D Smoke Quotes

We've searched our database for all the quotes and captions related to D Smoke. Here they are! All 100 of them:

Don't you remember, she told him then, when you were nothing but shadow and smoke? Darling, he'd said in his soft, rich way, I was the night itself.
V.E. Schwab (The Invisible Life of Addie LaRue)
Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.
William Shakespeare (Romeo and Juliet)
I don't know many rules to live by,' he'd said. 'But here's one. It's simple. Don't put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles--drug or tattoo--and...no inessential penises either.' 'Inessential penises?' Karou had repeated, delighted with the phrase in spite of her grief. 'Is there any such thing as an essential one?' 'When an essential one comes along, you'll know,' he'd replied.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
He was smoking hot. As in H-O-T-T, hott. I’d never understood until that moment why girls insisted on adding an extra t. This guy was extra-t-worthy.
Wendy Higgins (Sweet Evil (Sweet, #1))
[Piper] rushed to get dressed. By the time she got up on deck, the others had already gathered—all hastily dressed except for Coach Hedge, who had pulled the night watch. Frank’s Vancouver Winter Olympics shirt was inside out. Percy wore pajama pants and a bronze breastplate, which was an interesting fashion statement. Hazel’s hair was all blown to one side as though she’d walked through a cyclone; and Leo had accidentally set himself on fire. His T-shirt was in charred tatters. His arms were smoking.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He froze, and for one moment, we stood locked in time. I could feel the silk of his shirt against my skin and the warmth of his body. The lingering scent of the overpriced cologne he wore floated around me. No smoke for a change. I’d always told him the cologne couldn’t be worth what he spent, but suddenly, I reconsidered. It was amazing.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I have a beard of fog that I wear on misty mornings. It’s not cigarette smoke, but I’d understand if you wanted to shave it off and inhale it.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Anyone who takes on my sister," he had postured once, all puffed-out bravado, "will have to deal with ...my sister." And then he'd dived behind her and cowered.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
She wasn't the only one to be physically morphed by reader expectation. Miss Havisham was now elderly whether she liked it or not, and Sherlock Holmes wore a deerstalker and smoked a ridiculously large pipe. The problem wasn't just confined to the classics. Harry Potter was seriously pissed off that he'd have to spend the rest of life looking like Daniel Radcliffe.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I...I sang," she whispered, "if that matters," and Karou felt her heart pulled to pieces. This Misbegotten warrior, fiercest of them all, had crouched in an icy stream bed to sing a chimera soul into her canteen, because she hadn't known what else to do. The singing wouldn't have mattered, but she wasn't going to tell Liraz that. If Ziri's soul was in that canteen, Karou would happily learn whatever song Liraz had sung and make it part of her resurrection ritual forever, just so that the angel would never feel that she'd been foolish.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Before all hope died I used to have this stupid dream that shit could be saved, that we would be in bed together like the old times, with the fan on, the smoke from our weed drifting above us, and I'd finally try to say the words that could have saved us.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Jael returned the lazy smile. "You're not my type." "Well, you're not anybody's type," said Hazael. "No, wait. I take it back. My sword says she'd like to know you better.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” “Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Smoke You stand infront of me, pretending to be solid, but you are nothing more than smoke and mirors. You said you'd never leave, that you would care for us forever, but now you claim you cannot stay? That you've been called away. When you go, who will i turn to when it all crashes down? Tell me who. Then tell me, how I can believe anone again, if all your promises have been lies.
Ellen Hopkins
If this were a book or movie, she thought, she'd be able to read the stars and get her bearings. Characters always had just the right random skill set to master the situation at hand. Like, Thank god for that summer on an uncle's smuggling boat and the handsome deckhand who taught me celestial navigation. Ha.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is just to get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
Man, it was a good thing vampires didn't get cancer. Lately he'd been chain-smoking like a felon.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
I smoked in those days because, like everyone else in the world who smokes, I wanted to die at least as much as I wanted to live. – G. D. Roberts, Shantaram.
