β
You can plan all you want to. You can lie in your morning bed and fill whole notebooks with schemes and intentions. But within a single afternoon, within hours or minutes, everything you plan and everything you have fought to make yourself can be undone as a slug is undone when salt is poured on him. And right up to the moment when you find yourself dissolving into foam you can still believe you are doing fine.
β
β
Wallace Stegner (Crossing to Safety)
β
He used to tell me, 'Do what you like to do. It'll probably turn out to be what you do best.
β
β
Wallace Stegner (Crossing to Safety)
β
[Friendship] is a relationship that has no formal shape, there are no rules or obligations or bonds as in marriage or the family, it is held together by neither law nor property nor blood, there is no glue in it but mutual liking. It is therefore rare.
β
β
Wallace Stegner (Crossing to Safety)
β
There it was, there it is, the place where during the best time of our lives friendship had its home and happiness its headquarters.
β
β
Wallace Stegner (Crossing to Safety)
β
Youth hasn't got anything to do with chronological age. It's times of hope and happiness.
β
β
Wallace Stegner (Crossing to Safety)
β
Our last impression of her as she turned the corner was that smile, flung backward like a handful of flowers.
β
β
Wallace Stegner (Crossing to Safety)
β
It is love and friendship, the sanctity and celebration of our relationships, that not only support a good life, but create one. Through friendships, we spark and inspire one another's ambitions.
β
β
Wallace Stegner (Crossing to Safety)
β
Do we respond only to people who seem to find us interesting?
β
β
Wallace Stegner (Crossing to Safety)
β
Is that the basis of friendship? Is it as reactive as that? Do we respond only to people who seem to find us interesting?... Do we all buzz or ring or light up when people press our vanity buttons, and only then? Can I think of anyone in my whole life whom I have liked without his first showing signs of liking me?
β
β
Wallace Stegner (Crossing to Safety)
β
Hard writing makes easy reading.
β
β
Wallace Stegner (Crossing to Safety)
β
Well, there's so much to read, and I'm so far behind.
β
β
Wallace Stegner (Crossing to Safety)
β
In a way, it is beautiful to be young and hard up. With the right wife, and I had her, deprivation became a game.
β
β
Wallace Stegner (Crossing to Safety)
β
This early piece of the morning is mine.
β
β
Wallace Stegner (Crossing to Safety)
β
What ever happened to the passion we all had to improve ourselves, live up to our potential, leave a mark on the world? Our hottest arguments were always about how we could contribute. We did not care about the rewards. We were young and earnest.
β
β
Wallace Stegner (Crossing to Safety)
β
All my life I've wanted to be the kid who gets to cross over into the magical kingdom. I devoured those books by C.S. Lewis and William Dunthorn, Ellen Wentworth, Susan Cooper, and Alan Garner. When I could get them from the library, I read them out of order as I found them, and then in order, and then reread them all again, many times over. Because even when I was a child I knew it wasn't simply escape that lay on the far side of the borders of fairyland. Instinctively I knew crossing over would mean more than fleeing the constant terror and shame that was mine at that time of my life. There was a knowledge β an understanding hidden in the marrow of my bones that only I can access β telling me that by crossing over, I'd be coming home.
That's the reason Iβve yearned so desperately to experience the wonder, the mystery, the beauty of that world beyond the World As It Is. It's because I know that somewhere across the border there's a place for me. A place of safety and strength and learning, where I can become who I'm supposed to be. I've tried forever to be that person here, but whatever I manage to accomplish in the World As It Is only seems to be an echo of what I could be in that other place that lies hidden somewhere beyond the borders.
β
β
Charles de Lint
β
We made plenty of mistakes, but we never tripped anybody to gain an advantage, or took illegal shortcuts when no judge was around. We have all jogged and panted it out the whole way.
β
β
Wallace Stegner (Crossing to Safety)
β
I could give all to Time except -- except
What I myself have held. But why declare
The things forbidden that while the Customs slept
I have crossed to Safety with? For I am There,
And what I would not part with I have kept.
β
β
Robert Frost (The Poetry of Robert Frost)
β
Nothing is so safe as habit, even when habit is faked.
β
β
Wallace Stegner (Crossing to Safety)
β
Sally has a smile I would accept as my last view on earth...
