Custodian Day Quotes

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On the occasion of a visit to Jane Austen's childhood home in Steventon, Hampshire: "I put my hand down on Jane's desk and bring it up covered with dust. Oh that some of her genius might rub off on me! One would have imagined the devoted female custodian going round with her duster at least every other day.
Barbara Pym (A Very Private Eye: The Diaries, Letters and Notebooks of Barbara Pym)
Great leaders avoid confusion and offer a clear direction because they are custodians of great visions.
Gift Gugu Mona (The Effective Leadership Prototype for a Modern Day Leader)
… in these new days and in these new pages a philosophical tradition of the spontaneity of speculation kind has been rekindled on the sacred isle of Éire, regardless of its creative custodian never having been taught how to freely speculate, how to profoundly question, and how to playfully define. Spontaneity of speculation being synonymous with the philosophical-poetic, the philosophical-poetic with the rural philosopher-poet, and by roundelay the rural philosopher-poet thee with the spontaneity of speculation be. And by the way of the rural what may we say? A philosopher-poet of illimitable space we say. Iohannes Scottus Ériugena the metaphor of old salutes you; salutes your lyrical ear and your skilful strumming of the rippling harp. (Source: Hearing in the Write, Canto 19, Ivy-muffled)
Richard McSweeney (Hearing in the Write)
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
Lauren Groff (Fates and Furies)
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
Ben Okri (A Way of Being Free)
In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All
J.G. Farrell (The Siege of Krishnapur)
no more than a glorified custodian. It was perfect. In fact, Jenny would drop him off on her way to work, and pick him up at four. He didn’t mind the extra hour. Brian planned to write during that time. He had a couple of good ideas for horror stories. “Ready, sleepyhead?” Jenny asked, walking into the parlor. “Hm?” Brian asked, looking up and smiling at her. “Ready for your first day at work, babe?” she
Ron Ripley (The Pauper's Crypt (Moving In, #5))
As all mothers everywhere know, their life with their little boy is only a temporary blessing. You are owed a few fleeting years as you nurture and sacrifice for them. But at a certain age, they start to slip away, take care of themselves. Then the day comes when they find a woman to marry, and she is custodian of his world from then on.
Ruth Harrow (Just One Lie)
In Choquequirao, I found not just the remnants of an ancient civilisation, but a portal to the boundless realms of the human experience. It whispered of fleeting moments and eternal truths, reminding me that we are but temporary custodians of this world, etching our stories into the fabric of time.
Ryan Gelpke (Peruvian Days)
Another day has passed The golden desert glows alone The sparkling stars Slowly make their way across the sky The earth spins, as it has done for millions of years We are not the permanent fixtures on this planet We are the custodians of limited life
Kenan Hudaverdi (LA VIGIE : THE LOOKOUT)
There was plenty of information on Hyken’s career in the computers for his boys to learn; he’d instructed their custodian to make them study every week. He sent them letters on their born-day, besides, which was more than most children could hope for.
David Kristoph (Siege of Praetar (Tales of a Dying Star, #1))
heritage a secret. This secrecy is probably a matter of protection for her and for Mordecai. As Ahasuerus is preparing for a new wife, as Mordecai is preparing Esther for a new life, Esther is preparing to be come a queen. It is important to notice that Esther is obedient and faithful without being certain of the outcome of this year. She has no guarantee of ever returning to her own life, she has no guarantee that she will become queen, so we must assume that she is not motivated by results in her service to the Lord. Esther is obedient without any promise other than the knowledge inside her that she will not be abandoned by the Lord at any time. She will be faithful regardless of foreseeable consequences, and the example that this kind of faithfulness sets for us is fantastic. Once evaluated by Hegai worthy of the expense of the preparations, each young woman must undergo Ahasuerus’ scrutiny as well. After a year, Esther is prepared to face the king, and is now awaiting her turn to enter his chambers. Each young woman’s turn came to go in to King Ahasuerus after she had completed twelve months’ preparation, according to the regulations for the women, for thus were the days of their preparation apportioned: six months with oil of myrrh, and six months with perfumes and preparations for beautifying women.Thus prepared, each young woman went to the king, and she was given whatever she desired to take with her from the women’s quarters to the king’s palace.In the evening she went, and in the morning she returned to the second house of the women, to the custody of Shaashgaz, the king’s eunuch who kept the concubines. Esther 2:12-13 After their period of preparation, the women go, one at a time, in to the king’s palace. They leave the women’s quarters in the evening and return in the morning… and their life’s course is determined within a period of 24 hours or less. Imagine the scene: these women were taken from their families and everything familiar to them a year or so before they are sent into the king. For a year, they are in the custody of Hegai the custodian of the women. Each step that these women take toward the palace is a step toward one of two things: either the beginning of a new life or the death of every possible dream that each one might have had for her life. A step toward becoming Ahasuerus’ wife and queen of Persia — tremendous honor and riches; or a step toward becoming one of the king’s concubines — a life devoid of true love or passion. Each candidate completed these twelve months and went into the king as a potential queen. The next morning, each woman left the king’s chambers as one of a countless number of mistresses in his harem. The history does not indicate that they were rejected and returned to their own homes. They were returned to Shaashgaz, the keeper of the king’s concubines. The finality and sadness of the conclusion of this year must have been excruciating. “She would not go into the king again unless the king delighted in her and called for her by name.” Esther 2:14 Like a splash of ice water, that sentence feels cold. A rush of emptiness and loneliness all of a sudden, they have been used and, for all practical purposes, thrown away. When they returned the next morning, they did not even go to the court that has been their home for the past year. These women went into the custody of Shaashgaz, the eunuch custodian of the concubines. That is quite a demotion for these young women — their future has just been decided, and they had no say in it. Hopes of marriage to anyone for one of these rejected women is completely over. “She would not go into the king again...” These women must have felt a tremendous loss and sorrow. Whether or not they had actually wanted to be queen (remember that they had no choice in the matter — they had to come to the palace either way), they had been preparing for this moment for a year. Perhaps they had waited even longer
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
One day I’ll win you over from the Custodian, Kane.
