Ax Quotes

We've searched our database for all the quotes and captions related to Ax. Here they are! All 100 of them:

I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears?
Laurie Halse Anderson (Speak)
That taught us how to block a sword with two knives. But what if an ax man's coming at me?" Gilan looked suspicious. "An ax man? I don't recommend trying to block an ax with two knives." But Will wouldn't take no for an answer. "But what if he's charging at me?" Horace walked over. Gilan looked away. "Uh...shoot him." Horace intervened. "Can't, his bowstring's broken." Gilan gritted his teeth. "Run and hide." Will kept on him. "There's a sheer cliff behind me." Horace caught on. "There's a sheer cliff behind him, and his bowstring's broken. What should he do?" Gilan thought for a moment. "Jump off the cliff, it'll be less messy that way.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
The problem with cats is that they get the same exact look whether they see a moth or an ax-murderer.
Paula Poundstone
Let me tell you something. A man ain’t a goddamn ax. Chopping, hacking, busting every goddamn minute of the day. Things get to him. Things he can’t chop down because they’re inside.
Toni Morrison (Beloved)
A crossbow?” Pigeon asked. I left my battle-ax in my other jeans,” the man said.
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
You're a very amusing fellow," he told Halt. "I'd like to brain you with my ax one of these days." Erak to Halt.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
He was a gentle and sensitive soul, and therefore had a short temper, which is why he went straight after everything with an ax...
Bohumil Hrabal (I Served the King of England)
When the ax came into the forest the trees said the handle is one of us.
Alice Walker
...people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste. Can you tell me what kind of day can follow a beginning of such violence? What happens to people whose alarm clock daily gives them a small electric shock? Each day they become more used to violence and less used to pleasure.
Milan Kundera (Farewell Waltz)
We're enveloped in pitch black. "Wait here," I whisper. "Are you getting your ax?" "Handcuffs." "Kinky. But, okay, I'll try it.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
But you should remember that charm opens far more doors than harsh words do.” “And a sharp ax will open every door.
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
I love Nudge, Nudge is a great kid, but that motormouth of hers could have turned Mother Teresa into an ax murderer
James Patterson (The Angel Experiment (Maximum Ride, #1))
Let's say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don't worry, the man was already dead. Or maybe you should worry, because you're the one who shot him.
David Wong (John Dies at the End (John Dies at the End #1))
Just then the door flew open, and Ambrose burst through, yelling like a madman and swinging a battle-ax in one hand.
Amy Plum (Die for Me (Revenants, #1))
Adeline was going to be a tree, and instead, people have come brandishing an ax.
V.E. Schwab (The Invisible Life of Addie LaRue)
Erak. The one they call the Oberjarl," the Arridi answered him. Impulsively, Axl took a pace forward, raising his ax threateningly. You'll have to go through the rest of us to take him!" he shouted defiantly. Well done, Axl," he said. "You've just told them I'm here.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Death row is a nightmare to serial killers and ax murderers. For an innocent man, it's a life of mental torture that the human spirit is not equipped to survive.
John Grisham (The Confession)
God’s grace is not infinite. God is infinite, and God is gracious. We experience the grace of an infinite God, but grace is not infinite. God sets limits to His patience and forbearance. He warns us over and over again that someday the ax will fall and His judgment will be poured out.
R.C. Sproul (The Holiness of God)
And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it.
Paul Harding (Tinkers)
Then it came to me, my life. I remembered my life the way an ax handle, mid-swing, remembers the tree. & I was free.
Ocean Vuong (Time Is a Mother)
Already, I know that all of this will stay with me forever. It'll haunt me, but I also fear it will make me feel grateful. I say fear because at times I really don't want this to be a fond memory until it's over. I also fear that nothing really ends at the en. Things just keep going as long as memory can wield its ax, always finding a soft part in your mind to cut through and enter.
Markus Zusak (I Am the Messenger)
She boasted the general battle-ax demeanor of an especially strict governess. This was the kind of woman who took her tea black, smoked cigars after midnight, played a mean game of cribbage, and kept a bevy of repulsive little dogs. Alexia liked her immediately.
