Kitty Love Quotes

We've searched our database for all the quotes and captions related to Kitty Love. Here they are! All 100 of them:

He could not be mistaken. There were no other eyes like those in the world. There was only one creature in the world who could concentrate for him all the brightness and meaning of life. It was she. It was Kitty.
Leo Tolstoy (Anna Karenina)
Margot would say she belongs to herself. Kitty would say she belongs to no one. And I guess I would say I belong to my sisters and my dad, but that won’t always be true. To belong to someone—I didn’t know it, but now that I think about, it seems like that’s all I’ve ever wanted. To really be somebody’s, and to have them be mine.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
If this is love, no thanks. I don’t want any part of it. When I’m older, I’m just going to do my own thing. If I like a boy, fine, I’ll date him, but I’m not going to sit at home and cry over him. I cry over important things.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Kitty's always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The short story is, we grew up together. But that's more Josh's and my story. High school sweet-hearts? That's Peter and Gen's story. So what's ours, then? I suppose I'll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Wait, I thought I was your dream guy,' Peter says. Not to me, to Kitty. He knows he's not my dream guy. My dream guy is Gilbert Blythe from Anne of Green Gables. Handsome, loyal, smart in school.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You asked me in Paris how many women I'd loved. I said one. I should have said two." He cupped her cheek, his thumb rubbing over her bottom lip. "As a child I loved my mother, and as a man I love you.
Kitty French (Knight & Stay (Knight, #2))
Oh, I used to lie all the time as a kid." I didn't think of it as lying, though. I thought of it as playing make-believe. I told Kitty she was adopted and her real family was in a traveling circus. It's why she took up gymnastics.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Lara: Because sometimes you just feel sad and you can't explain it. Kitty: PMS? Lara: No.It's not PMS. Just because a girl is sad, it doesn't mean it has anything to do with PMS.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
That’s Carlos?” Phineas lowered his sword and whistled under his breath. “Hello, kitty.
Kerrelyn Sparks (All I Want for Christmas is a Vampire (Love at Stake, #5))
He's a bully. I love bullies. They have such big, shiny red buttons to push.
Carrie Vaughn (Kitty and the Silver Bullet (Kitty Norville, #4))
She’s wonderful. Tell her I’ve never seen such beautiful hands. I wonder what she sees in you.” Waddington, smiling, translated the question. “She says I’m good.” “As if a woman ever loved a man for his virtue,” Kitty mocked.
W. Somerset Maugham (The Painted Veil)
He definitely likes her," Kitty agrees, her mouth full. "He . . . he looks at you a lot, Lara Jean. When you're not paying attention. He looks at you, to see if you're having a good time.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
But you never said anything! Not one frigging word, Lara Jean!” Automatically I say, “Don’t say ‘frig.’ ” “Not one frigging word,” Kitty repeats with a shake of her head. Peter cracks up, and I give him a dirty look. “It all happened really fast,” he offers. “There was barely time to tell anybody—” “Was I talking to you?” Kitty snaps. “No, I don’t think so. I was talking to my sister.” Peter’s eyes widen, and I can see him trying to keep a straight face.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I love every beautiful fucking inch of you, Sophie Black.
Kitty French (Knight & Stay (Knight, #2))
You asked me in Paris how many women I'd loved. I said one. I should have said two." He cupped her cheek, his thumb rubbing over her bottom lip. "As a child I loved my mother, and as a man I love you.
Kitty French (Knight & Play (Knight, #1))
I don’t love you,” he ground out, biting her lip. Sophie wound her arms around his neck, her fingers in his hair as she kissed him gently. “I don’t love you either,” she whispered, holding him close and rocking the last ebbs of pleasure out of him. “I don’t love you either.
Kitty French (Knight & Stay (Knight, #2))
Was i on five or six? "Peter! You made me lose my count again!" "I have that effect on women." I roll my eyyes at him and he grins back at me, but before he can say anything else, I yell," Kitty! Get down here!
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
No lies, remember? I'm dead fucking serious here. I am like, head over friggin' heels, butterflies and puppies, hearts and fucking kitty cats in love with you.
C.M. Stunich (Finding Never (Tasting Never, #2))
Quit it," Kitty warns. "We're not getting a cat. Cats are blah. They're also very manipulative
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I look at Kitty, who's braiding Chris's hair in microbraids. She's being extra quiet so we forget she's here and don't kick her out. 'I think that as long as you're ready and it's what you want to do and you're protecting yourself, then it's okay and you should do what you want to do.' Margot says, 'Society is far too caught up in shaming a woman for enjoying sex and applauding a man. I mean, all of the comments are about how Lara Jean is a slut, but nobody's saying anything about Peter, and he's right there with her. It's a ridiculous double standard.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Lara Jean, why do you have to remember every little thing? It's not healthy.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You want me. And I’m here, now, saying I want you too, saying I love you, and I don’t know where the hell it’ll end up, but I’m brave enough to say that right now you’re my everything. You’ve opened my eyes, and my body, and my heart so much more than I knew existed, and you make me feel beautiful, and protected, and adored, and I don’t think you could do all of those things if you didn’t love me back.