Erik Schubach (Trolls (The Bridge, #1))
That is why she is the Cultivator, as much a custodian of living things as inert materials. One day, far into the future, the entire ship will be a single amorphous organism. She is helping to make this a reality, to coax and to nurture. It is hard work, back-breaking and relentless, but it gives her a certain measure of pride. She has sons and daughters growing up in the lower decks, already learning to grasp a ratchet and siphon a fuel sump. If they survive the mutations and the plagues, one of them might one day become Cultivator. And if they are blessed with fertility, in centuries to come one of their progeny might be there, on that mystical and long-awaited day when Solace speaks for the first time, not in hisses of steam or scrapes of iron but in a real voice with real words.
Chris Wraight (The Lords of Silence)
Many of them were employed during the week as domestic servants, or security guards, or custodians, and were required to wear uniforms meant to reinforce their status as less-than. To dress impeccably and regally on the Lord’s day, then, was to insist on their own dignity and worth in a world that sought to systematically strip them of both. It was
Billy Porter (Unprotected: A Memoir)
And now the reader will ask what became of the three penguins' eggs for which three human lives had been risked three hundred times a day, and three human frames strained to the utmost extremity of human endurance. Let us leave the Antarctic for a moment and conceive ourselves in the year 1913 in the Natural History Museum in South Kensington. I had written to say that I would bring the eggs at this time. Present, myself, C.-G., the sole survivor of the three, with First or Doorstep Custodian of the Sacred Eggs. I did not take a verbatim report of his welcome; but the spirit of it may be dramatized as follows: First Custodian. Who are you? What do you want? This ain't an egg-shop. What call have you to come meddling with our eggs? Do you want me to put the police on to you? Is it the crocodile's egg you're after? I don't know nothing about 'no eggs. You'd best speak to Mr. Brown: it's him that varnishes the eggs. I resort to Mr. Brown, who ushers me into the presence of the Chief Custodian, a man of scientific aspect, with two manners: one, affably courteous, for a Person of Importance (I guess a Naturalist Rothschild at least) with whom he is conversing, and the other, extraordinarily offensive even for an official man of science, for myself. I announce myself with becoming modesty as the bearer of the penguins' eggs, and proffer them. The Chief Custodian takes them into custody without a word of thanks, and turns to the Person of Importance to discuss them. I wait. The temperature of my blood rises. The conversation proceeds for what seems to me a considerable period. Suddenly the Chief Custodian notices my presence and seems to resent it. Chief Custodian. You needn't wait. Heroic Explorer. I should like to have a receipt for the eggs, if you please. Chief Custodian. It is not necessary: it is all right. You needn't wait. Heroic Explorer. I should like to have a receipt. But by this time the Chief Custodian's attention is again devoted wholly to the Person of Importance. Feeling that to persist in overhearing their conversation would be an indelicacy, the Heroic Explorer politely leaves the room, and establishes himself on a chair in a gloomy passage outside, where he wiles away the time by rehearsing in his imagination how he will tell off the Chief Custodian when the Person of Importance retires. But this the Person of Importance shows no sign of doing, and the Explorer's thoughts and intentions become darker and darker. As the day wears on, minor officials, passing to and from the Presence, look at him doubtfully and ask his business. The reply is always the same, "I am waiting for a receipt for some penguins' eggs." At last it becomes clear from the Explorer's expression that what he is really waiting for is not to take a receipt but to commit murder. Presumably this is reported to the destined victim: at all events the receipt finally comes; and the Explorer goes his way with it, feeling that he has behaved like a perfect gentleman, but so very dissatisfied with that vapid consolation that for hours he continues his imaginary rehearsals of what he would have liked to have done to that Custodian (mostly with his boots) by way of teaching him manners.
Apsley Cherry-Garrard (The Worst Journey in the World)
Great leaders avoid confusion and offer a clear direction, because they are custodians of great visions.
