Waist Getting Smaller Quotes

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My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down
George Seferis
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
What’s next?” I want to tell her it’s not a game; my fears aren’t thrilling rides she gets to go on. But she probably doesn’t mean it that way. “It’s--” The wall comes from nowhere, slamming into her back, my back, both our sides. Forcing us together, closer than we’ve ever been before. “Confinement,” I say, and it’s worse than usual with her in here, taking up half the air. I groan a little, hunching over her. I hate it in here. I hate it in here. “Hey,” she says. “It’s okay. Here--” She pulls my arm around her. I’ve always thought of her as spare, not an ounce of extra anything on her. But her waist is soft. “This is the first time I’m happy I’m so small,” she says. “Mmhmm.” She’s talking about how to get out. Fear-landscape strategy. I am trying to focus on breathing. Then she pulls us both down, to make the box smaller, and turns so her back is against my chest, so I’m completely wrapped around her. “This is worse,” I say, because with my nervousness about the box and my nervousness about touching her combined, I can’t even think straight. “This is definitely…” “Shh. Arms around me.” I wrap my arms around her waist, and bury my face in her shoulder. She smells like Dauntless soap, and sweet, like apple. I’m forgetting where I am.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Hey,” she says. “It’s okay. Here--” She pulls my arm around her. I’ve always thought of her as spare, not an ounce of extra anything on her. But her waist is soft. “This is the first time I’m happy I’m so small,” she says. “Mmhmm.” She’s talking about how to get out. Fear-landscape strategy. I am trying to focus on breathing. Then she pulls us both down, to make the box smaller, and turns so her back is against my chest, so I’m completely wrapped around her. “This is worse,” I say, because with my nervousness about the box and my nervousness about touching her combined, I can’t even think straight. “This is definitely…” “Shh. Arms around me.” I wrap my arms around her waist, and bury my face in her shoulder. She smells like Dauntless soap, and sweet, like apple. I’m forgetting where I am. She’s talking about the fear landscape again, and I’m listening, but I’m also focused on how she feels. “So try to forget we’re here,” she finishes. “Yeah?” I put my mouth right up against her ear, on purpose this time, to keep the distraction going, but also because I get the feeling I’m not the only one who’s distracted. “That easy, huh?” “You know, most boys would enjoy being trapped in close quarters with a girl.” “Not claustrophobic people, Tris!
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
GOOD ENERGY BIOMARKERS AND MOVEMENT When you’re striving to be part of the 6.8 percent of metabolically healthy Americans, regular movement will help you get there. Research shows that exercise improves all five of the following basic biomarkers of metabolism: Glucose Levels Above 100 mg/dL: Twelve-week exercise programs of either high-intensity running (40 minutes per week) or low-intensity running (150 minutes per week) both brought participants’ blood sugar from the prediabetic range (100 mg/dL or greater) to the nondiabetic range (<100 mg/dL). HDL Cholesterol Less Than 40 mg/dL: A 2019 review of the literature showed that exercise increased HDL cholesterol, “with exercise volume, rather than intensity, having a greater influence.” Meanwhile, “raising HDL levels pharmacologically has not shown convincing clinical benefits.” Triglycerides Above 150 mg/dL: Numerous studies have demonstrated that physical activity effectively lowers triglyceride levels. In a 2019 study, an eight-week moderate aerobic exercise program significantly reduced triglyceride levels in participants. Furthermore, even a single session of intense aerobic exercise has been found to decrease triglyceride levels the following day. This positive effect could be due to the increased activity of hepatic lipase in the liver, an enzyme that facilitates the absorption of triglyceride from the bloodstream. Blood Pressure of 130/85 mmHg or Higher: Research has shown the effects of exercise among populations with high blood pressure were similar to the effects of commonly used medications. A Waistline of More Than 35 Inches for Women and 40 Inches for Men: Not surprisingly, regular exercise can help decrease obesity by increasing energy expenditure and promoting weight loss. Research shows a clear inverse relationship between the amount of movement people do each week and the size of their waistline: more movement, smaller waist circumference. What’s more, lower activity (fewer than 5,100 steps per day) yields a 2.5 times higher risk of central obesity than higher activity (more than 8,985 steps per day).
Casey Means (Good Energy: The Surprising Connection Between Metabolism and Limitless Health)
Someone’s here.” He opened the folding door to the closet. I hesitated. Even thinking about being in such a small place made my skin crawl. I glanced at the window instead, but he shook his head. No time for that. The closet was even smaller than it looked. Daniel went in first and I had to back in. To get the door closed, he had to put his arm around my waist and pull me against him. “Just relax,” he said, his breath hot against my ear. His hand slid to rest against my hip. He stayed bent over my shoulder, as if trying to see through the slats in the door, his breath ruffling my hair. When I shifted, he put his other hand on my other hip. I shifted again. “Stop squirming,” he said. “I didn’t wear my steel-toed boots.” I stepped off his foot. “Sorry.” “I know you hate small places. Just close your eyes and relax.” I did and focused on the light footsteps. Chief Carling? Drawers opened and shut. Papers rustled. The intruder finished in the living room and went into the bedroom. More searching. Now Daniel was the one getting restless, fidgeting and shifting. When I tried to pull away to give him room, he jumped like I’d startled him, then murmured, “Just relax,” like I’d been the one fussing.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
The Faceless Man and I, hidden in the back of a dark, crowded room while someone onstage pleasured themselves? I didn’t think I could get through five minutes without hiking my skirt to my waist and planting myself on his lap, still facing the stage so we could both watch while he fucked me from behind. I ran my free hand over my breasts, cupping and kneading them, fingers bouncing over my tightened nipples in a way that sent sparks racing straight to my core. My other hand gripped the base of the vibrator as I braced the tip of it at my entrance and turned it on. The main source of it was located at the bottom of the device, where a second, smaller nub stuck out that would lie flush against my clit when it was all the way in, but the vibration was so strong that just the head of it felt good against my aching center.
Navessa Allen (Lights Out)