Curtain Drapery Quotes

Surely everyone is aware of the divine pleasures which attend a wintry fireside; candles at four o'clock, warm hearthrugs, tea, a fair tea-maker, shutters closed, curtains flowing in ample draperies to the floor, whilst the wind and rain are raging audibly without.

Suppose after all that death does end all. Next to eternal joy, next to being forever with those we love and those who have loved us, next to that, is to be wrapt in the dreamless drapery of eternal peace. Next to eternal life is eternal sleep. Upon the shadowy shore of death the sea of trouble casts no wave. Eyes that have been curtained by the everlasting dark, will never know again the burning touch of tears. Lips touched by eternal silence will never speak again the broken words of grief. Hearts of dust do not break. The dead do not weep. Within the tomb no veiled and weeping sorrow sits, and in the rayless gloom is crouched no shuddering fear. I had rather think of those I have loved, and lost, as having returned to earth, as having become a part of the elemental wealth of the world – I would rather think of them as unconscious dust, I would rather dream of them as gurgling in the streams, floating in the clouds, bursting in the foam of light upon the shores of worlds, I would rather think of them as the lost visions of a forgotten night, than to have even the faintest fear that their naked souls have been clutched by an orthodox god. I will leave my dead where nature leaves them. Whatever flower of hope springs up in my heart I will cherish, I will give it breath of sighs and rain of tears. But I cannot believe that there is any being in this universe who has created a human soul for eternal pain. I would rather that every god would destroy himself; I would rather that we all should go to eternal chaos, to black and starless night, than that just one soul should suffer eternal agony. I have made up my mind that if there is a God, he will be merciful to the merciful. Upon that rock I stand. – That he will not torture the forgiving. – Upon that rock I stand. – That every man should be true to himself, and that there is no world, no star, in which honesty is a crime. Upon that rock I stand. The honest man, the good woman, the happy child, have nothing to fear, either in this world or the world to come. Upon that rock I stand.

Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")

A breakfast-room adjoined the drawing-room, I slipped in there.  It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures.  I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day.  At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon.  Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I

Perverse? Because they obey the only law of life; because they are satisfied with the only need of life, which is love? But consider, milady, the flower is only a reproductive organ. Is there anything healthier, stronger, or more beautiful than that? These marvelous petals, these silks, these velvets... these soft, supple, and caressing materials are the curtains of the alcove, the draperies of the bridal chamber, the perfumed bed where they unite, where they pass their ephemeral and immortal life, swooning with love. What an admirable example for us!” he spread the petals of the flower, counted the stamens laden with pollen, and he spoke again, his eyes swimming in a comical ecstasy: “See, milady; one, two, five, ten, twenty. See how they quiver! Look! Sometimes twenty males are required for the delight of a single female! he! he! he! Sometimes it’s the opposite.” one by one he tore off the petals of the flower: “And when they are gorged with love, then the curtains of the bed are torn away, the draperies of the chamber wither and fall; and the flowers die, because they know well they have nothing more to do. They die, to be reborn later, and once again, to love!

Drake skidded to a stop at the end of the hallway, his eyes narrow as he looked over our little group. Behind him, Pal appeared, followed by a couple of dragons I didn’t recognize. “Aisling.” Drake lowered his sword and walked slowly toward us, a frown darkening his eyes. “Where have you been? And what are you wearing?” I pinched the back of Renaldo’s hand until he released his hold on my face. “To hell and back, but that’s a really long story, and not one I want to go into here. This is a curtain. I’d really rather not talk about it right now,either.” “Very well. We will leave the discussion of why you are clad in drapery for another time. The challenge has started.

One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection. It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.

Anxious to demonstrate her competence, Amelia strode to the other window and began jerking at the closed draperies. “Thank you, Mr. Rohan, but as you can see, I have the situation well in hand.” “I think I’ll stay. Having stopped you from falling through one window, I’d hate for you to go out the other.” “I won’t. I’ll be fine. I have everything under—” She tugged harder, and the rod clattered to the floor, just as the other had done. But unlike the other curtain, which had been lined with aged velvet, this one was lined with some kind of shimmering rippling fabric, some kind of— Amelia froze in horror. The underside of the curtain was covered with bees. Bees. Hundreds, no, thousands of them, their iridescent wings beating in an angry relentless hum. They lifted in a mass from the crumpled velvet, while more flew from a crevice in the wall, where an enormous hive simmered. They must have found their way into a hollow space from a decayed spot in the outer wall. The insects swarmed like tongues of flame around Amelia’s paralyzed form. She felt the blood drain from her face. “Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart.

