Cottage Prayer Quotes

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I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Now I would solicit the particular attention of those numerous people who imagine that money is everything in this world, and that rank and ability are inseparable from wealth: let them observe that Cincinnatus, the one man in whom Rome reposed all her hope of survival, was at that moment working a little three-acre farm (now known as Quinctian meadows) west of the Tiber, just opposite the spot where the shipyards are today. A mission from the city found him at work on his land - digging a ditch, maybe, or ploughing. Greetings were exchanged, and he was asked - with a prayer for God's blessing on himself and his country - to put on his toga and hear the Senate's instructions. This naturally surprised him, and, asking if all were well, he told his wife Racilia to run to their cottage and fetch his toga. The toga was brought, and wiping the grimy sweat from his hands and face he put it on; at once the envoys from the city saluted him, with congratulations, as Dictator, invited him to enter Rome, and informed him of the terrible danger of Minucius's army.
Livy (The History of Rome, Books 1-5: The Early History of Rome)
Her faith was too weak; the prayer too heavy to be thus uplifted. It fell back, a lump of lead, upon her heart. It smote her with the wretched conviction, that Providence intermeddled not in these petty wrongs of one individual to his fellow, nor had any balm for these little agonies of a solitary soul, but shed its justice, and its mercy, in a broad, sunlike sweep, over half the universe at once. Its vastness made it nothing. But Hepzibah did not see, that, just as there comes a warm sunbeam into every cottage-window, so comes a love-beam of God's care and pity, for every separate need.
Nathaniel Hawthorne (The House of the Seven Gables)
Returning to the arched window, she lifted her eyes- scowling, poor dim-sighted Hepzibah, in the face of heaven!- and strove hard to send up a prayer through the dense grey pavement of clouds. Those mists had gathered , as if to symbolize a great, brooding mass of human trouble, doubt, confusion, and chill indifference, between earth and the better regions. Her faith was too weak; the prayer to heavy to be thus uplifted. It fell back, a lump of lead, upon her heart. It smote her with the wretched conviction that Providence intermeddled not in these petty wrongs of one individual to his fellow, nor had any balm for these little agonies of a solitary soul; but shed it's justice , and it's mercy, in a broad, sunlike sweep, over half the universe at once. It's vastness made it nothing. But Hepzibah did not see that, just as there comes a warm sunbeam into every cottage window, so comes a lovebeam of God's care and pity for every separate need
Nathaniel Hawthorne (The House of the Seven Gables)
CHURCH WINDOWS ARE MY MIRRORS Blessed are the scars and the holiness of our hearts. Only saints break it without remorse for sinners, I expect nothing else but playing their part with our gentle soul. Church windows are my mirrors and prayers my gate to heavens end - I find everything by losing myself-nothing was ever lost from the beginning.
Laura Chouette
Born in the East, and clothed in Oriental form and imagery, the Bible walks the ways of all the world with familiar feet, and enters land after land to find its own everywhere. It has learned to speak in hundreds of languages to the heart of man. It comes into the palace to tell the monarch that he is the servant of the Most High, and into the cottage to assure the peasant that he is the son of God. Children listen to its stories with wonder and delight, and wisemen ponder them as parables of life. It has a word of peace for the time of peril, the hour of darkness. Its oracles are repeated in the assembly of the people, and its counsels whispered in the ear of the lonely. The wise and the proud tremble at its warnings, but to the wounded and penitent it has a mother's voice. The wilderness and the solitary place have been made glad by it, and the fire on the hearth has lighted the reading of its well-worn pages. It has woven itself into our deepest affections, and colored our dearest dreams; so that love and friendship, sympathy and devotion, memory and hope, put on the beautiful garments of its treasured speech, breathing of frankincense and myrrh. Above the cradle and beside the grave its great words come to us uncalled. They fill our prayers with power larger than we know, and the beauty of them lingers in our ear long after the sermons which they have adorned have been forgotten. They return to us swiftly and quietly, like birds flying from far away. They surprise us with new meanings, like springs of water breaking forth from the mountain beside a long-forgotten path. They grow richer, as pearls do when they are worn near the heart. No man is poor or desolate who has this treasure for his own. When the landscape darkens and the trembling pilgrim comes to the valley named the shadow, he is not afraid to enter; he takes the rod and staff of Scripture in his hand; he says to friend and comrade, "Good-by, we shall meet again"; and comforted by that support, he goes toward the lonely pass as one who climbs through darkness into light.
