Cut The Head Off The Snake Quotes

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You know, to love the wrong person or to be obsessed with someone can be like a drug. Having a bit of it feels good at the time, but it’s not good for you. They say if addicts just get over the hurdle with no drugs, they won’t want it anymore. It’s the same as this. You gotta cut the snake off at the head. Having absolutely no contact is the best thing for you. You really need to give it time to fade,
Daniel Chidiac (The Modern Break-Up)
The battle of good versus evil is the oldest and most re-occurring story tale in the book of life. It never ends because no matter how you cut off the tail of evil, it will always grow back again and again. This old story will always continue into infinity until we closely examine our past errors to prevent giving the snake a new head in the future. You can destroy a demon, but a new one will always come back later in time. You can bring down a corrupt leader, but another one will rise up again with time. As long as the ego overcomes the heart of a man, evil will always exist, and the enemies of God will continue to multiply and thrive. If a tree is bearing bad fruit, you do not destroy the tree by cutting off its branches or eliminating its fruit, but by destroying its roots. I want you to look at the world as this poisoned tree. Even if we eliminate our enemies today, we will create new ones tomorrow. The forumla to cut off the head of the snake once and fall is very simple, and this basic solution is written in all your holy books — 'LOVE IS THE ANSWER'. The strongest counterspell to destroy all forces of black magic is love. Pure unconditional love. However, to be able to emit the right frequency of love, one must first succeed in their own personal battle of good versus evil: heart (conscience) vs. mind (ego). Once you learn how to use your heart to embrace all living things as you do your own reflection, and use your heart to detect truths and dictate your actions, your heart will not be fully activated to love all of mankind the right way. Where there is love, there will be truth and light. Take away the love or truth, and we will forever remain in the dark. Truth, light and love must all co-exist in perfect harmony to overcome evil on earth. And they cannot just be secluded to one part of the world, but reign as divine royalty across the entire globe.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I am not a child to be fought over.' Nesta's pulse pounded throughout her body, 'Do you not remember the war? What we encountered? Do you not remember the Cauldron kidnapping you, bringing you into the heart of Hybern's camp?' 'I do,' Elain said coldly. 'And I remember Feyre rescuing me.' Roaring erupted in Nesta's head. For a heartbeat, it appeared that Elain might say something to soften the words. But Nesta cut her off, seething at the pity about to be thrown her way. 'Look who decided to grow claws after all,' she crooned. 'Maybe you've become interesting at last, Elain.' Nesta saw the blow land, like a physical impact, in Elain's face, her posture. No one spoke, though shadows gathered in the corners of the room, like snakes preparing to strike. Elain's eyes brightened with pain. Something imploded in Nesta's chest at that expression. She opened her mouth, as if it could somehow be undone. But Elain said, 'I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
More politically, Medusa has become shorthand for a particular brand of strong female agency perceived as aggressive or ‘unladylike’. Marie Antoinette was depicted with snake-like hair in French seventeenth-century cartoons, while in the early twentieth century, anti-suffragette postcards likened the protesters to the monster. During the 2016 American election campaign, the image of Hillary Clinton’s snake-bedecked, raging head being cut off by her Republican rival Donald Trump – compared to Perseus – appeared on unofficial merchandise. Similarly, another strong female leader, German chancellor Angela Merkel, has found herself depicted as a Gorgon. These portrayals reinforce a millennia-old message from men to women: keep your mouth shut or we’ll shut it for you.
