Cottage Memories Quotes

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory.

And yet, even as she spoke, she knew that she did not wish to come back. not to stay, not to live. She loved the little yellow cottage more than she loved any place on earth. but she was through with it except in her memories.

In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.

The little house is not too small To shelter friends who come to call. Though low the roof and small its space It holds the Lord's abounding grace, And every simple room may be Endowed with happy memory. The little house, severly plain, A wealth of beauty may contain. Within it those who dwell may find High faith which makes for peace of mind, And that sweet understanding which Can make the poorest cottage rich. The little house can hold all things From which the soul's contentment springs. 'Tis not too small for love to grow, For all the joys that mortals know, For mirth and song and that delight Which make the humblest dwelling bright.

...and yet, though desirous to be gone, she could not quit the mansion-house, or look an adieu to the cottage, with its black, dripping and comfortless veranda, or even notice through the misty glasses the last humble tenements of the village, without a saddened heart. Scenes had passed in Uppercross which made it precious. It stood the record of many sensations of pain, once severe, but now softened; and of some instances of relenting feeling, some breathings of friendship and reconciliation, which could never be looked for again, and which could never cease to be dear. She left it all behind her, all but the recollection that such things had been.

Memory" I’ve memorized all the fish in the sea I’ve memorized each opportunity strangled and I remember awakening one morning and finding everything smeared with the color of forgotten love and I’ve memorized that too. I’ve memorized green rooms in St. Louis and New Orleans where I wept because I knew that by myself I could not overcome the terror of them and it. I’ve memorized all the unfaithful years (and the faithful ones too) I’ve memorized each cigarette that I’ve rolled. I’ve memorized Beethoven and New York City I’ve memorized riding up escalators, I’ve memorized Chicago and cottage cheese, and the mouths of some of the ladies and the legs of some of the ladies I’ve known and the way the rain came down hard. I’ve memorized the face of my father in his coffin, I’ve memorized all the cars I have driven and each of their sad deaths, I’ve memorized each jail cell, the face of each new president and the faces of some of the assassins; I’ve even memorized the arguments I’ve had with some of the women I’ve loved. best of all I’ve memorized tonight and now and the way the light falls across my fingers, specks and smears on the wall, shades down behind orange curtains; I light a rolled cigarette and then laugh a little, yes, I’ve memorized it all. the courage of my memory.

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of "the artist" and the all-sufficiency of "art" and "beauty" and "love," back home to the ivory tower, back home to places in the country, to the cottage in Bermuda, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory. In a way, the phrase summed up everything he had ever learned.

And late at night when he folds her in his arms beside the crackling fire and kisses the space just behind her ear, she knows he's falling in love with her. And maybe he's loved her long before this, long before he pulled her from the water on the night of the summer solstice—the night that is a blur in her memory. But she doesn't ask. She doesn't want to know about the before. Because she loves him now, with the wind seeping through the cracks in the cottage windows...the world stretched out before them. They have eternity. Or even if it's just one life, one long, singular life—that's enough.

Thus every hour in its circle brought a duty to be fulfilled; but duties fulfilled are as pleasures to the memory, and little Maggie always thought those early childish days most happy, and remembered them only as filled with careless contentment. -Chapter 1

Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.

My love dances quietly, so it does not wake the memories of you.

Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death. I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.

The prolongation of light meant the cessation of traditional stories in European cottages. And when the cottages took in American kerosene or paraffin there was prolongation. Then came lamps with full and steady light, lamps that gave real illumination. Told under this illumination the traditional stories ceased to be appropriate because the rhythm that gave them meaning was weakened. Other things happened to put traditional stories out of date. Young people went to schools and learned to read. The world reached into the villages; wars and the doings of congresses interested country people more and more. Claiming attention for the happenings of the day before, the newspaper reader took the place of the traditional storyteller, the man of memories.

She saw it in her mind's eye like a movie playing, the haunting memories from her childhood she couldn't seem to shake blending together into one raw, aching image. Her mother lying in a darkened room for days, her face swollen with tears. The inevitable ashtray overrun with ashes, the acrid scent of pot smoke in the air. The bed or couch or futon may have been different from year to year as Evie moved them around from apartment to commune to funky cottage, but her mother was always the same. Falling hard for some man, immersing herself in romantic fantasies that were crushed when the guy left. And the guy always left. Her mother's inability to get a grasp on reality had too often left Mischa to care for her younger sister, to care for her mother, from too young an age. She remembered shaking Evie awake, trying to get her to eat. To get up and take a shower, take her and Raine to school. No kid should have to do that. No kid should have to witness the way Evie had allowed herself to be ravaged by love. No woman should allow that to happen.