Kitty French (Knight & Stay (Knight, #2))
The only thing you're safe from is everyone and everything else. I can protect you from literally anything but myself. Pray that i don't love you, Juliette. I'm scared of what will happen to you if i do" - The Last Girl
Kitty Thomas
Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.
Philippa Gregory
But Levin was in love, and so it seemed to him that Kitty was so perfect in every respect that she was a creature far above everything earthly; and that he was a creature so low and so earthly that it could not even be conceived that other people and she herself could regard him as worthy of her.
Leo Tolstoy (Anna Karenina)
Kitty looked into his face, which was so close to her own, and long afterwards—for several years after—that look, full of love, to which he made no response, cut her to the heart with an agony of shame.
Leo Tolstoy (Anna Karenina)
You fit me, Kara,” he said. “You know every fucked up part of me, and you still see someone you can love.
Kitty French (Knight & Day (Knight, #3))
I make jewelry. I drink caramel machiattos. I wear Hello Kitty to bed. Of course I love romantic comedies,' I said with a smile as we neared my house. But I didn’t just love them. I wanted to live within them. I wanted a love like in the movies.
Lauren Blakely (Caught Up in Us (Caught Up in Love, #1))
They were talking more distantly than if they were strangers who had just met, for if they had been he would have been interested in her just because of that, and curious, but their common past was a wall of indifference between them. Kitty knew too well that she had done nothing to beget her father's affection, he had never counted in the house and had been taken for granted, the bread-winner who was a little despised because he could provide no more luxuriously for his family; but she had taken for granted that he loved her just because he was her father, and it was a shock to discover that his heart was empty of feeling for her. She had known that they were all bored by him, but it had never occurred to her that he was equally bored by them. He was as ever kind and subdued, but the sad perspicacity which she had learnt in suffering suggested to her that, though he probably never acknowledged it to himself and never would, in his heart he disliked her.
W. Somerset Maugham (The Painted Veil)
It was sex, it was fucking, and it was making love. It was life in glorious technicolour, full of promise and joy. The best of all worlds, with the best of all men.
Kitty French (Knight & Stay (Knight, #2))
Let us roam then, you and I, When the evening is splayed out across the sky [...] Paths that follow like a nagging accusation Of a minor violation To lead you to the ultimate reproof ... Oh, do not say, 'Bad kitty!' Let us go and prowl the city. In the rooms the cats run to and fro Auditioning for a Broadway show." (From The Love Song of J. Morris Housecat)
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
Buttering a roll, my dad says, “I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He . . . he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
So maybe she's got a little bit of me in her after all. Kitty continues. "We could put red food coloring in the syrup, too, to make it look like blood. A bloody heart!" No, never mind. Kitty is all her own.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Mitch, Mitch, Mitch. If I stay, you’ll only fall madly in love with me like so many men before you.” “It’s you we have to worry about,” he sighed out. “You’ve already been trapped in my erotic web of lust. Might as well give it up to the daddy of all cats.” Grinning, Sissy stretched out next to Mitch, her arm thrown over his waist. “You keep on dreamin’ that dream, kitty.” “I will. I own ponies in that dream, too.
Shelly Laurenston (The Mane Attraction (Pride, #3))
You motherfucking kitties need to step the fuck off!
Christopher Moore (Bite Me (A Love Story, #3))
Mud ? They're going to put mud on my face ?" "You'll love it." "Whenever the kitties and I played stalk and pounce and we ended up muddy, everyone frowned about it." Surreal grunted softly. Only Jaenelle referred to Jaal and Kaelas, a full-grown tiger and an eight-hundred-pound Arcerian cat, as "the kitties"... or voluntarily played games with them to keep their predatory skills honed. "So why is this mud different ?" Jaenelle grumbled. Stretched out on the other table, Surreal turned her head and opened one eye. "It's expensive.
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
Passion is destructive. It destroyed Antony and Cleopatra, Tristan and Isolde, Parnell and Kitty O'Shea. And if it doesn't destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted the years of one's life, that one's brought disgrace upon oneself, endured the frightful pang of jealousy, swallowed every bitter mortification, that one's expended all one's tenderness, poured out all the riches of one's soul on a poor drab, a fool, a peg on which on hung one's dreams, who wasn't worth a stick of chewing gum.
W. Somerset Maugham (The Razor’s Edge)
Fucking, drinking, smoking, loving, living, freebasing, spending, laughing, crying, working, falling apart, kissing, writing, blacking out.
Jardine Libaire (Here Kitty Kitty)
I die a Queen, but I would rather die the wife of Culpepper
Katherine "Kitty" Howard
We may have agreed to end it kitty , but that didnt inlcude being warm and kind to me as a human
MKF - Screwed Life
I didn't think of it as lying. I thought of it as playing make-believe. I told Kitty she was adopted and her real family was in a travelling circus. It's why she took up gymnastics
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
New Year's Eve. It's a promise of a night. Single, married or widowed, in love, loveless or lovelorn, we all leave our apartments and pick through snow in high heels, or descend subway stairs in tuxedos, lured to wherever we're going--whether we know it or not, would deny it or not--by the kiss of a stranger.
