“
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
”
”
John Green (Paper Towns)
“
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
”
”
Sylvia Plath (The Bell Jar)
“
O iubire terminată e o mahmureală groaznică,pe care te juri că n-o să mai faci asta vreodată pentru că nu mai ai putere-şi oricum,undeva,cândva,la un colţ de plajă,pe o alee sau pe toboganul nu mai ştiu cărei zile te aşteaptă un sac de iubire gata să ţi se spargă din nou în cap.
”
”
Tudor Chirilă
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
All the hours lost in the cul-de-sac of your head torturing yourself with all the stupid things you said and did, hating yourself for the following few days.
”
”
Dolly Alderton (Everything I Know About Love)
“
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an harrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there's an impassable frontierpost across it. So many roads once; now so many culs de sac.
”
”
C.S. Lewis (A Grief Observed)
“
The Cul-de-Sac ( French for "dead end" ) ... is a situation where you work and work and work and nothing much changes
”
”
Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
“
Quand j'arrive à la gare de l'Est, j'espère toujours secrètement qu'il y aura quelqu'un pour m'attendre. C'est con. J'ai beau savoir que ma mère est encore au boulot à cette heure-là et que Marc est pas du genre à traverser la banlieue pour porter mon sac, j'ai toujours cet espoir débile. [...] Je voudrais que quelqu'un m'attende quelque part... C'est quand même pas compliqué.
”
”
Anna Gavalda (I Wish Someone Were Waiting for Me Somewhere)
“
You can argue that it's a different world now than the one when Matthew Shepard was killed, but there is a subtle difference between tolerance and acceptance. It's the distance between moving into the cul-de-sac and having your next door neighbor trust you to keep an eye on her preschool daughter for a few minutes while she runs out to the post office. It's the chasm between being invited to a colleague's wedding with your same-sex partner and being able to slow-dance without the other guests whispering.
”
”
Jodi Picoult (Sing You Home)
“
We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn't we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in - and we made Superman, after all. All it takes is that one magic word.
”
”
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
“
You see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean look at it Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with mania of owning things. All the things paper-thin and paper-frail. And all the people too.
”
”
John Green (Paper Towns)
“
Stick with the Dips that are likely to pan out, and quit the Cul-de-Sacs to focus your resources
”
”
Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
“
... you couldn’t find your way out of a cul-de-sac with a map, a compass and a guide...
”
”
Trevor Alan Foris (The Octunnumi Fosbit Files Prologue)
“
think I am beginning to understand why grief feels like suspense,” C. S. Lewis wrote after the death of his wife. “It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there’s an impassable fron-tierpost across it. So many roads once; now so many cul de sacs.
”
”
Joan Didion (The Year of Magical Thinking)
“
Meantime, a midsize Labrador mutt cut me off at the cul-de-sac. He was in desperate need of a rubdown. I gave it a thought but feared his bark and constant gruff. I locked eyes then noticed his black and white patches rotated with agitations. He yapped and yapped and bluffed mightily, but he cautiously stayed a safe distance away. Eventually, he lost all courage and quietly ran for shelter. As for me, I never stopped advancing toward my brother’s place. It took some effort but
I serpentine and zigzagged my way through dandelions and fast-food wrappings lying in the
yard.
The closer I got, the more definite the sounds of dishes breaking, kids playing, infants testing
their lungs, and TVs watching themselves became. Jerry and his wife had separated some time ago. Regardless, he was left with four adult daughters still in the nest. Obviously, the girls brought kids of their own to the mix. But everything unfolding before me appeared chaotic on the other side of that threshold. That entire scene grew larger andmore intimidating with every timid step I took.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
Look at all those cul-de-sacs, the streets that turn in on themselves all the houses that were built to fall apart. All those paper people in their paper houses burning the furniture to stay warm. All the paper kids drinking the beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail.
”
”
John Green (Paper Towns)
“
I never said yes, but I never said no, and the indefinite limbo of maybe is where regret and doubt and confusion reside as neighbors, forever reduced to the monotony of a clouded memory, the mind traveling in never-ending cul-de-sac circles.
”
”
Jade Song (Chlorine)
“
Supposing Catherine Lim was writing about me and not the prime minister...She would not dare, right? Because my posture, my response has been such that nobody doubts that if you take me on, I will put on knuckle-dusters and catch you in a cul de sac...Anybody who decides to take me on needs to put on knuckle dusters. If you think you can hurt me more than I can hurt you, try. There is no other way you can govern a Chinese society.
”
”
Lee Kuan Yew
“
...The Presidential election has given me less anxiety than I myself could have imagined. The next administration will be a troublesome one, to whomsoever it falls, and our John has been too much worn to contend much longer with conflicting factions. I call him our John, because, when you were at the Cul de sac at Paris, he appeared to me to be almost as much your boy as mine.
...As to the decision of your author, though I wish to see the book {Flourens’s Experiments on the functions of the nervous system in vertebrated animals}, I look upon it as a mere game at push-pin. Incision-knives will never discover the distinction between matter and spirit, or whether there is any or not. That there is an active principle of power in the universe, is apparent; but in what substance that active principle resides, is past our investigation. The faculties of our understanding are not adequate to penetrate the universe. Let us do our duty, which is to do as we would be done by; and that, one would think, could not be difficult, if we honestly aim at it.
Your university is a noble employment in your old age, and your ardor for its success does you honor; but I do not approve of your sending to Europe for tutors and professors. I do believe there are sufficient scholars in America, to fill your professorships and tutorships with more active ingenuity and independent minds than you can bring from Europe. The Europeans are all deeply tainted with prejudices, both ecclesiastical and temporal, which they can never get rid of. They are all infected with episcopal and presbyterian creeds, and confessions of faith. They all believe that great Principle which has produced this boundless universe, Newton’s universe and Herschel’s universe, came down to this little ball, to be spit upon by Jews. And until this awful blasphemy is got rid of, there never will be any liberal science in the world.
I salute your fireside with best wishes and best affections for their health, wealth and prosperity.
{Letter to Thomas Jefferson, 22 January, 1825}
”
”
John Adams (The Adams-Jefferson Letters: The Complete Correspondence Between Thomas Jefferson & Abigail & John Adams)
“
I have realised I have never seen a dead body or a real female nipple. This is what comes of living in a cul-de-sac.
