Daniel's Story Quotes

When a man's stories are remembered, then he is immortal.

The confidence that individuals have in their beliefs depends mostly on the quality of the story they can tell about what they see, even if they see little.

The premise of the Taker story is 'the world belongs to man'. … The premise of the Leaver story is 'man belongs to the world'.

If the world is saved, it will not be saved by old minds with new programs but by new minds with no programs at all.

They say when you meet the love of your life, time stops, and that's true. What they don't tell you is that when it starts again, it moves extra fast to catch up.

I always knew there was no one who is going to accept my flaws and understand my brokenness.And i knew it very well that nobody would hold my hand when the wind of darkness overcome my life so i just pushed them,i pushed them all away.

Wait, wait, wait," Breckin says, interrupting the story. "You called her Cinderella? What the hell for?" Daniel shrugs. "We were in a janitor's closet. I didn't know her name and there were all these mops and brooms and shit and it reminded me of Cinderella, okay? Give me a break.

Once you learn to discern the voice of Mother Culture humming in the background, telling her story over and over again to the people of your culture, you’ll never stop being conscious of it. Wherever you go for the rest of your life, you’ll be tempted to say to the people around you, “how can you listen to this stuff and not recognize it for what it is?

There's nothing fundamentally wrong with people. Given a story to enact that puts them in accord with the world, they will live in accord with the world. But given a story to enact that puts them at odds with the world, as yours does, they will live at odds with the world. Given a story to enact in which they are the lords of the world, they will ACT like lords of the world. And, given a story to enact in which the world is a foe to be conquered, they will conquer it like a foe, and one day, inevitably, their foe will lie bleeding to death at their feet, as the world is now.

Every story is the sound of a storyteller begging to stay alive.

Confidence is a feeling, which reflects the coherence of the information and the cognitive ease of processing it. It is wise to take admissions of uncertainty seriously, but declarations of high confidence mainly tell you that an individual has constructed a coherent story in his mind, not necessarily that the story is true.

People who have experienced nothing love to tell stories while people who have experienced a great deal suddenly have no stories to tell at all.

Well, this is a story about books." About books?" About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind." You talk like the jacket blurb of a Victorian novel, Daniel." That's probably because I work in a bookshop and I've seen too many. But this is a true story.

Reading requires actual concentration. If you skipped a paragraph, or even an important sentence, you could lose the entire story. With most TV shows, though, you didn't have to concentrate at all. You could space out for a good ten minutes, then come back and still figure out what was going on.

We are alive. We are human, with good and bad in us. That's all we know for sure. We can't create a new species or a new world. That's been done. Now we have to live within those boundaries . What are our choices? We can despair and curse, and change nothing. We can choose evil like our enemies have done and create a world based on hate. Or we can try to make things better.

Remembering a man's stories makes him immortal.

Design. Story. Symphony. Empathy. Play. Meaning. These six senses increasingly will guide our lives and shape our world.

And then as always, I saw the prayer coming at me. And, as always, Number 1 killed me! Set me on fire, cooked me to medium rare and then ate me! I really, really, really hope I haven't just given away the ending of this story.

…This place was once like your Enchanted Forest is- home to tens of thousands of fairies. But that was many ages ago, before the Kingdom of Britain was established. In those early days, the fairies ruled over the land.

[T]he price you've paid is not the price of becoming human. It's not even the price of having the things you just mentioned. It's the price of enacting a story that casts mankind as the enemy of the world.

The inner work that must be done will not always be easy and the road will not always be smooth, but it is vital to do the work of shedding the stories that are the true source of suffering.

I realized then that not only did Dad need us to believe his stories, we needed to believe them as well. To believe in unripe stars and eagles able to do extraordinary things. What it boiled down to was a frenzied hope that there was more to life than the reality around us. Only then could we claim a destiny we did not feel cursed to.