Gavin meets us outside the cottage. I notice he’s carrying weapons, as if he’s been training for this. He glances at my sword and his lips quirk up. “Now this sight brings back fond memories. Though I admit, I miss the torn dresses. Trousers just don’t have the same touch of reckless insanity.” I roll my eyes. “Trust you to flirt with me right before a battle. What happened to Brooding Gavin?” “Brooding Gavin had a city to protect,” he says. “All I have now is my own arse. Oh, and this whisky.” He pulls open his coat and the bottle is right there in the inside pocket. He’s actually determined to save that shite single malt. “You’re ridiculous,” I tell him. Aithinne, however, brightens when she sees it. “Thank god,” she says. “Save a dram for me. I always like a spot of whisky after I murder things.” God help me. Or kill me now. Just put me out of my misery.

Born in the East, and clothed in Oriental form and imagery, the Bible walks the ways of all the world with familiar feet, and enters land after land to find its own everywhere. It has learned to speak in hundreds of languages to the heart of man. It comes into the palace to tell the monarch that he is the servant of the Most High, and into the cottage to assure the peasant that he is the son of God. Children listen to its stories with wonder and delight, and wisemen ponder them as parables of life. It has a word of peace for the time of peril, the hour of darkness. Its oracles are repeated in the assembly of the people, and its counsels whispered in the ear of the lonely. The wise and the proud tremble at its warnings, but to the wounded and penitent it has a mother's voice. The wilderness and the solitary place have been made glad by it, and the fire on the hearth has lighted the reading of its well-worn pages. It has woven itself into our deepest affections, and colored our dearest dreams; so that love and friendship, sympathy and devotion, memory and hope, put on the beautiful garments of its treasured speech, breathing of frankincense and myrrh. Above the cradle and beside the grave its great words come to us uncalled. They fill our prayers with power larger than we know, and the beauty of them lingers in our ear long after the sermons which they have adorned have been forgotten. They return to us swiftly and quietly, like birds flying from far away. They surprise us with new meanings, like springs of water breaking forth from the mountain beside a long-forgotten path. They grow richer, as pearls do when they are worn near the heart. No man is poor or desolate who has this treasure for his own. When the landscape darkens and the trembling pilgrim comes to the valley named the shadow, he is not afraid to enter; he takes the rod and staff of Scripture in his hand; he says to friend and comrade, "Good-by, we shall meet again"; and comforted by that support, he goes toward the lonely pass as one who climbs through darkness into light.

Back then the towering gums marched down to the water and the area was sparsely populated with fibro weekenders - simple cottages and boat sheds - mainly owned by coal miners from the nearby Hunter Valley. My grandfather worked in the mines. He'd lend my family the one room boffy attached to his boasted almost every school holiday, and I have such vivid memories of jumping off his jetty and boiling crabs for dinner and fishing with a line wrapped around a piece of cork and playing in the rock pools and parking about in his tin runabout.

We are living memorials to those we have loved and lost. Life may continue after heartbreak, but it will be innately different. And this need not be a sad thing. In fact, the experience can connect us to our souls more than we ever thought possible. It offers us a new life that no longer lives in the shallows, but left open and raw, ready to experience what this new world has to offer. The souls we once knew are preserved in stories written on our hearts, ones that we will recite again and again. And in that chanting of a memory, in bringing them back to life a thousand times over, we start to understand.