Henry Van Dyke
Although she was a recluse, she was not entirely apart from the world. She lived sealed in a cottage joined to the church in the city of Norwich. The modern fiction is that an anchorite was walled into a tiny church alcove with barely room for a prie-dieu and hard bed. Julian would probably have had a suite of rooms as well as a walled garden. Solitaries were even allowed to have cattle and property. They also had guests. The life was simple with much time devoted to prayer and contemplation, but it was not the cruel torture we might imagine. A main road passed right outside her house and Julian gave spiritual direction and advice to the many people who sought her out. One of these was Margery Kempe, who while certainly not of Julian’s sanctity, has entered history for writing the first biography of women in English. Nor was Julian entirely alone within her cottage. She would have had a maid (we know the names of two of them). And she may have had pets.
Julian of Norwich (All Will Be Well: 30 Days with Julian of Norwich (Great Spiritual Teachers))
One time, when I was little more than a baby, I was taken to visit my grandmother, who was living in a cottage on a nearly uninhabited stretch of beach in northern Florida. All I remember of this visit is being picked up from my crib in what seemed the middle of the night and carried from my bedroom and out of doors, where I had my first look at the stars. “It must have been an unusually clear and beautiful night for someone to have said, “Let’s wake the baby and show her the stars.” The night sky, the constant rolling of the breakers against the shore, the stupendous light of the stars, all made an indelible impression on me. I was intuitively aware not only of a beauty I had never seen before but also that the world was far greater than the protected limits of the small child’s world which was all I had known thus far. I had a total, if not very conscious, moment of revelation: I saw creation bursting the bounds of daily restriction, and stretching out from dimension to dimension, beyond any human comprehension. I had been taught to say my prayers at night: Our Father, and a long string of God-blesses, and it was that first showing of the galaxies which gave me an awareness that the God I spoke to at bedtime was extraordinary and not just a bigger and better combination of the grownup powers of my father and mother. This early experience was freeing, rather than daunting, and since it was the first, it has been the foundation for all other such glimpses of glory. (The Irrational Season)
Madeleine L'Engle
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Annie Dillard (Pilgrim at Tinker Creek)
He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.
Judith McNaught (Almost Heaven (Sequels, #3))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
It hated humankind. Yet, the creature remembered when ancient ones left blood stained shrines in its honor. Its greedy eyes watched the peasants, sacrificing precious cattle, in the hope of immunity from its deadly wrath. The creature could recall dairy offerings on cottage steps, left in hope, that it would not invade the sanctity of the mortal homes to steal wailing newborn infants from their cradles. It listened to desperate prayers of farmers as they begged for their pitiful crops. When anglers sprinkled salt upon their fishing nets to satiate its thirst. The creature and its kind spread the killing frosts that foretold of harsh winters. It traversed the heat of the summer skies, voiding the air of moisture during the drought filled months. It burned those feeble little dwellings the people called churches.