β
β
Wallace Stegner (Crossing to Safety)
β
Henry James says somewhere that if you have to make notes on how a thing has struck you, it probably hasnβt struck you.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Anyone who reads, even one from the remote Southwest at the far end of an attenuated tradition, is to some extent a citizen of the world, and I had been a hungry reader all my life.
β
β
Wallace Stegner (Crossing to Safety)
β
Gideon brought into my life. The acceptance and the love. The safety. Gideon had given me my freedom back, a life without terror. Giving him vows in return was too simple a repayment for that.
β
β
Sylvia Day (Captivated by You (Crossfire, #4))
β
Order is indeed the dream of man, but chaos, which is only another word for dumb, blind, witless chance, is still the law of nature.
β
β
Wallace Stegner (Crossing to Safety)
β
There is nothing like a doorbell to precipitate the potential into the kinetic.
β
β
Wallace Stegner (Crossing to Safety)
β
Survival, it is called. Often it is accidental, sometimes it is engineered by creatures or forces that we have no conception of, always it is temporary.
β
β
Wallace Stegner (Crossing to Safety)
β
Children from a big family have the benefit of a certain amount of neglect.
β
β
Wallace Stegner (Crossing to Safety)
β
Don't talk to strangers. Don't do drugs. Don't smoke. Don't drink and drive. Don't have sex. Wear a condom. Wear sunblock. Wear a seat belt. Wear a helmet. If you see something, say something. Just say no. Stop, drop, and roll. Stop, look, and listen. Look both ways before you cross the street...
Safety is an illusion. Bad things can happen to anyone at any time, whether you follow the rules or not. You can check left, check right, check left again before you step off the curb and into the crosswalk, but that won't stop an anonymous asshole in his shitty pickup from putting you in intensive care...
β
β
Megan McCafferty (Perfect Fifths (Jessica Darling, #5))
β
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard.
"Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her.
"Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice.
"Why don't you put your fancy shoes back on and sit there like a good little girl?"
"First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said.
"No!" Hale said. "You don't know anything about this guy."
"I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to."
"You're kinda scary.
β
β
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
β
The recent renewal of hostilities in the Middle East and cross-border casualties and damage prove once again the fragility of unilateral decisions and quick fixes and their failure to ensure safety and STABILITY.
Israelis and Palestinians need to move fast towards a permanent settlement to enjoy lasting peace and SECURITY.
β
β
Mouloud Benzadi
β
I hope they have found enough pleasure along the way so that they don't want it ended
β
β
Wallace Stegner (Crossing to Safety)
β
Are writers reporters, prophets, crazies, entertainers, preachers, judges, what?
β
β
Wallace Stegner (Crossing to Safety)
β
Ambition is a path, not a destination, and it is essentially the same path for everybody. No matter what the goal is, the path leads through Pilgrimβs Progress regions of motivation, hard work, persistence, stubbornness, and resilience under disappointment. Unconsidered, merely indulged, ambition becomes a vice; it can turn an man into a machine that knows nothing but how to run. Considered, it can be something else β pathway to the stars, maybe. I suspect that what makes hedonists so angry when they think about overachievers is that the overachievers, without benefit of drugs or orgies, have more fun.
β
β
Wallace Stegner (Crossing to Safety)
β
How do you make a book that anyone will read out of lives as quiet as these? Where are the things that novelists seize upon and readers expect? Where is the high life, the conspicuous waste, the violence, the kinky sex, the death wish? Where are the suburban infidelities, the promiscuities, the convulsive divorces, the alcohol, the drugs, the lost weekends? Where are the hatreds, the political ambitions, the lust for power? Where are speed, noise, ugliness, everything that makes us who we are and makes us recognize ourselves in fiction?
β
β
Wallace Stegner (Crossing to Safety)
β
Weβre all tougher than we think we are. Weβre fixed so that almost anything heals.
β
β
Wallace Stegner (Crossing to Safety)
β
There is no way to peace along the way of safety. For peace must be dared. It is itself the great venture and can never be safe. Peace is the opposite of security. To demand guarantees is to want to protect oneself. Peace means giving oneself completely to God's commandment. Wanting no security, but in faith and obedience laying the destiny of the nations in the hand of almighty God. Not trying to direct it for selfish purposes. Battles are won not with weapons, but with God. They are won when the way leads to the cross.
