Recycling Hero Quotes

Every few months, white people trot out a new title in a series called Cops Keep Killing People. Each new release has the latest tragic scene on the cover. It sure seems to be the same book recycled over and over, but please don't form a judgment until you read all five hundred pages. Maybe this time the story will end differently and the cops will be the hero!

Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable. Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow. And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time—for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception—they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness. The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions—that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose—with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance—a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees—yes, Mole Flies do, in fact, have knees!—before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen.

While groups of Christian and non-Christian activists loudly oppose abortion, children who were unwanted, neglected, and abused, and who grew up to be unwanted, neglected, and abused adults, are quietly moving from foster homes to park benches, and from park benches to prisons.

Tieken has suggested, on the basis of the problems we have outlined, that all the Sangam poems in the major anthologies were composed to order by poets who were perfectly aware of the fictive nature of their subject (tuṟai) and its context. Thus eighth- or ninth-century poets at the Pandya court, in Tieken’s reconstruction, deliberately composed poems with an internal speaker addressing a far more ancient hero or patron—as if a poet today were to adopt the persona of, say, Christopher Marlowe writing verses for Queen Elizabeth. But there is no need to conjure up such a scenario, with early-medieval court poets busy composing thousands of poems deliberately retrojected into the distant past, using conventional themes as well as invented materials meant to bring these ancient kings and bards to life. Is it not far more economical to imagine a process whereby the poems, many of them very old, all of them self-conscious literary efforts to begin with, survived through a slow process of recording, editorial accretion, and explication? Moreover, the relation of poem to colophon must have been, in many cases, far more intimate than any linear development could account for. There may well have been cases where the text and the colophon are, in a special sense, mutually determining—that is, cases where the poetic situation at work in the poem fits and informs the colophon long before the latter was recorded. Again, there is no need to assume that the “fictive” nature of the colophon means it is false. Quite the contrary may be the case: poem and colophon, though certainly distinct, usually share a single mental template. Fiction often offers a much closer approximation to truth than what passes for fact can give us. It’s also possible that some of the colophons are arbitrary editorial interventions long after the period of composition—that is, that well-known, ancient names were recycled by creative editors. We need to keep an open, critical mind as we investigate these materials.

Gabrielle pressed a button on Mr. Recycle Doggy’s head. The sound of servomotors was heard over the din of dozens of conversations. The dog’s mechanical ears seemed to twitch, and its eyes lit up, glowing a bright green. It turned around, looking at its surroundings, and then it looked up at Gabrielle. Ah, what an amazing invention! Truly, Gabrielle is an astounding genius to be capable of creating something so beautiful! “All right, Mr. Recycle Doggy, show them what you can do and clean up some trash!” Mr. Recycle Doggy responded to her command by searching the area. Jameson leaned forward from where he’d hidden behind a cylindrical recycler, eager to see what sort of wondrous action his Gabrielle’s invention would do. Then the dog’s eyes locked onto him. Its glowing green eyes, which seemed almost hungry. “Bark! Bark!” “Ah! Wait, Mr. Recycle Doggy version four-point-o! Where are you going?” “WAAAAA!!!!!” Jameson screamed like a little girl as the mechanical dog charged at him. Leaping to his feet, he ran away as fast as his legs could carry him. Several hours later, a young couple would find him, unconscious and lying on the walkway, with a robotic dog chewing on what remained of his clothing.

Centuries of readership, revision and editing have shaped the Baillie that has been transmitted to us in the form of Laing's Letters and Journals. Neither a hero nor a villain, then, Baillie quietly vanished from the records he had painstakingly gathered, only to be replaced by a caricature - the dutiful letter-writer, the virulent critic, the unashamed time-server and the embarrassing vacillator. The myths that emerged to explain this period in Scottish history of regrettable violent extremism and intemperate religious belief had no place for a character like Baillie. As interest in the Covenanters declined early in the twentieth century, Baillie likewise was consigned to a place of relative neglect and those few commentators relied on recycled facts and hagiographic narratives to fill out his biography. We read, then, of Baillie's comments on a riot in Edinburgh or Baillie's description of the Solemn League and Covenant without any acknowledgement of the role that he took in the events that he had described. Through contingencies related to textual transmission and shifting historiographical trends, Baillie's life, his biography, that he so clearly and vividly detailed, has largely been forgotten. In its place, we have become accustomed to reading about the period in which Baillie lived, described by a man consigned to a footnote.

RECYCLED ELVIS SUPERHERO COSTUME, POWER ROCKING WITH MY MIGHTY MICROPHONE OF DOOM!!