Jaime Allison Parker (Storms In the Distant North)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:
William H. Gass (The Tunnel)
Marion.” I stilled but didn’t look at him again. I merely waited. The words came, a quiet confession. “I miss you, little witch,” he told me softly, his voice hushed in the quiet of the evening. It sounded almost reverent. A murmured prayer. “Even when I’m in the Below…all I want is to be here with you.” Tears filled my eyes, making my vision go blurry. I tried to blink them away quickly, but there was a rawness in Lorik’s voice that haunted me. His words replayed over and over in my head. “I don’t know if you can ever forgive me, Marion,” he continued. “I don’t know if I even want you to because I don’t know if I can ever forgive myself for betraying you.” My brow furrowed, staring at my night garden next to my cottage, the trellis entrance withering with the cold. “But please know…I am deeply sorry, Marion.” Whatever I heard in his voice—whatever pained, terrible thing I heard—it made me turn to meet his eyes. His lips pressed when he saw the tears glimmering in my gaze, and he took a stuttered step forward, as if he couldn’t help it, before Peek’s barrier pushed him back. I didn’t even care if he saw me crying. Holding my eyes, he said, “I am deeply sorry for betraying your trust. But I am not sorry for everything else.” I frowned.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
When he shifted a few minutes later and lifted her against his chest, she did not protest but looped her arms around his neck, and that was a kind of trust too. He carried her to her porch swing and sat at one end so her back was supported by the pillows banking the arm of the swing. He set the swing in motion and gathered her close until she drifted away into sleep. Val stayed on that swing long after the woman in his arms had fallen asleep, knowing he was stealing a pleasure from her he should not. He’d never been in her cottage, though, and was reluctant to invade her privacy. Or so he told himself. In truth, the warm, trusting weight of Ellen FitzEngle in his arms anchored him on a night when he’d been at risk of wandering off, of putting just a little more space between his body and his soul; his intellect and his emotions. Darius had delivered a telling blow when he’d characterized music, and the piano, as an imaginary friend. And it was enough, Val realized, to admit no creative art could meet the artist’s every need or fulfill every wish. Ellen FitzEngle wasn’t going to be able to do that either, of course; that wasn’t the point. The point, Val mused as he carefully lifted Ellen against his chest and made his way into her cottage, was that life yet held pleasures and mysteries and interest for him. He would get through the weekend at Belmont’s on the strength of that insight. As he tucked a sleeping Ellen into her bed and left a good-night kiss on her cheek, Val silently sent up a prayer of thanks. By trusting him with her grief, Ellen had relieved a little of his own.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The service seemed weak to Willy, especially because the preacher that day was Thomas Chater, a rank beginner. But after hours of prayer Chater’s words built as a summer storm. Finally Chater shouted Scripture from the Book of Hebrews, “Let us go forth therefore unto him without the camp, bearing his reproach!” Willy was thrilled. His heart was on fire. Go outside the camp, bearing the disgrace Christ bore? Why, at that moment, it could mean only one thing. He must join the persecuted, despised Christians: the Dissenters. But could he do something so rash? Dissenters couldn’t stand in Parliament. They couldn’t send their sons to schools. They could not enter all professions. Locally they were being persecuted by Lady Elizabeth Mercer. This great owner of property evicted Dissenters from her cottages right and left. “Yet,” Willy argued with himself, “look at what these Dissenters have done for me.
Sam Wellman (William Carey)
Masters are under no cosmic compulsion to limit their residence.” My companion glanced at me quizzically. “The Himalayas in India and Tibet have no monopoly on saints. What one does not trouble to find within will not be discovered by transporting the body hither and yon. As soon as the devotee is willing to go even to the ends of the earth for spiritual enlightenment, his guru appears nearby.” I silently agreed, recalling my prayer in the Benares hermitage, followed by the meeting with Sri Yukteswar in a crowded lane. “Are you able to have a little room where you can close the door and be alone?” “Yes.” I reflected that this saint descended from the general to the particular with disconcerting speed. “That is your cave.” The yogi bestowed on me a gaze of illumination which I have never forgotten. “That is your sacred mountain. That is where you will find the kingdom of God.” His simple words instantaneously banished my life-long obsession for the Himalayas. In a burning paddy field I awoke from the monticolous dreams of eternal snows. “Young sir, your divine thirst is laudable. I feel great love for you.” Ram Gopal took my hand and led me to a quaint hamlet. The adobe houses were covered with coconut leaves and adorned with rustic entrances. The saint seated me on the umbrageous bamboo platform of his small cottage. After giving me sweetened lime juice and a piece of rock candy, he entered his patio and assumed the lotus posture. In about four hours, I opened my meditative eyes and saw that the moonlit figure of the yogi was still motionless. As I was sternly reminding my stomach that man does not live by bread alone, Ram Gopal approached me. “I see you are famished; food will be ready soon.” A fire was kindled under a clay oven on the patio; rice and dal were quickly served on large banana leaves. My host courteously refused my aid in all cooking chores. ‘The guest is God,’ a Hindu proverb, has commanded devout observance from time immemorial. In my later world travels, I was charmed to see that a similar respect for visitors is manifested in rural sections of many countries. The city dweller finds the keen edge of hospitality blunted by superabundance of strange faces.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
There was an evil wind howling through the undulating hills that night, rattling the loose panes in the windows of the cottage, keeping me up all night. Unbidden, the Lord’s prayer came to my lips, Our Father who art in heaven, hallowed be thy name… I said it moving my lips silently, as I had all those years ago, on my cold hard bed in the convent back in Calcutta. Praying didn’t come easily to me anymore, I had to hack out the words from deep within myself, but it brought me solace. It warmed a part of the soul that I long thought had shrivelled up and died. I grew up with prayer, it was difficult not to when one was growing up in a convent, surrounded by threats of hell and brimstone and the overwhelming guilt that one was inherently evil being drilled into our brains by the nuns. They might have been well meaning in order to keep a bunch of unruly children in line, but ended up scarring us with a concept of a vindictive God one could never really love.