Our dreams and stories may contain implicit aspects of our lives even without our awareness. In fact, storytelling may be a primary way in which we can linguistically communicate to others—as well as to ourselves—the sometimes hidden contents of our implicitly remembering minds. Stories make available perspectives on the emotional themes of our implicit memory that may otherwise be consciously unavailable to us. This may be one reason why journal writing and intimate communication with others, which are so often narrative processes, have such powerful organizing effects on the mind: They allow us to modulate our emotions and make sense of the world.

Our fundamental tactic of self-protection, self-control, and self-definition is not spinning webs or building dams, but telling stories, and more particularly connecting and controlling the story we tell others - and ourselves - about who we are.

A common question asked of Mr. Fenn was, “How old is the boy?” to which Mr. Fenn’s reply, year after year, was, “He has been somewhere between twelve and thirteen since the day I laid eyes on him.

It is the consistency of the information that matters for a good story, not its completeness. Indeed, you will often find that knowing little makes it easier to fit everything you know into a coherent pattern.

Dear reader, you have to understand the point of all these stories. What they add up to. Schererazade was trying to make the king human again. She made him love life by showing him all of it, the funny parts about poop, the dangerous parts with demons, even the boring parts about what makes marriages last. Little by little, he began to feel the joy and sadness of others. He became less immune, less numb, because of the stories.

luck plays a large role in every story of success; it is almost always easy to identify a small change in the story that would have turned a remarkable achievement into a mediocre outcome.

Daniel Kahneman once told me about the stories people tell themselves to make sense of the past. He said: Hindsight, the ability to explain the past, gives us the illusion that the world is understandable. It gives us the illusion that the world makes sense, even when it doesn’t make sense. That’s a big deal in producing mistakes in many fields.

Prince of the Enchanted Forest. Adopted son of the Fairy Folk. Wild Boy. Your reputation precedes you, child. All of Germany has been talking about you lately. And yet, no one knows your name.” The boy looked up at the King and smiled. The king smiled back, and took a deep breath. “…Henceforth, you shall be known as Peter.

Pull a thread in my story and feel the tremor half a world and two millenia away.

declarations of high confidence mainly tell you that an individual has constructed a coherent story in his mind, not necessarily that the story is true.

A scar isn't about the injury, it's about the healing.

[N]ow we have a clearer idea what this story is all about: The world was made for man, and man was made to rule it.

We didn’t evolve to be healthy, but instead we were selected to have as many offspring as possible under diverse, challenging conditions. As a consequence, we never evolved to make rational choices about what to eat or how to exercise in conditions of abundance and comfort.

A patchwork story is the shame of a refugee.

It is wise to take admissions of uncertainty seriously,” Daniel Kahneman noted, “but declarations of high confidence mainly tell you that an individual has constructed a coherent story in his mind, not necessarily that the story is true.

Being a lover of books has its perks. There’s always a story waiting to be read. A hero to fall in love with. A heroine to adore. Sometimes I think I should change genres and actually give the potential men in my life a chance. My expectations of love are dangerously unrealistic.

Here is something I would like to tell you—stories get better as they get more true.

I would explain that human love is a combination of three emotions or impulses: desire, vulnerability, and bravery. Desire makes one feel vulnerable, which then requires one to be brave.

I’ve heard people speak of themselves as addicted to reading, but I think those people never stole from their family so they could afford this month’s serial, or sucked off a sailor for a new book of short stories.

She wrapped her arms around his neck and gazed into the face of the man she was going to spend the rest of her life with. "Just promise to love me forever." "This is one story that's going to have a happy ending," he told her, and he lowered his mouth to hers.

We laughed the rest of the way, because the point of this story is, it is not the cookies. It is the love.

beneath the stars that drift; she sighed and said "Every tale of a love can only be a tale of ghosts that linger in these spaces we can never hold,"—as the wind gave echo

What he had to tell them was a story

The story of Pi is the story of all of us. We all have tigers under our tarpaulins - tigers that, we feel, could destroy us. We think we want to be rid of our tigers. But the truth is, we would feel a great loss if they ran away, because ultimately, each tiger is part of us.