”
”
Sue Townsend (The Growing Pains of Adrian Mole (Adrian Mole, #2))
“
Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow.
”
”
Valeria Luiselli
“
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
”
”
Sylvia Plath (The Bell Jar)
“
Jed was used to isolation. His face was like some kind of cul-de-sac. It said NO THROUGH ROAD to most people. Confronted with him, they always turned around, backed away.
”
”
Rupert Thomson (The Five Gates of Hell)
“
The road simply ended. No cul-de-sac. No sign like the ones they had seen before: "Private Property. No Trespassing." Or "No Motorized Vehicles Beyond This Point." Just road...then trees.
”
”
Robert Liparulo (House of Dark Shadows (Dreamhouse Kings, #1))
“
Flexibility is an art of creating way outs within the cul-de-sacs!
”
”
Mehmet Murat ildan
“
A committee is a cul-de-sac down which ideas are lured and then quietly strangled.
”
”
Barnett Cocks
“
Paradise is not the place in which you arrive but the journey toward it. Sometimes I think victories must be temporary or incomplete; what kind of humanity would survive paradise? The industrialized world has tried to approximate paradise in its suburbs, with luxe, calme, volupté, cul-de-sacs, cable television and two-car garages, and it has produced a soft ennui that shades over into despair and a decay of the soul suggesting that Paradise is already a gulag. Countless desperate teenagers will tell you so. For paradise does not require of us courage, selflessness, creativity, passion: paradise in all accounts is passive, is sedative, and if you read carefully, soulless.
”
”
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
“
I love words, and that’s what I want to do. There’s no better satisfaction than using precisely the right word in a conversation. I love the challenge of learning a new language, and I love discovering patterns. And I find it fascinating that words in other languages have crept into our vocabulary. ‘Cul-de-sac,’ ‘aficionado,’ tattoo...
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
The argument that Hawking has offered may be conveyed by question-and-answer, as in the Catholic catechism. A Catechism of Quantum Cosmology Q: From what did our universe evolve? A: Our universe evolved from a much smaller, much emptier mini-universe. You may think of it as an egg. Q: What was the smaller, emptier universe like? A: It was a four-dimensional sphere with nothing much inside it. You may think of that as weird. Q: How can a sphere have four dimensions? A: A sphere may have four dimensions if it has one more dimension than a three-dimensional sphere. You may think of that as obvious. Q: Does the smaller, emptier universe have a name? A: The smaller, emptier universe is called a de Sitter universe. You may think of that as about time someone paid attention to de Sitter. Q: Is there anything else I should know about the smaller, emptier universe? A: Yes. It represents a solution to Einstein’s field equations. You may think of that as a good thing. Q: Where was that smaller, emptier universe or egg? A: It was in the place where space as we know it did not exist. You may think of it as a sac. Q: When was it there? A: It was there at the time when time as we know it did not exist. You may think of it as a mystery. Q: Where did the egg come from? A: The egg did not actually come from anywhere. You may think of this as astonishing. Q: If the egg did not come from anywhere, how did it get there? A: The egg got there because the wave function of the universe said it was probable. You may think of this as a done deal. Q: How did our universe evolve from the egg? A: It evolved by inflating itself up from its sac to become the universe in which we now find ourselves. You may think of that as just one of those things. This catechism, I should add, is not a parody of quantum cosmology. It is quantum cosmology.
”
”
David Berlinski (The Devil's Delusion: Atheism and its Scientific Pretensions)
“
If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it’s only in the same way a fish lacks a sense of the ocean. Because the numinous is everywhere, we need to be reminded of it. We live among wonders. Superhuman cyborgs, we plug into cell phones connecting us to one another and to a constantly updated planetary database, an exo-memory that allows us to fit our complete cultural archive into a jacket pocket. We have camera eyes that speed up, slow down, and even reverse the flow of time, allowing us to see what no one prior to the twentieth century had ever seen — the thermodynamic miracle of broken shards and a puddle gathering themselves up from the floor to assemble a half-full wineglass. We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn’t we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in — and we made Superman, after all.
”
”
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
“
Every dead end and cul-de-sac helps us escape the maze. To know which path to take, it helps to take a few wrong ones.
”
”
Matt Haig (The Comfort Book)
“
Grief is freeing, but regret is the cul de sac of despair.
”
”
Dan B. Allender (Healing the Wounded Heart: The Heartache of Sexual Abuse and the Hope of Transformation)
“
The cultural problem was 'the fallacy of insignificance', and it was a philosophical form of this fallacy that had somehow landed existentialism in a cul de sac.
”
”
Colin Wilson
“
Getting trapped in narrow cul-de-sac specializations and “clubs” whose membership is open only to those who congratulate and fund each other is an occupational hazard in modern science
”
”
V.S. Ramachandran (The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human)
“
One/Or the Other was about the Cole that I heard in the monitors on stage versus the Cole that paced the hotel halls at night. This was what One/Or the Other was: It was the knowledge that I was surrounded by adults with lives that I could never imagine living. It was the humming noise inside me that told me to do something and found nothing to do that meant anything, the bit of me that was like a fly smashing itself again and again on a windowpane. It was the futility of aging. It was a piano piece gotten right the first tie. It was the time I picked Angie up for a date and she was wearing a cardigan that made her look like her mother. It was roads that ended in cul-de-sacs and careers that ended with desks and songs screamed in a gymnasium at night. It was the realization that this was life, and I didn't belong here.
”
”
Maggie Stiefvater
“
The sky was turning the color of a fresh bruise as we pulled into my grandfather's subdivision, a bewildering labyrinth of interlocking cul-de-sacs known collectively as Circle Village.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
We're going away. Pack your shit, folks. We're going away. And we won't leave much of a trace, either. Thank God for that. Maybe a little Styrofoam. Maybe. A little Styrofoam. The planet'll be here and we'll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet'll shake us off like a bad case of fleas. A surface nuisance.
”
”
George Carlin
“
Human beings have a natural urge to worship that “something greater” which coheres us, but we, in modernity, are living in a kind of spiritual cul-de-sac where our gifts only serve the human community. Unlike the many shamanic cultures that practice dreamwork, ritual, and thanksgiving, Westerners have forgotten what indigenous people understand to be cardinal: that this world owes its life to the unseen. Every hunt and every harvest, every death, and every birth is distinguished by ceremony for that which we cannot see, feeding back that which feeds us. I believe our epidemic alienation is, in good part, the felt negligence of that reciprocity.