Gail Carriger (Changeless (Parasol Protectorate, #2))
The truth is, if you go to Warren, no matter what is going on in your personal life—hair trouble, existential malaise, ax murder—you do the reading.
Mona Awad (Bunny)
The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.
Loren Eiseley (The Immense Journey)
Are there bears in these mountains?" he asked. His companion nodded. "Of course. But it's a bit early in the year for them to be moving around. Why?" Halt let go a long breath. "Just a vague hope, really. There's a chance that when the Temujai here you crashing around in the trees, they might think you're a bear." Erak smiled, with his mouth only. His eyes were as cold as the snow. "You're a very amusing fellow," he told Halt. "I'd like to brain you with my ax one of these days." "If you could manage to do it quietly, I'd almost welcome it," Halt said.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
This asshole had better open the door,” Jackal growled, spinning his fire ax in a graceful arc as the horde came on. “I didn’t come all the way to Eden to be eaten at the damn gates. Some might call it ironic, but that just pisses me off.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
I also fear that nothing really ends at the end. Things just keep going as long as memory can wield its ax, always finding a soft part in your mind to cut through and enter.
Markus Zusak (I Am the Messenger)
Humans. Violent but peace-loving. Passionate but cerebral. Humane but cruel. Impulsive but calculating. Generous but selfish. Humans. Altogether a contradictory and deeply flawed species. And yet...And yet, somehow I knew that they represented the best hope of the galaxy. Perhaps the only hope.
Katherine Applegate (The Sacrifice (Animorphs, #52))
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
If the book we are reading does not wake us, as with a fist hammering on our skulls, then why do we read it? Good God, we also would be happy if we had no books and such books that make us happy we could, if need be, write ourselves. What we must have are those books that come on us like ill fortune, like the death of one we love better than ourselves, like suicide. A book must be an ice axe to break the sea frozen inside us. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the ax for the frozen sea within us.
Franz Kafka
From the corner of his eye, Eragon saw Orik hewing Urgal necks with mighty blows of his ax.
Christopher Paolini (Eragon (Inheritance, #1))
MR.GOUDY: I believe you testified that you backed away from Aaron Wharton. MR.COGBURN: That is right. MR.GOUDY: You were backing away? MR.COGBURN: Yes sir. He had that ax raised. MR.GOUDY: Which direction were you going? MR.COGBURN: I always go backwards when I am backing up.
Charles Portis (True Grit)
Once more, this is love: it rings and you open up unless it looks like an ax murderer.
Daniel Handler (Adverbs)
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split the frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you that that is beautiful, and a part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
Paul Harding
1. Good Morning! You’re Going to Die 2. The Man with the Metal Bra 3. Don’t Accept Rides from Strange Relatives 4. Seriously, the Dude Cannot Drive 5. I’ve Always Wanted to Destroy a Bridge 6. Make Way for Ducklings, or They Will Smack You Upside the Head 7. You Look Great Without a Nose, Really 8. Mind the Gap, and Also the Hairy Guy with the Ax 9. You Totally Want the Minibar Key 10.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
So what he supposed to do? Grab Bobbie's ax and make like Jack Nicholson in The Shinning? He could see it. Smash, crash, bash: Heeeeeeere's GARDENER!
Stephen King (The Tommyknockers)
There was an exhausted woodcutter who kept wasting time and energy chopping wood with a blunt ax because he did not have the time, he said, to stop and sharpen the blade.
Anthony de Mello (Taking Flight: A Book of Story Meditations)
You've walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You've traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don't bother remembering any of it. Let's stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux
I'd like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade.
Wilson Rawls (Where the Red Fern Grows)
Card five hundred and thirty-four," repeated Artemis. "Of a series of six hundred standard inkblot cards. I memorized them during our sessions. You don't even shuffle." Argon checked the number on the back of the card: 534. Of course. "Knowing the number doesn't answer the question. What do you see?" Artemis allowed his lip to wobble. "I see an ax dripping with blood. Also a scared child, and an elf clothed in the skin of a troll." "Really?" Argon was interested now. "No. Not really. I see a secure building, perhaps a family home, with four windows. A trustworthy pet, and a pathway leading from the door into the distance. I think, if you check your manual, you will find that these answers fall inside healthy parameters." Argon did not need to check. The Mud Boy was right, as usual.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Abraham Lincoln is reputed to have said that if he had eight hours to cut down a tree, he’d spend several of these hours sharpening his ax.
