Baby Posture Quotes

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The strident emotional belief that children made you happy, even when all the data pointed to misery. The high-amplitude fear of sharks and dark-skinned snipers who would never kill you; indifference to all the toxins and pesticides that could. The mind was so rotten with misrepresentation that in some cases it literally had to be damaged before it could make a truly rational decision—and should some brain-lesioned mother abandon her baby in a burning house in order to save two strangers from the same fire, the rest of the world would be more likely to call her a monster than laud the rationality of her lifeboat ethics. Hell, rationality itself—the exalted Human ability to reason—hadn’t evolved in the pursuit of truth but simply to win arguments, to gain control: to bend others, by means logical or sophistic, to your will. Truth had never been a priority. If believing a lie kept the genes proliferating, the system would believe that lie with all its heart. Fossil feelings. Better off without them, once you’d outgrown the savanna and decided that Truth mattered after all. But Humanity wasn’t defined by arms and legs and upright posture. Humanity had evolved at the synapse as well as at the opposable thumb—and those misleading gut feelings were the very groundwork on which the whole damn clade had been built. Capuchins felt empathy. Chimps had an innate sense of fair play. You could look into the eyes of any cat or dog and see a connection there, a legacy of common subroutines and shared emotions.
Peter Watts (Firefall (Firefall #1-2))
Soph?” Valentine’s voice called softly from the corridor. A moment later, a knock sounded on the door, and a moment after that, Val pushed the door open. Slowly—slowly enough she might have hastened to an innocent posture if she’d been, say, kissing the breath out of her guest. “Is the prodigy asleep yet?” “You were a prodigy,” she said, rising from the hearth. “Though now you’re just prodigiously bothersome. Lord Sindal was coming by to collect Kit for a night among you fellows.” “We fellows?” Val’s brows crashed down. “We fellows took turns the livelong freezing day, carrying that malodorous, noisy, drooling little bundle of joy inside our very coats. You should be missing him so badly you can’t let him out of your sight for at least a week of nights.” “Ignore your brother, my lady.” Vim rose off the hearth, and to Sophie’s eyes, looked very tall as he glared at Valentine. “We will be pleased to enjoy My Lord Baby’s company for the night, won’t we, Lord Valentine?” Valentine was not a stupid man, though he could be as pigheaded as any Windham male. Marriage was apparently having a salubrious effect on his manners, though. “If Sophie says I’ll be pleased to spend the night with that dratted baby, then pleased I shall be. Coming, Sindal?” And then, then, Vim kissed her. On the forehead, his eyes open and staring at Valentine the entire lingering moment of the kiss. “Sleep well, Sophie. We’ll take good care of Kit.” He lifted the cradle and departed. Sophie pushed the nappies at Valentine, ignored her brother’s puzzled, concerned, and curious looks, and pointed at the door without saying one more word. ***
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion. Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.” Ya think? I ran for my bag and pulled out the staff. Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind. I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot. Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town. Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation. Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
I wanted to be alone.” “I see.” Except she didn’t, exactly. When had this child become a mystery to her own mother? “Why?” Sophie glanced at herself in the mirror, and Esther could only hope her daughter saw the truth: a lovely, poised woman—intelligent, caring, well dowered, and deserving of more than a stolen interlude with a convenient stranger and an inconvenient baby—Sophie’s brothers’ assurances notwithstanding. “I am lonely, that’s why.” Sophie’s posture relaxed with this pronouncement, but Esther’s consternation only increased. “How can you be lonely when you’re surrounded by loving family, for pity’s sake? Your father and I, your sisters, your brothers, even Uncle Tony and your cousins—we’re your family, Sophia.” She nodded, a sad smile playing around her lips that to Esther’s eyes made her daughter look positively beautiful. “You’re the family I was born with, and I love you too, but I’m still lonely, Your Grace. I’ve wished and wished for my own family, for children of my own, for a husband, not just a marital partner…” “You had many offers.” Esther spoke gently, because in Sophie’s words, in her calm, in her use of the present tense—“I am lonely”—there was an insight to be had. “Those offers weren’t from the right man.” “Was Baron Sindal the right man?” It was a chance arrow, but a woman who had raised ten children owned a store of maternal instinct. Sophie’s chin dropped, and she sighed. “I thought he was the right man, but it wasn’t the right offer, or perhaps it was, but I couldn’t hear it as such. And then there was the baby… It wouldn’t be the right marriage.” Esther took her courage in both hands and advanced on her daughter—her sensible daughter—and slipped an arm around Sophie’s waist. “Tell me about this baby. I’ve heard all manner of rumors about him, but you’ve said not one word.” She meant to walk Sophie over to the vanity, so she might drape Oma’s pearls around Sophie’s neck, but Sophie closed her eyes and stiffened. “He’s a good baby. He’s a wonderful baby, and I sent him away. Oh, Mama, I sent my baby away…” And then, for the first time in years, sensible Lady Sophia Windham cried on her mother’s shoulder as if she herself were once again a little, inconsolable baby. ***