”
”
Toko-pa Turner (Belonging: Remembering Ourselves Home)
“
Those girls are on the road to trouble,” I heard an older woman say about us one night, as we were staggering down the street drunk—and that woman was absolutely right. What she didn’t understand, though, is that trouble is what we wanted. Oh, our youthful needs! Oh, the deliciously blinding yearnings of the young—which inevitably take us right to the edges of cliffs, or trap us in cul-de-sacs of our design.
”
”
Elizabeth Gilbert (City of Girls)
“
There’s not a lot to say about the Cul-de-Sac except to realize that it exists and to embrace the fact that when you find one, you need to get off it, fast. That’s because a dead end is keeping you from doing something else. The opportunity cost of investing your life in something that’s not going to get better is just too high.
”
”
Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
“
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people’s eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
”
”
Sylvia Plath (The Bell Jar)
“
Sometimes the noes are just as important as the yeses because they represent cul-de-sacs, allowing you to narrow your field of inquiry until you stumble into the heart of the maze.
”
”
Sue Grafton (C is for Corpse (Kinsey Millhone, #3))
“
Painted into a corner, caught in a cul-de-sac, out on that final last-chance limb, life scrabbles around, searching for a new way out.
”
”
Joseph Chilton Pearce (The Crack in the Cosmic Egg: New Constructs of Mind and Reality)
“
The cul-de-sac was shaped like a stomach, a stomach with an obstruction in the duodenum.
”
”
Kenzaburō Ōe (A Personal Matter)
“
The French expression 'cul-de-sac' describes what the Baudelaire orphans found when they reached the end of the dark hallway, and like all French expressions, it is most easily understood when you translate each French word into English. The word 'de,' for instance is a very common French world, I would be certain that 'de' means 'of.' The word 'sac' is less common, but I can fairly certain that it means something like 'mysterious circumstances.' And the word 'cul' is such a rare French word that I am forced to guess at its translation, and my guess is that in this case it would mean 'At the end of the dark hallway, the Baudelaire children found an assortment,' so that the expression 'cul-de-sac' here means 'At the end of the dark hallway, the Baudelaire children found an assortment of mysterious circumstances.
”
”
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
“
I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there’s an impassable frontierpost across it. So many roads once; now so many culs de sac.
”
”
C.S. Lewis (A Grief Observed)
“
I was really in Italy. Not Maya Angelou, the person of pretensions and ambitions, but me, Marguerite Johnson, who had read about Verona and the sad lovers while growing up in a dusty Southern village poorer and more tragic than the historic town in which I now stood. I was so excited at the incredible turn of events which had brought me from a past of rejection, of slammed doors and blind alleys, of dead-end streets and culs-de-sac, into the bright sun of Italy, into a town made famous by one of the world’s greatest writers. I
”
”
Maya Angelou (Singin' & Swingin' and Gettin' Merry Like Christmas)
“
Ce qui m'a permis de ne pas reproduire le mal qui m'a été infligé, ce n'est pas l'art, les médicaments, ni la loi, c'est ce que j'ai décidé de devenir : un dead end, un cul-de-sac où va mourir la haine. Je ne suis pas heureuse, je n'ai pas espoir de l'être un jour. Mais j'ai réussi à arrêter de haïr.
”
”
Emmanuelle Pierrot (La version qui n'intéresse personne)
“
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
”
”
George Carlin
“
The middle of life has these cul-de-sac days. In your twenties you think, Surely I am going somewhere, and later--as in now--you think, Nope.
”
”
Leslie Daniels (Cleaning Nabokov's House)
“
Le poids de ton sac, c'est de la peur.
”
”
Jean-Christophe Rufin
“
He started to do that, started to inform me of everything; the inconsequential, the meaningful; conversations that ended in a cul-de-sac of unanswerable rhetoric. i think it was because I knew everything about him, had read it all - the beautiful, the sordid, the all of his book. I had been his editor for 5 years, and now it seemed, had become his editor away from the printed page.
”
”
Sarah Winman (When God Was a Rabbit)
“
He was covered, of course, but she knew what lay beneath the sheets- she'd seen him entirely nude at the Lords' revels. She had the image burned into her memory: a proud, thick penis, heavy sac, and curling midnight hair. If the coverlet slipped just a little bit downward, she would see the upper edge of that nest of black hair.
The thought made her press her thighs together under her dress.
Did he know how his body affected her?
”
”
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
“
It's a paper town. I mean look at it, Q: look at all the cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses,burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for 18 years and I have never once in my life come across anyone who cares about anything that matters.
”
”
John Green (Paper Towns)
“
C'est indéniable, il y a eu des horreursà l'époque florissante de l'art médiéval, mais elles étaient dues à la destruction de marchandises, et non, comme aujourd'hui, à leur fabrication : c'était la guerre et la dévastation qui affligeaient l'oeil de l'artiste à cette époque, le villes mises à sac, les villages brûlés et les champs saccagés. Les ruines portent sur elles les stigmates de leur laideur ; aujourd'hui, c'est la prospérité qui affiche sa hideur.
”
”
William Morris
“
you also need to quit all the Cul-de-Sacs that you’re currently idling your way through. You must quit the projects and investments and endeavors that don’t offer you the same opportunity. It’s difficult, but it’s vitally important.
”
”
Seth Godin (The Dip: A Little Book That Teaches You When to Quit (and When to Stick))
“
When you’re the Woman Upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you best of all. It’s a small thing, you might think; and maybe it depends upon your temperament; maybe for some people it’s a small thing. But for me, in that cul-de-sac outside Aunt Baby’s, with my father and aunt done dissecting death and shuffling off to bed behind the crimson farmhouse door, preparing for morning mass as blameless as lambs and as lifeless as the slaughtered—I felt forsaken by hope. I felt I’d been seen, and seen clearly, and discarded, dropped back into the undiscriminated pile like a shell upon the shore.