Kate Hodges (Warriors, Witches, Women: Mythology's Fiercest Females)
For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
In ancient times, the Gorgon Medusa lived on the far side of Oceanus in the land of Night. She was an awesome dragonlike creature with bronze claws, great golden wings, and fierce eyes that turned her beholder to stone. At one time she had been a beautiful young woman who filled the world with joy, not death, but in a moment of foolish pride she had compared herself to Athena. Such arrogance enraged the noble goddess, and in revenge she turned Medusa's lush hair into a tangle of vile, hissing snakes. From that moment on, Medusa's stare brought the stillness of death to anyone who dared look into her eyes. Meanwhile Polydectes, King of Seriphos, wanted to destroy Perseus, so he sent him off to bring back Medusa's head, knowing that her gaze would kill the young hero. But Athena heard the king's command. Still angry with Medusa, she gave Perseus her bronze shield to defend himself when he attacked the Gorgon. Holding the shield as a mirror, Perseus saw only Medusa's reflection, and her deadly stare did not harm him. He cut off her head and put it into a cloth bag, then flew away with the aid of a pair of winged sandals given to him by Hermes. As Perseus soared over the African desert, blood seeped through the bag and fell to the hot sands below. As each drop hit the scorching ground, it turned to steam, and the rising vapors transformed into three dangerously beautiful nymphs.
Lynne Ewing (The Choice (Daughters of the Moon #9))
Medusa is a good example of how Goddess in her dark aspect became demonized in the patriarchal context. Gimbutas points out that the earliest Greek gorgons were not terrifying symbols, but were portrayed with symbols of regeneration – bee wings and snakes as antennae102. Medusa with her serpent hair had been a widely recognized symbol of Divine Female Wisdom – the serpent representing Knowledge of Change, the very essence of Being, never-ending renewal, and thus immortality. Medusa was a face of Ultimate Mystery, of the One – She was “All that has been, that is, and that will be103.” In our cultural mythology Perseus was celebrated as hero for being able to defeat her and cut off her head with its so called deadly gaze. It was said that her gaze was so fearsome it turned mortals to stone. There is no doubt that it is fearsome to look into the eye of the Divine; but patriarchal gods have carried the same characteristic, Yahweh for example, without threat of the same retribution. In the patriarchal context, is it really the gaze of the Female that is deadly? It is women who are the chronically gazed upon, whether as sex object or on a pedestal; perhaps this epitomizes Medusa’s/Goddess’ imprisonment – how She is “kept an eye on”. The beheading of Medusa – one who is icon of Wisdom, may be understood as a story of dis-memberment of the Female Metaphor/Goddess104. The hera’s journey today is to go against the patriarchal injunction and look Medusa straight on, as philosopher Helene Cixous suggests105. She is at first fearsome, but the Dark Goddess’ fierceness nurtures a strength in a woman, gives her back the “steel in her stomach” that she needs to live her life. This Old Wisdom tradition is about recognizing the Power within, and daring to take the journey into that Self-knowledge.
Glenys Livingstone
The Rabbit The rabbit wanted to grow. God promised to increase his size if he would bring him the skins of a tiger, of a monkey, of a lizard, and of a snake. The rabbit went to visit the tiger. “God has let me into a secret,” he said confidentially. The tiger wanted to know it, and the rabbit announced an impending hurricane. “I’ll save myself because I’m small. I’ll hide in some hole. But what’ll you do? The hurricane won’t spare you.” A tear rolled down between the tiger’s mustaches. “I can think of only one way to save you,” said the rabbit. “We’ll look for a tree with a very strong trunk. I’ll tie you to the trunk by the neck and paws, and the hurricane won’t carry you off.” The grateful tiger let himself be tied. Then the rabbit killed him with one blow, stripped him, and went on his way into the woods of the Zapotec country. He stopped under a tree in which a monkey was eating. Taking a knife, the rabbit began striking his own neck with the blunt side of it. With each blow of the knife, a chuckle. After much hitting and chuckling, he left the knife on the ground and hopped away. He hid among the branches, on the watch. The monkey soon climbed down. He examined the object that made one laugh, and he scratched his head. He seized the knife and at the first blow fell with his throat cut. Two skins to go. The rabbit invited the lizard to play ball. The ball