Gregory David Roberts (Shantaram)
Write a list of things you’ll regret/I’d be on top smoking a cigarette.” I loved that line.
Taylor Jenkins Reid (Daisy Jones & The Six)
Why couldn't the merciful God turn down the sunlight so it wasn't blasting like a red furnace against his aching eyes? Because he'd worshipped the god of beer, thats why. He'd broken a commandment and worshipped the false and foamy god of beer. And now he was being punished.
Nora Roberts (Blue Smoke)
I felt like putting a bullet between the eyes of every Panda that wouldn't screw to save its species. I wanted to open the dump valves on oil tankers and smother all the French beaches I'd never see. I wanted to breathe smoke.
Chuck Palahniuk (Fight Club)
Oh, it was delicious to have someone to keep secrets with. If I'd had a sister or a brother closer in age, I guessed that's what it would be like. But it wasn't just smoking or skirting around Mother. It was having someone look at you after your mother has nearly fretted herself to death because you are freakishly tall and frizzy and odd. Someone whose eyes simply said, without words, You are fine with me.
Kathryn Stockett (The Help)
My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.
Antonia Michaelis (The Storyteller)
It had worked. She understood. Things can kill you. All kinds of things, like toys, or older brothers. And as she'd grown up, that list had just gotten longer and longer.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Do you go see her?" "No," I said, refusing to acknowledge that I'd just seen Lissa last night. "That's not my life anymore." "Right. Your life is all about dangerous vigilante missions." "You wouldn't understand anything that isn't drinking, smoking, or womanizing." He shook his head. "You're the only one I want, Rose." "Well, you can keep feeling that way, but you're going to have to keep waiting." "Much longer?" He asked me. "I don't know." Hope blossomed on Adrian's face. "That's the most optimistic thing you've told me so far.
Richelle Mead (Blood Promise (Vampire Academy, #4))
...; Clary saw the group of lycanthropes look up, alert as a group of hunting dogs senting game. She turned- And saw Luke, tired and bloodstained, coming through the double doors of the Hall. She ran toward him. Forgetting how upset she'd been when he'd left, and forgetting how angry he'd been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him- then he smiled, and put his arms out, and picked her up as he hugged her, the way he'd done when she'd been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he'd seen him in the Hall, because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, becaused no matter how angry you got, they still belonged to you. And what she had said to Valentine was true. Luke was her family.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Simon!" The voice was faint, but his hearing caught it over the pop and crackle of glowing flames. The smoke in the corridor had presaged heat; the heat was here now, pressing against him like an oppressive wall. "Simon!" The voice was Clary's. He would know it anywhere. He wondered if his mind was conjuring it up now, a sense of memory of what he'd most loved during life to carry him throught the process of death. "Simon, you stupid idiot! I'm over here! At the window!" Simon jumped to his feet. he doubted his mind would conjure that up.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
She blew a stream of smoke up at the empty clotheslines. 'These silly dreams you have when you're young. I mean, what, Katie and Brendan Harris were going ot make a life in Las Vegas? How long would that little Eden have lasted? Maybe they'd be on their second trailer park, second kid, but it would have hit them sooner or later - life isn't happily ever after and golden sunsets and shit like that. It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work - at everything -because that's what growing older is.
Dennis Lehane (Mystic River)
Gideon winked at her increasingly agitated companion. She said, sotto voce: “But then you couldn’t have admired … these,” and whipped on the glasses she’d unearthed back home. They were ancient smoked-glass sunglasses, with thin black frames and big mirrored lenses, and they greyed out Harrow’s expression of incredulous horror as she adjusted them on her nose.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
I don’t know many rules to live by,” he’d said. “But here’s one. It’s simple. Don’t put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles—drug or tattoo—and… no inessential penises, either.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I decry the injustice of my wounds, only to look down and see that I am holding a smoking gun in one hand and a fistful of ammunition in the other.
