (Changeless (Parasol Protectorate, #2))
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet)
«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»
Sherry Thomas (Private Arrangements)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Only the ship is made of books, its sails thousands of overlapping pages, and the sea it floats upon is dark black ink. Tiny lights hang across the sky, like tightly packed stars bright as sun. “I thought something vast would be nice after all the talk of confined spaces,” Marco says. Celia walks to the edge of the deck, running her hands along the spines of the books that form the rail. A soft breeze plays with her hair, bringing with it the mingling scent of dusty tomes and damp, rich ink.
Erin Morgenstern (The Night Circus)
Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
What the hell just happened?” Jesper asked. He was leaning against the railing, his rifle beside him. His hair was mussed, his pupils dilated. He seemed almost drunk, or like he’d just rolled out of someone’s bed. He always had that look after a fight. Helvar was bent over the railing, vomiting. Not a sailor, apparently. At some point they’d need to shackle his legs again. “We were ambushed,” Wylan said from his perch on the forecastle deck. He had his sleeve pushed up and was running his fingers over the red spot where Nina had seen to his wound. Jesper shot Wylan a withering glare. “Private tutors from the university, and that’s what this kid comes up with? ‘We were ambushed?’” Wylan reddened. “Stop calling me kid. We’re practically the same age.” “You’re not going to like the other names I come up with for you. I know we were ambushed.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
To the Nameless Saints who soothe the winds and still the restless sea... Lenos turned his grandmother's talisman between his hands as he prayed. I beg protection for this vessel-- A sound shuddered through the ship, followed by a swell of cursing. Lenos looked up as Lila got to her feet, steam rising from her hands. -- and those who sail aboard it. I beg kind waters and clear skies as we make our way-- "If you break my ship, I will kill you all," shouted Jasta. His fingers tightened around the pendant. -- our way into danger and darkness. "Damned Antari," muttered Alucard, storming up the steps to the landing where Lenos stood, elbows on the rail. The captain slumped down against a crate and produced a flask. "This is why I drink." Lenos pressed on. I beg this as a humble servant, with faith in the vast world, in all its power. He straightened, tucking the necklace back under his collar. "Did I interrupt?" asked Alucard. Lenos looked from the singe marks on the deck to Jasta bellowing from the wheel as the ship tepped suddenly sideways under the force of whatever magic the three Antari were working, and at last to the man who sat drinking on the floor. "Not really,
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Ellen turned away from them impatiently, and went to the rail once again. Her mother’s friends were all the same—affected and insincere, their conversation a continual mockery of people and things. The poor family on the lower deck had no claim upon their sympathy.
Daphne du Maurier (The du Mauriers)
Esk stood on the deck of the barge and looked around. The sky was bluer than a biscuit barrel, fitting neatly over a broad valley through which the river ran as sluggishly as a planning inquiry. Behind her the Ramtops still acted as a hitching rail for clouds, but they no longer dominated as they had done for as long as Esk had known them. Distance had eroded them.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
He swims easily to the side of the boat and pulls himself up on the ladder, water droplets clinging to his chest and abs. Still hanging on to the rope, he brings himself effortlessly over the side of the railing and onto the deck. His khaki shorts are completely soaked through, and they hang low and loosely on his hips. I have to force myself, consciously, not to ogle him.
Lisa Daily
The crew of the Argo II assembled at the rail and cut the grappling lines. Piper brought out her new horn of plenty and, on Percy’s direction, willed it to spew Diet Coke, which came out with the strength of a fire hose, dousing the enemy deck. Percy thought it would take hours, but the ship sank remarkably fast, filling with Diet Coke and seawater. “Dionysus,” Percy called, holding up Chrysaor’s golden mask. “Or Bacchus—whatever. You made this victory possible, even if you weren’t here. Your enemies trembled at your name…or your Diet Coke, or something. So, yeah, thank you.” The words were hard to get out, but Percy managed not to gag. “We give this ship to you as tribute. We hope you like it.” “Six million in gold,” Leo muttered. “He’d better like it.
Rick Riordan (The Heroes of Olympus: Books I-III (The Heroes of Olympus, #1-3))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
My friend was aboard Sewee, untying his vessel from an ancient sunken post. “Ben?” No response. I slipped off my shoes and waded to the runabout. Pulled myself up the tiny ladder. Found Ben’s hand waiting at the rail. He effortlessly hoisted me into the boat, maneuvering my weight like it was nothing. I sometimes forgot how strong Ben was. How warm his hands could feel. Ben released me. Went back to coiling line. “Are you okay?” I immediately realized it was the wrong thing to say. “Of course I’m okay.” Gruff. Distant. I stood watching him, unsure what to say next. Unbidden, the image of a bench sprang to mind. The two of us, huddled close. Me crying in his arms. I felt blood rush to my face, was grateful for the concealing darkness. “No one expects you to like Chance,” I said finally. “Good.” Not looking up. “Because I don’t.” Another awkward silence. Then Ben huffed, “You like him enough for both of us.” I straightened, surprised. Was that what was bothering him? Jealousy? Why would Ben be jealous of Chance? After everything that spoiled boy had done to me? Did Ben think I was some ditz? That my memory reset with every pretty smile? Am I? I felt a nervous twinge in my stomach. Felt it grow. Ben. Jealous. Because of his feelings for me. The issue would not simply go away. “Ben. I . . .” Words failed. My face grew hot. Ben’s hands stopped moving. He stared at the deck, his long black hair fanning his face. He sucked in a breath, as if on the verge of something.
Kathy Reichs (Terminal (Virals, #5))
Turn it beautiful. His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom. Turn it all to beauty. She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her. Got to turn it beautiful. She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear. She didn’t want to die. Arin was right. She played a game until its end. Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water. Kestrel gathered the strength in her legs and jumped onto the deck. Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled. Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.