I’m so happy to be back here. You’re nice and quiet. Her waters stirred in something close to laughter. We don’t have to talk at all if you don’t want to. I’m happy just to hold you. I sank down, resting on the sandy Ocean floor, legs crossed and arms behind my head. I watched the trails of boats crisscrossing and fading along the surface above me. Fish swam by in schools, not spooked by the girl on the ground. So, about six months? I asked, my stomach twisting. Yes, barring some natural disaster or man-made sinking. I can’t predict those things. I know. Don’t start worrying about that yet. I can tell you’re still hurting from the last time. She wrapped me in sympathy. I lifted my arms as if I was stroking Her, though of course my tiny body was unable to truly embrace Hers. I feel like I never have enough time to get over a singing before the next one comes. I have nightmares, and I’m a nervous wreck during the weeks leading up to it. My chest felt hollow with misery. I’m afraid I’ll always remember how it feels. You won’t. In all My years, I’ve never had a freed siren come back to Me demanding that I fix her memories. Do You hear from them at all? Not intentionally. I feel people when they’re in Me. It’s how I find new girls. It’s how I listen for anyone who might suspect the true nature of My needs. Sometimes a former siren will go for a swim or stick her legs off a dock. I can get a peek at their lives, and no one has remembered Me yet. I’ll remember You, I promised. I could feel Her embracing me. For all eternity, I’ll never forget you. I love you. And I love You. You can rest here tonight, if you like. I’ll make sure no one finds you. Can I just stay down here forever? I don’t want to worry about hurting people unintentionally. Or disappointing my sisters. Aisling has her cottage, so maybe I could build a little house down here out of driftwood. She ran a current down my back gently. Sleep. You’ll feel differently in the morning. Your sisters would be lost without you. Trust Me, they think it all the time. Really? Really. Thank You. Rest. You’re safe.

Recently I've been having the fantasy more and more" the one where Tack and I run away, disappear under the wide-open sky into the forest with leaves like green hands, welcoming us. In my fantasy, the more we walk, the cleaner we get, like the woods are rubbing away the past few years, all the blood and the fighting and the scars - sloughing off the bad memories and the false starts, leaving us shiny and new, like dolls just taken out of the package. And in this fantasy, my fantasy life, we find a stone cottage hidden deep in the forest, untouched, fitted with beds and rugs and plates and everything we need to live - like the owners just picked up and walked away, or like the house had been built for us and was just waiting all this time. We fish the stream and hunt the woods in the summer. We grow potatoes and peppers and tomatoes big as pumpkins. In the winter we stay inside by the fire while snow falls around us like a blanket, stilling the world, cocooning it in sleep.

He stared at it in utter disbelief while his secretary, Peters, who’d only been with him for a fortnight, muttered a silent prayer of gratitude for the break and continued scribbling as fast as he could, trying futilely to catch up with his employer’s dictation. “This,” said Ian curtly, “was sent to me either by mistake or as a joke. In either case, it’s in excruciatingly bad taste.” A memory of Elizabeth Cameron flickered across Ian’s mind-a mercenary, shallow litter flirt with a face and body that had drugged his mind. She’d been betrothed to a viscount when he’d met her. Obviously she hadn’t married her viscount-no doubt she’d jilted him in favor of someone with even better prospects. The English nobility, as he well knew, married only for prestige and money, then looked elsewhere for sexual fulfillment. Evidently Elizabeth Cameron’s relatives were putting her back on the marriage block. If so, they must be damned eager to unload her if they were willing to forsake a title for Ian’s money…That line of conjecture seemed so unlikely that Ian dismissed it. This note was obviously a stupid prank, perpetrated, no doubt, by someone who remembered the gossip that had exploded over that weekend house party-someone who thought he’d find the note amusing. Completely dismissing the prankster and Elizabeth Cameron from his mind, Ian glanced at his harassed secretary who was frantically scribbling away. “No reply is necessary,” he said. As he spoke he flipped the message across his desk toward his secretary, but the white parchment slid across the polished oak and floated to the floor. Peters made an awkward dive to catch it, but as he lurched sideways all the other correspondence that went with his dictation slid off his lap onto the floor. “I-I’m sorry, sir,” he stammered, leaping up and trying to collect the dozens of pieces of paper he’d scattered on the carpet. “Extremely sorry, Mr. Thornton,” he added, frantically snatching up contracts, invitations and letters and shoving them into a disorderly pile. His employer appeared not to hear him. He was already rapping out more instructions and passing the corresponding invitations and letters across the desk. “Decline the first three, accept the fourth, decline the fifth. Send my condolences on this one. On this one, explain that I’m going to be in Scotland, and send an invitation to join me there, along with directions to the cottage.” Clutching the papers to his chest, Peters poked his face up on the opposite side of the desk. “Yes, Mr. Thornton!” he said, trying to sound confident. But it was hard to be confident when one was on one’s knees. Harder still when one wasn’t entirely certain which instructions of the morning went with which invitation or piece of correspondence. Ian Thornton spent the rest of the afternoon closeted with Peters, heaping more dictation on the inundated clerk. He spent the evening with the Earl of Melbourne, his future father-in-law, discussing the earl’s daughter and himself. Peters spent part of his evening trying to learn from the butler which invitations his employer was likely to accept or reject.