β
β
Dietrich Bonhoeffer
β
Though I have been busy, perhaps overbusy, all my life, it seems to me now that I have accomplished little that matters, that the books have never come up to what was in my head, and that the rewardsβthe comfortable income, the public notice, the literary prizes, and the honorary degreesβhave been tinsel, not what a grown man should be content with.
β
β
Wallace Stegner (Crossing to Safety)
β
If you could forget mortality... You could really believe that time is circular, and not linear and progressive as our culture is bent on proving. Seen in geological perspective, we are fossils in the making, to be buried and eventually exposed again for the puzzlement of creatures of later eras.
β
β
Wallace Stegner (Crossing to Safety)
β
This commonplace cycle of falling asleep and waking, in darkness, under private cover, with another creature, a pale soft tender mammal, putting faces together in a ritual of affection, briefly settled in the eternal necessities of warmth, comfort, safety, crossing limbs to draw nearer - a simple daily consolation, almost too obvious, easy to forget by daylight.
β
β
Ian McEwan (Saturday)
β
I have heard of people's lives being changed by a dramatic or traumatic event--a death, a divorce, a winning lottery ticket, a failed exam. I never heard of anybody's life but ours being changed by a dinner party.
β
β
Wallace Stegner (Crossing to Safety)
β
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called βthe government.β They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license.
When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
β
β
Alexis de Tocqueville (Democracy in America)
β
The clear lesson of New Englandβs history is that when there are not enough suitable men around to run the world, women are perfectly capable of doing so.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Do what you like to do. Itβll probably turn out to be what you do best.
β
β
Wallace Stegner (Crossing to Safety)
β
Pleasant things to hear, though hearing them from him embarrasses me. I soak up the praise but feel obliged to disparage the gift. I believe that most people have some degree of talent for something--forms, colors, words, sounds. Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something.
β
β
Wallace Stegner (Crossing to Safety)
β
We are strange creatures, and writers are stranger creatures than most.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
What the disorderly crave above everything is order, what the dislocated aspire to is location.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Leave a mark on the world. Instead, the world has left marks on us. We got older. Life chastened us so that now we lie waiting to die, or walk on canes, or sit on porches where once the young juices flowed strongly, and feel old and inept and confused.
β
β
Wallace Stegner (Crossing to Safety)
β
Be bold, he says. Be brave. Be true to your birthright, what you recognize in your heart.
β
β
Wallace Stegner (Crossing to Safety)
β
This time she was writing the guidebook herself, as she went, and its authority could not be challenged or repudiated.
β
β
Wallace Stegner (Crossing to Safety)
β
A poet is somebody who has written a poem.
β
β
Wallace Stegner (Crossing to Safety)
β
Poetry ought to be a by-product of living, and you can't have a by-product unless you've got a product first.
β
β
Wallace Stegner (Crossing to Safety)
β
Human lives seldom conform to the conventions of fiction. Chekhov says that it is in the beginnings and endings of stories that we are most tempted to lie.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Sally has a smile I would accept as my last view of earth, but it has a certain distance about it, it is under control, you can see her head going on working behind it.
β
β
Wallace Stegner (Crossing to Safety)
β
You canβt be close to the mortality of friends without being brought to think of your own.
β
β
Wallace Stegner (Crossing to Safety)
β
...we all have safety nets that cross over different people" -Brie
β
β
Dana Mele (People Like Us)
β
Long-continued disability makes some people saintly, some self-pitying, some bitter.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
A poem isn't selfish. It speaks to people.
β
β
Wallace Stegner (Crossing to Safety)
β
Youth hasnβt got anything to do with chronological age. Itβs times of hope and happiness.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
She was still developing her sundial theory of art, which would count no hours but the sunny ones.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
I start to cross the street, stop, turn back. "You are not what I thought."
He smiles. A devastatingly beautiful smile.
I race across the street to my apartment building, to home, to safety. Because that smile scares me for reasons I can't explain. I only know that it makes me want to see him smile again.