Wendy Higgins (Sweet Peril (Sweet, #2))
6 And I’ll admit that on the very first night of the 7NCI asked the staff of the Nadir’s Five-Star Caravelle Restaurant whether I could maybe have a spare bucket of au jus drippings from supper so I could try chumming for sharks off the back rail of the top deck, and that this request struck everybody from the maître d’ on down as disturbing and maybe even disturbed, and that it turned out to be a serious journalistic faux pas, because I’m almost positive the maître d’ passed this disturbing tidbit on to Mr. Dermatitis and that it was a big reason why I was denied access to stuff like the ship’s galley, thereby impoverishing the sensuous scope of this article.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Wait!’ cried a deep, ringing voice. All stood still. Mr. Baker, who had turned away yawning, spun round open-mouthed. At last, furious, he blurted out: — ‘What’s this? Who said “Wait”? What... ‘ But he saw a tall figure standing on the rail. It came down and pushed through the crowd, marching with a heavy tread towards the light on the quarter-deck. Then again the sonorous voice said with insistence: — ‘Wait!’ The lamplight lit up the man’s body. He was tall. His head was away up in the shadows of lifeboats that stood on skids above the deck. The whites of his eyes and his teeth gleamed distinctly, but the face was indistinguishable. His hands were big and seemed gloved. Mr. Baker advanced intrepidly. ‘Who are you? How dare you... ‘ he began. The boy, amazed like the rest, raised the light to the man’s face. It was black. A surprised hum — a faint hum that sounded like the suppressed mutter of the word ‘Nigger’ — ran along the deck and escaped out into the night.
Joseph Conrad (Joseph Conrad: The Complete Novels)
The moon: in that luminous face one can behold those tired phases that bring only disappointment and no satisfaction; the impulses governing its expression remain patternistic, its cycles of transition easily predictable. With moderated temperament it commands the capricious sea: its diametric opponent, in whose helpless defiance, arises an empty, albeit elegant promise, an ever-changing flicker of reflected light, a simultaneous opening and closing of paths to be traversed, a vacillating hope and disillusionment in whose unsettling direction emerges something one might wish to call, even under the hardened visage of sky, a marginal sense of freedom. To walk upon the decks of ramshackle vessels rising and descending in patterns indeterminate, to lean in ecstasy over their shaky rails to witness the splendor of that which transforms immediately upon being witnessed and which transforms thereby the witness in question: it was these flights of reverie that appealed better to one’s imagination than the lean pragmatism of predictable transition.
Ashim Shanker (Inward and Toward (Migrations, #3))
Well, well, he clucked, narrow-set eyes peering at her around a hooked nose. “If she stays with this ship, I might stop protesting. Can’t say I’d turn down a taste of that tart.” Her cheeks burning, Sophia turned to Gray. To her horror, she watched as his mouth tipped in a smirk. Almost a smile. Curse him, he even chuckled as he strolled back across the deck to face Mallory. Was that how he saw her now, too? As a tart? Just another of his countless paramours? They might as well have been right back in that seedy tavern on the Gravesend quay, when she’d mistaken him for a gentleman-and he’d looked at her and seen only a bit of skirt. “Mr. Mallory,” he said, striking his habitual pose of arrogant swagger, “I’d like to thank you.” “For what?” “For giving me an excuse to do this.” Gray swung his fist, putting the full force of his body behind the blow. The punch connected with Mallory’s jaw, sending him reeling against the ship’s rail. Before Sophia could even draw breath, Gray hit him again, this time delivering a solid blow to the stomach. With a choked groan, Mallory doubled over his boots and crumpled to the deck. “I told you, I don’t like violence,” Gray forced out, shaking his hand as he stood over Mallory’s writhing form. “But I’m not above using it.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
How would I find someone,” Caleb said, edging the dead man’s legs parallel to one another with his toe, “who would be willing to kill a man?” “Now that, kid, is a man’s chore.” Ethan stretched his back until it cracked mightily. “You mean to kill the one who done that to you?” Ethan hoisted the corpse again and motioned with a nod for Caleb to follow suit. “I suppose I could do it. Depends on the job.” They shuffled across the gaming floor, Ethan kicking chairs and tables out of the way as they went. “Killing’s like anything else—there’s a right man for it.” Caleb couldn’t believe he hadn’t asked Ethan these questions sooner; everyone else took such great pains to protect him that he’d stopped asking lest he hear the same careful, uninformative answers. “What if I needed someone to go kill someone someplace else?” Ethan paused while he fiddled with the latch on the door, holding the man’s entire upper body with one large paw. “Ol’ Jackson Ramus, that’s who you’d call.” Jackson Ramus. The name didn’t seem real to Caleb. He checked it against his images of the men. “Of course Ramus died three, four years ago.” Ethan pitched the door open and the cold wind knocked Caleb backward. Ethan didn’t notice. “He was supposed to be tracking a woman whose husband said she’d been kidnapped. And he found her all right, found her in the lying-down game with another man.” Ethan didn’t slow moving across the icy landing to the railing. “Ramus was a smart man—maybe too smart, maybe not smart enough—and he figured if he came all the way back to ask the husband what to do, he was sure the husband would send him right back the way he came to kill this new man and the cheating wife.” Ethan stopped when they got to the edge of the deck. Caleb spun around, thinking they were going down the stairs when the legs were yanked out of his hands and the body flew through the air. Ethan slapped his palms together. “Of course, Ramus was also what you might call a lazy man. Lazy man with a gun is not the kind of man you want to find yourself next to.” The body landed facedown, the snow leaping into the air with a massive, rushing noise, and settling over the man’s clothes. “So he shot them, both of them. And came back home.” Caleb looked at the body splayed out in the snow, everything at unliving angles. He could barely listen to the words that followed. “But Ol’ Ramus got it wrong. When he came back, the husband was so upset, he shot Ramus between the eyes, stuffed his killing fee inside his mouth, and then shot himself right in his goddamned broken heart.
James Scott (The Kept)
What in the sodding Dark happened back there on Aarden? What did you find?" He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be. She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips. "Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad. "I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow. "Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself. Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her. After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile. Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side. "Storm's comin' ". "Aye," she answered softly. "Been coming for some time now." - from the upcoming "RUINE" series.
T.B. Schmid
What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year's scythes flung down, and left in the half-cut swaths--Starbuck!" But blanched to a corpse's hue with despair, the Mate had stolen away. Ahab crossed the deck to gaze over on the other side; but started at two reflected, fixed eyes in the water there. Fedallah was motionlessly leaning over the same rail.