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
Looking back, I could not point to one special time and say, There! That's what is amazing. We can change completely and not recognize it. We think terrible events have made us into stone. But love slips in like a chisel - and suddenly it is an ax, breaking us into pieces from the inside.
Chitra Banerjee Divakaruni
Long periods of peace and quiet favor certain optical illusions. Among them is the assumption that the invulnerability of the home is founded upon the constitution and safeguarded by it. In reality, it rests upon the father of the family who, accompanied by his sons, appears with the ax on the threshold of his dwelling.
Ernst Jünger
Humor is not an end in itself, but a tool to understanding. A dense head must be tickled with an ax.
Bauvard (Some Inspiration for the Overenthusiastic)
Altogether, I think we ought to read only books that bite and sting us. If the book we are reading doesn’t shake us awake like a blow to the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we’d be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like suicide. A book must be the ax for the frozen sea within us. That is what I believe.
Franz Kafka
My own view of myself was that I was small and innocuous, a marshmallow compared to the others. I was a poor shot with a 22, for instance, and not very good with an ax. It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming.
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
Terrible’s eyes narrowed; he gave Chess the kind of look most people reserved for ax murderers. Ax murderers who killed children. And kittens.
Stacia Kane (City of Ghosts (Downside Ghosts, #3))
All right," she said in a low, determined voice. 'I'll go along with this. But you are not, under any circumstances, to refer to me again as 'the future Mrs. Bobby Tom,' do you understand? Because if you say that just once, just once, I will personally tell the entire world that our engagement is a fraud. Furthermore, I will announce that you are-are-" Her mouth opened and closed, She's stared out strong, but now she couldn't think of anything terrible enough to throw at him. An ax murderer?" he offered helpfully. When she didn't reply, he tried again. " A vegetarian?" It came to her in a flash. "Impotent!
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
Just then the door flew open, and Ambrose burst through, yelling like a madman and swinging a battle-ax in one hand. His other arm was torn by a mean gash, and his shredded clothes were stained crimson. A rivulet of blood ran down his face from a scalp wound. His crazed eyes fixed on Lucien's decapitated body and then swung toward Vincent's body, lying in a heap next to the fireplace. He looked at me, standing a few feet away, holding an enormous sword effortlessly in one hand and Lucien's head in the other. He nodded silently, and I nodded back.
Amy Plum (Die for Me (Revenants, #1))
You do not know me, but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow, and I am causing mayhem in this store. [...] There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened.
Katherine Applegate (The Diversion (Animorphs, #49))
Even the mighty oak believes she is strong until a man comes along with an ax to chop her down.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
Time overlaps itself. A breath breathed from a passing breeze is not the whole wind, neither is it just the last of what has passed and the first of what will come, but is more--let me see--more like a single point plucked on a single strand of a vast spider web of winds, setting the whole scene atingle. That way; it overlaps...As prehistoric ferns grow from bathtub planters. As a shiny new ax, taking a swing at somebody's next year's split-level pinewood pad, bites all the way to the Civil War. As proposed highways break down through the stacked strata of centuries.
Ken Kesey (Sometimes a Great Notion)
You can write the most detailed, vivid description of an ax entering a skull, and nobody will say a word in protest. But if you write a similarly detailed description of a penis entering a vagina, you get letters from people saying they'll never read you again. What the hell? Penises entering vaginas bring a lot more joy into the world than axes entering skulls.
George R.R. Martin
Have you ever chopped down something with an ax? Not fun. I now have serious doubts regarding George Washington and his cherry tree.
Tammy Blackwell (Fate Succumbs (Timber Wolves Trilogy, #3))
Everything's all fun and games until someone gets an ax in the chest.
Lynsay Sands (Love Bites (Argeneau, #2))
I wished I could erase the message, suck the word “sorry” from the En glish language, and hack it to pieces with a rusty ax.
Julie Halpern (The F-It List)
Nehêle kul û derd dora te bigire Xem û jan a pûç dema te bigire Ji xwendin û dîtin û gerê nemîne Berî ku ax, dev û çavên te bigire…
Omar Khayyám
Sharks are like ax-murderers, Martin. People react to them with their guts. There’s something crazy and evil and uncontrollable about them.