Craig D. Lounsbrough
Confidence is just entitlement. Entitlement has gotten a bad rap because it's used almost exclusively for the useless children of the rich, reality TV stars, and Conrad Hilton Jr., who gets kicked off an airplane for smoking pot in the lavatory and calling people peasants or whatever. But entitlement in and of itself isn't so bad. Entitlement is simply the belief that you deserve something. Which is great. The hard part is, you'd better make sure you deserve it.
Mindy Kaling (Why Not Me?)
I still love you like moons love the planets they circle around, like children love recess bells. I still hear the sound of you and think of playgrounds where outcasts who stutter beneath braces and bruises and acne are finally learning that their rich handsome bullies are never gonna grow up to be happy. I think of happy when I think of you. So wherever you are I hope you’re happy, I really do. I hope the stars are kissing your cheeks tonight I hope you finally found a way to quit smoking I hope your lungs are open and breathing this life I hope there’s a kite in your hand that’s flying all the way up to Orion and you still got a thousand yards of string to let out. I hope you’re smiling like God is pulling at the corners of your mouth, ‘cause I might be naked and lonely shaking branches for bones but I’m still time zones away from who I was the day before we met. You were the first mile where my heart broke a sweat, and I wish you were here; I wish you’d never left; but mostly I wish you well. I wish you my very, very best
Andrea Gibson
When I thought of how I’d been living, how I’d been approaching life, it was all so trite, so miserably pointless. Unimaginative middle-class rubbish, and I wanted to gather it all up and stuff it away in some drawer. Or else light it on fire and watch it go up in smoke (though what kind of smoke it would emit I had no idea).
Haruki Murakami (Men Without Women)
Azriel was nothing short of beautiful. Even with those scarred hands and the shadows that flowed from him like smoke, she’d always found him to be the prettiest of the three males who called themselves brothers.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
It’s about Thiago,” she said, and he felt the cool touch of finality. Of course it was the Wolf. When he’d seen them curved toward each other, laughing, he’d known, but a part of his mind had insisted on denying it—it was unthinkable—and then, when she’d looked across the cavern to him like that, to him, he’d hoped… “He’s not who you think,” Karou said, and Akiva knew what was coming next. He braced for it. “I killed him,” she whispered. … … … Wait. “What?
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
You smoke? (Randy) Only when I’m on fire. (Steele) I don’t appreciate your humor, Mr. Steele. (Randy) I’m an acquired taste. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
That’s how pathetic things had gotten. I’d actually sat alone in the darkness lusting after a girl like some fucking Robert Pattinson wannabe. At least I smoked instead of sparkled.
Joanna Wylde (Silver Bastard (Silver Valley, #1))
A cold blast hit him and he laughed at the sting as he stepped outside, surveyed the night sky, and drank deeply. Such a good liar he was. Such a good one. Everyone thought he was fine because he'd camo'd his little problems. He wore a Sox hat to hide the eye twitch. Set his wristwatch to go off every half hour to beat back the dream. Ate though he wasn't angry. Laughed though he found nothing funny. And he'd always smoked like a chimney.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
There was, between her and Mik, a fairy-tale promise: that when he had performed three heroic tasks, he could ask for her hand. She’d meant it in jest, but he’d taken it to heart, and was only one task down out of three—though secretly Zuzana accepted his fixing the air-conditioning in their last hotel room as a heroic act and counted it.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
There is something of yours I would like to return to you." "What?" He leaned across the distance between them and caught her mouth with his own. Her eyes fluttered closed and her lips parted easily as she felt the kiss sizzling through her nerves, rendering her thoughts to smoke. "Um..." Kaye stepped make, a little unsteadily. "Why does that belong to me?" "That was the kiss I stole from you when you were enchanted," he said patiently. "Oh...well, what if I didn't want it?" "You don't?" No," she said, letting a grin spread across her face, hoping her mother would take her time of the drive over. "I'd like you to take it back again, please." "I am your servant," the King of the Unseelie Court said, his lips a moment from her own, "Consider it done.
Holly Black (Tithe (Modern Faerie Tales, #1))
...she's leaving now. ... Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew? "Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door. *** Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle. (pause) But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.