Jardine Libaire (Here Kitty Kitty)
He's my family, and you don't just push family aside for some itch you want to scratch. That's not how real love works. Real love is support, even when you're fighting. Real love in honesty, even when the truth hurts like hell. Real love is being there through every miserable minute and every indefinite minute.
Aimee Carter (Queen (The Blackcoat Rebellion, #3))
Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.
Paul Auster (Moon Palace)
She didn't want to be someone they could care for. She didn't want to be a Kate or a Kitty or even a Kat - all perfectly lovely, serviceable names, for perfectly lovely, serviceable people. People she already knew, at six years of age, that she didn't want to be. She was Katherine Lundy. Her family loved her as Katherine Lundy. If the children in the yard next door or on the playground couldn't find her worth loving the same way, she wasn't going to change for them.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
I know this kind of talk makes you freak out, but I'm gonna say it anyway,” Dylan said, laughing softly. “I fuckin’ love you, man.” “Jesus Christ,” Lucien muttered, … These days, their bond ran so much deeper; as close as brothers, the best of friends. He met Dylan’s eye in a moment of silent acknowledgement, then shuddered despite the warmth of the evening. “And now I feel like we just had sex.
Kitty French (Knight & Day (Knight, #3))
You want me. And I’m here, now, saying I want you too, saying I love you, and I don’t know where the hell it’ll end up, but I’m brave enough to say that right now you’re my everything. You’ve opened my eyes, and my body, and my heart so much more than I knew existed, and you make me feel beautiful, and protected, and adored, and I don’t think you could do all of those things if you didn’t love me back.
Kitty French (Knight & Stay (Knight, #2))
She'd half loved men, and they'd half failed her.
Jardine Libaire (Here Kitty Kitty)
He made you believe you’d have lovely things and live kinkily ever after, didn’t he?
Kitty Thomas (Tender Mercies)
He’s a bully. I love bullies. They have such big, shiny red buttons to push.” He was such a lawyer.
Carrie Vaughn (Kitty and the Silver Bullet (Kitty Norville, #4))
Pleasure so exquisite that her entire body thrummed with it, and emotions so expansive and consuming that she didn't know where Lucien ended and she began.
Kitty French (Knight & Play (Knight, #1))
I could love you, Dylan Day.” He kissed her again, open-mouthed, his hands in her hair. “I could love you too.
Kitty French (Knight & Day (Knight, #3))
How little it takes to make a young girl happy! A pretty dress, sunshine, and somebody opposite, and they are blest.
Louisa May Alcott (Kitty's Class Day and Other Stories)
Would you - would you like to marry me, Kitty?' Lord Radcliffe - James - asked, voice like gravel. She gave a helpless little laugh at the absurdity of the question - as if he did not know. 'I would,' she said. 'But first, I feel I must inform you that I come with four sisters, a badly leaking roof, and a veritable ocean of debt.' He had started to smile now, and once begun it did not seem to stop, overtaking his whole face. “I thank you for your honesty,’ he said cordially, and she laughed. ‘May I reassure you that I am desperate to meet your other sisters, the roof sounds charmingly rustic, and the debt does not faze me.’ He paused. ‘Of course, I understand that you will need to see my accounts before committing yourself,’ he went on, and she laughed again, loud and bright. ‘I’m sure that won’t be necessary,’ she said. ‘As long as you can promise you’re absurdly rich and you’ll pay off all my family’s debts.’ ‘I am absurdly rich,’ he repeated. ‘And I will pay off all your family’s debts.’ ‘Why then by all means,’ she said, grinning up at him, ‘I would indeed like to marry you.
Sophie Irwin (A Lady's Guide to Fortune-Hunting (A Lady's Guide, #1))
Oh man, Alex. That's sad. Seriously, mate, go get yourself laid." "What?" He gave Baldrick a quick kiss on his little head--he didn't care how stupid he looked, he loved his ugly cat--and put him down on his kitty bed in the corner. "Isn't that what single sad people do--get cats when they've given up on human companionship?
L.A. Gilbert (The Ghost on My Couch)
She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong. Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm.
Leo Tolstoy (Anna Karenina)
But then she says, "What if we use our cookie cutter to make heart-shaped pancakes instead? And put in red food coloring?" I beam at her. "Attagirl!" So maybe she's got a little bit of me in her after all. Kitty continues. "We could put red food coloring in the syrup, too, to make it look like blood. A bloody heart!
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I have noticed more than once in life that a taste for the ineffably twee can go hand-in-hand with a distinctly uncharitable outlook on the world. I once shared an office with a woman who had covered the wall space behind her desk with pictures of fluffy kitties; she was the most bigoted, spiteful champion of the death penalty with whom it has ever been my misfortune to share a kettle. A love of all things saccharine often seems present where there is a lack of real warmth or charity.