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Gibreel, the tuneless soloist, had been cavorting in moonlight as he sang his impromptu gazal, swimming in air, butterfly-stroke, breast-stroke, bunching himself into a ball, spreadeagling himself against the almost-infinity of the almost-dawn, adopting heraldic postures, rampant, couchant, pitting levity against gravity. Now he rolled happily towards the sardonic voice. ‘Ohe, Salad baba, it's you, too good. What-ho, old Chumch.’ At which the other, a fastidious shadow falling headfirst in a grey suit with all the jacket buttons done up, arms by his sides, taking for granted the improbability of the bowler hat on his head, pulled a nickname-hater's face. ‘Hey, Spoono,’ Gibreel yelled, eliciting a second inverted wince, ‘Proper London, bhai! Here we come! Those bastards down there won't know what hit them. Meteor or lightning or vengeance of God. Out of thin air, baby.
Salman Rushdie (The Satanic Verses)
Our kids need spiritual mentors, and if a new language and posture will lead them, then we better hit our knees, pray for humility, and beg God to help us raise disciples that love Him beyond our homes. We prioritize transformation over methodology, because our rules have a shelf life but loyalty to Jesus does not. Let's keep the baby and change the bathwater.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
The default posture of Generation X has always been to trash the boomers. The boomers were yuppie sellouts, sanctimonious blowhards, fair-weather hippies who joined the establishment as soon as they realized the upsides to having health insurance and retirement accounts (see: backstories of Big Chill characters and Hope and Michael et al.). They did tons of drugs and had tons of sex and then left us to trudge through the AIDS and crack epidemics they left in their wake. If you were a young writer in the 1990s, as I was, you could find a steady stream of magazine work composing irony-laden rants about how much the boomers had screwed over the Xers—economically, culturally, sexually-transmitted-diseasedly, et cetera. In the span of a few years, I wrote no fewer than fifteen articles that were essentially some variation on “broken homes ruined our belief in marriage, MTV ruined our attention spans, and AIDS ruined our sex lives. Our world and the baby boomers’ world are many galaxies apart.
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
The New England wilderness March 1, 1704 Temperature 10 degrees Somebody was tapping Mercy in the ribs. It couldn’t be Tommy, who pounced, or Sam, who jabbed. It wasn’t John, who kissed, or Benny, who snuggled. Whichever brother it was had wet the bed in the night, and wet Mercy with him, and so far it was still warm, but the moment she separated from that sleeping brother, it would be cold and awful. But the tapping would not stop, and Mercy woke to see a deerskin legging with a painted running deer. “Up,” said her Indian. The paint had partly peeled off his face, giving him a patchy smeared look. She remembered the day before backward: the marching, the carrying, the slipping, the snow. She thrust memory away, folding it closed. She would not think about the attack. Lord, please, she prayed. Let me see Sam and John and Tommy and Benny. Let Uncle Nathaniel and Aunt Mary and the cousins be here. Let it not be true abut Marah. Let Stepmama and the baby be safe and sound and walking fast enough. The Indian stooped to take her hand and pull her to her feet, giving a slight grunt as he did. For the first time she saw that he too had been hurt and that the paint on his side was his own dried blood, and Mercy knew then that she had experienced war, and that it was true about Marah. She did not take his hand, knowing what it had done. Rolling Daniel ahead of her, she was out of the snow hole and on her feet in a moment. There was some sort of assembly going on. The prisoners were stumbling toward Mr. Williams, who stood alone, his hands raised to the sky. How extraordinary, thought Mercy. They’re going to let us pray. She was glad, because a day without morning prayer was unthinkable, but it didn’t seem like something the Indians would permit. French Indians were Catholic, though, converted by priests from France itself. Mr. Williams often said that if you were Catholic, you hated God and were evil and stole little children from their beds. The warriors had gathered in clumps. Yesterday had been complete victory for the Indians, and yet there was no rejoicing among them. Her captor’s eyes were on a bundle in the snow. She had seen enough death in her life to know it. One of the Indian wounded had not survived the night. The posture of her Indian was human. It was grief.
