Verona City Quotes

Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet

Life is the messy bits.

One of the great joys in life is having ones hair brushed.

Laura, illustrious through her own virtues, and long famed through my verses, first appeared to my eyes in my youth, in the year of our Lord 1327, on the sixth day of April, in the church of St. Clare in Avignon, at matins; and in the same city, also on the sixth day of April, at the same first hour, but in the year 1348, the light of her life was withdrawn from the light of day, while I, as it chanced, was in Verona, unaware of my fate...

Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like: love to leave loved ones for, love to cross oceans for, but I'd like to believe if I ever were to feel it, that I'd have the courage to seize it. And Claire, if you didn't, I hope one day that you will. All my love, Juliet

The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.

To the ordinary cultivated student of civilization the genesis of a Church is of little interest, and at all events we must not confound the history of a Church with its spiritual meaning. To the ordinary observer the English Church in history means Hooker and Jeremy Taylor — and should mean Andrewes also: it means George Herbert, and it means the churches of Christopher Wren. This is not an error: a Church is to be judged by its intellectual fruits, by its influence on the sensibility of the most sensitive and on the intellect of the most intelligent, and it must be made real to the eye by monuments of artistic merit. The English Church has no literary monument equal to that of Dante, no intellectual monument equal to that of St. Thomas, no devotional monument equal to that of St. John of the Cross, no building so beautiful as the Cathedral of Modena or the basilica of St. Zeno in Verona. But there are those for whom the City churches are as precious as any of the four hundred odd churches in Rome which are in no danger of demolition, and for whom St. Paul's, in comparison with St. Peter's, is not lacking in decency; and the English devotional verse of the seventeenth century — admitting the one difficult case of conversion, that of Crashaw — finer than that of any other country or religion at the time.

I arrived in Bucksport Maine on the day of Maine Maritime Academy’s 2018 Graduation. Little wonder that all the hotel rooms for miles around were taken but I had lucked out again when I booked a room at the Spring Fountain Motel, just east from Bucksport, on the coastal route, U.S. Hwy 1. It had been a long day meeting, greeting and talking to owners of bookstores between here and Portland but I was happy at how successful my day was. Bucksport had not changed much from 60 years prior. I remembered how my friend and classmate Robert Kane, and I hitch-hiked through here in 1953. Add it up and you’ll see that a lot of water has flowed under the Verona Island Bridge that dominates the landscape but the town of Bucksport has steadfastly refused to change. Read on from page 376 in “Seawater One – Going to Sea” or pages 121 in “Salty & Saucy Maine –Sea Stories from Castine” and now yet another class of midshipmen have graduated! Talking to the new Innkeeper of the Spring Fountain Motel, I found that he had been a professional soccer player in South Africa and had recently lived in New York City. An interesting young man, originally for Pakistan he was working hard to live the American Dream! When I told him my story he didn’t hesitate to order a dozen copies of my books. Displaying the popular “Salty & Saucy Maine” near his cash register is just the latest way my book will become available to the summer tourists. In Bucksport it is also available at Andy Larcher’s cozy bookstore “Book Stacks” and is also at the local library which has all of my books on its shelves. “Salty & Saucy Maine!” Is catching on as a bestselling book in Maine!

Most modern scholars now insist that he merely imagined Italy, and that the details he imagined are inaccurate, proof that Shakespeare was never actually there. In The Two Gentlemen of Verona, for instance, he sends the character Valentine from Verona to Milan—two inland cities—by boat. How silly! In fact, the cities of northern Italy were once linked by a network of canals and rivers used frequently by Renaissance merchants and travelers.

If, as some believe, the BRI is a Trojan horse smuggling CCP influence into a country’s political system, some seemingly innocuous provisions in the Italian memorandum of understanding hint at what is hidden in its belly. Along with promoting sister-city networks—and specifically the twinning of Verona and Hangzhou—the memorandum agreed that ‘Parties will promote exchanges and cooperation between their local authorities, media, think tanks, universities and the youth’, including cooperation between Italy’s national public broadcaster, RAI, and the China Media Group (overseen by the CCP’s Central Propaganda Department).154 These provisions open the door for greater CCP influence activity.