Deadly Detention Quotes

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It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
What is it, I wonder, that they hope to Correct? I am what I am, irredeemably, irretrievably, implacably — as are most of my fellow desperadoes here in Correctional Facility. We are monsters.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
I experienced, moreover, one form of suffering which is perhaps the sharpest, the most painful that can be experienced in a house of detention cut off from law and liberty. I mean forced association. Association with one's fellow men is to some extent forced everywhere and always; but nowhere is it so horrible as in a prison, where there are men with whom no one would consent to live.
Fyodor Dostoevsky (The House of the Dead)
Listen. Dead people never stop talking. Maybe because death is not death at all, just a detention after school. You know where you’re coming from and you’re always returning from it. You know where you’re going though you never seem to get there and you’re just dead. Dead.
Marlon James (A Brief History of Seven Killings)
Listen. Dead people never stop talking. Maybe because death is not death at all, just a detention after school. You know where you’re coming from and you’re always returning from it. You know where you’re going though you never seem to get there and you’re just dead. Dead.
Marlon James (A Brief History of Seven Killings)
For a long minute he gazed at her, his eyes searching the features of that face he'd grown to love so deeply over the years, his memory bringing up images of the past as he did so. The young determination in her face as, in the middle of a blazing firefight, she'd grabbed Luke's blaster rifle away from him and shot them an escape route into the Death Star's detention-level garbage chute. The sound of her voice in the middle of deadly danger at Jabba's, helping him through the blindness and tremor and disorientation of hibernation sickness. The wiser, more mature determination visible through the pain in her eyes as, lying wounded outside the Endor bunker, she had nevertheless summoned the skill and control to coolly shoot two stormtroopers off Han's back. And he remembered, too, the wrenching realization he'd had at that same time: that no matter how much he tried, he would never be able to totally protect her from the dangers and risks of the universe. Because no matter how much he might love her--no matter how much he might give of himself to her--she could never be content with that alone. Her vision extended beyond him, just as it extended beyond herself, to all the beings of the galaxy. And to take that away from her, whether by force or even by persuasion, would be to diminish her soul. And to take away part of what he'd fallen in love with in the first place.
Timothy Zahn (Dark Force Rising (Star Wars: The Thrawn Trilogy, #2))
It was my norm to go to events high. I passed my driver’s exam high on weed, and I had intentionally gone to detention shrooming, just to see if I could do it without getting caught. I was determined to convince the world that every form of drug use should be legalized, determined to overthrow the authorities by proving their fickle policies futile. I was an advocate of anarchy, dead set on self-satisfaction. As a result, I went through most of high school either high, drunk, or locked up, with some sort of crumbled prescription up my nose.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
I experienced , moreover, one form of suffering which is perhaps the sharpest, the most painful that can be experienced in a house of detention cut from law and liberty. I mean forced association.
Fyodor Dostoevsky (The House of the Dead)
The future is dark,” I said. “But what if—what if this darkness is not the darkness of the tomb but the darkness of the womb? What if our America is not dead but a country that is waiting to be born? What if the story of America is one long labor? What if all of our grandfathers and grandmothers are standing behind us now, those who survived occupation and genocide, slavery and Jim Crow, detentions and political assault? What if they are whispering in our ear, ‘You are brave’? What if this is our nation’s greatest transition?” The
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
Another scene from universal myth unfolds -- here powerfully reminiscent of the Underworld quests of Orpheus for Eurydice and of Demeter for Persephone. The ancient Japanese recension of this mysteriously global story is given in the Kojiki and the Nihongi, where we read that Izanagi, mourning for his dead wife, followed after her to the Land of Yomi in an attempt to bring her back to the world of the living: 'Izanagi-no-Mikoto went after Izanami-no-Mikoto and entered the Land of Yomi ... So when from the palace she raised the door and came out to meet him, Izanagi spoke saying; 'My lovely younger sister! The lands that I and thou made are not yet finished making; so come back!' Izanami is honoured by Izanagi's attention and minded to return. But there is one problem. She has already eaten food prepared in the Land of Yomi and this binds her to the place, just as the consumption of a single pomegranate seed binds Persephone to hell in the Greek myth. Is it an accident that ancient Indian myth also contains the same idea? In the Katha Upanishad a human, Nachiketas, succeeds in visiting the underworld realm of Yama, the Hindu god of Death (and, yes, scholars have noted and commented upon the weird resonance between the names and functions of Yama and Yomi). It is precisely to avoid detention in the realm of Yama that Nachiketas is warned: 'Three nights within Yama's mansion stay / But taste not, though a guest, his food.' So there's a common idea here -- in Japan, in Greece, in India -- about not eating food in the Underworld if you want to leave. Such similarities can result from common invention of the same motif -- in other words, coincidence. They can result from the influence of one of the ancient cultures upon the other two, i.e. cultural diffusion. Or they can result from an influence that has somehow percolated down to all three, and perhaps to other cultures, stemming from an as yet unidentified common source.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
The major failing was that during the last years of the Batista régime, Cuba became extremely corrupt. Havana became America’s adult playground and tourists were bringing in the “Yankee Dollar.” Construction companies with the right connections were busy building new gambling casinos and hotels. Girly shows, prostitution and gaming became widespread and people in the service industry made a good income. Those people that were involved in politics or supported Batista’s rise in wealth were raking in money beyond their wildest imagination. While the good times rolled, in the Sierra Maestra Mountains things were fermenting and the revolutionaries were gaining strength. Young people throughout the island were becoming actively involved. Older people, tired of the corruption and decadence, silently supported Fidel Castro. They may not have known what was in store for them, but they did know that Batista and his followers had hijacked their country, and they were willing to back the fresh wind blowing down from the mountains. As the revolution heated up, the Policía Nacional and Batista’s spy network headed by the Military Intelligence Service, Servicio de Inteligencia Militar, resorted to torture and executions. The newspapers always cited that the bodies found alongside remote roads, railroad tracks or ditches, were shot by unknown persons. The bombs that were heard exploding at night reminded people that these were not normal times. Political enemies of the régime were rounded up and taken to police detention centers located around Havana. Special tribunals, Tribunales de Urgencia, were set up to deal with these prisoners. Since these jails were under the control of the local police, there was little or no accountability. Notorious police precincts such as the ones commanded by Captains Ventura and Carratalá prided themselves on the torturous pain they could inflict, using extremely imaginative methods. Most Cubans feared the police and it seemed that everyone knew of someone who had fallen into their clutches, many of whom were later found dead.
Hank Bracker