Herman Melville (Moby-Dick)
And yet, I can’t believe it’s been only a month that I’ve known you. I can’t decide whether it’s been the longest month of my life, or the shortest.” His eyebrows gathered in an exaggerated frown. “I can’t decide which pays me the fainter compliment.” “Neither,” she teased, linking her arm in his. “To compliment you, I should tell you it has been the best month of my life. And it has.” Truer words, she’d never spoken. “Oh, nicely managed. My pride is rescued.” Despite his air of nonchalance, his eyes held genuine emotion. They were fully blue today-a rich, azure blue, clear and inviting and endless. Just like the sea. Sophia laughed at herself. How had she missed the obvious? All this time, she’d been puzzling out the color of his eyes. They were always shifting and changing, from green to blue to gray. And now she knew why. They always reflected the sea. “Do you know,” he said, “if you keep gazing at me like that much longer, I shall be forced to pack you off belowdecks.” “Am I truly gazing?” She fluttered her lashes at him. “I am making a trip to the storeroom soon, you know. But mind-this is the last good frock I’ve got.” “Siren.” He gave her a surreptitious pinch on the hip. “No, it’s the cabin I have in mind for you, and you’re going there alone. You need to rest.” He walked her toward the hatch. “You won’t come rest with me?” “If I come with you, neither of us will rest.” A current of pleasure shot straight to her center. Then a more practical thought intruded. “But what of the noon meal? It won’t make itself.” At that instant, a flying fish as long as her arm sailed over the rail of the boat and flopped on the deck at their feet. Gray looked at the thrashing fish, then raised his eyebrows at her. “Somehow I think we’ll manage.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The Mouse was not much heavier than a very large cat. Eustace had him off the rail in a trice and very silly he looked (thought Eustace) with his little limbs all splayed out and his mouth open. But unfortunately Reepicheep, who had fought for his life many a time, never lost his head even for a moment. Nor his skill. It is not very easy to draw one’s sword when one is swinging round in the air by one’s tail, but he did. And the next thing Eustace knew was two agonizing jabs in his hand which made him let go of the tail; and the next thing after that was that the Mouse had picked itself up again as if it were a ball bouncing off the deck, and there it was facing him, and a horrid long, bright, sharp thing like a skewer was waving to and fro within an inch of his stomach. (This doesn’t count as below the belt for mice in Narnia because they can hardly be expected to reach higher.) “Stop it,” spluttered Eustace, “go away. Put that thing away. It’s not safe. Stop it, I say. I’ll tell Caspian. I’ll have you muzzled and tied up.” “Why do you not draw your own sword, poltroon!” cheeped the Mouse. “Draw and fight or I’ll beat you black and blue with the flat.” “I haven’t got one,” said Eustace. “I’m a pacifist. I don’t believe in fighting.” “Do I understand,” said Reepicheep, withdrawing his sword for a moment and speaking very sternly, “that you do not intend to give me satisfaction?” “I don’t know what you mean,” said Eustace, nursing his hand. “If you don’t know how to take a joke I shan’t bother my head about you.” “Then take that,” said Reepicheep, “and that--to teach you manners--and the respect due to a knight--and a Mouse--and a Mouse’s tail--” and at each word he gave Eustace a blow with the side of his rapier, which was thin, fine, dwarf-tempered steel and as supple and effective as a birch rod. Eustace (of course) was at a school where they didn’t have corporal punishment, so the sensation was quite new to him. That was why, in spite of having no sea-legs, it took him less than a minute to get off that forecastle and cover the whole length of the deck and burst in at the cabin door--still hotly pursued by Reepicheep. Indeed it seemed to Eustace that the rapier as well as the pursuit was hot. It might have been red-hot by the feel.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Cordone, delighted with himself for swindling the gullible Indians out of a fortune in pearls, stood at the railing of his ship smiling down at the pursuers. He was about to order his soldiers to fire upon the Indians when he was struck in the chest by an arrow. He dropped to the deck.
W.C. Jameson (The Silver Madonna and Other Tales of America's Greatest Lost Treasures)
The unexpected dinner invitation from the budgerow started Mr Doughty off on a journey of garrulous reminiscence. 'Oh my boy!' said the pilot to Zachary, as they stood leaning on the deck rail. 'The old Raja of Raskhali: I could tell you a story or two about him--Rascally-Roger I used to call him!' He laughed, thumping the deck with his cane. 'Now there was a lordly nigger if ever you saw one! Best kind of native--kept himself busy with his shrub and his nautch-girls and his tumashers. Wasn't a man in town who could put on a burra-khana like he did. Sheeshmull blazing with shammers and candles. Paltans of bearers and khidmutgars. Demijohns of French loll-shrub and carboys of iced simkin. And the karibat! In the old days the Rascally bobachee-connah was the best in the city. No fear of pishpash and cobbily-mash at the Rascally table. The dumbpokes and pillaus were good enough, but we old hands, we'd wait for the curry of cockup and the chitchky of pollock-saug. Oh he set a rankin table I can tell you--and mind you, supper was just the start: the real tumasher came later, in the nautch-connah. Now there was another chuckmuck sight for you! Rows of cursies for the sahibs and mems to sit on. Sittringies and tuckiers for the natives. The baboos puffing at their hubble-bubbles and the sahibs lighting their Sumatra buncuses. Cunchunees whirling and tickytaw boys beating their tobblers. Oh, that old loocher knew how to put on a nautch all right! He was a sly little shaytan too, the Rascally-Roger: if he saw you eyeing one of the pootlies, he'd send around a khidmutgar, bobbing and bowing, the picture of innocence. People would think you'd eaten one too many jellybees and needed to be shown to the cacatorium. But instead of the tottee-connah, off you'd go to a little hidden cumra, there to puckrow your dashy. Not a memsahib present any the wiser--and there you were, with your gobbler in a cunchunee's nether-whiskers, getting yourself a nice little taste of a blackberry-bush.' He breathed a nostalgic sigh. 'Oh they were grand old goll-mauls, those Rascally burra-khanas! No better place to get your tatters tickled.' Zachary nodded, as if no word of this had escaped him.
Amitav Ghosh
There are beatings, murders, summary executions, mutinies; only the progress of the pestilence prevents complete anarchy. Men become too ill to kill, then too ill to work. A helmsman with a neck bubo is strapped to the helm; a ship’s carpenter with a bloody cough, to his bench. A rigger shaking with fever is lashed to the mast. Gradually each escaping vessel becomes a menagerie of grotesques. Everywhere there are delirious men who talk to the wind and stain their pants with bloody anal leakages; and weeping men who cry out for absent mothers and wives and children; and cursing men who blaspheme God, wave their fists at an indifferent sky, and burble blood when they cough. There are men who ooze pus from facial and body sores and stink to high heaven; lethargic men who stare listlessly into the cruel, gray sea; mad men who laugh hysterically and dig filthy fingernails into purple, mottled flesh; and dead men, whose bloated bodies roll back and forth across pitching decks until they hit a rail or mast and burst open like piñatas.