Lisa McMann (Wake (Wake, #1))
You know those days when you've got the means reds?’ ‘Same as the blues?’ ‘No,’ she said slowly. ‘No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re sad that’s all. But the mean reds are horrible. You’re afraid, and you sweat like hell, but you don’t know what you’re afraid of. Except something bad is going to happen, only you don’t know what it is. You’ve had that feeling?’ ‘Quite often. Some people call it angst.’ ‘All right. Angst. But what do you do about it?’ ‘Well, a drink helps.’ ‘I’ve tried that. I’ve tried aspirin, too. Rusty thinks I should smoke marijuana, and I did for a while, but it only makes me giggle. What I’ve found does the most good is to just get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
Because even if they are doing something immoral, I'd be an idiot to start criticizing them for it if I wasn't perfect myself. Smoking is self-destructive. Drinking is self-destructive. Losing your temper and yelling at people is wrong. Lying is wrong. Cheating is wrong. Stealing is wrong. But people do that stuff all the time. Soon as I figure out how to be a perfect human being, then I'm qualified to go lecture other people about how they live their lives.
Jim Butcher (Cold Days (The Dresden Files, #14))
Zane didn’t laugh this time. In years past he had sat uncounted times in the dark of night,smoking, shooting up, drinking, wondering if the coming morning would be the one when he didn’t wake up. Sometimes he’d even prayed for it. But not since Ty. Yeah, he believed in miracles.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Please tell me you have to pee." "What? No. No, I do not. Don't even ask." "Oh, come on. I'd do it myself if I could, but I can't. I'm a girl." "I know. Life is unfair. I'm still not going to pee on Karou's ex-boyfriend for you." "What? I wasn't even going to ask you to." In her most reasonable tone, Zuzana explained, "I just want you to pee in a balloon so I can drop it on him." "Oh." Mik pretended to consider this for approximately one and a half second. "No.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
T. Coraghessan Boyle
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.
David Mitchell (The Bone Clocks)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
The senior wizards of Unseen University stood and looked at the door. There was no doubt that whoever had shut it wanted it to stay shut. Dozens of nails secured it to the door frame. Planks had been nailed right across. And finally it had, up until this morning, been hidden by a bookcase that had been put in front of it. 'And there's the sign, Ridcully,' said the Dean. 'You have read it, I assume. You know? The sign which says "Do not, under any circumstances, open this door"?' 'Of course I've read it,' said Ridcully. 'Why d'yer think I want it opened?' 'Er ... why?' said the Lecturer in Recent Runes. 'To see why they wanted it shut, of course.' This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
one day Manuel returned to the place, and she was gone - no argument, no note, just gone, all her clothes all her stuff, and Manuel sat by the window and looked out and didn't make his job the next day or the next day or the day after, he didn't phone in, he lost his job, got a ticket for parking, smoked four hundred and sixty cigarettes, got picked up for common drunk, bailed out, went to court and pleaded guilty. when the rent was up he moved from Beacon street, he left the cat and went to live with his brother and they'd get drunk every night and talk about how terrible life was. Manuel never again smoked long slim cigars because Shirley always said how handsome he looked when he did.
Charles Bukowski (Love Is a Dog from Hell)
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
The dead," she said. "And we have plenty of dead between us, but the way we act, you'd think they were corpses hanging on to our ankles, rather than souls freed to the elements." She looked up at the chimney overhead, as though she were imagining the souls it had conducted in its time. "They're gone, they can't be hurt anymore, but we drag their memory around with us, doing our worst in their name, like it's what they'd want, for us to avenge them? I can't speak for all the dead, but I know it's not what I wanted for you, when I died.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
The problem was the liars. They said she could do anything she set her mind to, they told her she should shoot for the moon because if she missed she’d be among the stars, they made movies tricking her into thinking she could achieve heroic things. All lies. Because she was born to answer phones in call centers, to carry bags to customers’ cars, to punch a clock, to measure her life in smoke breaks. To think otherwise was insane.