was of stone. He hit the lizard at the base of the tail and left him dead. Near the snake, the rabbit pretended to be asleep. Just as the snake was tensing up, before it could jump, the rabbit plunged his claws into its eyes. He went to the sky with the four skins. “Now make me grow,” he demanded. And God thought, “The rabbit is so small, yet he did all this. If I make him bigger, what won’t he do? If the rabbit were big, maybe I wouldn’t be God.” The rabbit waited. God came up softly, stroked his back, and suddenly caught him by the ears, whirled him about, and threw him to the ground. Since then the rabbit has had big ears, short front feet from having stretching them out to break his fall, and pink eyes from panic. (92)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
Maybe there is a stack of paper on your desk, and you have been avoiding it. You won’t even really look at it, when you walk into your room. There are terrible things lurking there: tax forms, and bills and letters from people wanting things you aren’t sure you can deliver. Notice your fear, and have some sympathy for it. Maybe there are snakes in that pile of paper. Maybe you’ll get bitten. Maybe there are even hydras lurking there. You’ll cut off one head, and seven more will grow. How could you possibly cope with that? You could ask yourself, “Is there anything at all that
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
cut off the head of the snake
Flora Ferrari (Dad's Russian Mafia Friend)
As the saying goes cut off the head of the snake another one grows in its place, so why cut off the head instead just throw the snake in a frying pan and eat the snake
James D. Wilson
A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
I want them to suffer. I could kill Callum or Dante. But what would that accomplish? I want to break the entire empire down. I want to drive the two families apart. Then pick off their members one by one. To do that, I need to find their weak point. Their vulnerability. So I’ve been watching and waiting. Letting them think the Braterstwo are defeated, that they cut the head off the snake when they killed Tymon.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
I will find and use them against the Vipers. I will kill them, cut off the head of the snake.
K.A. Knight (Den of Vipers)
The problem with cutting off the head of a snake is that it always grows another.
Eva Simmons (Saint (Sigma Sin #1))
snake has only a small part of its brain in its head, the remainder is distributed throughout the length of the spine. That is why a boa constrictor will continue to crush after its head is cut off. Aside
Carveth Wells (Adventure!)
Slowly, carefully, she threaded her arms around his neck and hugged him. Under her touch, his muscles were rigid, bunched, braced. But then it was like he melted, and his arms came around her in return. For a long moment, he held on tight, like she was his anchor. And then he pulled back enough to rest his forehead on her shoulder, the pain that had rolled off of him moments before replaced by a heavy weariness. She stroked the back of his head and neck, soft caresses meant to comfort. She loved holding this big man in her arms, loved knowing that maybe she wasn’t the only one in need of some comfort and protection and reassurance. “Know what’ll make you feel better?” she said after a little while. “You?” Her heart literally panged in her chest at the sweetness of that single word. She kissed the side of his head, his super short hair tickling her lips. “Besides me.” Reaching out with her hand, she grabbed the milk-shake glass and her spoon. Easy sat up, an eyebrow arched as he looked between her and the ice cream. She scooped some onto the spoon and held it out to him. “Trust me.” Skepticism plain on his face, he ate what she offered. Jenna couldn’t keep from grinning at his lack of reaction. “You clearly need more. Here.” He swallowed the second spoonful, too, but still wasn’t looking particularly better. “This is a very serious case,” she said playfully. “Better make it a double this time.” The spoon nearly overflowed. A smile played around the corners of Easy’s lips, and it filled her chest with a warm pressure. He ate it just before it dripped, humor creeping into his dark eyes. “See? It’s working. I knew it.” This time he stole the spoon right out of her fingers. “Problem is, you aren’t administering this medicine the proper way,” he said as he filled the spoon himself. Jenna grinned again, happy to see lightness returning to his expression. “I’m not?” “Nope,” he said, shaking his head. “This is what will really help.” He held the spoon up to her lips. “How will me taking it—” “No questioning. Just obeying.” There was that cocked eyebrow again. “Oh, is that how it is?” she