John Kelly (The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague of All Time)
It was a lovely morning, hinting at a brutally hot day. Cole squinted into the milky haze that filled his canyon, enjoyed the coffee, and noticed a red-tailed hawk circling overhead, searching for field mice and snakes. Cole said, “What do you think? Is today his day or not?” A black cat sat nearby on the deck, staring down through the rail into the canyon. The cat didn’t answer, which is what you get when you talk to cats. Cole said, “You’re just jealous you can’t fly.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Of course.” I glanced at Lucy on the deck. She and Ben were at the rail. Ben was pointing at something far down the canyon and yakking, but Lucy seemed neither to hear him nor to see. As if the other presence were out there, too, and drawing her attention. I felt my own eyes fill, but, like Angela Rossi, I also knew the tricks of survival. “We’re not going to walk away, Angie. We’re not going to leave you hanging.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Soon after we were ushered on to an awaiting trawler, which had been commissioned to take us across the English Channel to Cherbourg in the darkness of that very cold winter’s night. Herded on to the deck we had only our kit bags to serve as seats. Slowly the trawler edged out of the harbour and into the Channel. It was a rough crossing and my first experience of sea-sickness. Within an hour the relentless heavy swell had me, along with many others, hanging over the rails being violently sick. I decided to move up near the bridge, thinking if I went higher I might not feel as if I were dying. From out of nowhere a hand grasped my shoulder and a voice said, ‘Here, laddie, get this down you.’ The trawler captain handed me half a mug of brandy and I did my best to gulp down the burning liquid. It was the first time alcohol had passed my lips and it tasted so awful that I could not imagine how anyone could actually enjoy the taste. The captain waited until I had finished then told me to go and sit at the stern. Thanking him, I did so and felt a bit better.
Alistair Urquhart (The Forgotten Highlander: An Incredible WWII Story of Survival in the Pacific)
Stalker, Blackbeard. Team in two elements. Half at the package on the cargo deck amidships. Half-split between port and starboard below the deck rails. Taking sniper fire from the bridge tower, and heavy contact from the aft cargo deck. Everyone aft of our lights is a shithead.” “Copy,
Brian Andrews (Tier One (Tier One #1))
Transforming a car-clogged street into inviting shared space doesn’t always require heavy machinery, complicated reconstruction, or millions of dollars. Planners can reorder a street without destroying a single building, double-decking a street, or building a streetcar, light rail system, or highway interchange. It can be accomplished quickly by using the basic materials that every city has access to—in New York City’s case more than six thousand miles of streets—and the basic stock that all city transportation agencies already have in their supply depots or available through existing contracts. Yes, I mean paint. Hundreds
Janette Sadik-Khan (Streetfight: Handbook for an Urban Revolution)
Afterwards he sat with the paper, the Sunday edition, immense and sleek, which had lain unopened in the hall. In it were articles, interviews, everything fresh, unimagined; it was like a great ship, its decks filled with passengers, a directory in which was entered everything that had made any difference to the city, the world. A great vessel sailing each day, he longed to be on it, to enter its salons, to stand near the rail.
James Salter (Light Years (Vintage International))
It reminded her of holding hands on the deck of a swaying boat, when, without warning, the other person lets you go. That moment between when your hand is empty and when you reach the railing can take years.
J. Ryan Stradal (The Lager Queen of Minnesota)
The steel-framed span loomed thirty feet above the muddy water. At the far end of the hundred-foot deck, the forest swallowed up a dirt road that used to lead somewhere. Years of traffic rumbling across the bridge had worn parallel streaks into the deck, and heavy runner boards covered holes in rotted planks. Metal rails sagged in spots. Still, the reddish-brown truss beams on either side stood stiff and straight, and overhead braces cast shadows on the deck below. On that rusty frame, between lines of vertical rivets, someone had painted a skull and crossbones and scribbled: 'Danger, This Is You.
Jason Morgan Ward (Hanging Bridge: Racial Violence and America's Civil Rights Century)
range viewer mounted near our ship’s console. Jafar steered for Lucas. After a few more minutes, Lucas signed off and turned to us. “We have a carrier strike group nearby, guys. Denny says they launched two 60H Seahawk helicopters with Seal Teams aboard. We get to clear the Mother Ship’s deck for safe boarding of the Seal teams. I’ll circle the wagons and you guys go rain some death down on the Mother Ship deck until ain’t nothin’ livin’ there. Then we hold shadow position until the Seahawks get here, maintaining a safe landing zone.” Casey and I just smile at each other. Oh yeah! And it’s my turn on the XM307. We jog back into position with Casey manning our Browning fifty while I slipped behind the XM307. We started taking small arms fire from the pirate ship as Lucas passed them to the port side before giving us a clear field of fire. Casey tilted and fired short bursts with tracers. Soon, anything stupid enough to get near the railing was cut in half. I fired 25mm bursts stem to stern. Airburst shells exploded all along the pirate deck, blowing out the view windows on their bridge, and leaving no inch of the vessel untouched above deck. Lucas sped up, passed the pirate bow and angled out on the starboard side. We repeated our dual assault although there really wasn’t anyone alive anyway. Twenty minutes later, we heard the Seahawk helicopters approaching. I fired one more burst as Lucas passed once again on the port side. With the helicopters in sight, Lucas headed for the open sea. Shortly after Casey and I closed up shop, Jafar came to summon us to the bridge. Denny was on speaker. “We’re all here, Captain Blood,” Lucas told him. “The Seals found twenty-six mangled pirates above deck and took no fire from the vessel. Below decks, fourteen more pirates were taken prisoner and eleven of the original ship’s crew rescued. No one spotted you guys so steam for our next baiting area. Once things get wrapped up with the rescued ship the carrier group will get orders to take up a support position within striking distance in case we get this lucky again. Great job! Man, we fucked them up today!” We did our ‘pirate talk’ for a few minutes, including Jafar. Denny cracked up. Who says pirate warfare and cold blooded murder can’t be fun. I had to ask though. “What was the cover story for no live pirates on deck to the carrier group?” “Don’t ask, don’t tell,” Denny adlibbed for our amusement. “The Seals didn’t mind. The official news coverage will be a pirate falling out. The mysterious crater where the pirate den used to be near Mogadishu will be rumored a munitions accident. Those
Bernard Lee DeLeo (Hard Case (John Harding: Hard Case, #1))