Grady Hendrix (Horrorstör)
There is the past, and there is the future,” he had said to his brothers and sisters not long ago. “The present is never more than the single second dividing one from the other.” He’d been wrong. There was only the present, and it was infinite. The past and the future were just blinders we wore so that infinity wouldn’t drive us mad.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
If I was ever to have a child, this is what I'd tell it: 'Child,' I'd say, 'don't never mess with time. Keep now now and then then. And if you ever get lost in thick smoke, child, set still till it clears. Set still till you can see where you are and where you been and where you're going, child.
Kurt Vonnegut Jr.
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
The pair of them were again in the eye of a storm of misery - their world was a storm of misery and they were caught in its center, in the deceptive stillness that had allowed them to forget, once upon a time, that all around them was a stinging whirl of hatred that would catch them - it was everywhere and everything and they'd been fools to think they could leave their small safe place and not be caught in that vortex like every other living creature in Eretz.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Originally, he'd wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H's life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H's story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he'd have to talk about the cities that took that flock in. He'd have to talk about Harlem, And how could he talk about Harlem without mentioning his father's heroin addiction - the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the '60s, wouldn't he also have to talk about crack everywhere in the '80s? And if he wrote about crack, he'd inevitably be writing, to, about the "war on drugs." And if he started talking about the war on drugs, he'd be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he'd gone to college with smoked it openly every day, he'd get so angry that he'd slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they'd think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.
Yaa Gyasi (Homegoing)
Wouldn’t that be an incredibly stupid thing to do? To say ‘I never want to smoke again’, then spend the rest of your life saying ‘I’d love a cigarette.’ That’s what smokers who use the Willpower Method do. No wonder they feel so miserable. They spend the rest of their lives desperately moping for something that they desperately hope they will never have.
Allen Carr (Allen Carr's Easy Way to Stop Smoking: Be a Happy Non-smoker for the Rest of Your Life (Allen Carrs Easy Way))
There are three basic flavors of incentive: economic, social, and moral. Very often a single incentive scheme will include all three varieties. Think about the anti-smoking campaign of recent years. The addition of a $3-per-pack “sin tax” is a strong economic incentive against buying cigarettes. The banning of cigarettes in restaurants and bars is a powerful social incentive. And when the U.S. government asserts that terrorists raise money by selling black-market cigarettes, that acts as a rather jarring moral incentive.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra. Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.
Sachin Kundalkar (Cobalt Blue)
An angel lay dying in the mist. Once upon a time. And the devil should have finished him off without a second thought. But she hadn't. And if she had? Karou had wondered it a hundred different ways. She'd even wished for it, in her blackest grief at the Kasbah, when all she could see was the death that had come of her mercy. If she'd killed Akiva that day, or even just let him die, the war would have ground on unbroken. Another thousand years? Maybe. But she hadn't, and it hadn't. "The age of wars is over," Akiva had just said, and even as Karou saw what she saw and no possibility of mistake, and even as her whole being gathered itself into a scream, her heart defied it. The age of wars was over, and Akiva would not die like this. The blade entered his heart.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
My big awakening happened when I was fourteen. I'd been trying to get into this older girl's pants for a while, and she finally let me come over to her house. We hung out, smoked some pot and listened to Aerosmith's Rocks. It hit me like a fucking ton of bricks. I sat there listening to it over and over, and totally blew off this girl. I remember riding my bike back to my grandma's house knowing that my life had changed. Now I identified with something.