”
”
Claire Messud (The Woman Upstairs)
“
Here’s what’s not beautiful about it: from here, you can’t see the rust or the cracked paint or whatever, but you can tell what the place really is. You see how fake it all is. It’s not even hard enough to be made out of plastic. It’s a paper town. I mean look at it, Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm.
”
”
John Green (Paper Towns)
“
Devant le sac de paille, rempli de pelotes de laine et d'un tricot inachevé, devant son buvard, ses ciseaux, son dé, l'émotion nous a submergées. C'est connu le pouvoir des objets : la vie s'y pétrifie, plus présente qu'en aucun de ses instants.
”
”
Simone de Beauvoir (A Very Easy Death)
“
A CUL-DE-SAC in a working-class neighborhood in Arlington, Virginia, a little after midnight. It is a warm fall night after a rain. The air moves uneasily ahead of a cold front. In the smell of wet earth and leaves, a cricket is playing a tune. He falls silent as a big vibration reaches him, the muffled boom of a 5.0-liter Mustang with steel tube headers turning into the cul-de-sac, followed by a federal marshal’s car. The two cars pull into the driveway of a neat duplex and stop. The Mustang shudders a little at idle. When the engine goes silent, the cricket waits a moment and resumes his tune, his last before the frost, his last ever.
”
”
Thomas Harris (Hannibal (Hannibal Lecter, #3))
“
Osama bin Laden’s ideas were neither new nor compelling outside his relatively small circle of followers. They belonged to an ugly cul-de-sac of history, an era where witches and heretics were burned in town squares. They were adolescent ideas, in that they remained willfully ignorant of all that had come before. There are many who choose to believe that certain ancient texts are literally the word of one God or the other, but not many who would go so far as to regard as a sacred duty the slaughter of those who disagree with them, or to kill in order to advance their aims. This was a philosophy that would never appeal to more than a few dedicated fanatics. But one of the peculiarities of the modern world is that, because of telecommunications, small groups of like-minded people, even if widely scattered, can form a community of belief. They can feed off of each other, and can come to wield influence far beyond their actual numbers or appeal. Bin Laden’s was the first to use these tools to build his network into a deadly force.
”
”
Mark Bowden (The Finish: The Killing of Osama Bin Laden)
“
This history of mine,' Herodotus says, 'has from the beginning sought out the supplementary to the main argument.' What you find in him are cul-de-sacs within the sweep of history—how people betray each other for the sake of nations, how people fall in love....
”
”
Michael Ondaatje (The English Patient)
“
Look, Neal, Hawaii is not some magical pixie wonderland; it’s an American state populated by atomic weapons, a remnant native population and people too stupid to spell their way out of a paper bag. Most of them came here to escape pathetic lives in the forty nine other states, so in some sense, Hawaii is a scenic cul-de-sac filled with people who want to drink themselves to death without feeling judged.
”
”
Douglas Coupland (Worst. Person. Ever.)
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
Dear Mister Germ’s Choice,
in gutter dispear I am taking my pen toilet you know that, being Leyde up in bad with the prewailent distemper (I opened the window and in flew Enza), I have been reeding one half ter one other the numboars of “transition” in witch are printed the severeall instorments of your “Work in Progress”.
You must not stink I am attempting to ridicul (de sac!) you or to be smart, but I am so disturd by my inhumility to onthorstand most of the impslocations constrained in your work that (although I am by nominals dump and in fact I consider myself not brilliantly ejewcatered but still of above Averroëge men’s tality and having maid the most of the oporto unities I kismet) I am writing you, dear mysterre Shame’s Voice, to let you no how bed I feeloxerab out it all.
I am überzeugt that the labour involved in the compostition of your work must be almost supper humane and that so much travail from a man of your intellacked must ryeseult in somethink very signicophant. I would only like to know have I been so strichnine by my illnest white wresting under my warm Coverlyette that I am as they say in my neightive land “out of the mind gone out” and unable to combprehen that which is clear or is there really in your work some ass pecked which is Uncle Lear?
Please froggive my t’Emeritus and any inconvince that may have been caused by this litter.
Yours veri tass
Vladimir Dixon
”
”
James Joyce
“
Put it this way. As long as Jeyaretnam [Workers' Party leader] stands for what he stands for -- a thoroughly destructive force for me -- we will knock him. There are two ways of playing this. One, a you attack the policies; two, you attack the system. Jeyaretnam was attacking the system, he brought the Chief Justice into it. If I want to fix you, do I need the Chief Justice to fix you? Everybody knows that in my bag I have a hatchet, and a very sharp one. You take me on, I take my hatchet, we meet in the cul-de-sac. That's the way I had to survive in the past. That's the way the communists tackled me. He brought the Chief Justice into the political arena. He brought my only friend in university into our quarrel. How dare he!
”
”
Lee Kuan Yew
“
The reins of our life are in the hands of the future. Man always lives today in the hope of tomorrow. And likewise he will live tomorrow in the hope of the day after, because when tomorrow comes, it will come as today. So he never lives really, he goes on postponing living for the future.
And he will never live as long as he lives on hope for the future. His whole life will pass away unlived and unfulfilled. At the time of his death he will say with great remorse, ”All my life I only desired to live, but I could not really live.” He had wasted all his todays in the hope of a tomorrow that never came. And on the last day of his life he faces a cul-de-sac beyond which there is no tomorrow, and no hope of any fruits of action. That is the despair of a future-oriented life.
”
”
Osho (Krishna: The Man and his Philosophy)
“
The point is that an $80,000 or a $180,000 salary does not have to be accompanied by an $80,000 or a $180,000 lifestyle. God is calling us to be conduits of his grace, not cul-de-sacs. Our great danger today is thinking that the conduit should be lined with gold. It shouldn’t. Copper will do. No matter how grateful we are, gold will not make the world think that our God is good; it will make people think that our god is gold. That is no honor to the supremacy of his worth.
”
”
John Piper (Let the Nations Be Glad!: The Supremacy of God in Missions)
“
the uncompleted thought. There is no one to agree, disagree, talk back. “I think I am beginning to understand why grief feels like suspense,” C. S. Lewis wrote after the death of his wife. “It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there’s an impassable frontierpost across it. So many roads once; now so many cul de sacs.