The storm turned out to be much worse even than our captain had imagined. Winds that must have been near hurricane force whipped the seas into a frenzy. The couple busied themselves with trying to handle the boat and keep it afloat, and I’m glad they did. But that left Sandy and me to fend for ourselves. Of the two of us, Sandy is the bigger sissy (he’s always more afraid he’s going to break a nail than I am). He had no idea what to do. Soon it became clear to both of us what to do: hold on for dear life! Waves began washing over the rear deck, and I started to get really scared. It takes a lot for me to take my shoes off, but this is one time I decided I could forgo the five-inch heels. I took them off, and it wasn’t long before “my little slings,” as I always called them, got slung. They went overboard with a wave, and all I could do was watch them go. The next wave almost got me. A wall of water came crashing over the boat, slapping it around like a toy. I slid across the deck, completely out of control. I felt a rush of cold water surround me as the sea swept me in. I managed to grab a railing and stay with the boat, but my whole body was dangling overboard. I could think of nothing but the shark stories the captain had told us earlier. Just as I began to lose my grip, I became aware of Sandy making his way across the pitching deck, reaching his hand out for me He somehow got a hold of me and dragged me back onto the boat and into the little cabin. It felt good to be out of the water, but by all appearances, the sharks’ dinner had only been delayed. There seemed to be no way our little boat could ride out this storm. You never know how you’re going to respond to a situation like that until you’re actually in it. The way Sandy and I chose to deal with it is still a source of wonder to me. We held a brief high-level discussion and unanimously decided that we were doomed. Sandy’s gutsy “They can kill us, but they won’t eat us” didn’t apply to sharks. Then we simply and calmly lay down on the little bunk, held hands, and waited to die. I thought to myself, “If this don’t beat all.” Here I am, a country girl from East Tennessee, about to die somewhere off the coast of Australia, side by side with a gay man from New York.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Phyrne leaned on the ship's rail, listening to the sea-gulls announcing that land was near, and waited for the first hint of sunrise. She had put on her lounging robe, of a dramatic oriental pattern of green and gold, an outfit not to be sprung suddenly on invalids or those of nervous tendencies-and she was rather glad that there was no one on deck to be astonished. It was five o'clock in the morning.
Kerry Greenwood (Cocaine Blues (Phryne Fisher, #1))
The wave crashed down, bent life rail stanchions, swept some crewmembers off the Tusk’s deck and scattered the others like coffee grounds in a kitchen sink.
Jeffery Hess (Cold War Canoe Club: Stories)
After the better part of a month working in the fringed cold, we were ready. There were still a few minor things to do but the ship was now completely primed and painted, with her name outlined with spot welds on each side of the bow and the stern. That morning, prior to sailing from Boston, I slipped ashore and bought a case of Budweiser beer. There was a lot of activity around the ship so no one noticed when I returned with beer in my sea bag. I distributed the three six-packs I had sold to classmates and the remaining one was for the guys in my room. I hung the brew out of the porthole, wrapped and tied securely in a towel. For us the porthole wasn’t just a small round window to the outside, it was also our refrigerator for keeping things cold! We didn’t get going until after dark, expecting to be on the Penobscot River back in Maine by daybreak. I was on the afterdeck trying to free lines that were solidly frozen from the cold, when I felt a jarring under foot. Looking over the railings, I saw one of the tugboats right outside of where our room was. He had bumped into us, and now with his engines roaring in reverse, was backing down. What the hell was going on? Instinctively, I knew what had happened. I dropped the mooring lines onto the deck and left the flaking down of them to others. I quickly ran to our room and opened the porthole, confirming what I already knew. Our beer was gone! Damn it, the tugboat was disappearing into the dark and they would be the ones drinking our beer that night! At least we still had some cold pizza. Free of the dock, we headed down the Inner Harbor, past Logan International Airport and Deer Island towards the Atlantic. We had worked hard to get our ship ready, and had every reason to be proud, as we steamed out of Boston Harbor that night. We were on our way back to Castine and to the Academy. By the next morning, we were sailing under the Waldo-Hancock Bridge into Bucksport Harbor.
Hank Bracker
Yet there were, in fact, nearly two hundred women and children still on board the Titanic. More than half of them were waiting in the third-class public rooms and corridors or on the decks near the stern. At 1:30 a.m. the gates on the stairs up from third class had been opened for women but many had chosen to remain with their men. Father Thomas Byles circulated among the third-class passengers, hearing confessions and reciting the rosary with them. At 2:00 a.m. the gates were opened for third-class men as well as women, and many more steerage passengers soon crowded the boat deck. As he began loading Collapsible D on the port side, Lightoller was forced to pull his revolver to clear a crowd of what he called “dagoes” out of the boat. He then formed a cordon of crewmen to prevent a rush on the boat. As small knots of steerage women were escorted across the deck toward the last boat, there were still a few women from first class on board as well. Archibald Gracie was shocked to see Caroline Brown and Edith Evans standing by the starboard railing. He had escorted Evans and the three Lamson sisters to the staircase landing below the boat deck over an hour ago and had then gone in search of his other “unprotected” ward, Helen Candee, but discovered that she had already gone up on deck. Caroline Brown began to explain to Gracie how they had become separated from the others, but he and Jim Smith simply hustled them both toward the ring of men surrounding Collapsible D. Once they were let through, Edith Evans said to Caroline Brown, “You go first. You are married and have children.” Brown was then lifted into the lifeboat, but when Evans went to follow, she was unable to clamber over the railing in her tapered skirt. “Never mind,” she called out to Brown, “I will go on a later boat,” and turned and hurried away down the deck. Evans had earlier told Archibald Gracie that she had been told by a fortune-teller to beware of water and that she now knew she would be drowned. Gracie had dismissed this as superstition but Edith Evans would become one of only four women from first class to perish.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
This man was just basically one of those people on a boat, leaning on the rail like the others, his hands dangling over like bait. The day was sunny, unusual for the Northwest Coast. I'm sure we were all feeling blessed on this ferryboat among the humps of very green—in the sunlight almost coolly burning, like phosphorus—islands, and the water of inlets winking in the sincere light of day, under a sky as blue and brainless as the love of God, despite the smell, the slight, dreamy suffocation, of some kind of petroleum-based compound used to seal the deck's seams.