Peter Benchley (Jaws)
My men have suffered greatly (from boredom), much blood has been shed (by mosquitoes), and I have swung my ax mightily (chopping firewood). Surely we have earned our place in the annals of history—for never has there been so little war in a war.
Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter (Abraham Lincoln: Vampire Hunter, #1))
He dropped to his knees, and the air between them rippled with Karou’s crippling magic and with memory. The day of her death, this is what she had seen, this: Akiva on his knees, sick with the weight of this same magic coursing off Thiago’s soldiers, and he had struggled to hold his head up and look at her—just like this—with horror and despair and love—and she had wanted more than she had ever wanted anything to go to him and hold him, whisper to him that she loved him and was going to save him, but she couldn’t, not then, and she couldn’t now, not because of shackles or pinions or the executioner’s ax but because he was the enemy. He had proven it beyond any horror she would ever have believed, beyond any betrayal she could ever have dreamed, and he could never be forgiven, not ever. But… then… her hands fell to her sides.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Maintaining the constant deception of my involvement in Loukin’s operation was like a peg in a log; one tap with the head of an ax, and it would split in two. We were irreparably split from the moment I chose to live a lie.
M.R. Noble (Dark Eyes: White Lies)
What's to be believed? Or does it matter at all? When mass murder's been answered with mass murder, rape with rape, hate with hate, there's no longer much meaning in asking whose ax is bloodier. Evil, on evil, piled on evil. Was there any justification for what they did—or was there? We only know what that thing says, and that thing is a captive. The Asian radio has to say what will least displease it's government; ours has to say what will least displease our fine patriotic opinionated rabble, which is what, coincidentally, the government wants it to say anyhow, so where's the difference?
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
The longer she lived in San Viejo, the more she appreciated the kind of things that went with living. Like having a window open when you slept, and grass, and tortillas. Being happy when people came to visit, and being happy when they left. The way certain things felt wonderful when you held them in your hands: a book, an ax, a baby, a beer, a big-ass pile of M&M’s.
Michael Poore (Reincarnation Blues)
Greetings, ax murderer! I was just wondering how you like your eggs?
Libba Bray (Going Bovine)
Aren’t you afraid they’ll arrest you? (Shahara) I wasn’t a convict, Dagan. I was an illegally purchased slave. My owner has no legal claim on me. And I’m no longer a kid learning my powers. I’m a full-grown man with an ax I want to bury in the forehead of anyone dumb enough to come at me. I defy the bastards to try something now. (Nero)
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
You will not fight in the shield wall,” my father said. “No, Father.” “Only men can stand in the shield wall,” he said, “but you will watch, you will learn, and you will discover that the most dangerous stroke is not the sword or ax that you can see, but the one you cannot see, the blade that comes beneath the shields to bite your ankles.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
‎"He sang the song of the sword, keening as he fed his blade, and Rollo, standing thigh-deep in the creek, ax swinging in murderous blows, blocked the enemy's escape. The Frisians, transported from confidence to bowel-loosening fear, began to drop their weapons.
Bernard Cornwell (The Burning Land (The Saxon Stories, #5))
When you chopped logs with the ax and they split open they smelled beautiful, like Christmas. But when you split someone's head open it smelled like abattoir and quite overpowered the scent of the wild lilacs you'd cut and brought into the house only this morning, which was already another life.
Kate Atkinson (Case Histories (Jackson Brodie, #1))
Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty.... People with no imagination feed it with sex -- the clown of love. They don't know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that -- softly, without props.
Toni Morrison (Love)
In this country people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste. Can you tell me what kind of day can follow a beginning of such violence? What happens to people whose alarm clock daily gives them a small electric shock? Each day they become more used to violence and less used to pleasure. Believe me, it is the mornings that determine a man's character.
Milan Kundera (Farewell Waltz)
Perhaps it was the word "God" that was inviting to me, a word I thought I knew too much about. The one who had tortured Job, who had Abraham lift the ax to his son, who, disguised as a whale, had swallowed Jonah. I know now that the name does not refer to any deity, but means simply to call out and pray, to summon.