J.K. Rowling (Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists (Pottermore Presents, #2))
People are always thinking they can use the Lord to get their own way-- all they have to do is pray and God's gonna take away all their suffering and give them what they whatever they ask for. But it don't work that way. God's doing His business, and it's up to us to be serving Him, not the other way around." Then why do people pray at all? My papa asked Jesus to help him escape with me when I was just a little girl. But Jesus didn't help us." Praying ain't about asking for your own way. It's all about talking things over with God, just like you and me are talking things over. In the end, you have to be trusting the Lord to do what's best." So the Lord thought it was best that my papa died and my mama was sold?" Delia slowly shook her head. "I don't know, honey, I just don't know. The hardest thing of all to understand is why a loving God keeps letting us suffer... I don't know all the answers myself. I seen my share of suffering, believe me. But there two things I do know for sure. One is that God loves us... And the second thing is that God's always in control of everything that happens. When bad things come our way and it starts looking like He don't love us, all I can say is that maybe we ain't knowing everything He knows." Kitty's tears started falling again. "I still don't understand." Remember what you told me about the fighting up in Charleston? How you was standing on that porch, not able to see what's going on? This here's the same thing. We're standing in the smoke, hearing the noise [of the battle] all around us, and we don't know what God's doing because we can't see things clearly as He sees them. But He's gonna make everything turn our okay when the smoke clears. When it does, God's gonna be the winner and all our suffering here on earth is gonna finall make sense. We're gonna look in Jesus' face and say, 'O Lord, it was worth it all.
Lynn Austin (A Light to My Path (Refiner's Fire, #3))
The simmering lust, the raging interest exploded into love. Who wouldn’t fall in love with a man who took the time to feed a homeless kitty? She held that image against her heart like a secret jewel. Only she knew about it, she was sure. Those girls Liam might’ve slept with, girls who left their panties in his locker or wrote things about him on the bathroom walls…they didn’t know what Posey knew— Liam Declan Murphy was not just the hottest thing ever to grace Bellsford High…he was a softy, too.
Kristan Higgins (Until There Was You)
Anna Karenina was about how there were two kinds of men: men who liked women (Vronsky, Oblonsky) and men who didn’t really like women (Levin). Vronsky made Anna feel good about herself, at first, because he loved women so much, but he didn’t love her in particular enough, so she had to kill herself. Levin, by contrast, was awkward, boring, and kind of a pain, seemingly more interested in agriculture than in Kitty, but in fact he was a more reliable partner, because in the bottom of his heart he didn’t really like women. So Anna made the wrong choice and Kitty made the right choice.
Elif Batuman (The Idiot)
So much of love is chance. There’s something scary and wonderful about that. If Kitty had never sent those letters, if I hadn’t gone to the hot tub that night, it might’ve been him and Gen. But she did send those letters, and I did go out there. It could have happened lots of ways. But this is the way it happened. This is the path we took. This is our story.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Kitty used to hoard raisins; she was probably the most regular kid in kindergarten.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
In truth, if Kitty's anyone, she's a Jefferson. Wily, stylish, quick with a comeback. Margot's an Angelica, no question. She's been sailing her own ship since she was a little girl. She's always known who she was and what she wanted. I suppose I'm an Eliza, though I'd much rather be an Angelica. In truth I'm probably And Peggy. But I don't want to be the And Peggy of my own story. I want to be the Hamilton.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Peter, when Lara Jean’s gone, will you still come visit me sometimes ?” “Course I will.” “Even if you guys break up ?” There’s a pause. “We’re not breaking up.” “But if you do ?” she presses. “We won’t.” She ignores this. “Because we never see Josh anymore, and he said he’d visit too.” Peter scoffs. “Are you kidding me ? You think I’m the same as Sanderson ? Me ? I’m a completely different league than him. I’m insulted you would even compare us.” Kitty lets out a relieved kind of laugh, the kind that sounds more like a sigh. “Yeah, you’re right.” “Trust me, kid. You and I have our own thing.” I love him so much for that I could cry. He’ll look after Kitty for me, I know he will.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
So many land mines in this new territory called adulthood. Talent has a window. Freedom sometimes becomes a trap. We may die before we finish our dreams. Acutally, that we die is a pretty big surprise by itself. We can't spend innocence without accounting. Relationships are contracts. We partner not just for love but because we become too weak to make it alone.
Jardine Libaire (Here Kitty Kitty)
And you are?” She fluttered her hand over her face and brushed a wisp of light brown hair from her brow. The governor calls me Kitty. It’d probably be best if you did, too.” What an alluring name? It makes me think of a cat with its lips covered by a luscious coat of cream.” Jack stared at Kitty’s mouth, and his tongue tingled at the idea of tasting her rich, flavorful lust. She giggled and wove her hand through the crook in his arm. The soft swell of her breast bumped against his arm. “Oh, you’re naughty, but I love the alluring image.” Then, I hope you’ll let me have a taste later.” He didn’t crowd her but allowed her to step back. She led him across the entranceway to a door on the other side. Remember she’s a princess.
Anita Philmar
You see this hand, my good right hand, do you see it, Kit?” Kitty laughed in her throat, a troubled, sunny laugh. “I’ve felt it, too, in my time.” He said mysteriously, lowering his voice again: “Women have kissed this hand.” They both turned and looked at him, startled. “Yes, Kit, yes, you disbeliever,” he said, turning to the younger girl. “Teresa won’t believe me perhaps, for she doesn’t want to love me, but women, several women have kissed this hand. Do you know how women kiss men’s hands? They take it in both their hands, and kiss it first on the back, and then each finger separately, and they hate to let go.” He burst out suddenly into a rough ringing laugh. “You would not believe that has happened—not once, but several times—to your Andrew!