Here the walls have ears. Spies are stationed behind every drapery, curtain, arras. Your spies, the agents of your secret service: their assignment is to draft detailed reports on the palace conspiracies. The court teems with enemies, to such an extent that it is increasingly difficult to tell them from friends; it is known for sure that the conspiracy that will dethrone you will be made up of your ministers and officials. And you know that every secret service has been infiltrated by agents of the opposing secret service. Perhaps all the agents in your pay work also for the conspirators, are themselves conspirators; and thus you are obliged to continue paying them, to keep them quiet as long as possible. Voluminous bundles of secret reports are turned out daily by electronic machines and laid at your feet on the steps of the throne. It is pointless for you to read them: your spies can only confirm the existence of the conspiracies, justifying the necessity of your espionage; and at the same time they must deny any immediate danger, to prove that their spying is effective. No one, for that matter, thinks you must read the reports delivered to you; the light in the throne room is inadequate for reading, and the assumption is that a king need not read anything, the king already knows what he has to know.

A cold east wind wailed over the waste; a white fog like curd lay on the water, and the surface of the saltings, clinging to the surface and rising scarce above three feet from it. Here and there it lifted itself in a vaporous column, and moved along in the wind like a white spectral woman, nodding her head and waving her arms cumbered with wet drapery. Above, the sky was clear, and a fine crescent moon sparkled in it without quenching the keenness of the stars. Cassiopeia was glorious in her chair, Orion burned sideways over Mersea Isle. No red gleam was visible to-night from the tavern window at the City, the veil of fog hung over it and curtained it off. To the north-west was a silvery glow at the horizon, then there rose a pure ray as of returning daylight, it was answered by a throb in the north-east, then it broke into two rays, and again united and spread, and suddenly was withdrawn. Mehalah had often seen the Aurora, and she knew that the signals portended increased cold or bad weather.

He seemed unable to enjoy the stark beauty of it all, the wild terror of the mountains, the towering glaciers, the little ribbons of time that clung to the rock in the form of frozen cataracts. The aurora danced above us both nights, green and blue and white undulating together, a cold ocean up there in the sky, and even that he barely glanced at. On the second night, he used his magic to summon a thick green hedge of prickly holly and a trio of willow saplings that enfolded our tent in drapery like bed curtains to keep out the chill wind. "Will you look at that!" I couldn't help but exclaiming as I sat by the fire, gazing up at the riot of light. I will admit, I wished for him to share the sight with me and was disappointed when he only sighed. "Give me hills round as apples and forests of such green you could bathe in it," he said. "None of these hyperborean baubles." "Baubles!" I exclaimed, and would have snapped at him, but his face as he gazed into the fire was open and forlorn, and I realized that he wasn't trying to be irksome---he missed his home. He had been longing for it all along, and this place, so alien and unfriendly, had sharpened the longing into a blade.

To celebrate the opening of Angelo’s café, we were invited to come in disguise. It was difficult to find odds and ends to make costumes out of, in the empty castle, with a wardrobe out of a valise intended for minimum necessities. There were no curtains, no draperies, no paints, no textiles. We did the best we could. I dressed John’s wife: from the waist up she was a nun, in brown chiffon, with a cross on her breast. Below was the same chiffon, trailing to the floor, but without a slip underneath, so her legs could be seen in silhouette.

In the exquisite boudoir below, his mother was no doubt embroidering French knots on the draperies. That did seem an odd way to relieve frustration, but perhaps Aunt Caroline enjoyed the nubbly texture that the heavy draperies had taken on as a result of her labors over the years. Anyway, she kept on working French knots and would do so, no doubt, until the curtains fell apart.