Linda Hogan (Solar Storms)
How could it be anything but hard! It was more than the human heart could bear: to fall beneath the beloved ax -- then have to justify its wisdom. But that is the price a man pays for entrusting his God-given soul to human dogma.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
Focus acts like an ax. If you try to cut down a tree by hitting it in thousands of different spots, you’ll never succeed. But when you focus and hit the same spot over and over, you can cut down even the biggest tree. With laser-sharp focus you can achieve almost anything you desire.
Thibaut Meurisse (Master Your Focus: A Practical Guide to Stop Chasing the Next Thing and Focus on What Matters Until It's Done (Mastery #3))
You didn't like him, did you, Dad?" "It wasn't that I didn't like him," my dad says slowly. "It was just that he lives in a completely different world, and I worried that he didn't really approve of you the way you are, that he was trying to change you into something else." God, I never realized my dad was that perceptive.. "You see, the thing is," he says after we've both sat for a while in the sunshine, "the thing is that love is really the most important thing. I know it's hard for you to see it now" - he chuckles quietly- "but when I first laid eyes on your mother I thought she was fantastic, and I've never stopped loving her, not for a second. Oh yes, we've had our rough patches, and she can be a bit of an old battle-ax at times, but I still love her. That in-love feeling at the beginning settles down into a different, familiar sort of love, but it has to be there right from the start, otherwise it just won't work.
Jane Green (Mr. Maybe)
The sheer force of the music calls for a wild audience reaction.
Emanuel Ax
There is a sacred science, and for thousands of years countless inquisitive people have sought in vain to penetrate its “secrets.” It is as if they attempted to dig a hole in the sea with an ax. The tool must be of the same nature as the objective to be worked upon. Spirit is found only with spirit, and esoterism is the spiritual aspect of the world, inaccessible to cerebral intelligence. Those who profess to reveal the esoterism of such teachings are charlatans.
R.A. Schwaller de Lubicz (Esoterism and Symbol)
Sydney did not believe in life after death, but in her experience, admitting this could lead to long and complicated discussions in which people seemed to think that since she did not believe in God or the afterlife, there was nothing to stop her from becoming an ax murderer.
Maureen F. McHugh
Some trees love an ax, a drunk old-timer mumbled one night at the Tap, back when she still went there, and something in what he said rang true, but when she later remembered what he'd said, she disagreed and though instead that the tree gets used to the ax, which has nothing to do with love. It settles into being chipped away at, bit by bit, blade by blade, until it doesn't feel anything anymore, and then, because nothing else can happen, what's left crumbles to dust.
Bill Clegg (Did You Ever Have a Family)
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
Chloe Bishop took an ax and gave Skanky Skyla forty whacks. And when she saw what she had done, she gave her family forty-one." A tingle of fear rises through my spine as Chloe cackles her way into Ethan's bedroom. Chloe Bishop is certifiably insane. And dear God Almighty - I do believe she's going to kill us all.
Addison Moore (Toxic Part One (Celestra, #7))
What do you mean, ruined?" From the way Emily swallows slowly, you'd think we were talking about smoking crack. "Compromised. By...by another man." "Oh!" I say, too loudly. "You mean, if the girl's not a virgin, the guy won't marry her?" She nods, her eyes wide, as if being a non-virgin is akin to being an ax-murder.
Mandy Hubbard (Prada & Prejudice)
I rested my forehead against the wall and closed my eyes. It wasn’t just my curiosity, or my fascination with anatomy, or how I could unhesitatingly chop a rabbit’s head off with an ax when a roomful of boys couldn’t. Those things were all symptoms of the same sickness - a kind of madness inherited from my father. It was a dangerous pull in my gut drawing me toward the dark possibilities of science, toward the thin line between life and death, toward the animal impulses hidden behind a corset and a smile.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End #1))
What Rangers do, or more correctly, what Rangers’ apprentices do, is the housework.” Will had a sinking feeling as the suspicion struck him that he’d made a tactical error. “The…housework?” he repeated. Halt nodded, looking distinctly pleased with himself. “That’s right. Take a look around.” He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, “See ay servants?” “No, sir,” Will said slowly. “No sir indeed!” Halt said. “Because this isn’t a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?” Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, “Would that be me, sir?” “I believe it would be,” the Ranger told him, then rattled off a list of instructions crisply. “Bucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?” “Yes, sir,” said Will, beginning to roll up his sleeves.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
With blue vinyl-tile floor, pale-green wainscoating, pink walls, a yellow ceiling, and orange-and-white stork-patterned drapes, the expectant fathers' lounge churned with the negative energy of color overload. It would have served well as the nervous-making set for a nightmare about a children's-show host who led a secret life as an ax murderer. The chain-smoking clown didn't improve the ambience.