Denis Johnson (Jesus’ Son)
I grabbed my outside rail and got into what surfers from the world of the players call the “pig-dog” stance. My back leg was bent such that my knee touched the deck of my surfboard. My front leg was bent to allow my butt to make contact with the face of the wave in order to be able to control my speed. After dropping into the wave,
Dr. Block (Diary of a Surfer Villager, Book 21 (Diary of a Surfer Villager #21))
For two weeks every August, the normally private Charlotte Square opens its gates to admit the literary masses. Huge white tents block views of the iron railings that normally keep everyone out, and picnic tables and pastel deck chairs circle the equestrian statue of Prince Albert in the middle of the lawn, inviting readers to relax with their newest signed novel. The tents fill with crowds to see every sort of author: high-flying politicos touting bestselling memoirs; writers of fantasy, chick-lit, sci-fi, young adult (and every possible combination of those). Authors and illustrators enthrall throngs of preschoolers and parents; up-and-comers present their work for appreciative and encouraging audiences. Books are signed by the hundreds and set out for sale in the inviting bookshop tents. People bask in the sunshine, when there is any, or gather in the café tent and grumble good-naturedly about the rain. They shake hands; gush "I love your work"; add to their "to be read" lists, and leave carrying new hardbacks in handy Book Festival-branded tote bags.
Brianne Moore (All Stirred Up)
To live is to be other. It’s not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn’t to feel – it’s to remember today what was felt yesterday, to be today’s living corpse of what yesterday was lived and lost. To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are. This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that’s me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision. High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I’ll be] tomorrow, and I love you from the deck rail as when two ships pass, and there’s a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
Easyfix Balustrades From fabricated posts to frameless glass balconies, Juliet balconies to banister rails, glass clamps to single part components. We are dedicated to providing the stainless steel balustrade market with a range of products and services that are of the highest quality in regards to design, manufacture and installation. With a target audience of homeowner, architect, DIY enthusiast, fabricator, landscape gardener, decking specialist, glazing specialist all the way through to main contractor we are the one stop shop for all things balustrade.
Easyfix Balustrades Ltd
William Bradford, when recalling the event as he wrote Of Plymouth Plantation, remembered how on that particular day the wind and waves were so violent that the crew of the Mayflower had been forced to allow the ship “to lay at hull in a mighty storm.” This meant that they shortened sail and let the ship be driven by the wind and sea. We do not know exactly what happened next. Did Howland lean over the rail to vomit and relieve seasickness? Did the ship swing wildly upward as a wave crashed into its side? Did a great cascade of seawater sweep him overboard? Bradford says that the ship experienced “a seele,” meaning it rolled or pitched, which is certainly easy to imagine in such foul weather. Whatever exactly caused it, Howland was flung over the low rail that provided some safety to those on deck; he was hurled headlong into the North Atlantic.
Martyn Whittock (Mayflower Lives: Pilgrims in a New World and the Early American Experience)
He’s just worried I’ll steal you right out of his arms like I did his first girlfriend.” “She wasn’t my girlfriend. She was our babysitter. And you didn’t steal her, you threw yourself over the railing of the deck and landed on a rosebush on purpose to get attention.” “The things we do for true love.” “She was fifty. And our neighbor.” “Still true love,” Cole smirks. “That woman made the best chocolate chip cookies I’ve ever put into my mouth.
Briana Michaels (Flip (Next Level, #2))
It’s hot and sunny now on deck at midday, enough to drive you into the shade if you’ve got a choice. The trade winds have returned, steady from just south of east, and the ship slides along as if on a rail. There are dry starry nights, the evenings electric, with horizons the color of watermelon rind. Orion, recumbent, loops overhead in a great arc. We cross the equator near 132 degrees west longitude, just after midnight on December 17. North along our meridian the next bit of land is British Columbia. South is Antarctica. The latitude display on our GPS reads, briefly and thrillingly, 00° 00.000’.
Elliot Rappaport (Reading the Glass: A Captain's View of Weather, Water, and Life on Ships)
The water harmed him. Soon after Anyanwu had revealed herself, he began to grow ill. He became dizzy. His head hurt him. He said he thought he would vomit if he did not leave the confinement of the small room. Anyanwu took him out on deck where the air was fresh and cooler. But even there, the gentle rocking of the ship seemed to bother him— and began to bother her. She began to feel ill. She seized on the feeling at once, examining it. There was drowsiness, dizziness, and a sudden cold sweat. She closed her eyes, and while Okoye vomited into the water, she went over her body carefully. She discovered that there was a wrongness, a kind of imbalance deep within her ears. It was a tiny disturbance, but she knew her body well enough to notice the smallest change. For a moment, she observed this change with interest. Clearly, if she did nothing to correct it, her sickness would grow worse; she would join Okoye, vomiting over the rail. But no. She focused on her inner ears and remembered perfection there, remembered organs and fluids and pressures in balance, their wrongness righted. Remembering and correcting were one gesture; balance was restored. It had taken her much practice— and much pain— to learn such ease of control. Every change she made in her body had to be understood and visualized. If she was sick or injured, she could not simply wish to be well. She could be killed as easily as anyone else if her body was damaged in some way she could not understand quickly enough to repair. Thus, she had spent much of her long life learning the diseases, disorders, and injuries that she could suffer— learning them often by inflicting mild versions of them on herself, then slowly, painfully, by trial and error, coming to understand exactly what was wrong and how to impress healing. Thus, when her enemies came to kill her, she knew more about surviving than they did about killing.