β
β
J.A. London (Darkness Before Dawn (Darkness Before Dawn #1))
β
Drama demands the reversal of expectation, but in such a way that the first surprise is followed by an immediate recognition of inevitability. And inevitability takes careful pin-setting.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Do we all buzz or ring or light up when people press our vanity buttons, and only then? Can I think of anyone in my whole life whom I have liked without his first showing signs of liking me?
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
She will burn bright until she goes out; she will go on standing on tiptoe till she falls.
β
β
Wallace Stegner (Crossing to Safety)
β
I'm tired of hearing that the Lord shapes the back to the burden.
β
β
Wallace Stegner (Crossing to Safety)
β
If you wanted something, you planned for it, worked for it, and made it happen.
β
β
Wallace Stegner (Crossing to Safety)
β
Drama demands the reversal of expectation, but in such a way that the first surprise is followed by an immediate recognition of inevitability.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Stegner shows us, again and again, that it is love and friendship, the sanctity and celebration of our relationships, that not only support a good life, but create one.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
We were two of a kind, the only difference being that he was reverential before all the traditional word magic, and I would steal it if I could. He came to the tradition as a pilgrim, I as a pickpocket.
β
β
Wallace Stegner (Crossing to Safety)
β
I didnβt know myself well, and still donβt. But I did know, and know now, the few people I loved and trusted. My feeling for them is one part of me I have never quarreled with, even though my relations with them have more than once been abrasive.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
I was writing up a New Mexico snow-storm, I had it coming down thick and heavy, muffling the roads and mounding on adobe walls and windowsills and whitening the piΓ±on and junipers when the tapping came on the door.
β
β
Wallace Stegner (Crossing to Safety)
β
There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.
β
β
Wallace Stegner (Crossing to Safety)
β
He looks into his Dixie cup and looks back up as if surprised at what he found there. The future, maybe.
β
β
Wallace Stegner (Crossing to Safety)
β
intellectual hare
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Good fortune, contentment, peace, happiness have never been able to deceive me for long. I expected the worst, and I was right. So much for the dream of man.
β
β
Wallace Stegner (Crossing to Safety)
β
The wicked and the unhappy always stole the show because sin and suffering were the most universal human experiences.
β
β
Wallace Stegner (Crossing to Safety)
β
She studied it soberly, with something like recognition or acknowledgment in her eyes, as if those who have been dead understand things that will never be understood by those who have only lived.
β
β
Wallace Stegner (Crossing to Safety)
β
They have said that we owe allegiance to Safety, that he is our Red Cross who will provide us with ointment and bandages for our wounds and remove the foreign ideas the glass beads of fantasy the bent hairpins of unreason embedded in our minds.
β
β
Janet Frame (Faces in the Water)
β
Yet now, having held in grief and resentment, and evaded thinking too much about the episode that changed my life with the finality of an axe, here I am exalted by having made use of it, by having spilled my guts in public. We are strange creatures, and writers are stranger creatures than most.
β
β
Wallace Stegner (Crossing to Safety)
β
Grub Street turns out good things almost as often as Parnassus. For if a writer is hard up enough, if heβs far down enough (down where I have been and am rising from, I am really saying), he canβt afford self-doubt and he canβt let other peopleβs opinions, even a fatherβs, keep him from writing.
β
β
Wallace Stegner (Crossing to Safety)
β
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
β
β
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
β
Actually I am pretty pregnant with the news Sid brought me, but glad we have not spread it. The girls look very happy. With their heads bound up in babushkas they might be out of the peasant chorus of a Russian opera. Any minute now we will sing and dance to the balalaika. Charity is tall and striking; Sally smaller, darker, quieter. One dazzles, the other warms. In a couple of hours I will need sympathy, but for now I like being washed by the wind.
β
β
Wallace Stegner (Crossing to Safety)
β
i was really into communal living and we were all /
such free spirits, crossing the country we were /
nomads and artists and no one ever stopped / to think about how the one working class housemate / was whoring to support a gang of upper middle class / deadheads with trust fund safety nets and connecticut / childhoods, everyone was too busy processing their isms / to deal with non-issues like class....and itβs just so cool / how none of them have hang-ups about / sex work theyβre all real / open-minded real / revolutionary you know / the legal definition of pimp is / one who lives off the earnings of / a prostitute, one or five or / eight and iβd love to stay and / eat some of the stir fry iβve been cooking / for yβall but iβve got to go fuck / this guy so we can all get stoned and / go for smoothies tomorrow, save me / some rice, ok?