Dean Koontz
I wonder Pa went so easy. I wonder Grampa didn' kill nobody. Nobody never tol' Grampa where to put his feet. An' Ma ain't nobody you can push aroun' neither. I seen her beat the hell out of a tin peddler with a live chicken one time 'cause he give her a argument. She had the chicken in one han', an' the ax in the other, about to cut its head off. She aimed to go for that peddler with the ax, but she forgot which hand was which, an' she takes after him with the chicken. Couldn' even eat that chicken when she got done. They wasn't nothing but a pair of legs in her han'. Grampa throwed his hip outa joint laughin'.
John Steinbeck (The Grapes of Wrath)
Blue had once intercepted a set of e-mails on her mother’s computer; one of Maura’s male clients had ardently begged Maura to bring Blue “and whatever else you cannot live without” to his row house in Baltimore. In the reply, Maura had sternly informed him that this was not a possibility, for many reasons, chief of which that she would not leave Henrietta and least of which that she didn’t know if he was an ax murderer. He had e-mailed back only a sad-face smiley. Blue always wondered what became of him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell! I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life. Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . . My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure. I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled! And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong. Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
Mikhail Lermontov (A Hero of Our Time)
Where exactly does it come from, I’d like to know, this ineradicable attitude of superiority toward the past? This stubbornly dumb, can’t-kill-it-with-an-ax conviction that we, the now, critically and categorically know better than they, the past. Is it from the mere fact that their future is known to us, that we know what happens? (Nothing good.) It’s much the way we treat small children— pedantic and permissive at the same time. And we always think of the people of the past — just as we do of children — as being naïve in everything from their clothes and hairstyles to their thoughts and feelings.
Oksana Zabuzhko (The Museum of Abandoned Secrets)
Your cold mornings are filled with the heartache about the fact that although we are not at ease in this world, it is all we have, that it is ours but that it is full of strife, so that all we can call our own is strife; but even that is better than nothing at all, isn't it? And as you split frost-laced wood with numb hands, rejoice that your uncertainty is God's will and His grace toward you and that that is beautiful, and part of a greater certainty, as your own father always said in his sermons and to you at home. And as the ax bites into the wood, be comforted in the fact that the ache in your heart and the confusion in your soul means that you are still alive, still human, and still open to the beauty of the world, even though you have done nothing to deserve it. And when you resent the ache in your heart, remember: You will be dead and buried soon enough.