Octavia E. Butler (Wild Seed (Patternmaster, #1))
He suddenly thrust. Amanda blocked the blow, but barely. He thrust again and again, driving her back across the ship before she even knew what was happening. In mere seconds, she had her back at the rail and sweat was pouring down her body, pooling between her breasts and legs. She was even more furious than before at his display of skill. He smiled. “Come now, darling. I have no wish to fight with you, especially as your blade is not blunted. Besides, we both know you cannot best me.” But she would try. She would make him sit up and take real notice of her. She was not a fancy lady, but she could match him in every other way. Amanda growled and attacked. She thrust hard and he met her, taking a step back, a step aside, until they were moving rapidly in a vicious circle of hard blow after hard blow. Iron rang. Sweat burned in her eyes. Of course he was master here. She hadn’t expected to win. But she wanted to somehow hurt him. There was nothing she wanted more—she wanted him to feel what she had felt, damn him! Her arm was aching now. She was at her physical limit, but she would not give up. “Damn you!” she gasped, and she halted, pretending to be exhausted and ready to submit to his mercy. He bought her game, a grin appearing on his handsome face. “Well done,” he began. Amanda feinted, thrust and sliced off the rest of his shirt buttons. He was so surprised he simply stared down at his shirt, now shredded in two. Then, slowly, he looked up at her. His blue eyes were brilliant, hot, and he slowly, boldly smiled. He wasn’t angry. She understood the heat, and a savage sense of triumph rose up in her. He might not want her with his fine intellectual mind, but just now, she had provoked him so thoroughly that he wanted her right then. She knew, beyond any doubt, that reason had been conquered by lust. “What’s wrong, de Warenne?” she murmured seductively. “Maybe it isn’t a fancy lady that you really want.” Before she had even delivered this last call to arms, he attacked. He had the edge of both shirt and chemise hooked over his blade, and with one flick of his wrist, blunted tip or no, her clothes would be ripped in two. She stilled, breathing hard, her body pulsing in frenzied excitement. “Go ahead,” she managed. “Take my clothes.” His face hardened. He slowly lowered the big blunted tip of his sword between her breasts. “I believe we are done,” he said harshly. She stared at the tip, then lifted her gaze. “I am not done.” His brows lifted. “I have my blade against your heart, darling. In actual battle, you would be dead.” “Most men would prefer me warm and alive in their beds,” she challenged tauntingly. His eyes blazed. He removed the sword, tossing it aside and it clattered across the deck. “You have won, Amanda,” he said. “I concede defeat.” He was turning to walk away. Amanda thrust, catching the buttons of his breeches, and cut them free. He froze. “Maybe,” she said softly, “my opponent would be as easily deceived as you have been and throw his sword aside too soon, falsely thinking himself in no further danger. Maybe, in a real battle, skill will have little to do with the victory. Turn around,” she ordered.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
We splurged in the gift shop, buying hoodies. Then we split up to buy the ferry tickets, and didn’t reunite until the boat left the harbor. We stood on the back deck, watching our island fade into the mist. When it disappeared, I took out the notes from Rafe again and reread the second page--details on the subjects who’d escaped. Rafe had added notes at the bottom, about a real contact his mother had given him. He might know more, he’d written. Find him. Then find them. “Find them,” I whispered, shaking my head. “How do we find them if the St. Clouds can’t?” Daniel put his arm around my shoulders as we leaned over the railing, cold mist spattering our faces, our island long vanished. “We try.” I leaned against him and nodded. Try. That was all we could do. And we would.
Kelley Armstrong (The Calling (Darkness Rising, #2))
weight of the ship. One of the pulleys broke; pieces of it whistled over the ship and flew far out over the cove before splashing into the water. Two men—one pirate, one Mollusk—collapsed. Urged on by Hook and Fighting Prawn, the other men kept heaving on their ropes, backing step by agonizing step away from the water, up the beach, toward the jungle. With each step more of the ship’s dripping hull appeared. Finally the hole in the hull was visible. Water gushed from it as it cleared the cove surface. Now they could patch it. Fighting Prawn and Hook ordered the men to stop. The ropes were tied off to trees, and a cheer rang across the cove. And the men fell silent, as they got their first good look at the ship that had been mostly underwater for more than two decades. It looked impossibly well-preserved. Yes, there was a bit of slime on the hull, and there were fish flopping on its deck. But except for the hole, the ship looked sound. It looked almost new. None of the wood had rotted, not even the smallest piece of a rail. More
Dave Barry (Peter and the Sword of Mercy (Peter and the Starcatchers, #4))
The two Gentlemen Bastards turned and scrambled over the back of the jolly boat at the moment its restraints completely gave way. Locke and Jean rolled off the boat with an embarrassing want of smoothness, landed hard, and the jolly boat took off across the deck, screeching and sliding toward the starboard rail. “Ha-ha!” Locke yelled, unable to contain himself. “We’re off!” The jolly boat slammed against the starboard rail and came to a dead stop. “Balls,” said Locke, not quite as loudly.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
With that, Thengill went to the lower deck. Rig called out to him, alarmed at being left alone, but Thengill did not answer. Rig blew out an angry sigh and turned his back to the railing and sat down. He gave his best effort for the next hour and then he grew frustrated and impatient again. He began to curse and shout until in a rage, pulling at his own hair with curled fingers. It was at this point that William came up with Namir, who
Stephen Blumberg (The Eldritch Tome: Volume I (The Eldritch Saga Book 1))
The hunters exchanged looks, then slowly stood. They began to move away from the table, having left no money to pay for their drinks, which was a sure clue trouble was coming. The one in the group closest to Mike whirled suddenly, landing a blow right to Mike’s face. It sent him skittering backward, his hand to his lip, ending up against the bar. He said, “Oh, you’re going to hate yourself.” He wound up and hit back, left-handed, sending his assailant flying into his boys, knocking two of them off balance. It started. Preacher and Jack were around the bar before Mike even delivered his first blow. Preacher knocked two heads together, Jack landed a blow to one gut, another jaw. Mike grabbed up his attacker, decked him again and then sent him into another guy, downing them both. Someone came at Jack with a ready fist, which Jack caught easily, twisted his assailant’s arm around his back and shoved him into his boys. In less than two minutes, six partially inebriated young hunters were on the bar floor, spread over some broken glasses and amidst toppled chairs and two tables. All of them were moaning. Besides that first blow to Mike’s face, they hadn’t even managed contact. The heartiest of the bunch got back on his feet and Preacher grabbed him by the front of his jacket, lifted him off the floor and said, “You really wanna be this stupid?” He instantly put up his hands and Preacher dropped him. “Okay, okay, we’re out of here,” he said. “It’s too late for that, guys,” Mike said. He yelled, “Paige!” She stuck her head into the bar. “Rope!” “Aw, come on, man,” someone said. “Just get ’em the hell out of here,” Jack said, disgusted. “Can’t,” Mike returned. Then to the hunters, “Hell, I tried to warn you. You don’t want to mess with the women. You don’t want to fight. Not around here. Jesus,” he said in disgust. “Shit for brains.” Mike explained to Jack that not only were these boys too drunk to drive down the mountain, they might get down the road and claim they’d been jumped. Since they had all the bruises and the home team had only sore knuckles, it just wouldn’t be smart to take that kind of chance. Better to let the police handle things now. Fifteen minutes later each one of them was tied to a porch rail out front, and a half hour after that three sheriff’s deputies were standing around the front of the bar, assessing the damage. “Merciful God,” Deputy Henry Depardeau said. “Every time I turn around, somebody’s getting beat up or shot around here!” “Yeah,
Robyn Carr (Whispering Rock (Virgin River, #3))
The pilot put the helicopter in a sideways crab over the bow, enabling him to see the superstructure out his right side window and maintain the same relative position to the ship as he matched its forward speed. The crew in the helicopter cabin opened the big sliding door on the right, and I swung out in the horse collar. As I was lowered to the ship, I saw hundreds of passengers lining the rails and windows on all the forward decks with cameras and binoculars trained on me. This was probably the most exciting moment of the cruise for those folks!" (Page 273)
David B. Crawley (Steep Turn: A Physician's Journey from Clinic to Cockpit)
Suddenly, as I watched the powerful dynamics of the ocean, I saw a young boy and his sister trying to make their way around the front of the superstructure. Like me, they wanted to get a better view. It was just then that an exceptionally large wave struck, bringing the water crashing over the anchor windlass and the foredeck. The force swept the children off their feet and towards the railing. My first thought was that they were about to be carried overboard, into this unforgiving ocean. Fortunately, they managed to hold fast onto the lower rung of the railing, as the bulk of the water washed over the side or ended up in the scuppers. As the ship started to lift itself from the ocean’s grip, I ran across the foredeck and grabbed both children with one arm. Feeling the ship begin its slide into another trough, I grabbed hold of a stanchion with my free hand. Once more, the vessel shuddered and lifted, trying to break free of the raging ocean. In this wild roller coaster ride, we were all soaked in the cold salt water that flooded around us, but I managed to hold fast. It seemed like an eternity that I lay there trying to prevent the three of us from being washed over the side. Braced against the fishplate, my leg steadied us until the next convulsion lifted us high above the ocean again. At the right moment, we all got up and ran. Slipping and sliding we ran down the sloping deck to the relative safety of the leeward side. The Deck Officer on the Bridge, who had the watch, saw what had happened and recommended me for a “Life Saving award.” I didn’t think that I deserved an award for what I had done, but nevertheless I received one on our return voyage. And when the crew learned what had happened, I was promoted in their estimation from a greenhorn kid, to one of them.