Christina Stead (For Love Alone)
Passion doesn’t count the cost. Pascal said that the heart has its reasons that reason takes no account of. If he meant what I think, he meant that when passion seizes the heart it invents reasons that seem not only plausible but conclusive to prove that the world is well lost for love. It convinces you that honour is well sacrificed and that shame is a cheap price to pay. Passion is destructive. It destroyed Antony and Cleopatra, Tristan and Isolde, Parnell and Kitty O’Shea. And if it doesn’t destroy it dies.
W. Somerset Maugham (The Razor’s Edge)
Passion doesn’t count the cost. Pascal said that the heart has its reasons that reason takes no account of. If he meant what I think, he meant that when passion seizes the heart it invents reasons that seem not only plausible but conclusive to prove that the world is well lost for love. It convinces you that honour is well sacrificed and that shame is a cheap price to pay. Passion is destructive. It destroyed Antony and Cleopatra, Tristan and Isolde, Parnell and Kitty O’Shea. And if it doesn’t destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted the years of one’s life, that one’s brought disgrace upon oneself, endured the frightful pang of jealousy, swallowed every bitter mortification, that one’s expended all one’s tenderness, poured out all the riches of one’s soul on a poor drab, a fool, a peg on which one hung one’s dreams, who wasn’t worth a stick of chewing gum.
W. Somerset Maugham ("The lion of the vigilantes" William T. Coleman and the life of old San Francisco,)
The first sixth-grade assembly.” I look up at him. “Huh?” “That’s the first time I saw you. You were sitting in the row in the front of me. I thought you were cute.” I laugh. “Nice try.” It’s so endearingly Peter to make up stuff to try and sound romantic. He keeps going. “Your hair was really long and you had a headband with a bow. I always liked your hair, even back then.” “Okay, Peter,” I say, reaching up and patting him on his cheek. He ignores me. “Your backpack had your name written on it in glitter letters. I’d never heard of the name Lara Jean before.” My mouth falls open. I hot-glued those glitter letters to my backpack myself! It took me forever trying to get them straight enough. I’d forgotten all about that backpack. It was my prized possession. “The principal started picking random people to come on stage and play a game for prizes. Everybody was raising their hands, but your hair got caught in your chair and you were trying to untangle it, so you didn’t get picked. I remember thinking maybe I should help you, but then I thought that would be weird.” “How do you remember all that?” I ask in amazement. Smiling, he shrugs. “I don’t know. I just do.” Kitty’s always saying how origin stories are important. At college, when people ask us how we met, how will we answer them? The shorty story is, we grew up together. But that’s more Josh’s and my story. High school sweethearts? That’s Peter and Gen’s story. So what’s ours, then? I suppose I’ll say it all started with a love letter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I'm looking for something and I don't quite know what it is. But I know that it's very important for me to know it, and if I did it would make all the difference. Perhaps the nuns know it; when I'm with them I feel that they hold a secret which they will not share with me. I don't know why it came into my head that if I saw this Manchu woman I should have an inkling of what I am looking for. Perhaps she would tell me if she could." "What makes you think she knows it?" Kitty gave him a sidelong glance, but did not answer. Instead she asked him a question. "Do you know it?" He smiled and shrugged his shoulders. "Tao. Some of us look for the Way in opium and some in God, some of us in whisky and some in love. It is all the same Way and it leads nowhither.
W. Somerset Maugham (The Painted Veil)
Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!
Sarah Waters (Tipping the Velvet)
Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, “Go to sleep, darlings, till the summer comes again.” And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about—whenever the wind blows—oh, that’s very pretty!’ cried Alice, dropping the ball of worsted to clap her hands. ‘And I do so wish it was true! I’m sure the woods look sleepy in the autumn, when the leaves are getting brown.
Lewis Carroll (Through the Looking Glass (And What Alice Found There) (3 Books) (Annotated Edition))
In Varenka she saw that it was only necessary to forget oneself and to love others in order to be at peace, happy, and lovely. And such a person Kitty wished to be. Having now clearly understood what was most important, Kitty was not content merely to delight in it, but immediately with her whole should devoted herself to this newly-revealed life.