A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero. Now I do have to mention the real heroes of The Trevor Project, the men and women volunteers, all of whom stand up day after day answering the calls of desperate teens whose circumstances have pushed them to the edge of the abyss. To take that call, and say yes, I will be the one who saves this life takes such courage and compassion. Hemingway’s definition of ‘grace under pressure’ seems fitting as the job they do is every bit as important, and every bit as delicate as a soldier defusing a bomb.

When we hear a fact, a few isolated areas of our brain light up, translating words and meanings. When we hear a story, however, our brain lights up like Las Vegas, tracing the chains of cause, effect, and meaning. Stories are not just stories; they are the best invention ever created for delivering mental models that drive behavior.

Yeah, but I don’t know. There is something about the tragic stories of Shakespeare. It’s as if we all know how it will end, but the adventure makes it worth it.

The world will not be saved by old minds with new programs. If the world is saved, it will be saved by new minds—with no programs.

Objective truth is difficult to come by, and even if you have it, what you can pass on to the next person is the story that you tell about it. In order for truth to be recognized as true, it has to be wrapped in plausibility. Just the same as lies. ("Another Word: Plausibility and Truth

We all have stories, just as you do. Ways in which he touched us, helped us, gave us money, sold it to us wholesale. Lots of stories, big and small. They all add up. Over a lifetime it all adds up. That's why we're here, William. We're a a part of him, who he is, just as he is a part of us. You still don't understand, do you?" I didn't. But as I stared at the man and he stared back at me, in my father's dream I remembered where we'd met before. "And what did my father do for you?" I asked him, and the old man smiled. "He made me laugh," he said.

My name is Daniel, and this is the first volume of my life story, which, hopefully, will be a very long and distinguished one. Who should you read it? Very good question. Maybe because this is your planet, and you have a right to know what's actually happening on it.

…I remember this tree!” I exclaimed. “We used to climb it all the time.” Peter seemed to have this in mind also, because as I spoke he was already starting to climb the tree. “You don’t expect me to climb that tree in this dress, do you,” I said, looking up at him. He smiled down at me. “Of course you do,” I said, shaking my head. “Of course.” Taking off my boots, I began to climb up after Peter.

...One cannot help but consider the future- what will it be like when all the wild places of the earth have been taken over by civilization, and there is no more room for Indians, Pirates, and Wild Boys?

All children grow up, all but one. His name is Peter and by now, all the civilized world has heard of him. He has captured the public imagination and become a legend, a subject for poets, philosophers and psychologists to write about, and for children to dream of. The children’s tales might be lacking in some details, but on the whole they are more accurate than most other accounts, for children will always understand Peter intuitively, as I did when I first met him. "I shall endeavor to tell you the true story of my friend Peter, because he cannot tell it to you himself. Afterward I hope you will love him and defend him as I have for the remainder of your days. Pass on to others a true account of the wild boy who would not grow up, who danced with kings and won the hearts of princesses. He defied logic and reason, lived and loved with an innocent heart, and found peace in the midst of a turbulent world.

Quiero esperar en silencio la séptima ola. Si, aquí cuentan la historia indómita de la séptima ola. Las primeras seis son previsibles y equilibradas. Se condicionan unas a otras, no deparan sorpresas. Mantienen la continuidad. Pero, !cuidado con la séptima ola¡ La séptima es imprevisible. Durante mucho tiempo pasa inadvertida, participa en el monótono proceso, se adapta a sus predecesoras. Pero a veces estalla. Siempre ella, siempre la séptima. Porque es despreocupada, inocente, rebelde, barre con todo, lo cambia todo. Para ella no existe el antes, solo el ahora. Y después todo es distinto. ¿Mejor o peor? Eso solo pueden decirlo quienes estuvieron arrastrados por ella, quienes tuvieron el coraje de enfrentarla, de dejarse cautivar...

It's not always to the benefit of the story to have it so preordained.