”
”
Joan Didion (The Year of Magical Thinking)
“
The path of least resistance never gets us where we want to go. Shortcuts always end up being cul-de-sacs. The key to spiritual growth is the willingness to go out of your way for God. You will find God in uncomfortable places at inconvenient times. But if you go out of your way for God, God will go out of His way for you. Crash the party!
”
”
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
“
This was what One/Or the Other was: It was the knowledge that I was surrounded by adults with lives that I could never imagine living. It was the humming noise inside me that told me to do something and found nothing to do that meant anything, the bit of me that was like a fly smashing itself again and again on a windowpane. It was the futility of aging. It was a piano piece gotten right the first time. It was the time I picked Angie up for a date and she was wearing a cardigan that made her look like her mother. It was roads that ended in cul-de-sacs and careers that ended with desks and songs screamed in a gymnasium at night. It was the realization that this was life, and I didn’t belong here.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Dacă n-ar exista fericirea altora, nu ne-am sinchisi de nefericirea noastră. Amintirile, bombardate zilnic și sistematic de către cea pe care am iubit-o altădată, sfârșesc prin a se șterge. Dar apare regretul sfâșietor când îi vedem pe alții trăind în armonie și sufletul parcă ni se zbate ca într-un sac tolstoian în care e vârât Ivan Ilici înainte de a muri.
”
”
Marin Preda (Cel mai iubit dintre pământeni vol. 1)
“
I am dropping my keys on the table inside the door before I fully remember. There is no one to hear this news, nowhere to go with the unmade plan, the uncompleted thought. There is no one to agree, disagree, talk back. “I think I am beginning to understand why grief feels like suspense,” C. S. Lewis wrote after the death of his wife. “It comes from the frustration of so many impulses that had become habitual. Thought after thought, feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an arrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there’s an impassable frontierpost across it. So many roads once; now so many cul de sacs.” We
”
”
Joan Didion (The Year of Magical Thinking)
“
There’s might too in the incomplete. In feeling fractional. A failure to carry out is perhaps no failure at all, but rather a minced metric of splendor. The ongoing. The outlawed. The no-patrol. The act of making loose. Of not doing as you’ve been told. Of betting on miscalculations and cul-de-sacs. Why force conciliation when, from time to time, long-held deep breaths follow what we consider defeat? Why not want a little mania? The shrill of chance, of what’s weird. Of purple hats and hiccups. Endurance is a talent that seldom worries about looking good, and abiding has its virtues even when the tongue dries. The intention shouldn’t only be to polish what we start but to acknowledge that beginning again and again can possess the acquisitive thrill of a countdown that never reaches zero. Groping
”
”
Durga Chew-Bose (Too Much and Not the Mood: Essays)
“
This means that when we ramble on and on about how we have the biggest manufacturing plant on the West Coast, our customers don’t care. Why? Because that information isn’t helping them eat, drink, find a mate, fall in love, build a tribe, experience a deeper sense of meaning, or stockpile weapons in case barbarians start coming over the hill behind our cul-de-sac. So what do customers do when we blast a bunch of noise
”
”
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
“
According to reliable and never-named sources in the hospital, my situation was critical, then desperate, then critical but stable, then just stable, then uncertain, then (for twelve hours) improving, then uncertain again and then steadily bleaker with each passing day until everyone agreed that there was very little chance of my ever waking up. At that point I woke up, escaping the cul-de-sac into which I'd been written.
”
”
Gavin Extence (The Universe Versus Alex Woods)
“
And in that he shared a common history with most of the men who wandered Folsom and Polk and Market this late afternoon. Men whose mothers and fathers - however loving, however liberal - would never understand them the way they understood their straight children, because these gay sons were genetic cul-de-sacs. Men who would be obliged to make their own families: out of friends, out of lovers, out of divas. Men who were self-invented, for better or worse, makers of styles and mythologies which they constantly cast off with the impatience of souls who would never find a description that quite fitted. If there was a sadness in this there was also a kind of unholy glee.
”
”
Clive Barker (Sacrament)
“
Ashe was typical of that strata of mankind which conducts its human relationships according to a principle of challenge and response. Where there was softness, he would advance; where he found resistance, retreat. Having himself no particular opinions or tastes he relied upon whatever conformed with those of his companion. He was as ready to drink tea at Fortnum's as beer at the Prospect of Whitby; he would listen to military music in St. James's Park or jazz in Compton Street cellar; his voice would tremble with sympathy when he spoke of Sharpeville, or with indignation at the growth of Britain's colored population. To Leamas this observably passive role was repellent; it brought out the bully in him, so that he would lead the other gently into a position where he was committed, and then himself withdraw, so that Ashe was constantly scampering back from some cul-de-sac into which Leamas had enticed him.
”
”
John Le Carré (The Spy Who Came In from the Cold (George Smiley, #3))
“
I love the word Quetzalcoatl.'
'The word!' he repeated.
His eyes laughed at her teasingly all the time.
'What do you think, Mrs Leslie,' cried the pale-faced young Mirabal, in curiously resonant English, with a French accent. 'Don't you think it would be wonderful if the gods came back to Mexico? our own gods?' He sat in intense expectation, his blue eyes fixed on Kate's face, his soup-spoon suspended.
Kate's face was baffled with incomprehension.
'Not those Aztec horrors!' she said.
'The Aztec horrors! The Aztec horrors! Well, perhaps they were not so horrible after all. But if they were, it was because the Aztecs were all tied up. They were in a cul de sac, so they saw nothing but death. Don't you think so?'
'I don't know enough!' said Kate.
'Nobody knows any more. But if you like the word Quetzalcoatl, don't you think it would be wonderful if he came back again? Ah, the names of the gods! Don't you think the names are like seeds, so full of magic, of the unexplored magic? Huitzilopochtli!--how wonderful! And Tlaloc! Ah! I love them! I say them over and over, like they say Mani padma Om! in Tibet. I believe in the fertility of sound. Itzpapalotl--the Obsidian Butterfly! Itzpapalotl! But say it, and you will see it does good to your soul. Itzpapalotl! Tezcatlipocá! They were old when the Spaniards came, they needed the bath of life again. But now, re-bathed in youth, how wonderful they must be!