Leo Tolstoy (Anna Karenina)
I don’t think you should come over anymore. It’s confusing to Kitty.” Frowning, he says, “How is it confusing to Kitty?” “Because…because when our…our thing is over, she’s going to miss you.” “I’ll still see the kid around.” Peter pokes me in the stomach. “I want joint custody.” All I can think of is how patient he was with her, how sweet. Impulsively I get up on my tiptoes and kiss him on the cheek, and he jerks back in surprise. “What was that for?” My cheeks feel scalded. I say, “For being so nice to Kitty.” Then I wave good-bye and I run into the house.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Whatever you say, Grace," Kitty said, thrusting mugs of wine into everyone's hands. "Five children live in this house and it's eight years before the oldest one moves out. If I don't get some adult conversation tonight I'm going to blow my brains out." "Hear, hear," Maryellen said. "Three girls: seven, five, and four." "Four is such a lovely age," Slick cooed. "Is it?" Maryellen asked, eyes narrowing.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
Kitty made the acquaintance of Madame Stahl too, and this acquaintance, together with her friendship with Varenka, did not merely exercise a great influence on her, it also comforted her in her mental distress. She found this comfort through a completely new world being opened to her by means of this acquaintance, a world having nothing in common with her past, an exalted, noble world, from the height of which she could contemplate her past calmly. It was revealed to her that besides the instinctive life to which Kitty had given herself up hitherto there was a spiritual life. This life was disclosed in religion, but a religion having nothing in common with that one which Kitty had known from childhood, and which found expression in litanies and all-night services at the Widow's Home, where one might meet one's friends, and in learning by heart Slavonic texts with the priest. This was a lofty, mysterious religion connected with a whole series of noble thoughts and feelings, which one could do more than merely believe because one was told to, which one could love.
Leo Tolstoy (Anna Karenina)
It doesn’t matter if you don’t burn. Protect your skin so you don’t end up looking like an old leather bag.” That’s what Stormy used to tell me. Kitty giggles at “old leather bag.” “Like Mrs. Letty. Her skin is hot dog-colored.” “Well, I wasn’t talking about any one person in particular. But yeah. She should’ve worn sunscreen in her younger days. Let that be a lesson to you, my sister.” Mrs. Letty is our neighbor, and her skin hangs on her like crepe. Peter puts on his sunglasses. “You guys are mean.” “Says the guy who once toilet-papered her lawn!” Kitty giggles and steals a sip of my Coke. “You did that?” “All lies and propaganda,” Peter says blithely.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Bugger off kitty!" - Ryou "But before we begin this duel to the death, I have just one question. Could I get a hug?" - Melvin "Help! This supermodel is one of my fangirls!" - Ryou "A locked door?! Impossiblllllll- No wait, that's totally possible. What am I talking about?" - Melvin "Let's ditch the tosser!" - Ryou "What a lovely day." - Melvin "Gangway; women and shemales first!" -Ryou "This door is a bitch!" - Melvin "Can I be the main character now?" - Ryou "'STAB'. (Denied.) 'KILL'. (Denied.) 'MUTIL-' Ah dammit, there aren't enough spaces! Umm... 'PAIN'. (Denied.) Why are these the only words I know?!" - Melvin "I'm here to kick ass and drink cups of tea. And I'm all out of tea." - Ryou
Little Kuriboh Ryou and Melvin
When I wake up, just like the day before there are texts from Peter. I’m sorry. I’m a dick. Don’t be mad. I read his texts over and over. They’re spaced minutes apart, so I know he must be fretting over whether I’m still mad or not. I don’t want to be mad. I just want things to go back to how they were before. Do you want to come over for a surprise? He immediately replies: ON MY WAY. “The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.” “I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.” “Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
When I was a teen, I liked to hang out around popular girls, I thought they had some magic, secrets that only they knew and I wanted to learn it... Though pretty soon I realized... popular girls were just like spam... they promised a lot, but only thing they had and could use were their well-built bodies and ability to apply make-up here and there. Mostly they were deceptive and had no senses... they had no idea about friendship, kindness and beauty as it is. Friendship for them was not something more than poor relations, sort of like in "God Father". Love for them was not something bigger than sex. Kindness for them was to have a kitty or a dog (which was already very rare case)... And beauty for them was... well, you can imagine. Concentrated selfishness
Galina Nelson
I wanna see the dance!” “Forget about it,” I tell him. We’re in the living room; each of us has our own couch or armchair. I poured us iced teas and put out a bowl of potato chips, which we’ve already finished. “Come on,” he pouts. “Show me the dance. Please, please show me the dance.” “That’s not going to work on me, Peter.” “What’s not going to work?” I wave my hand in his Handsome Boy face. “That. I’m immune to your charms, remember?” Peter lifts his eyebrows like I’ve dared him. “Is that a challenge? ’Cause I’m warning you, you do not want to step into the ring with me. I’ll crush you, Covey.” He doesn’t take his eyes off mine for several long seconds, and I can feel my smile fade and my cheeks heat up. “Come on, Lara Jean!” I blink. Kitty. I’d forgotten she was still in the room.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