You get where you are by yourself. There's no regret in that. That's just the way it is.

I read books. I know who I am.

But I did not bring the Wild Boy to England simply so he could learn from us. I also brought him here so we could learn from him; so we can remember what it means to be young- to be innocent. You are still young now, but there will come a time when you will be grown-up, and it is easy, so easy, to forget how precious, how dear, life is. Then you forget to smile, to laugh, to cry, to dream. I hope knowing Peter will help you to hold on fiercely to your own innocence, to live joyfully, even in the midst of difficult times.

There is great nobility in ordinary people. The world disappoints us all, and the ways we change our own stories to survive that disappointment are beautiful and tragic and hilarious. On balance, I find much more to admire about humanity than to despise.

Men can do nothing without the make-believe of a beginning. Even science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars' unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backward as well as forward, divides his unit into billions, and with his clock-finger at Nought really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.

Never poor vain creature was so wrapt up with every part of the story as I was, not considering what was before me, and how near my ruin was at the door; indeed, I think I rather wished for that ruin than studied to avoid it.

[E]ducation is a thing you get past and forget about as quickly as possible. This is particularly true of elementary and secondary education, of course…. I began to remember what it had been like: the tremendous excitement of the first couple of years, when kids imagine that great secrets are going to be unfolding before them, then the disappointment that gradually sets in when you begin to realize the truth: There’s plenty of learning to do, but it’s not the learning you wanted. It’s learning to keep your mouth shut, learning how to avoid attracting the teacher’s attention when you don’t want it, learning not to ask questions, learning how to pretend to understand, learning how to tell teachers what they want to hear, learning to keep your own ideas and opinions to yourself, learning how to look as if you’re paying attention, learning how to endure the endless boredom.

He might have run off then, and thus avoided a great many adventures to come, but the girl cried, “Wait!” and he turned to face her. “Please,” she implored from the window. “Don’t go. Come with us. I promise you won’t regret it.” For a moment, Peter stood in the road indecisively, staring into the girl’s eyes as if trying to penetrate a great mystery.

We must keep in mind that only a part of memory can be translated into the language-based packets of information people use to tell their life stories to others. Learning to be open to many layers of communication is a fundamental part of getting to know another person's life.

The story of Daniel and his friends is a clarion call to our generation to be courageous; not to lose our nerve and allow the expression of our faith to be diluted and squeezed out of the public space and thus rendered spineless and ineffective. Their story will also tell us that this objective is not likely to be achieved without cost.

It has happened that a species has tried to live in violation of the Law of Limited Competition. Or rather it has happened one time, in one human culture—ours. That’s what our agricultural revolution is all about. That’s the whole point of totalitarian agriculture: We hunt our competitors down, we destroy their food, and we deny them access to food. That’s what makes it totalitarian.

We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.

The fundamental answer to why so many humans are now getting sick from previously rare illnesses is that many of the body's features were adapted in environments from which we evolved, but have become maladapted in the modern environments we have now created. This idea, known as the mismatch hypothesis, is the core of the new emerging field of evolutionary medicine, which applies evolutionary biology to health and disease.

Never before had I felt trapped, so seduced and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. This is a world of shadows, Daniel, and magic is a rare asset. That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone, changed my life.

FDR’s struggle with illness and subsequent metal-filled life are remarkably similar to the story of another great leader who was part robot: Iron Man. FDR, much like Tony Stark, was cocky and arrogant before his life-changing diagnosis, but the years of suffering changed all of that, and he emerged more humble, more fearless, and ready to defend America. Also, FDR wore iron braces and used a wheelchair, which, for the purposes of this comparison, is exactly like a well-armed robot suit.

Narrative fallacies arise inevitably from our continuous attempt to make sense of the world. The explanatory stories that people find compelling are simple; are concrete rather than abstract; assign a larger role to talent, stupidity, and intentions than to luck; and focus on a few striking events that happened rather than on the countless events that failed to happen. Any recent salient event is a candidate to become the kernel of a causal narrative. Taleb suggests that we humans constantly fool ourselves by constructing flimsy accounts of the past and believing they are true.

Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. “Do you pity me, Story?” For the second time that night, she surprised him. “No. I pity the sixteen-year-old boy. Of course I do. How could I not?” Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. “But I don’t pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent.

Peter and the deer herd ranged over the forest together, and without words, Peter told the deer about his new life at the Palace, amongst people. The scents that lingered on him told a hundred stories. His expressions and movements too, echoed foreign influences. And in Peter’s eyes, the story was told plainly. They sensed that he had grown not just physically, but in his being he was bigger, more mature. The deer wanted the Wild Boy to return to the Enchanted Forest with them, but they were uncertain he would come. They called him by his forest name, and he replied, “Peter.” The strangeness of this intonation puzzled them.

So you’ve been through tragedy. No one’s denying it. But that is not the life you’re living now. The aura is stale. The story, Daniel, is stale. You can’t let go of it, because if you did, you wouldn’t be a victim anymore. But there are millions of people still living in oppression. I come from them. And those people can’t live in the past. They can’t live in their heads. They don’t have the luxury.

Once ‘free’ in the streets, what then? Fear and panic could destroy the city as much as plague itself. Many of the doctors fled, along with the rich and powerful; quacks preyed on the poor with their neverfail miracle drugs. Churches and conventicles and synagogues were empty. Neighbours informed against each other. People lied to each other – and to themselves. (It’s just a headache. Just a little bruise. I’ll feel better if I go for a walk.) Worse – there were stories of infected people deliberately concealing their telltale ‘tokens’ and going out into the streets trying to infect others.

You are radiant.” “Yes, she is.” Daniel. She turned to him. His blond hair and violet eyes, the strong cut of his shoulders, the full lips that had brought her back to life a thousand times. They had loved each other even longer than Luce had realized. Their love had been strong since the early days of Heaven. Their relationship spanned the entire story of existence. She knew where she’d first met Daniel on Earth-right here, on the singled fields of Troy while the angels were falling-but there was an earlier story. A different beginning to their love. When? How had it happened? She searched for the answer in his eyes-but she knew she wouldn’t find it there. She had to look back in her own soul. She closed her eyes.

Summer on the farm was glorious. Peter spent as much time out of doors as possible, and he had many playmates, since all the children were free from their spring and autumn duties of tending crops or going to school. Peter had become the leader of a merry band of youngsters, aged six to fourteen, who followed the Wild Boy wherever he went and seemed to understand his unintelligible noises. If they did not understand, then they pretended to. The life of a princess has many advantages, but I envied those children for their time with Peter and for what seemed to me to be a simple, carefree existence.

Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid you can’t get free of them and that’s what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I’ve been running through the fields and picking up bright objects. I turn one over and say, Yeah, there’s a story. And that’s what kids like. Today, my stories are in a thousand anthologies. And I’m in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did.

As far as I can figure, the way that it works is this: everyone has something that happened to them. The thing that we each carry. And you can see it in people, if you look. See it in the way someone walks, in the way someone takes a compliment, sometimes you can just see it in someone’s eyes. In one moment of desperation, of fear, in one quick moment you can see that thing that happened. Everyone has it. The thing that keeps you up at night, or makes you not trust people, or stops love. The thing that hurts. And to stop it, to stop the hurt, you have to turn it into a story. And not just a story you play over and over for yourself, but a story that you tell. A story’s not a story unless you tell it. And once you tell it, it’s not yours anymore. You give it away. And once you give it away, it’s not something that hurts you anymore, it’s something that helps everyone who hears it. It’s the kind of thing that’s hard to explain. It’s probably best if we just show you how it works.