During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.

Why aren’t you betrothed to anyone?” he asked with startling directness. “You’ve been out in society for two, three years?” “Three,” Poppy said, feeling more than a little defensive. “Your family is one of means—one would assume you have a generous dowry on the table. Your brother is a viscount—another advantage. Why haven’t you married?” “Do you always ask such personal questions of people you’ve just met?” Poppy asked in amazement. “Not always. But I find you . . . interesting.” She considered the question he had put to her, and shrugged. “I wouldn’t want any of the gentlemen I’ve met during the past three years. None of them are remotely appealing.” “What kind of man appeals to you?” “Someone with whom I could share a quiet, ordinary life.” “Most young women dream of excitement and romance.” She smiled wryly. “I suppose I have a great appreciation for the mundane.” “Has it occurred to you that London is the wrong place to seek a quiet, ordinary life?” “Of course. But I’m not in a position to look in the right places.” She should have stopped there. There was no need to explain more. But it was one of Poppy’s failings that she loved conversation, and like Dodger facing a drawer full of garters, she couldn’t resist indulging. “The problem began when my brother, Lord Ramsay, inherited the title.” The stranger’s brows lifted. “That was a problem?” “Oh, yes,” Poppy said earnestly. “You see, none of the Hathaways were prepared for it. We were distant cousins of the previous Lord Ramsay. The title only came to Leo because of a series of untimely deaths. The Hathaways had no knowledge of etiquette—we knew nothing of the ways of the upper classes. We were happy in Primrose Place.” She paused to sort through the comforting memories of her childhood: the cheerful cottage with its thatched roof, the flower garden where her father had tended his prized Apothecary’s Roses, the pair of lop-eared Belgian rabbits who had lived in a hutch near the back doorstep, the piles of books in every corner. Now the abandoned cottage was in ruins and the garden lay fallow. “But there’s never any going back, is there,” she said rather than asked.

need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the

Zoey propped herself up on her elbows so she could meet her aunt’s eyes as she replied, “Aunt Ivy, you helped Aunt Sylvia just as much as she helped you. You took her into your home when she had nowhere else to go. You loved her like a sister and you helped her raise her son. And to some extent, her grandson. You’ve nurtured me, too, by being a constant, loving presence in my life. By sharing your heart and your humor and your home. Most of my best, most fun memories are of being here with you and Aunt Sylvia and my mom and sister. And I don’t know what I would have done if I hadn’t been able to come to the island over the years to be refreshed and get my head together. So whatever little bit of help I can give you now pales in comparison to all you’ve given me.

THE CORNER - "The thing about coming home is though the environment may change, the places I knew so well may have passed on, the houses may be empty, the experience of life and the precious memories are sustained within my Nana. All of those places were touched in some way by her love - be it the butcher shop or the church on the corner or the tiny cottage on North Road. Somewhere in each of them, Nana has had a hand of influence, even if it is just a small influence. I connect with here because she is here

Extensive background in public accounting. I can also stand on my head!" Too many E-numbers. "I perform my job with effortless efficiency, effectiveness, efficacy, and expertise." There are not too many of them about. "Personal: Married 20 years; own a home, along with a friendly mortgage company." The first rule of projects is: You don't talk about projects. "My intensity and focus are at inordinately high levels, and my ability to complete projects on time is unspeakable." Learning a language. "Exposure to German for two years, but many words are inappropriate for business." Congratulations! "Accomplishments: Completed 11 years of high school."  No really, how is your memory? "Excellent memory; strong math aptitude; excellent memory; effective management skills; and very good at math." I think bricks would work better personally, but hey go for it. "Personal Goal: To hand-build a classic cottage from the ground up using my father-in-law. To be fair the job on offer was to play Snow White in a Christmas production. "Thank you for your consideration. Hope to hear from you shorty!" . Very I would say. "Enclosed is a ruff draft of my resume." Delete. "I saw your ad on the information highway, and I came to a screeching halt." Then why attach it? "Please disregard the attached resume -- it is terribly out of date." Lone wolf. "It's best for employers that I not work with people.