What will you do when you figure it out?” Kitty asks me, her mouth full of cookie. “Yeah, what’s the point of all this?” Peter says. “I mean, who cares if a chocolate chip cookie is eight percent better? It’s still a chocolate chip cookie.” “I’ll take pleasure in the knowledge that I am in possession of the perfect chocolate chip cookie recipe. I will pass it down to the next generation of Song girls.” “Or boys,” Kitty says. “Or boys,” I agree. To her I say, “Now go upstairs and get a big Mason jar for me to put these cookies in. And a ribbon.” Peter asks, “Will you bring some to school tomorrow?” “We’ll see,” I say, because I want to see him make that pouty face I love so much. He makes the face, and I reach up to pat his cheeks. “You’re such a baby.” “You love it,” he says, snagging another cookie.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Lovin’ in My Baby’s Eyes” is playing, and Peter takes my hand and leads me out to the lawn. We’ve never danced to this kind of song before. It’s the kind of song where you sway together and make a lot of eye contact and smile. It feels different, like we’re already older versions of Peter and Lara Jean. Across the dance floor, Trina and Kitty and Margot are dancing in a circle, with Grandma in the middle. Haven is dancing with my dad. She catches my eye and mouths, He’s so cute. Peter, not my dad. He is. He is so, so cute. I will never forget tonight, not for as long as I live. One day, if I’m lucky, I’ll tell some young girl all my stories, just like Stormy told me hers. And I’ll get to live them again. When I’m old and gray, I will look back on this night, and I will remember it just as it was. Is. We’re still here. It’s not the future yet.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
When someone’s been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it’s like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you’re just clutching air and grit. That’s why you can’t save it all up like that. Because by the time you finally see each other, you’re catching up only on the big things, because it’s too much bother to tell about the little things. But the little things are what make up life. Like a month ago when Daddy slipped on a banana peel, a literal banana peel that Kitty had dropped on the kitchen floor. Kitty and I laughed for ages. I should have e-mailed Margot about it right away; I should have taken a picture of the banana peel. Now everything feels like you had to be there and oh never mind, I guess it’s not that funny.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
From the moment Leo comes on screen in that navy blue suit, I have chest palpitations. He’s like an angel, a beautiful, damaged angel. “What’s he so stressed out about?” Peter asks, reaching down and stealing a handful of Kitty’s popcorn. “Isn’t he a prince or something?” “He’s not a prince,” I say. “He’s just rich. And his family is very powerful in this town.” “He’s my dream guy,” Kitty says in a proprietary tone. “Well, he’s all grown up now,” I say, not taking my eyes off the screen. “He’s practically Daddy’s age.” Still… “Wait, I thought I was your dream guy,” Peter says. Not to me, to Kitty. He knows he’s not my dream guy. My dream guy is Gilbert Blythe from Anne of Green Gables. Handsome, loyal, smart in school. “Ew,” Kitty says. “You’re like my brother.” Peter looks genuinely wounded, so I pat him on the shoulder. “Don’t you think he’s a little scrawny?” Peter presses. I shush him. He crosses his arms. “I don’t get why you guys get to talk during movies and I get shushed. It’s pretty bullshit.” “It’s our house,” Kitty says. “Your sister shushes me at my house too!” We ignore him in unison.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Tomorrow I want to get a New York bagel and see how it stacks up against Bodo’s.” Bodo’s Bagels are legendary in Charlottesville; we’re very proud of those bagels. Putting my head on his shoulder, I yawn and say, “I wish we could go to Levain Bakery so I could try their cookie. It’s supposed to be like no chocolate chip cookie you’ve had before. I want to go to Jacques Torres’s chocolate shop too. His chocolate chip cookie is the definitive chocolate chip cookie, you know. It’s truly legendary…” My eyes drift closed, and Peter pats my hair. I’m starting to fall asleep when I realize he’s unraveling the milkmaid braids Kitty pinned on the crown of my head. My eyes fly back open. “Peter!” “Shh, go back to sleep. I want to practice something.” “You’ll never get it back to how she had it.” “Just let me try,” he says, collecting bobby pins in the palm of his hand. When we get to the hotel in New Jersey, despite his best efforts, my braids are lumpy and loose and won’t stay pinned. “I’m sending a picture of this to Kitty so she’ll see what a bad student you are,” I say as I gather up my things. “No, don’t,” Peter quickly says, which makes me smile.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.” Disentangling myself, I give her a glare. “We aren’t doing anything private, Katherine.” “Your sister says my feet stink,” Peter says, pointing his foot in her direction. “She’s lying, isn’t she?” She deflects it with a pop of her elbow. “I’m not smelling your foot.” She shudders. “You guys are kinky.” I yelp and throw a pillow at her. She gasps. “You’re lucky you didn’t knock over my juice! Daddy will kill you if you mess up the rug again.” Pointedly she says, “Remember the nail-polish-remover incident?” Peter ruffles my hair. “Clumsy Lara Jean.” I shove him away from me. “I’m not clumsy. You’re the one who tripped over his own feet trying to get to the pizza the other night at Gabe’s.” Kitty bursts into giggles and Peter throws a pillow at her. “You guys need to stop ganging up on me!” he yells.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.” “I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.” “Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.” “The perfect cookie is best eaten while still warm, but still delicious at room temperature.” “If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal. “In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.” Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.” I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.” Rolling her eyes, she sits back down. “My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom. It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband. Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil. (Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.