Gift Gugu Mona (The Effective Leadership Prototype for a Modern Day Leader)
Tapas is any practice that pushes the mind against its own limits, and the key ingredient of tapas is endurance. Thus in the archaic Rig-Veda (10.136), the long-haired ascetic or keshin is said to “endure” the world, to “endure” fire, and to “endure” poison.1 The keshin is a type of renouncer, a proto-yogin, who is a “wind-girt” (naked?) companion of the wild God Rudra (Howler). He is said to “ascend” the wind in a God-intoxicated state and to fly through space, looking down upon all things. But the name keshin harbors a deeper meaning, for it also can refer to the Sun whose “long hair” is made up of the countless rays that emanate from the solar orb and reach far into the cosmos and bestow life on Earth. This is again a reminder that the archaic Yoga of the Vedas revolves around the Solar Spirit, who selflessly feeds all beings with his/her/its compassionate warmth. The early name for the yogin is tapasvin, the practitioner of tapas or voluntary self-challenge. The tapasvin lives always at the edge. He deliberately challenges his body and mind, applying formidable will power to whatever practice he vows to undertake. He may choose to stand stock-still under India’s hot sun for hours on end, surrounded by a wall of heat from four fires lit close by. Or he may resolve to sit naked in solitary meditation on a windswept mountain peak in below-zero temperatures. Or he may opt to incessantly chant a divine name, forfeiting sleep for a specified number of days. The possibilities for tapas are endless. Tapas begins with temporarily or permanently denying ourselves a particular desire—having a satisfying cup of coffee, piece of chocolate, or casual sex. Instead of instant gratification, we choose postponement. Then, gradually, postponement can be stepped up to become complete renunciation of a desire. This kind of challenge to our habit patterns causes a certain degree of frustration in us. We begin to “stew in our own juices,” and this generates psychic energy that can be used to power the process of self-transformation. As we become increasingly able to gain control over our impulses, we experience the delight behind creative self-frustration. We see that we are growing and that self-denial need not necessarily be negative. The Bhagavad-Gītā (17.14–16) speaks of three kinds of austerity or tapas: Austerity of body, speech, and mind. Austerity of the body includes purity, rectitude, chastity, nonharming, and making offerings to higher beings, sages, brahmins (the custodians of the spiritual legacy of India), and honored teachers. Austerity of speech encompasses speaking kind, truthful, and beneficial words that give no offense, as well as the regular practice of recitation (svādhyāya) of the sacred lore. Austerity of the mind consists of serenity, gentleness, silence, self-restraint, and pure emotions.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
The present archaic administrative and financial systems inherited from colonial days continue to operate with minor modifications, even though the exercise of state power has altered. Today, both administrative and financial powers are exercised by the elected representatives and permanent bureaucracy at five different levels: Central, state, zilla panchayat, block panchayat and village panchayat. However, there is complete asymmetry between the rules governing the conduct of business, and this present system of administration. The Service Rules, Disciplinary Rules, Financial Accountability Statutes, Rules of Business have not been adjusted to the present system of administration and in this asymmetry, corruption rules. There are no financial or administrative codes for elected representatives exercising such powers, no accountability or disciplinary rules governing them, even though they are the final authorities to authorize the expenditure of public money. Financial malfeasance by political custodians of public money can only be punished by the usual IPC provisions applicable to all citizens, and the Prevention of Corruption Act, the operation of which is optional in state governments. It is this lacuna that gives phenomenal opportunity to the politician-bureaucrat nexus to flourish, and prevents development funds from reaching target groups. Long years of working with archaic financial procedures have given the bureaucracy a unique specialization in circumventing regulatory provisions, and providing perfect paperwork to satisfy their requirements. Behind every corrupt bureaucrat will be a protective politician, and behind every corrupt politician will be a bevy of carefully selected, supporting bureaucrats.
Ram Jethmalani (RAM JETHMALANI MAVERICK UNCHANGED, UNREPENTANT)
He said, cold: “If you say so, I’ve got to believe you.”Then he leaped over at me, and grabbed my shoulders and shook me: “I hate you for being normal, I hate you for it. You’re a normal human being. What right have you to that? I suddenly understood that you remember everything, you probably remember everything I’ve ever said. You remember everything that’s happened to you, it’s intolerable.”His fingers dug into my shoulders and his face was alive with hatred. I said: “Yes, I do remember everything.”But not in triumph. I was aware of myself as he saw me, a woman inexplicably in command of events, because she could look back and see a smile, a movement, gestures; hear words, explanations—a woman inside time. I disliked the solemnity, the pompousness of that upright little custodian of the truth. When he said: “It’s like being a prisoner, living with someone who knows what you said last week, or can say: three days ago you did so and so,”I could feel a prisoner with him, because I longed to be free of my own ordering, commenting memory. I felt my sense of identity fade. My stomach clenched and my back began to hurt.
Doris Lessing (The Golden Notebook)