Caroline B. Cooney (The Ransom of Mercy Carter)
Healthy nasal breathing started at birth. Mothers in all these tribes followed the same practices, carefully closing the baby’s lips with their fingers after each feeding. At night, they’d stand over sleeping infants and gently pinch mouths shut if they opened. Some Plains tribes strapped infants to a straight board and placed a pillow beneath their heads, creating a posture that made it much harder to breathe through the mouth. During winter, infants would be wrapped in light clothing and then held at arm’s length on warmer days so they’d be less prone to get too hot and begin panting. All these methods trained children to breathe through their noses, all day, every day. It was a habit they would carry with them the rest of their lives. Catlin described how adult tribal members would even resist smiling with an open mouth, fearing some noxious air might get in. This practice was as “old and unchangeable as their hills,” he wrote, and it was shared universally throughout the tribes for millennia.
James Nestor (Breath: The New Science of a Lost Art)
The baby fingers touch the abdomen at the center of gravity of this posture, two or three inches below the navel. The back of the lower hand lightly touches the heel of the upper crossed leg. The arms are held away from the torso in such a way that an egg could be placed under the armpits.
Reb Anderson (Being Upright: Zen Meditation and Bodhisattva Precepts (Zen Meditation and the Bodhisattva Precepts))
Raven stood in the comparative shelter of the porch, her face turned up toward the sky, eyes closed. Tiny beads of perspiration dotted her forehead, and her fingers twisted together compulsively over her stomach. She was not with the others, rather somewhere out of her body and concentrating on attempting to find Byron’s location. Beside her stood her dark, intimidating husband, his mind obviously locked with hers. Mikhail was so like Jacques that Shea could not tear her gaze from him. As she moved onto the porch a step behind Jacques, she could clearly see that Mikhail was furious. He was seething with anger, violence swirling very close to the surface, yet his posture was purely protective. He had placed himself between Raven and the ferocity of the storm. Gregori was as still as a statue, his face a blank mask, his silvery eyes as empty as death, yet Shea gave him a wide berth. There was something dangerous in his utter stillness. Shea felt she had no way to sorting out the complexity of the Carpathian male’s nature. Gregori was watching Raven through narrowed, restless eyes, eyes that saw far too much. Suddenly he cursed, low and vicious, startling from someone of his stature and power. “She should not put herself at risk. She is with child.” His eyes met Jacques’, silver lightning and black ice. Total understanding between the two men. Shea merged her mind with Jacques’ quickly to try to understand the hidden currents. Raven’s pregnancy, if she was pregnant, changed everything as far as the men were concerned. Shea could see no evidence of a child--Raven appeared as slim as ever--but she couldn’t believe the healer would be wrong. He seemed so infallible, so completely invincible. The child was everything, all-important to the men. It surprised, even shocked her, the way they regarded the pregnancy. It was a miracle to both of them. The baby was more important than any of their lives. Shea was confused. Despite Jacques’ fractured memories, his protective streak was extremely strong. “He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not even mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!
Christine Feehan (Dark Desire (Dark, #2))
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