β
β
Michelle Tea (The Beautiful: Collected Poems)
β
The boatman then gently guided the raft across. They saw a dead body floating. At the sight of this, the Master was greatly frightened. But Sun smiled and said, "Master do not be alarmed! That corpse is none other than your own." Zhu Bajie said, "It is you, it is you!" Sha the Monk clapped his hands, and also said, "It is you, it is you!" The boatman also remarked "It was yours, I congratulate you." The three pilgrims congratulated him, and they quietly crossed over the Could Ferry in safety. The Master's shape was changed, and he jumped ashore on the other side with a very light body.
β
β
Wu Cheng'en (Monkey: The Journey to the West)
β
Itβs possible to exist under any number of illusions, to believe so thoroughly in the presence of things you cannot seeβsafety, God, loveβthat you impose upon them physical shapes. A bed, a cross, a husband. But ideas willed into being are still ideas and just as fragile.
β
β
Tara Conklin (The Last Romantics)
β
But if you judge safety to be the paramount consideration in life you should never, under any circumstances, go on long hikes alone. Donβt take short hikes alone, either β or, for that matter, go anywhere alone. And avoid at all costs such foolhardy activities as driving, falling in love, or inhaling air that is almost certainly riddled with deadly germs. Wear wool next to the skin. Insure every good and chattel you possess against every conceivable contingency the future might bring, even if the premiums half-cripple the present. Never cross an intersection against a red light, even when you can see all roads are clear for miles. And never, of course, explore the guts of an idea that seems as if it might threaten one of your more cherished beliefs. In your wisdom you will probably live to be a ripe old age. But you may discover, just before you die, that you have been dead for a long, long time.
β
β
Colin Fletcher (Complete Walker III)
β
Ambition is a path, not a destination, and it is essentially the same path for everybody. No matter what the goal is, the path leads through Pilgrimβs Progress regions of motivation, hard work, persistence, stubbornness, and resilience under disappointment. Unconsidered, merely indulged, ambition becomes a vice; it can turn a man into a machine that knows nothing but how to run. Considered, it can be something elseβpathway to the stars, maybe.
β
β
Wallace Stegner (Crossing to Safety (Modern Library Classics))
β
Ambition is a path, not a destination, and it is essentially the same path for everybody. No matter what the goal is, the path leads through Pilgrim's Progress regions of motivation, hard work, persistence, stubbornness, and resilience under disappointment. Unconsidered, merely indulged, ambition becomes a vice; it can turn a man into a machine that knows nothing but how to run. Considered, it can be something else - pathway to the stars, maybe.
β
β
Wallace Stegner (Crossing to Safety)
β
A western buckaroo, I share his scorn for people who go camping by the book, relying on the authority of some half-assed assistant scoutmaster whose total experience outdoors probably consists of two overnight hikes and a weekend in the Catskills. But we have just had that confrontation. The one who goes by Pritchard's book is Sid's wife, and I am wary. It is not my expedition. I am a guest here.
β
β
Wallace Stegner (Crossing to Safety)
β
And so, by circuitous and unpredictable routes, we converge toward midcontinent and meet in Madison, and are at once drawn together, braided and plaited into a friendship. It is a relationship that has no formal shape, there are no rules or obligations or bonds as in marriage or the family, it is held together by neither law nor property nor blood, there is no glue in it, but mutual liking. It is therefore rare. To Sally and me, focused on each other and on the problems of getting on in a rough world, it happened unexpectedly; and in all our lives it has happened so thoroughly only once.
β
β
Wallace Stegner (Crossing to Safety)
β
If I had kept a journal, I could go back through it and check up on what memory reports plausibly but not necessarily truly. But keeping a journal then would have been like making notes while going over Niagara Falls in a barrel. Eventless as our life was, it swept us along. Were we any less a Now Generation that the one that presently claims the title? I wonder. And it may be just as well that I have no diary to remember by. Henry James says somewhere that if you have to make notes on how a thing has struck you, it probably hasn't struck you.