Our body’s evolutionary journey is also far from over. Natural selection didn’t stop when farming started but instead has continued and continues to adapt populations to changing diets, germs, and environments. Yet the rate and power of cultural evolution has vastly outpaced the rate and power of natural selection, and the bodies we inherited are still adapted to a significant extent to the various and diverse environmental conditions in which we evolved over millions of years. The end product of all that evolution is that we are big-brained, moderately fat bipeds who reproduce relatively rapidly but take a long time to mature.

I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving. This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love. This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages. I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit. The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.

Did you see the mailman while doing your rounds yesterday?" Curran's face turned carefully blank. "Yes, I did." "Did you do anything to scare him?" "I was perfectly friendly." "Mhm." Please continue with your nice story. Non-judgemental. "He was putting things into the mailbox. I was passing by and I said, 'Hello, nice night.' And then I smiled. He jumped into his truck and slammed the door." "Rude!" Julie volunteered. "I let it pass," Curran said. "We're new to the neighborhood." The former Beast Lord, a kind and magnanimous neighbor. "So you sneaked up behind him, startled him by speaking, and when he turned around and saw a six-hundred pound talking lion, you showed him your teeth?" "I don't think that's what happened," Curran said. "That's exactly what happened, Your Furriness." I laughed.

Never before had I felt trapped, seduced, and caught up in a story,' Clara explained, 'the way I did with that book. Until then, reading was just a duty, a sort of fine one had to pay teachers and tutors without quite knowing why. I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. Have you ever kissed a girl, Daniel?' My brain seized up; my saliva turned to sawdust. 'Well, you're still very young. But it's that same feeling, that first-time spark that you never forget. This is the world of shadows, Daniel, and magic is a rare asset. That book taught me that by reading, I could live more intensely. It could give me back the sight I had lost. For that reason alone, a book that didn't matter to anyone changed my life.

All through the winter months, Rose kept up the practice of sitting by the fire with Peter and a book telling him stories. The doctor stopped to listen one afternoon out of curiosity, and heard her say, “…then the Mermaid said to the Pirate, ‘I would rather perish with the boy than go with you.’ And the Pirate said, ‘So be it,’ and sealed them both up inside the treasure chest. Then the pirate’s crew got together to lift the chest up, and with a nod from their captain, they cast the chest overboard into the sea. The chest was so heavy, it sank in the water in spite of the air inside, and in seconds it was gone from view, disappearing into the deep blue depths. If the boy and the mermaid were unable to free themselves, they would surely perish.” Peter’s eyes were wide with interest. “But- I can’t tell you what happened- you’ll have to find out next time.” She stopped and closed the book. Peter shook his head and put his hand on the book. She laughed and said, “You want to hear more now, do you?

It’s not a matter of Dad sitting down with his preadolescent son and incorporating 'Don’t be a criminal!' into the 'birds and the bees' talk. (I mean, that couldn’t hurt, probably. But it’s not the point.) It’s about teaching our boys to actively oppose sexual violence. It’s all well and good to say you’re against rape and would never rape anyone, end of story. But somewhere in that crowd of guys laughing about an unconscious girl getting 'a wang in the butthole, dude'—and the one listening to Daniel Tosh say, 'Wouldn’t it be funny if she got gang-raped right now?' and the one reading an op-ed in the Washington Post that puts 'sexual assault' in quotation marks, as though it exists only in the eye of the beholder—somewhere in all of those crowds is the guy who would rape someone. The guy who will rape someone. The guy who has raped someone. And could you blame any of those guys for thinking that rape is not a serious crime, or even something to be particularly ashamed of, when so many 'good' guys around them are laughing at the same jokes?

The fundamental core of contemporary Darwinism, the theory of DNA-based reproduction and evolution, is now beyond dispute among scientists. It demonstrates its power every day, contributing crucially to the explanation of planet-sized facts of geology and meteorology, through middle-sized facts of ecology and agronomy, down to the latest microscopic facts of genetic engineering. It unifies all of biology and the history of our planet into a single grand story. Like Gulliver tied down in Lilliput, it is unbudgeable, not because of some one or two huge chains of argument that might–hope against hope–have weak links in them, but because it is securely tied by hundreds of thousands of threads of evidence anchoring it to virtually every other field of knowledge. New discoveries may conceivably lead to dramatic, even 'revolutionary' shifts in the Darwinian theory, but the hope that it will be 'refuted' by some shattering breakthrough is about as reasonable as the hope that we will return to a geocentric vision and discard Copernicus.