Kiran Manral (The Face At the Window)
She’s the older version of Raina, though I see Nephele in her features too. The power emanating from her body is the one thing I don’t recognize. Her lips move with earnestness as she sings magick, her hands and eyes lifted in prayer. Dead birds drop at her feet, and the raging fires engulfing nearby cottages dim. The flying sparks fade, the smoke clears, and a rain cloud rumbles overhead. Gods’ teeth. She’s doing that. Her alone. In all my years, I’ve never sensed such power in this woman, just like I never sensed it in Raina, and only once in Nephele—the year I chose her. Now I think I understand why. Ophelia Bloodgood did the impossible. She hid her family’s power.
Charissa Weaks (The Witch Collector (Witch Walker #1))
S. Lewis created a beautiful word picture I like to think of when I cannot understand what God is doing. He told us to think of ourselves as a house God is renovating. We think we know what work needs to be done—maybe some small repairs here and there—and then He starts knocking down walls. We are confused and feeling the pain of this level of rebuilding. But maybe His vision is much different than ours. “You thought you were being made into a decent little cottage: but He is building a palace. He intends to come and live in it Himself.”1 We see a cottage. God sees a palace. We see destruction. God sees construction. We see only what the human mind can imagine. God is building something we cannot even fathom. It’s not what we wanted, but it is so very good. And in the end, maybe it’s not what God is working on but how God is working in us that matters most of all. So, pray what you know to pray. Pray what you need to pray. Pray all the words and let the tears flow into sobs and demands and frustrations and doubts mixed with hope. But then let the faithfulness of God interpret what you see. Let the faithfulness of God build your trust. Let the faithfulness of God ease the ache of your confusion and bitterness and bewilderment. God’s faithfulness isn’t demonstrated by His activity aligning with your prayers. It’s your prayers aligning with His faithfulness and His will where you become more and more assured of His activity. Even if, maybe especially if, His activity and His answers don’t look like you thought they would. I titled this chapter “Forgiving God,” not because God needs to be forgiven. But sometimes, in the middle of deep hurt, our hearts can start to wrongly believe God is at fault. When we truly feel we’ve asked God for something urgently necessary, good, right, and holy, like saving a marriage or a loved one’s life or preventing something horrific from happening, and God doesn’t do it? We wouldn’t say He sinned, but we very much may feel betrayed by Him. Or disillusioned by Him. Or possibly wonder if God even cares about us. When the evils of this world rage around us and terrible tragedies break our hearts, it is understandable why we weep, bang our fists on the steering wheel, scream out very hard words, feel consumed by the seemingly never-ending unfairness of it all, and wrestle through all the questions berating our grief-filled souls. The problem is when we form conclusions from that place. Because, as we’ve been talking about, our perspectives—especially while we are here—aren’t complete.
Lysa TerKeurst (Forgiving What You Can't Forget: Discover How to Move On, Make Peace with Painful Memories, and Create a Life That’s Beautiful Again)