Hank Bracker
you are today, you are me, because I see you, you are what [I'll be] tomorrow and I love you from the deck rail as when two ships pass, and there's a mysterious longing and regret in their passing.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
I found myself in- “JESUS FUCKING CHRIST!!!” I found myself sliding down what I assume was the poop deck of a large boat. I don’t even know what part of the boat the poop deck is, but I’m just going to guess that’s where I was. As far as what waters we are sinking and spiraling around in a whirlpool over, I had a pretty good idea. “Hold onto something, Jeff!” shouted Jim. “I probably should have warned you first!” “No shit!” I cried. The urge to vomit rose up in my chest as I slid downward and grabbed onto the railing for dear life. “I think I’ve seen enough of this one, Jim!” “You know where we are?” “Yes, it’s the fucking Bermuda Triangle!” I bellowed as flying saucers emerged from the tremulous waters around us. “I get it! Very nice!” “Okay, sorry!
Jeff O'Brien (Journey to the Edge of the Flat Earth)
Hunt shook his head, cutting off Pippa before she could retort. “We’re talking machines that can make brimstone missiles within seconds and unleash them at short range.” His lightning now sizzled at his hands. “Yes,” Pippa said, eyes still lit with predatory bloodlust. “No Vanir will stand a chance.” She lifted her attention to the ship above them, and Hunt followed her focus in time to see the crew appearing at the rails. Backs to them. Five mer, two shifter-types. None in an Ophion uniform. Rebel sympathizers, then, who’d likely volunteered their boat and services to the cause. They raised their hands. “What the fuck are you doing?” Hunt growled, just as Pippa lifted her arm in a signal to the human Lightfall squadron standing atop the ship. Herding the Vanir crew to the rails. Guns cracked. Blood sprayed, and Hunt flung out a wing, shading Bryce from the mist of red. The Vanir crumpled, and Ruhn and Cormac began shouting, but Hunt watched, frozen, as the Lightfall squadron on deck approached the fallen crew, pumping their heads full of bullets.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
She looked over her shoulder at the ship’s bow. The smallest and highest section of the deck at the front of the vessel, the forecastle, had but one lone figure standing atop it. The flying jib front sail billowed above and ahead of him, stretching out into the endless blue of the sea and sky. Gavin stood with his hands braced on the railing, his tall figure displaying his broad shoulders and narrow waist while showing off his powerful thighs. The glint of a short sword shimmered at his hip. Excitement flared within her again.
Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))
She looked over her shoulder at the ship’s bow. The smallest and highest section of the deck at the front of the vessel, the forecastle, had but one lone figure standing atop it. The flying jib front sail billowed above and ahead of him, stretching out into the endless blue of the sea and sky. Gavin stood with his hands braced on the railing, his tall figure displaying his broad shoulders and narrow waist while showing off his powerful thighs. The glint of a short sword shimmered at his hip. Excitement flared within her again. “My pirate,” she whispered with a dreamy smile. My lover, she silently added with a blush.
Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))
Giles’ head is full of blood. In capillaries it chugs busily up and down the hills and valleys of his brain. In his imagination it streams down from the sky and moves in the water. He scratches a scab on his wrist and flakes off layer after layer of skin until the blood pours out. Pieces of metal whine out of the blue sky towards him and smash into his body, scooping out his intestines. His bowels trail along the deck. Yellow globules of shit, their journey through the colon interrupted, huddle together inside the slit open pipes. The eyes of his friends are continually attacked. They appear and disappear. Each part of the ship is a weapon. The clews of his hammock can strangle, the guard rails buckle and toss him overboard; the lifeboats fall and crush him. … Giles, looking up, feels the shafts of his eyes penetrate deep, deep, past the light and into the blackness of space. The sky is the palest, palest blue … Death stalks them. … The horrors of his imagination are real. This is war. This is the purpose of war. To give shape to the menacing blackness of space behind the blue sky, the silver death in the water, the streams of blood behind the smooth forehead. This pale forehead, grey brown hair crusted with salt, frizzing more than ever in the fresh, damp air, these straight eyebrows, delicate veil of lids, jumping eyeballs, hide many patterns and possibilities of death. Those he has been trained for. Those he has seen, heard or imagined. Those he fears. Death lurking in the pure blue sky is not new to him and now he can put a name to it. … Sometimes they happen to other people and you are still alive. Sometimes you make them happen to your enemy and you are still alive. Sometimes they happen to you and you are dead. Or you are still alive, having lost a lump of flesh, a yard of skin, a pint of blood. Picking over what is left a doctor can make something of it. A catalogue at least. If you can know or name what is left, nothing so dreadful has been lost.
Dinah Brooke (Lord Jim at Home)