β
β
Wallace Stegner (Crossing to Safety)
β
There are further considerations I might raise. How do you make a book that anyone will read out of lives as quiet as these? What are the things that novelists seize upon and readers expect? Where is the high life, the kinky sex, the death wish? Where are the suburban infidelities, the promiscuities, the convulsive divorces, the alcohol, the drugs, the lost weekends? Where are the hatreds, the political ambitions, the lust for power? Where are speed, noise, ugliness, everything that makes us who we are and makes us recognizable in fiction?
β
β
Wallace Stegner (Crossing to Safety)
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The reason why the soul not only travels securely when it thus travels in the dark, but makes even greater progress, is this: In general the soul makes greater progress when it least thinks so, yea, most frequently when it imagines that it is losing. Having never before experienced the present novelty which dazzles it, and disturbs its former habits, it considers itself as losing, rather than as gaining ground, when it sees itself lost in a place it once knew, and in which it delighted, traveling by a road it knows not, and in which it has no pleasure. As a traveler into strange countries goes by ways strange and untried, relying on information derived from others, and not upon any knowledge of his ownβit is clear that he will never reach a new country but by new ways which he knows not, and by abandoning those he knewβso in the same way the soul makes the greater progress when it travels in the dark, not knowing the way. But inasmuch as God Himself is here the guide of the soul in its blindness, the soul may well exult and say, βIn darkness and in safety,β now that it has come to a knowledge of its state.
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Juan de la Cruz (Dark Night of the Soul)
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In Exodus, chapter 14, Moses must lead the Jews out of Egypt and to safety by parting the Red Sea. This story teaches us a valuable lesson about how we must face the future. I want to draw your attention to two verses in particular. Exodus (14:15) reads: βAnd the Lord said to Moses, βTell the people of Israel to march forward.ββ Exodus (14:16) reads: βLift up your rod and stretch out your hand over the sea and divide it.β The thing to note here is that Moses is instructed to raise his rod to divide the sea only after telling his people to march forth into the water. The Israelites were actually in the water, some of them up to their necks, and were told to keep marching before the water split. And yet no one complained or feared drowning because the message from God was very clear: walk first into the water and the ocean will split afterwards. Had the Israelites waited around for the waters to part, they would have been waiting a long timeβperhaps forever. They had to bring about their own miracle, a truth we can deduce from the peculiar order of these two verses, which is no accident as there are no accidents in Scripture. To succeed at life and business, you too must face the future as the Israelites did at the Red Sea. Get moving now. Do not wait for the bridge. Cross now and the way through will present itself.
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Daniel Lapin (Business Secrets from the Bible: Spiritual Success Strategies for Financial Abundance)
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This was something new. Or something old. I didnβt think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I wonβt be able to ask her anything more until she wakes up later this morning. I couldnβt help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might doβa revival of something nasty out of the past. Did the Ku Klux Klan wear crossesβas well as burn them? The Nazis wore the swastika, which is a kind of cross, but I donβt think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarretβs people could be behind it. Jarret insists on being a throwback to some earlier, βsimplerβ time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country canβt read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovahβs Witness, or even a Catholic. A witch may also be an atheist, a βcultist,β or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much thatβs worth stealing. And βcultistβ is a great catchall term for anyone who fits into no other large category, and yet doesnβt quite match Jarretβs version of Christianity. Jarretβs people have been known to beat or drive out Unitarians, for goodnessβ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of βheathen houses of devil-worship,β he has a simple answer: βJoin us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
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Octavia E. Butler (Parable of the Talents (Earthseed, #2))
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Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something. Talent, I tell him, believing what I say, is at least half luck. It isnβt as if our baby lips were touched with a live coal, and thereafter we lisp in numbers or talk in tongues. We are lucky in our parents, teachers, experience, circumstances, friends, times, physical and mental endowment, or we are not. Born to the English language and American opportunity (I say this in 1937, after seven years of depression, but I say it seriously) we are among the incredibly lucky ones.