”
”
D.H. Lawrence (The Plumed Serpent)
“
Parcă ieri mă întreba asta mică a lui Ghiță ce mâncam pe front. Auzi, tu, ce întrebare! De parcă pe front singura grijă o aveam în legătură cu masa. Deh, copiii! Ce să priceapă ei?! Dar poate că ar trebui să priceapă. Le suntem datori măcar cu asta atunci când îi aducem pe lume. Mă privea atât de șugubăț încât n-am îndrăznit să-i povestesc despre cartofi. Să-i spun cum mi se face părul măciucă ori de câte ori văd trecând prin sat un om cărând pe umeri un sac de cartofi. Parcă văd aievea tranșeele și simt miros de praf de pușcă.
”
”
Emilia Muller (Sunt Veteran!: Nuvela (Romanian Edition))
“
I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map...Does anyone come to New York clean? I’m afraid not….Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-de-sacs? Morning of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitely forward...Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.
”
”
Stephanie Danler (Sweetbitter)
“
So I drive into town for my first date in two years in a red 1941 Chevrolet four-on-the-floor with a John Deere motor grader hooked behind me. The engine sputters and churns and I wonder if the truck will make it. Chunks of mud spray behind me off the tires. The engine stalls on the main road, sending my dress and bag flying onto the dirty floor. I have to restart twice. At five forty-five, a black thing streaks out in front of me and I feel a thunk. I try to stop but braking’s just not something you can do very quickly with a 10,000-pound piece of machinery behind you. I groan and pull over. I have to go check. Remarkably, the cat stands up, looks around stunned, and shoots back into the woods as quickly as it came. At three minutes to six, after doing twenty in a fifty with horns honking and teenagers hollering at me, I park down the street from Hilly’s house since Hilly’s cul-de-sac doesn’t provide adequate parking for farm equipment. I grab my bag and run inside without even knocking, all out of breath and sweaty and windblown and there they are, the three of them, including my date. Having highballs in the front living room.
”
”
Kathryn Stockett (The Help)
“
Les graines de tournesol Krispy Kernel, c'est un peu de la marde, tu trouves pas? Ces gens-là sont en business depuis soixante ans (j'ai vérifié) et ils n'ont pas encore trouvé le moyen de produire des graines de tournesol convenables. J'appelle ça rire du monde. Premièrement, le taux d'écales vides par sac est scandaleusement élevé. Et puis, rien qu'à voir on voit bien qu'ils utilisent des graines de mauvaise qualité, toutes petites dont les écales ont tendance à se désagréger, tandis que les Lalumière éclatent sous la dent en produisant un tac! sonore avant de libérer de belles grosses graines. [...]
”
”
François Blais (Sam)
“
Seigneur je suis très fatigué.
Je suis né fatigué.
Et j'ai beaucoup marché depuis le chant du coq
Et le morne est bien haut qui mène à leur école.
Seigneur, je ne veux plus aller à leur école,
Faites, je vous en prie, que je n'y aille plus.
Je veux suivre mon père dans les ravines fraîches
Quand la nuit flotte encore dans le mystère des bois
Où glissent les esprits que l'aube vient chasser.
Je veux aller pieds nus par les rouges sentiers
Que cuisent les flammes de midi,
Je veux dormir ma sieste au pied des lourds manguiers,
Je veux me réveiller
Lorsque là-bas mugit la sirène des blancs
Et que l'Usine
Sur l'océan des cannes
Comme un bateau ancré
Vomit dans la campagne son équipage nègre...
Seigneur, je ne veux plus aller à leur école,
Faites, je vous en prie, que je n'y aille plus.
Ils racontent qu'il faut qu'un petit nègre y aille
Pour qu'il devienne pareil
Aux messieurs de la ville
Aux messieurs comme il faut
Mais moi je ne veux pas
Devenir, comme ils disent,
Un monsieur de la ville,
Un monsieur comme il faut.
Je préfère flâner le long des sucreries
Où sont les sacs repus
Que gonfle un sucre brun autant que ma peau brune.
Je préfère vers l'heure où la lune amoureuse
Parle bas à l'oreille des cocotiers penchés
Ecouter ce que dit dans la nuit
La voix cassée d'un vieux qui raconte en fumant
Les histoires de Zamba et de compère Lapin
Et bien d'autres choses encore
Qui ne sont pas dans les livres.
Les nègres, vous le savez, n'ont que trop travaillé.
Pourquoi faut-il de plus apprendre dans les livres
Qui nous parlent de choses qui ne sont point d'ici ?
Et puis elle est vraiment trop triste leur école,
Triste comme
Ces messieurs de la ville,
Ces messieurs comme il faut
Qui ne savent plus danser le soir au clair de lune
Qui ne savent plus marcher sur la chair de leurs pieds
Qui ne savent plus conter les contes aux veillées.
Seigneur, je ne veux plus aller à leur école.
”
”
Guy Tirolien (Balles d'or: Poèmes (Poésie) (French Edition))
“
They were like an overconstructed novel, each representative of some cul-de-sac of idiolect and stereotype, missing only a handicapped person – No! At Berkeley we say handi capable person – and a Jew and a Hispanic, and an Asian not of the subcontinent, Louis always said. He had once placed a personals ad on Craigslist to recruit for those positions: Diverse social club seeking to make quota requires the services of East Asian, Jew, Hispanic, and handicapable individuals to round out Multicultural Brady Bunch Troupe. All applicants must be visibly identifiable as members of said group. Reformed Jews and ADHDers need not apply.
”
”
T. Geronimo Johnson (Welcome to Braggsville)
“
Măsuraţi-o cu o alta ce stă alături de ea - aceasta ar fi piatra de încercare -, comparaţi-le punându-le mână lângă mână, trup lângă trup, faţă în faţă, ochi în ochi, nas în nas, gât lângă gât etc., studiaţi-i fiecare părticică a corpului cu atenţie, apoi, în întregime în toate atitudinile, în câteva locuri şi spuneţi-mi cum vă place acum. S-ar putea să nu vi se mai pară la fel de mândră, fără anumite veşminte... După cum recomandă poetul, pune-i deoparte hainele, gândeşte-te cum ar fi dacă ai vedea-o purtând haina din pânză de sac a unui sărman sau îmbrăcată în nişte straie uzate, zdrenţuite şi demodate, cu lenjerie murdară, în straie aspre, mânjită cu funingine...