Slash
She'd spoken of their happiness as though it were an undeniable fact, no matter what happened--apart from everything else and not subject to it. It was a new idea for him, that happiness wasn't a mystical place to be reached or won--some bright terrain beyond the boundary of misery, a paradise waiting for them to find it--but something to carry doggedly with you through everything, as humble and ordinary as your gear and supplies. Food, weapons, happiness. With hope that the weapons could in time vanish from the picture.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
She smiled a little, and there was effortful lightness in her voice when she asked, "And how would you know what darkness is like?" Her hand brushed his feathers and they sparked to her touch. "You are your own light." And Akiva almost said, I know what darkness is, because he did, in all the worst senses of the word, but he didn't want Karou to think he was retreating to the bleak state she'd drawn him out of in Morocco. So he held his tongue and was glad he had when she added, so softly he nearly didn't hear, "And mine.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Why d’you read then?” “Partly for pleasure, and because it’s a habit and I’m just as uncomfortable if I don’t read as if I don’t smoke, and partly to know myself. When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me; I’ve got out of the book all that’s any use to me, and I can’t get anything more if I read it a dozen times. You see, it seems to me, one’s like a closed bud, and most of what one reads and does has no effect at all; but there are certain things that have a peculiar significance for one, and they open a petal; and the petals open one by one and at last the flower is there.
W. Somerset Maugham (Of Human Bondage)
I can't imagine you give apologies, Ten had said before, and she'd been right, but Liraz thought that she would now, She would apologize for Savvath. If her voice was her own. If it wasn't reeling out of her, rising and falling in a sound that might have been laughter and might-if she weren't Liraz and it weren't unthinkable-have been sobbing. In truth, it was both. She was going to lose her arms, the clean way or the less clean, and here's where the laughter came in: It was horrific, and it was sadistic, and it was also, literally, a dream come true.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
What are your pleasures and pursuits, Lord Moncrieffe?" Miss Eversea asked too brightly, when the silence had gone on for more than was strictly comfortable or polite. That creaky conversation lubricant. It irritated him again that she was humoring him. "Well, I'm partial to whores." Her head whipped toward him like a weather-vane in a hurricane. Her eyes, he noted, were enormous, and such a dark blue they were nearly purple. Her mouth dropped, and the lower lip was quivering with shock or... or... "Whor... whores...?" She choked out the word as if she'd just inhaled it like bad cigar smoke. He widened his own eyes with alarm, recoiling slightly. "I... I beg your pardon - Horses. Honestly, Miss Eversea," he stammered. "I do wonder what you think of me if that's what you heard.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
Winter came in days that were gray and still. They were the kind of days in which people locked in their animals and themselves and nothing seemed to stir but the smoke curling upwards from clay chimneys and an occasional red-winged blackbird which refused to be grounded. And it was cold. Not the windy cold like Uncle Hammer said swept the northern winter, but a frosty, idle cold that seeped across a hot land ever lookung toward the days of green and ripening fields, a cold thay lay uneasy during during its short stay as it crept through the cracks of poorly constucted houses and forced the people inside huddled around ever-burning fires to wish it gone.
Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
You're safe with me, Mira. And I'm safe with you." He kissed her again to prove it. And when the clock struck one - that lone, ominous tone hovering in the dark - they were still kissing. Her razor blade had snagged his shirt and nicked his chest, and they'd ended up lying in the grass, hidden inside a shadow, ignoring their names whenever someone called them. He traced her mouth again and again, like he still couldn't believe it was real. There would always be a part of him she couldn't know. A secret place where his heartbreak was stored, where lost innocence and regret filled the air like smoke. She had no desire to open that door ... but she didn't know if that would change one day. If the key would tempt her, if a fairy would manipulate her or she would just be curious. But she had to believe she could be strong enough to resist. That what she wanted - what they both wanted - mattered more than the path that had been laid out for them. She let her hand slip under his shirt to touch the heart mark on his back, and he brought her other hand to his lips, and kissed every finger he'd entrusted with the key. He was so much more than his curse, and she was so much more than the girl who could betray him. Together ... they could be anything.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Not if we kill them—” I began, only to cut off when a sudden rushing noise filled the air. And Ray grabbed my gun and went ballistic on something on the wall over our heads. “Die! Die! Die!” he screamed, emptying the clip and causing spent shells to rain down all around us. And okay, maybe I’d been wrong about the calm thing. Because he was just standing there, trembling and panting and staring— At the air-conditioning vent that he’d just shot the crap out of. “—first.” I took my smoking gun out of his limp fingers and patted him on the back. “See? That’s the spirit.