The Story of the Rabbit and the Eggplant Once there was a race between a rabbit and an eggplant. Now, the eggplant, as you know, is a member of the vegetable kingdom, and the rabbit is a very fast animal. Everybody bet lots of money on the eggplant, thinking that if a vegetable challenges a live animal with four legs to a race, then it must be that the vegetable knows something. People expected the eggplant to win the race by some clever trick of philosophy. The race was started, and there was a lot of cheering. The rabbit streaked out of sight. The eggplant just sat there at the starting line. Everybody knew that in some surprising way the eggplant would wind up winning the race. Nothing of the sort happened. Eventually, the rabbit crossed the finish line and the eggplant hadn’t moved an inch. The spectators ate the eggplant. Moral: Never bet on an eggplant.

By integrating your implicit and explicit memories and by shining the light of awareness on difficult moments from your past, you can gain insight into how your past is impacting your relationship with your children. You can remain watchful for how your issues are affecting your own mood as well as how your kids feel. When you feel incompetent, frustrated, or overly reactive, you can look at what's behind those feelings​and explore whether they are connected to something in your past. Then you can bring your former experiences into the present and weave them into the larger story of your life. When you do that, you can be free to be the kind of parent you want to be. You can make sense of your own life, which will help your kids do the same with theirs

Nothing in the community lives in isolation from the rest, not even the queens of the social insects. Nothing lives only in itself, needing nothing from the community. Nothing lives only for itself, owing nothing to the community. Nothing is untouchable or untouched. Every life is on loan from the community from birth and without fail is paid back to the community in death. The community is a web of life, and every strand of the web is a path to all the other strands. Nothing is exempt or excused. Nothing is special. Nothing lives on a strand by itself, unconnected to the rest. As you saw yesterday, nothing is wasted, not a drop of water or a molecule of protein—or the egg of a fly. This is the sweetness and the miracle of it all, Jared. Everything that lives is food for another. Everything that feeds is ultimately itself fed upon or in death returns its substance to the community.

This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future. But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves. He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’ ‘Stories?’ the other asked. ‘You know, like your creation myth, if you have one.’ ‘What is a creation myth?’ the creature asked. ‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’ Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale. ‘You have no account of creation then?’ ‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’ ‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’ ‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’ ‘"Of course, of course,’ the anthropologist agreed. So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’ ‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’ The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’ ‘No. I mean, did this happen on land or in the sea?’ ‘Land?’ the other asked. ‘What is land?’ ‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’ The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’ ‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’ ‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’ ‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!

In Exodus, chapter 14, Moses must lead the Jews out of Egypt and to safety by parting the Red Sea. This story teaches us a valuable lesson about how we must face the future. I want to draw your attention to two verses in particular. Exodus (14:15) reads: “And the Lord said to Moses, ‘Tell the people of Israel to march forward.’” Exodus (14:16) reads: “Lift up your rod and stretch out your hand over the sea and divide it.” The thing to note here is that Moses is instructed to raise his rod to divide the sea only after telling his people to march forth into the water. The Israelites were actually in the water, some of them up to their necks, and were told to keep marching before the water split. And yet no one complained or feared drowning because the message from God was very clear: walk first into the water and the ocean will split afterwards. Had the Israelites waited around for the waters to part, they would have been waiting a long time—perhaps forever. They had to bring about their own miracle, a truth we can deduce from the peculiar order of these two verses, which is no accident as there are no accidents in Scripture. To succeed at life and business, you too must face the future as the Israelites did at the Red Sea. Get moving now. Do not wait for the bridge. Cross now and the way through will present itself.

My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.) It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.

On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--