asked, smirking. When he just stared at her, she gave in and ate the ice cream. Next thing she knew, his lips were on hers. Avoiding the cut on her lip, Easy’s cool tongue slowly snaked over her lips and stroked at her tongue. He grasped the back of her head as he kissed and nibbled at her. The rich flavor of the chocolate combined with another taste that was all Easy and made her moan in appreciation. His grip tightened, his tongue stroked deeper, and a throaty groan spilled from his lips. One more soft press of his lips against hers, and he pulled away. Jenna was nearly panting, and very definitely wanting more. “You’re right,” she said, “that is much more effective.” He gave a rare, open smile, and it made her happy to see it after how sad he’d seemed a few minutes before. “Told ya,” he said with a wink. She nodded. “But, you know, that could’ve been a fluke. Just to be sure it really worked, maybe you should, um, give me another dose?” Easy looked at her a long moment, then leaned in and scooped another spoonful from her nearly empty glass. He held it out to her, making her heart flutter in anticipation. When she tilted her head toward the spoon, he yanked it away and ate the ice cream himself. “No fair,” Jenna sputtered, reaching for the spoon. “That is not what the doctor prescribed.” Holding the spoon above his head put it out of Jenna’s reach, even with them sitting on the bed. She pushed to her knees, grabbed hold of his shoulder, and lunged for it. Laughing, he banded an arm around her lower back and held her in place, easily avoiding her grabs. Jenna couldn’t stop laughing as they wrestled for the spoon. It was stupid and silly and childish . . . and exactly what she needed. And it seemed he did, too. It was perfect.
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
In her imagination she was somewhere dry and sunbaked, with a drink in her hand and the smell of cut flowers close by, filling her with happiness and tranquility. The dream faded as a blade of saw grass sliced her forearm just aft of her glove, bringing her back to the reality that she was wading through a god-awful-smelling canal full of snakes, leeches, and vermin. She’d spent almost an hour up to her neck in the slimy ditch, pushing a large clump of water hyacinth along with her to break up the outline of a human head. Her body felt like it would never dry out once she climbed out of this dank water, and even if it did, she was convinced she’d never be able to wash the smell of rotten vegetation off her skin
Mark Greaney (Gunmetal Gray (Gray Man, #6))
Maybe there is a stack of paper on your desk, and you have been avoiding it. You won’t even really look at it, when you walk into your room. There are terrible things lurking there: tax forms, and bills and letters from people wanting things you aren’t sure you can deliver. Notice your fear, and have some sympathy for it. Maybe there are snakes in that pile of paper. Maybe you’ll get bitten. Maybe there are even hydras lurking there. You’ll cut off one head, and seven more will grow. How could you possibly cope with that?
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Your infiltration idea sounds dangerous to me. I say we get Breitner, now. What’s a group without its leader? I’d call in the Feds, sooner than later. Cut off the head of the snake…
Mark M. Bello (Betrayal In Blue (Zachary Blake Legal Thriller, #3))
By spring 1945, the time for action looked imminent. Nazi Germany was collapsing, and the march into Berlin would soon cut off the head of the snake. Throughout Norway, the sabotage of railway transports, ports, ships, and communication lines was hobbling the Wehrmacht and obstructing the removal of its troops to reinforce their defenses inside Germany itself.
Neal Bascomb (The Winter Fortress: The Epic Mission to Sabotage Hitler's Atomic Bomb)
Medusa. Hiss her name out, like snakes. This is the worst, the most terrible thing—and if we can face that and still reach out to each other, if we can look it full in the face as it happens all around us in the houses and supermarkets and families we see on buses in the parks, in our own street and presumably in the houses of our friends and colleagues and our own families, happening still—if we can face it and not be turning into stone then we can strike. Let the serpents rise from my head, many bodied, writhing. Let them call out what they know and mark it as an act of horror, like thoughts that finally have to speak themselves. And shouting, singing into being, let us finally honour this ancient goddess: the mystery of facing terrible truth. Medusa’s head was cut off but let us reclaim that—this ancient knowledge: the power to see and know the truth.
Jane Meredith (Re-visioning Medusa: from Monster to Divine Wisdom)