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
Yes, Smoke told him reluctantly, Lucivar had cried. Heart pain. Caught-in-a-trap pain. The Lady had petted and petted, sung and sung. It had been more than a dream, then. In one of the dreamscapes Black Widows spun so well, Jaenelle had met the boy he had been and had drawn the poison from the soul wound. He had wept for the boy, for the things he hadn’t been allowed to do, for the things he hadn’t been allowed to be. But he didn’t weep for the man he’d become. “Ah, Lucivar,” she’d said regretfully as they’d walked through the dreamscape. “I can heal the scars on your body, but I can’t heal the scars of the soul. Not yours, not mine. You have to learn to live with them. You have to choose to live beyond them.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Sometimes she’d just walk around the city alone. Watch the people, smell the food, the bus exhaust, the smoke coming up through the grating. She’d feel protected somehow, found a sense of belonging in the hectic sprawl. And the next minute she’d feel like the one who couldn’t break the code, hit the right stride, catch the wave. Potholes and traffic and bums, oh my. With all the honking and the hum of movement, the living, breathing blur of noise gently pressing in on her, the great purr of the Metropolitan Cat turning into a dull roar. She’d feel so silent on the inside, her head as quiet as a stretch of sand, a cathedral silently worshipping the life that was all around her, storing it up for later when she needed some 'too much' to draw upon.
Carrie Fisher (Surrender the Pink)
• At 1 A.M. I'd pull on my coat, my boots. Walk down the stairway, out the door, down the long driveway to the road. Sometimes, I'd go to the stoned boy's house. We'd sit and watch TV. We'd have sex, sometimes. I remember only that the bedroom had two windows through which blue light spilled, and it smelled sticky sweet. His guitar leaned against the wall. Sometimes, I'd just walk. Down roads and up roads, through hills, through the neighborhoods, cold. Counting the small squares of lamplight in the houses where someone was still awake. I wondered who they were, and what kept them up. I went down to the little strip mall, the all-night 7-Elevena single glow beside the dark bluegrass bar, the dark deli, the dark beauty salon, Acrylic's Only $19. I bought a thirty-two-ounce cup of coffee, black. I sat outside on the bench, smoking, holding the cup in both hands.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
There's your problem," Leo announced. Jason scratched his head. "Uh.... what are we looking at?" Leo thought it was pretty obvious, but Piper looked confused too. "Okay," Leo sighed, " you want the full explanation or the short explanation?" "Short," Piper and Jason said in unison. Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction." Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English. "Um..." Piper cleared her throat." Could you make the short explanation shorter?" Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater." "Oh," Piper said in a small voice. "Can't you just..... turn it off?" "Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
And Bram?" Panic punched me in the chest. So far today she'd been willing to touch me, laugh with me, confide in me, and now she was wondering if Chas shouldn't go out with me? Had I misread something somewhere? Chas shook her head and grinned. "Nah. Bram's too busy waiting." "Waiting?" Nora didn't take her eyes from me. Maybe she wanted me to answer. "For the right girl," I said curtly. "And he has very specific physical preferences," Chas said. I grabbed her wrist and squeezed. She'd better not. She did. "For some reason, he is terribly attracted to black hair. Tom's a leg man, himself...attached, unattached, doesn't really mtter. But Bram likes the hair." With all the various methods of Chastity Disposal flying through my imagination-should I just shoot her, or should I open her skull and puree her brains with a motorized mixer, or perhaps set her on fire?-It took me a minute to notice me a very shy smile. I dropped Chas's wrist. I almost dropped my machete. Nora looked away and moved a few steps in front of us, leaping into the grass to flatten it for herself as she went. "I win," Chas whispered. "Smoke all you want," I whispered back.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much. But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
Mohsin Hamid (Moth Smoke)
Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. "Forward the Light Brigade! Charge for the guns!" he said. Into the valley of Death Rode the six hundred. Forward, the Light Brigade!" Was there a man dismay'd? Not tho' the soldier knew Some one had blunder'd. Theirs not to make reply, Theirs not to reason why, Theirs but to do and die. Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley'd and thunder'd; Storm'd at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of hell Rode the six hundred. Flash'd all their sabres bare, Flash'd as they turn'd in air Sabring the gunners there, Charging an army, while All the world wonder'd. Plunged in the battery-smoke Right thro' the line they broke; Cossack and Russian Reel'd from the sabre-stroke Shatter'd and sunder'd. Then they rode back, but not, Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley'd and thunder'd; Storm'd at with shot and shell, While horse and hero fell, They that had fought so well Came thro' the jaws of Death, Back from the mouth of hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder'd. Honor the charge they made! Honor the Light Brigade, Noble six hundred!