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
”
”
Joseph Brodsky (Watermark)
“
Feminist “theory,” as it is grandiloquently called, is simply whatever the women in the movement come up with in post facto justification of their attitudes and emotions. A heavy focus on feminist doctrine seems to me symptomatic of the rationalist fallacy: the assumption that people are motivated primarily by beliefs. If they were, the best way to combat an armed doctrine would indeed be to demonstrate that its beliefs are false. (…) A feminist in the strict and proper sense may be defined as a woman who envies the male role.
By the male role I mean, in the first place, providing, protecting, and guiding rather than nurturing and assisting. This in turn envolves relative independence, action, and competition in the larger impersonal society outside the family, the use of language for communication and analysis (rather than expressiveness or emotional manipulation), and deliberate behavior aiming at objective achievement (rather than the attainment of pleasant subjective states) and guided by practical reasoning (rather than emotional impulse).
Both feminist and nonfeminist women sense that these characteristically male attributes have a natural primacy over their own. I prefer to speak of“primacy” rather than superiority in this context since both sets of traits are necessary to propagate the race. One sign of male primacy is that envy of the female role by men is virtually nonexistent — even, so far as I know, among homosexuals. Normal women are attracted to male traits and wish to partner with a man who possesses them. (…) The feminists’ response to the primacy of male traits, on the other hand, is a feeling of inadequacy in regard to men—a feeling ill-disguised by defensive assertions of her “equality.”She desires to possess masculinity directly, in her own person, rather than partnering with a man. That is what leads her into the spiritual cul de sac of envy. And perhaps even more than she envies the male role itself, the feminist covets the external rewards attached to its successful performance: social status, recognition, power, wealth, and the chance to control wealth directly (rather than be supported).
”
”
F. Roger Devlin (Sexual Utopia in Power: The Feminist Revolt Against Civilization)
“
We have known for a long time that the pantheon of science is decorated with failure. Failures are the moving force in science: they seal off one possibility in order to expose another; they force us to look at the problem in a new light. We owe a huge debt, therefore, to the researchers whose life's work leads to a cul-de-sac. They are indirectly showing us the correct path.
”
”
Joseph Jebelli (In Pursuit of Memory: The Fight Against Alzheimer's)
“
look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail.
”
”
John Green (Paper Towns)
“
We are in the habit of visualizing .. the history of science as a steady, cumulative process,.. where each epoch adds some new item of knowledge to the legacy of the past, making the temple of science grow brick by brick to ever greater height.. In fact, .. the philosophy of nature evolved by occasional leaps and bounds alternating with delusional pursuits, culs-de-sac, regressions, periods of blindness and amnesia. The great discoveries .. were sometimes the unexpected by-products of a chase after quite different hares. At other times, the process of discovery consisted merely in the cleaning away of the rubbish that blocked the path, or in the rearranging of existing items of knowledge in a different pattern.. Europe knew less geometry in the fifteenth century than in Archimedes' time.
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Arthur Koestler (The Sleepwalkers: A History of Man's Changing Vision of the Universe)
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It’s a paper town. I mean look at it, Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail.
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John Green (Paper Towns)
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It is rare to escape a maze on the first attempt. And when we are stuck in a maze, we can’t escape by following the same path that got us lost. We escape a maze by trying new routes. We don’t feel like we have failed when we hit a dead end. In fact, we appreciate the new knowledge. There is now a dead end we won’t try anymore. Every dead end and cul-de-sac helps us escape the maze. To know which path to take, it helps to take a few wrong ones.
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Matt Haig (The Comfort Book)
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The irony is that the Iran of the fundamentalist ayatollahs owes its ultimate birth pang to cities of sin and freedom: Beirut, capital of Arabic modernity, once known as the Paris of the Middle East; and Paris, birthplace of the Age of Enlightenment. If not for the permissive freedoms in both, Ayatollah Ruhollah Khomeini—a patient man with a cunning mind—might have died forgotten in a two-story mudbrick house down a narrow cul-de-sac in the holy city of Najaf, in Iraq.
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Kim Ghattas (Black Wave: Saudi Arabia, Iran and the Rivalry That Unravelled the Middle East)
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The great discoveries of science often consist .. in the uncovering of a truth buried under the rubble of traditional prejudice, in getting out of the culs-de-sac into which formal reasoning divorced from reality leads; in liberating the mind trapped between the iron teeth of dogma. .. Some of the greatest discoveries .. consist mainly in the clearing away of psychological road-blocks which obstruct the approach to reality; which is why, post factum, they appear so obvious.
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Arthur Koestler
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Perhaps that had been one of the ineradicable faults of mankind - for even a convinced atheist had to admit there were faults - that it was never content with a thing as a thing; it had to turn things into symbols of other things. A rainbow was never only a rainbow; a storm was a sign of celestial anger; and even from the puddingy earth came forth dark chthonian gods. What did it all mean? What an agnostic believed and what the willowy parson believed were not only irreconcilable systems of thought: they were equally valid systems of thought because, somewhere along the evolutionary line, man, developing this habit of thinking of symbols, had provided himself with more alternatives than he could manage. Animals moved in no such channel of imagination - they copulated and they ate; but the the saint, bread was a symbol of life, as the phallus was to the pagan. The animals themselves were pressed into symbolic service - and not only in the medieval bestiaries, by any means.
Such a usage was a distortion, although man seemed unable to ratiocinate without it. That had been the trouble right from the beginning. Perhaps it had even been the beginning, back among the first men that man could never get clearly defined (for the early men, being also symbols, had to be either lumbering brutes, or timid noble savages, or to undergo some other interpretation). Perhaps the first fire, the first tool, the first wheel, the first carving in a limestone cave, had each possessed a symbolic rather than a practical value, had each been pressed to serve distortion rather than reality. It was a sort of madness that had driven man from his humble sites on the edges of woods into towns and cities, into arts and wars, into religious crusades, into martyrdom and prostitution, into dyspepsia and fasting, into love and hatred, into this present cul-de-sac; it had all come about in pursuit of symbols. In the beginning was the symbol, and darness was over the face of the Earth.
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Brian W. Aldiss (Greybeard)
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Violettes sauvages
La fée du printemps, cette année aussi,
de banalités plein le sac, s’est présentée,
malgré cela, nous nous sommes réjouis
comme si pour la première fois elle était arrivée.