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Wallace Stegner (Crossing to Safety (Modern Library Classics))
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The road goes west out of the village, past open pine woods and gallberry flats. An eagle's nest is a ragged cluster of sticks in a tall tree, and one of the eagles is usually black and silver against the sky. The other perches near the nest, hunched and proud, like a griffon. There is no magic here except the eagles. Yet the four miles to the Creek are stirring, like the bleak, portentous beginning of a good tale. The road curves sharply, the vegetation thickens, and around the bend masses into dense hammock. The hammock breaks, is pushed back on either side of the road, and set down in its brooding heart is the orange grove. Any grove or any wood is a fine thing to see. But the magic here, strangely, is not apparent from the road. It is necessary to leave the impersonal highway, to step inside the rusty gate and close it behind. By this, an act of faith is committed, through which one accepts blindly the communion cup of beauty. One is now inside the grove, out of one world and in the mysterious heart of another. Enchantment lies in different things for each of us. For me, it is in this: to step out of the bright sunlight into the shade of orange trees; to walk under the arched canopy of their jadelike leaves; to see the long aisles of lichened trunks stretch ahead in a geometric rhythm; to feel the mystery of a seclusion that yet has shafts of light striking through it. This is the essence of an ancient and secret magic. It goes back, perhaps, to the fairy tales of childhood, to Hansel and Gretel, to Babes in the Wood, to Alice in Wonderland, to all half-luminous places that pleased the imagination as a child. It may go back still farther, to racial Druid memories, to an atavistic sense of safety and delight in an open forest. And after long years of spiritual homelessness, of nostalgia, here is that mystic loveliness of childhood again. Here is home. An old thread, long tangled, comes straight again.
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Marjorie Kinnan Rawlings (Cross Creek)
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It is in the face of this radical revisioning of ourselves as the community of Christ that our relationship to βthe least of theseβ is formed. They donβt represent a threat to our lives, both physically (in their demands on our resources, in the loss of safety) and existentially (in how they expose our pretense, our privilege), but they actually can be seen as Christ Himself. Not in some romantic, shallow way in which we take in the homeless beggar only to have him later throw off his rags to reveal himself as Jesus, rewarding us for our righteousness. No, we encounter Christ in them because the process we have gone through has demonstrated to us that in the otherβin those most different from usβour own inadequacy is exposed, offering us the opportunity to embrace the gift of the transforming cross.
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Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
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A cult is a group of people who share an obsessive devotion to a person or idea. The cults described in this book use violent tactics to recruit, indoctrinate, and keep members. Ritual abuse is defined as the emotionally, physically, and sexually abusive acts performed by violent cults. Most violent cults do not openly express their beliefs and practices, and they tend to live separately in noncommunal environments to avoid detection.
Some victims of ritual abuse are children abused outside the home by nonfamily members, in public settings such as day care. Other victims are children and teenagers who are forced by their parents to witness and participate in violent rituals. Adult ritual abuse victims often include these grown children who were forced from childhood to be a member of the group. Other adult and teenage victims are people who unknowingly joined social groups or organizations that slowly manipulated and blackmailed them into becoming permanent members of the group. All cases of ritual abuse, no matter what the age of the victim, involve intense physical and emotional trauma.
Violent cults may sacrifice humans and animals as part of religious rituals.
They use torture to silence victims and other unwilling participants. Ritual abuse victims say they are degraded and humiliated and are often forced to torture, kill, and sexually violate other helpless victims. The purpose of the ritual abuse is usually indoctrination. The cults intend to destroy these victims' free will by undermining their sense of safety in the world and by forcing them to hurt others.
In the last ten years, a number of people have been convicted on sexual abuse charges in cases where the abused children had reported elements of ritual child abuse. These children described being raped by groups of adults who wore costumes or masks and said they were forced to witness religious-type rituals in which animals and humans were tortured or killed. In one case, the defense introduced in court photographs of the children being abused by the defendants[.1] In another case, the police found tunnels etched with crosses and pentacles along with stone altars and candles in a cemetery where abuse had been reported. The defendants in this case pleaded guilty to charges of incest, cruelty, and indecent assault.[2] Ritual abuse allegations have been made in England, the United States, and Canada.[3]
Many myths abound concerning the parents and children who report ritual abuse. Some people suggest that the tales of ritual abuse are "mass hysteria." They say the parents of these children who report ritual abuse are often overly zealous Christians on a "witch-hunt" to persecute satanists.