Alfred Tennyson
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
We need you to go out there and cover for us while we search for whoever's bugging us," Amy said. "Whoever it is, he or she is probably nearby." "All you have to do is keep talking. We've thought a lot about this, and we think you have the necessary skills," Dan said. "Very funny, Dan-o. But true. When it comes to nonstop chat, I'm the champ," Nellie agreed. Nellie turned off the shower and they all returned to the main room. "That pool is so fine," she said, as if she'd never been interrupted. "I met this couple from Scotland, and I was all, whoa, you have some delish smoked salmon in your excellent country...." Amy raised the window carefully, not making a sound. She and Dan quietly climbed out. "--and they were all, 'Aye, lassie, we dew, ye ken our bonny fish, ye dew!'" Nellie said in a terrible Scottish accent. "So I said, 'You know what ye lads and lassies need in Scotland? Bagels! To go with!' 'Whoa,' they said, 'lassie, ye canna be serious, that is one orrrig-in-al guid idea....'" "Okay, you can stop now." "Man, that's guid news," Nellie said. "This lassie is about to pass out.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
I never knew I never knew that everything was falling through That everyone I knew was waiting on a cue To turn and run when all I needed was the truth But that's how it's got to be It's coming down to nothing more than apathy I'd rather run the other way than stay and see The smoke and who's still standing when it clears Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Let's rearrange I wish you were a stranger I could disengage Just say that we agree and then never change Soften a bit until we all just get along But that's disregard Find another friend and you discard As you lose the argument in a cable car Hanging above as the canyon comes between Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your ... And suddenly I become a part of your past I'm becoming the part that don't last I'm losing you and its effortless Without a sound we lose sight of the ground In the throw around Never thought that you wanted to bring it down I won't let it go down till we torch it ourselves And everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind Everyone knows She's on your mind Everyone knows I'm in over my head I'm in over my head I'm over my... Everyone knows I'm in Over my head Over my head With eight seconds left in overtime She's on your mind She's on your mind.
The Fray
You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?’ Tric shrugged, befuddled at the strange turn in conversation. ‘You imagine an oaf, don’t you?’ Mia continued. ‘Someone so full of wank there’s no room for wits. A slow-minded bastard who struts about full of spunk and piss, completely ignorant of how he looks to others.’ An exhalation of clove-sweet grey into the air between them. ‘Cock is just another word for “fool”. But you call someone a cunt, well …’ The girl smiled. ‘You’re implying a sense of malice there. An intent. Malevolent and self-aware. Don’t think I name Consul Scaeva a cunt to gift him insult. Cunts have brains, Don Tric. Cunts have teeth. Someone calls you a cunt, you take it as a compliment. As a sign that folk believe you’re not to be lightly fucked with.’ A shrug. ‘I think they call that irony.’ Mia sniffed, staring at the wastes laid out below them. ‘Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms. Just like Duomo, Remus, and Scaeva will be.’ One last drag, long and deep, as if drawing the very life from her smoke. ‘But I’d still rather be called a cunt than a cock any turn.’ The girl sighed grey, crushed her cigarillo out with her boot heel. Spat into the wind. And just like that, young Tric was in love.
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” -“Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” -“Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” -“I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” -“Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” -“So then what?” “So then I’d give him all the love he deserves for what he’s done.” -“Sounds crazy to me.” “Well, to me, that’s what love is…
Haruki Murakami (Norwegian Wood)
When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
Don DeLillo