En me grondant moi-même, enfin,
car je risquais d’abîmer mes souliers dans la boue,
je suis allée voir quelles fleurs étaient en train
d’éclore dans le vaste parc, tout près de chez nous.
C’était depuis longtemps que je n’avais plus senti
ce désir de vivre, cette hâte fébrile,
j’avais l’impression que sous mes pieds a frémi
la terre que le soleil saurait rendre fertile.
Les arbres nus me semblaient tout à fait charmants,
j’aurais voulu les prendre dans mes bras, les [embrasser].
Je passais près d’eux, comme ça, auparavant,
autant de fois, mais sans vraiment les regarder.
Difficile à dire pourquoi était si beau
le ciel bleu comme les robes dont se lavent les couleurs,
je l’ai regardé, la tête renversée vers le dos,
et je l’ai trouvé absolument enchanteur.
Ensuite, j’ai découvert les violettes sauvages,
près d’un chêne : elles étaient délicates et bleues,
des miettes de ciel dont le printemps de passage
nous fait don, parmi les troncs ombrageux.
Le cœur battant vite, je me suis inclinée,
j’étais sur le point de toucher à leurs feuilles,
et je ne sais pourquoi, par l’esprit m’est passée
l’idée que le verre n’est pour elles qu’un cercueil.
Vers la maison, je suis revenue,
les pas alourdis par un fatigué bonheur,
et si mes mains étaient aussi vides qu’au début,
j’avais des violettes sauvages dans le cœur.
(traduit par Elisabeta Isanos)
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Magda Isanos
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The Wall had turned their street into a cul-de-sac where children roller-skated. Then in 1990 the Wall was cleared away piece by piece, and each time a new crossing point was opened, a crowd of emotional West Berliners punctually gathered, eager to bid a warm welcome to their brothers and sisters from the East. One morning, he himself became the object of these tearful welcomes: the East Berliner who’d lived on this street that had been cut in half for twenty-nine years, crossing over on his way to freedom. But he hadn’t been on his way to freedom that morning, he was only trying to get to the University, punctually taking advantage of the S-Bahn station at the western end of his newly opened street. Unemotional and in a hurry, he’d used his elbows to fight his way through this weeping crowd — one of the disappointed liberators shouted an insult at his back — but for the very first time, Richard got to school in under twenty minutes.
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Jenny Erpenbeck (Go, Went, Gone)
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The thing with Melissa is that I fully and completely and 100 percent understand and comprehend what she is saying -- to its fullest meaning -- within the first fifteen seconds. And unfailingly by the end of the third sentence. I'm not saying I'm that smart. I'm saying I get her that well. We Two Are One. But her purpose is not to merely convey to me the story or the information until I have comprehended. Her purpose is to take a long luxurious bath in my ear and to disgorge the entire unedited contents of her brain -- with sidebars, cul-de-sacs, dead ends, and repetitions -- so that she can examine those contents. She is processing. She long ago abandoned those one-line phone messages and three-sentence notes when we were roommates. When she senses, somehow, that she is running out of time or your patience, she'll say, 'okay, a long story short' -- and then continue on her winding circuitous, often amusing way for another several detailed chapters. And I understand every single word of it, every stop for gas, every detour. I think what she thinks.
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Gabrielle Hamilton
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IV
-Oh ! comme ils sont goulus ! dit la mère parfois. Il faut leur donner tout, les cerises des bois, Les pommes du verger, les gâteaux de la table; S'ils entendent la voix des vaches dans l'étable Du lait ! vite ! et leurs cris sont comme une forêt De Bondy quand un sac de bonbons apparaît. Les voilà maintenant qui réclament la lune ! Pourquoi pas ? Le néant des géants m'importune; Moi j'admire, ébloui, la grandeur des petits. Ah ! l'âme des enfants a de forts appétits, Certes, et je suis pensif devant cette gourmande Qui voit un univers dans l'ombre, et le demande. La lune ! Pourquoi pas ? vous dis-je. Eh bien, après ? Pardieu ! si je l'avais, je la leur donnerais. C'est vrai, sans trop savoir ce qu'ils en pourraient faire, Oui, je leur donnerais, lune, ta sombre sphère, Ton ciel, d'où Swedenborg n'est jamais revenu, Ton énigme, ton puits sans fond, ton inconnu ! Oui, je leur donnerais, en disant: Soyez sages ! Ton masque obscur qui fait le guet dans les nuages, Tes cratères tordus par de noirs aquilons, Tes solitudes d'ombre et d'oubli, tes vallons, Peut-être heureux, peut-être affreux, édens ou bagnes, Lune, et la vision de tes pâles montagnes. Oui, je crois qu'après tout, des enfants à genoux Sauraient mieux se servir de la lune que nous; Ils y mettraient leurs voeux, leur espoir, leur prière; Ils laisseraient mener par cette aventurière Leurs petits coeurs pensifs vers le grand Dieu profond. La nuit, quand l'enfant dort, quand ses rêves s'en vont, Certes, ils vont plus loin et plus haut que les nôtres. Je crois aux enfants comme on croyait aux apôtres; Et quand je vois ces chers petits êtres sans fiel Et sans peur, désirer quelque chose du ciel, Je le leur donnerais, si je l'avais. La sphère Que l'enfant veut, doit être à lui, s'il la préfère. D'ailleurs, n'avez-vous rien au delà de vos droits ? Oh ! je voudrais bien voir, par exemple, les rois S'étonner que des nains puissent avoir un monde ! Oui, je vous donnerais, anges à tête blonde, Si je pouvais, à vous qui régnez par l'amour, Ces univers baignés d'un mystérieux jour, Conduits par des esprits que l'ombre a pour ministres, Et l'énorme rondeur des planètes sinistres. Pourquoi pas ? Je me fie à vous, car je vous vois, Et jamais vous n'avez fait de mal. Oui, parfois, En songeant à quel point c'est grand, l'âme innocente, Quand ma pensée au fond de l'infini s'absente, Je me dis, dans l'extase et dans l'effroi sacré, Que peut-être, là-haut, il est, dans l'Ignoré, Un dieu supérieur aux dieux que nous rêvâmes, Capable de donner des astres à des âmes.
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Victor Hugo (L'Art d'être grand-père)