Creation Of The Monster In Frankenstein Quotes

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We make our own monsters, then fear them for what they show us about ourselves.
Mike Carey (The Unwritten, Vol. 1: Tommy Taylor and the Bogus Identity)
Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?
Mary Wollstonecraft Shelley (Frankenstein)
Monsters aren’t born, ever. They’re made, piece by piece and limb by limb, artificial creations of madmen who, like the misguided Frankenstein, always think they know better.
Christina Dalcher (Vox)
I learned that the possessions most esteemed by your fellow-creatures were, high and unsullied descent united with riches. A man might be respected with only one of these acquisitions; but without either he was considered, except in very rare instances, as a vagabond and slave, doomed to waste his powers for the profit of the chosen few. And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endowed with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded their's. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?
Mary Wollstonecraft Shelley (Frankenstein, Or The Modern Prometheus)
I sometimes think of how the nigger crawled from the newly forming white imagination as a denial of everything that was enlightened and human. I also think about how Frankenstein is the name of the scientist and not the monster, but the monster soon came to be identified by his inventor’s name. “Whiteness,” in the same way, may be the true nigger. Stitching together a warped reflection of yourself, each piece a rejected part of your own body, the creation is made from you, not just by you—a despised version of all your imperfections. Like the monster Frankenstein, the nigger is kept animate as much by the white fear of becoming, or, in a manner, of always having been, the thing it hates most, as by a competing fear: that it should lose control of a part of itself, yes, a black part, and a despised part, too. The loss of control is glimpsed in the black desire to be anything except the nigger that whiteness has made black folk out to be. Yet
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
Capital exists because we create it. We created it yesterday (and every day for the last two hundred years or so). If we do not create it tomorrow, it will cease to exist. Its existence depends on the constant repetition of the process of exploitation (and of all the social processes that make exploitation possible). It is not like Frankenstein's creature. It does not have an existence independent of our doing. It does not have a duration, a durable independent existence. It only appears to have a duration. The same is true of all the derivative forms of capital (state, money, etc.). The continuity of these monsters (these forms of social relations) is not something that exists independent of us: their continuity is a continuity that is constantly generated and re-generated by our doing. The fact that we have reasons for generating capital does not alter the fact that capital depends for its existence from one day to the next, from one moment to the next, on our act of creation. Capital depends upon us: that is the ray of hope in a world that seems so black.
John Holloway
And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endowed with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded their’s. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?
Mary Wollstonecraft Shelley (Frankenstein)
Latour’s entreaty to “love your monsters” has become a rallying cry in certain green circles, particularly among those most determined to find climate solutions that adhere to market logic. And the idea that our task is to become more responsible Dr. Frankensteins, ones who don’t flee our creations like deadbeat dads, is unquestionably appealing. But it’s a terribly poor metaphor for geoengineering. First, “the monster” we are being asked to love is not some mutant creature of the laboratory but the earth itself. We did not create it; it created—and sustains—us. The earth is not our prisoner, our patient, our machine, or, indeed, our monster. It is our entire world. And the solution to global warming is not to fix the world, it is to fix ourselves.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
The analytical mind, made from shattered pieces. The illogical soul, found in a junk drawer. The optimistic heart, a stray taken in. We are the products of our own creation, We’re Frankenstein, and his Monster, Geppetto, and Pinocchio, Pan, and Hook, Alice and the Hatter, The Kings and Queens of broken things on the island of misfit toys.
Cody Edward Lee Miller
literature is full of stories where humans create something in a burst of optimism and then lose control of their creation. Dr Frankenstein creates a monster only for it to escape from him and commit murder. Aza [Raskin] began to think about these stories when he talked with his friends who were engineers working for some of the most famous websites in the world. He would ask them basic questions like why their recommendation engines recommend one thing over another and, he said to me, 'They're like: we're not sure why it's recommending those things.' They're not lying - they have set up a technology that is doing things they don't fully comprehend. He always says to them: 'Isn't that exactly the moment, in the allegories, where you turn the thing off - [when] it's starting to do things you can't predict?
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
As one learns from Mary Shelley’s Frankenstein—and all the media that has since made that story its ancestor—a creation’s first act is to free itself of its creator, violently if necessary.
Thomm Quackenbush (The Curious Case of the Talking Mongoose)
He’d been called “monster” since the day of his creation. Words like “witchcraft” were screamed in his presence as villagers would rise up in an attempt to capture and burn him.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))