Vladimir Nabokov (Lectures on Russian Literature)
Love is many things. It is silence within the whisper between softened lips. It is the bond that connects through unspoken words of hands holding on to each other. It is the 'I love you, see you soon' that brings upon the lush of warming hearts that tie together. Love is confusion mixed in with mysterious delight. Love is the path that can go many directions in your journey. You will reach so many unexpected turns but then it is the path you find that brings you to the top of the hill, with that rising sun and glow that connects your souls with the greatest of love and all the deepest pleasures that make your heart beat a little faster, smile more easy and reading each others soul through the look of bliss-filled eyes. Love can take your heart to many places, especially unexpected craziness. But all in all, love has one thing in common - it binds the true hearts that belong together and does work in mysterious, but delightful ways." Copyright © 2013 Amy Masella --- Illinois
Kittie Blessed
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces. Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.” “Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.” “Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!” “Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks. I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek. “You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The night before I leave for college, there is a Perseids meteor shower in the forecast. It’s supposed to be a good one. Peter and I are going out to the lake to watch. Kitty doesn’t say so, but she wants to come too; she’s dying to. Her whole body is rigid with wanting and not being able to ask. Any other time I would say yes. When I say good-bye, her lips twist in disappointment for just a second, but she hides it well. How hard it must be to be the youngest sometimes, to be the one left behind. In the car I feel sick with guilt for being so possessive about my time with Peter. It’s just that there’s so little time left now…I’m a terrible big sister. Margot would have brought her. “What are you thinking about?” Peter asks me. “Oh, nothing,” I say. I’m too ashamed to say out loud that I should have invited Kitty along. When I come home for fall break, we’ll do something the three of us. Peter and I will take her to the midnight show at the drive-in, and she’ll go in her pajamas and I’ll set up the backseat with a blanket for when she falls asleep. But tonight I want it to be just Peter and me, just this once. There’s no use lingering in the guilt and ruining the night, when I’ve already done the selfish deed. And if I am truly honest with myself, I would do it again. That’s how covetous I am of every last moment I have left with Peter. I want his eyes only on me; I want to talk only to him, to be just him and me for this little while longer. One day she’ll understand. One day she’ll love a boy and want to keep him all to herself and not share his attention with anyone else. “We should have let Kitty come,” I burst out suddenly. “I know,” he says. “I feel bad too. Do you think she’s mad?” “Sad, probably.” But neither of us suggests turning the car around and going back to get her. We are silent, and then we are both laughing, sheepish and also relieved. Assuredly, Peter says, “We’ll bring her next time.” “Next time,” I echo. I reach over and grab his hand, and lock my fingers around his, and he locks back, and I am comforted in knowing that tonight he feels the exact same way, and there is no distance between us.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
FRIDAY, APRIL 2, 1943 Dearest Kitty, Oh my, another item has been added to my list of sins. Last night I was lying in bed, waiting for Father to tuck me in and say my prayers with me, when Mother came into the room, sat on my bed and asked very gently, “Anne, Daddy isn’t ready. How about if I listen to your prayers tonight?” “No, Momsy,” I replied. Mother got up, stood beside my bed for a moment and then slowly walked toward the door. Suddenly she turned, her face contorted with pain, and said, “I don’t want to be angry with you. I can’t make you love me!” A few tears slid down her cheeks as she went out the door. I lay still, thinking how mean it was of me to reject her so cruelly, but I also knew that I was incapable of answering her any other way. I can’t be a hypocrite and pray with her when I don’t feel like it. It just doesn’t work that way. I felt sorry for Mother—very, very sorry—because for the first time in my life I noticed she wasn’t indifferent to my coldness. I saw the sorrow in her face when she talked about not being able to make me love her. It’s hard to tell the truth, and yet the truth is that she’s the one who’s rejected me. She’s the one whose tactless comments and cruel jokes about matters I don’t think are funny have made me insensitive to any sign of love on her part. Just as my heart sinks every time I hear her harsh words, that’s how her heart sank when she realized there was no more love between us. She cried half the night and didn’t get any sleep. Father has avoided looking at me, and if his eyes do happen to cross mine, I can read his unspoken words: “How can you be so unkind? How dare you make your mother so sad!” Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to figure out what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it! Yours, Anne
Anne Frank (The Diary of a Young Girl)
I’m just getting to the good stuff (Cressida must seduce Nigel to gain access to the spy codes!) when Josh walks out of his house to get the mail. He sees me too; he lifts his hand like he’s just going to wave and not come over, but then he does. “Hey, nice onesie,” he says as he makes his way across the driveway. It’s faded light blue with sunflowers and it ties around the neck. I got it from the vintage store, 75 percent off. And it’s not a onesie. “This is a sunsuit,” I tell him, going back to my book. I try to subtly hide the cover with my hand. The last thing I need is Josh giving me a hard time for reading a trashy book when I’m just trying to enjoy a relaxing afternoon. I can feel him looking at me, his arms crossed, waiting. I look up. “What?” “Wanna see a movie tonight at the Bess? There’s a Pixar movie playing. We can take Kitty.” “Sure, text me when you want to head over,” I say, turning the page of my book. Nigel is unbuttoning Cressida’s blouse and she’s wondering when the sleeping pill she slipped in his Merlot will kick in, while simultaneously hoping it won’t kick in too soon, because Nigel is actually quite a good kisser. Josh reaches down and tries to get a closer look at my book. I slap his hand away, but not before he reads out loud, “Cressida’s heart raced as Nigel moved his hand along her stockinged thigh.” Josh cracks up. “What the heck are you reading?” My cheeks are burning. “Oh, be quiet.” Chuckling, Josh backs away. “I’ll leave you to Cressida and Noel then.” To his back, I call out, “For your information, it’s Nigel!
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.
Kristen Ashley (Rock Chick (Rock Chick, #1))