Paul Harding (Tinkers)
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day I’d like to go back—back to those beautiful hills. I’d like to walk again on trails I walked in my boyhood days. Once again I’d like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands I’d like to caress the cool white bark of a sycamore. I’d like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. I’d like to see the old home place, the barn and the rail fences. I’d like to pause under the beautiful red oaks where my sisters and I played in our childhood. I’d like to walk up the hillside to the graves of my dogs. I’m sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn’t be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
Wilson Rawls (Where the Red Fern Grows)
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' We sailed away from Hallasholm, we had to be real quick, For Kloof had eaten Erak's ax and chewed his walking stick. We sailed across the Stormwite and we struck a mighty storm. We had to wear our woolly caps to keep us nice and warm. We sailed around Cape Shelter and then south to Araluen. We called upon the people there to find out what was doin'. We chased an evil slaver to the market of Socorro. "We can't rescue them tonight," said Hal. "We'll get them out tomorrow." Lydia and the Ranger burned the market to the ground. The rest of us, we freed the slaves then headed out of town. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' The slave master named Mahmel was a nasty kind of thug, So Stiggy dropped a rock and crushed him like a bug. We sailed back to Cresthaven and we set the captives free. King Duncan said, "Well done, my lads, you're just the boys for me. My Ranger Gilan has to go hunt down some assassins So go along with him and give these wicked types a thrashin'." A pirate galley barred our way. We quickly overtook 'em. And Ingvar led the charge aboard to stab and chop and hook 'em. We beat the Tualaghi and the Scorpions as well. The Ranger stuck his saxe into the leader, the Shurmel. When all the assassins threw a fit of wild hysterics, Hal grabbed up the Shurmel's staff and brought it back for Erak. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin
John Flanagan
His August Majesty chided the bureaucrats for failing to understand a simple principle: the principle of the second bag. Because the people never revolt just because they have to carry a heavy load, or because of exploitation. They don't know life without exploitation, they don't even know that such a life exists. How can they desire what they cannot imagine? The people will rvolt only when, in a single movement, someone tries to throw a second burden, a second heavy bag, onto their backs. The peasant will fall face down into the mud - and then spring up and grab an ax. He'll grab an ax, my gracious sir, not because he simply can't sustain this new burden - he could carry it - he will rise because he feels that, in throwing the second burden onto his back suddenly and stealthily, you have tried to cheat him, you have treated him like an unthinking animal, you have trampled what remains of his already strangled dignity, taken him for an idiot who doesn't see, feel, or understand. A man doesn't seize an ax in defense of his wallet, but in defense of his dignity, and that, dear sir, is why His Majesty scolded the clerks. For their own convenience and vanity, instead of adding the burden bit by bit, in little bags, they tried to heave a whole big sack on at once.
Ryszard Kapuściński (The Emperor: Downfall of An Autocrat)
an empathic and patient listener, coaxing each of us through the maze of our feelings, separating out our weapons from our wounds. He cautioned us when we got too lawyerly and posited careful questions intended to get us to think hard about why we felt the way we felt. Slowly, over hours of talking, the knot began to loosen. Each time Barack and I left his office, we felt a bit more connected. I began to see that there were ways I could be happier and that they didn’t necessarily need to come from Barack’s quitting politics in order to take some nine-to-six foundation job. (If anything, our counseling sessions had shown me that this was an unrealistic expectation.) I began to see how I’d been stoking the most negative parts of myself, caught up in the notion that everything was unfair and then assiduously, like a Harvard-trained lawyer, collecting evidence to feed that hypothesis. I now tried out a new hypothesis: It was possible that I was more in charge of my happiness than I was allowing myself to be. I was too busy resenting Barack for managing to fit workouts into his schedule, for example, to even begin figuring out how to exercise regularly myself. I spent so much energy stewing over whether or not he’d make it home for dinner that dinners, with or without him, were no longer fun. This was my pivot point, my moment of self-arrest. Like a climber about to slip off an icy peak, I drove my ax into the ground. That isn’t to say that Barack didn’t make his own adjustments—counseling helped him to see the gaps in how we communicated, and he worked to be better at it—but I made mine, and they helped me, which then helped us. For starters, I recommitted myself to being healthy. Barack and I belonged to the same gym, run by a jovial and motivating athletic trainer named Cornell McClellan. I’d worked out with Cornell for a couple of years, but having children had changed my regular routine. My fix for this came in the form of my ever-giving mother, who still worked full-time but volunteered to start coming over to our house at 4:45 in the morning several days a week so that I could run out to Cornell’s and join a girlfriend for a 5:00 a.m. workout and then be home by 6:30 to get the girls up and ready for their days. This new regimen changed everything: Calmness and strength, two things I feared I was losing, were now back. When it came to the home-for-dinner dilemma, I installed new boundaries, ones that worked better for me and the girls. We made our schedule and stuck to it. Dinner each night was at 6:30. Baths were at 7:00, followed by books, cuddling, and lights-out at 8:00 sharp. The routine was ironclad, which put the weight of responsibility on Barack to either make it on time or not. For me, this made so much more sense than holding off dinner or having the girls wait up sleepily for a hug. It went back to my wishes for them to grow up strong and centered and also unaccommodating to any form of old-school patriarchy: I didn’t want them ever to believe that life began when the man of the house arrived home. We didn’t wait for Dad. It was his job now to catch up with
Michelle Obama (Becoming)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)