These skeptics say the parents are fearful of satanism, and they use their knowledge of the Black Mass (a historically well-known, sexualized ritual in which animals and humans are sacrificed) to brainwash their children into saying they were abused by satanists.[4] In 1992 I conducted a study to separate fact from fiction in regard to the disclosures of children who report ritual abuse.[5] The study was conducted through Believe the Children, a national organization that provides support and educational sources for ritual abuse survivors and their families.
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Margaret Smith (Ritual Abuse: What It Is, Why It Happens, and How to Help)
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Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance β not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
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Jane Jacobs (The Death and Life of Great American Cities)
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That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells.
That was the same night that he saw the lynx on the barren, unplanted hillsideβglazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynxβa dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent.
Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woodsβ nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital.
Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
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John Irving (The Cider House Rules)
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Through the dimness she could just make him out, stretched on his back, his arms crossed behind his head. He might have been silent, but he hadn't been asleep. She could feel his frown as he looked at her.
"What are you doing?"
"Moving closer to you." Dropping her gowns, she shook out her cloak and laid it next to his.
"Why?"
"Mice."
He let a heartbeat pass, then asked, carefully, "You're afraid of mice?"
She nodded. "Rodents. I don't discriminate." Swinging around, she sat on her cloak, then picked up her gowns and wriggled back and closer to him. "If I'm next to you, then either they'll give us both a wide berth, or if they decide to take a nibble, there's at least an even chance they'll nibble you first."
His chest shook. He was struggling not to laugh. But at least he was trying.
"Besides," she said, lying down and snuggling under her massed gowns, "I'm cold."
A moment ticked past, then he sighed.
He shifted in the hay beside her. She didn't know what he did, but suddenly she was sliding the last inches down a slope that hadn't been there before. She fetched up against him, against his side-hard, muscled, and wonderfully warm.
Her senses leapt greedily, pleasantly shocked, delightedly surprised; she caught her breath and slapped them down. Desperately; this was Breckenridge-this was definitely not the time.
His arm shifted and came around her, cradling her shoulders and gathering her against him.
"This doesn't mean anything." The whispered words drifted down to her.
Comfort, safety, warmth-it meant all those things.
"I know," she murmured back. Her senses weren't listening. Her body now lay alongside his. Her breast brushed his side; through various layers her thighs grazed his. Her heartbeat deepened, sped up a little, too. Yet despite the sensual awareness, she could feel reassurance along with his warmth stealing through her, relaxing her tensed muscles bit by bit as, greatly daring, she settled her cheek on his chest.
This doesn't mean anything. She knew what he meant. This was just for now, for this strange moment out of their usual lives in which he and she were just two people finding ways to weather a difficult situation.
She quieted. Listened.
The sound of his heartbeat, steady and sure, blocked out any rustlings.
Thinking of the strange moment, of what made it so, she murmured, "We're fugitives, aren't we?"
"Yes."
"In a strange country, one not really our own, with no way to prove who we are."
"Yes."
"And a stranger, a very likely dangerous highlander, is pursuing us."
"Hmm."
She should feel frightened. She should be seriously worried. Instead, she closed her eyes, and with her cheek pillowed on Breckenridge's chest, his arm like warm steel around her, smoothly and serenely fell asleep.
Breckenridge held her against him, and through senses far more attuned than he wished, followed the incremental falling away of her tension...until she slept.
Softly, silently, in his arms, with the gentle huff of her breathing ruffling his senses, the seductive weight of her slender body stretched out against his the subtlest of tortures.
Why had he done it? She might have slept close to him, but she would never have pushed to sleep in his arms. That had been entirely his doing, and he hadn't even stopped to think.
What worried him most was that even if he had thought, had reasoned and debated, the result would have been the same.
When it came to her, whatever the situation, there never was any question, no doubt in his mind as to what he should do.
Her protection, her safety-caring for her. From the first instant he'd laid eyes on her four years ago, that had been his mind's fixation. Its decision. Nothing he'd done, nothing she'd done, had ever succeeded in altering that.
But as to the why of that, the reason behind it...even now he didn't, was quite certain and absolutely sure he didn't, need to consciously know.
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Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))