As sometimes happened following a visit to Kent, the city had a chill to it that went beyond a sense of the air outside. Though Maisie loved her flat in Pimlico, there was a warmth to her father's cottage, to being at Chelstone, that made her feel cocooned and safe. And she felt wanted. That flat was hers to do with as she wished, and to do exactly as she pleased within those walls, but sometimes she felt it still held within it the stark just-moved-in feeling that signaled the difference between a house and a home. Of course, it still was not fully furnished, and there were no ornaments displayed - a vase, perhaps, that a visitor might comment upon and the hostess would say, "Oh, that was a gift, let me tell you about it..." There were no stories attached to the flat - but how could there be, when she was always alone in her home. There were no family photographs, no small framed portraits on the mantelpiece over the fire in the sitting room as there were at her father's house. She thought the flat would be all the better for some photographs, not only to serve as reminders of those who were loved, or reflections of happy times spent in company, but to act as mirrors, where she might see the affection with which she was held by those dear to her. A mirror in which she could see her connections. ... Most of the time, thought, she was not lonely, just on her own, an unmarried woman of independent means, even when the extent of the means - or lack thereof - sometimes gave her cause to remain awake at night. She knew the worries that came to the fore at night were the ones you had to pay attention to, for they blurred reasoned thought, sucked clarity from any consideration of one's situation, and could lead a mind around in circles, leaving one drained and ill-tempered. And if there was no one close with whom to discuss those concerns, they grew in importance in the imagination, whether were rooted in good sense or not. ... She wondered if one could take leave of one's senses, even if one had no previous occasions of mental incapacity, simply by being isolated from others. Is that what pushed the man over the edge of all measured thought? Were his thoughts so distilled, without the calibrating effect of a normal life led among others, that he ceased to recognize the distinction between right and wrong, between good and evil, or between having a voice and losing it? And if that were so, might an ordinary woman living alone with her memories, with her work, with the walls of her flat drawing in upon her, be at some risk of not seeing the world as it is?

I’m the memory keeper and the memory maker too. It’s my legacy,

Cottage I sit, alertbehind the small windowof my mind and watchthe days pass,strangers,who have no reasonto look in.

Callum could hardly believe that she was here. In his arms. In his bed. He buried his nose in her hair and smelled deeply. The salt. The earthiness. The heather. For nearly a thousand years, he’d sifted through rosewater baths and heavy perfumes and those goddamn azaleas that surrounded his club to find this, the smell of her. If he closed his eyes, he could take them back to that heather-stuffed mattress in the little cottage by the sea, with nothing but the sound of her sleeping breath and a crackling fire, the delicate seashells clinking together in the rafters as the wind shook the house. He squeezed her tighter against his chest and let himself live in that memory, his eyes closed, at home in his mind with her in his arms. Callum didn’t know how long they lay there. Hours, at least. It was hard for him to grasp time. When a person was immortal, the difference between minutes and hours felt rather insignificant. He wondered, briefly, if it was the same for her. She seemed perfectly content to lie there. Let the night pass into day. Let the sun rise. Let the world crumble to dust around them. He would lie here with her in his arms until the very sun burned out. And then he’d hold her in the dark.

For spring and summer, Dina baked delicate and light pastries fragranced with rosewater, meskouta orange bundt cake, and delicate raspberry macarons. When strawberries were in season in early June, she made airy fraisier cake. For autumn and winter, Dina worked with heavier ingredients: thick, dark chocolate, cinnamon, cardamom, gingerbread, and pumpkin. As the days grew colder and the light dimmed earlier and earlier, people started to crave that feeling of warmth and comfort. And Dina would give that to them, even if only for a short while. One special bake for this season was a ginger and persimmon cake, yellowed with saffron strands, which Dina had bought on her last trip to Morocco, and fresh vanilla pods, their sweet scent so potent that it wafted across the café. This was in addition to all the regular pastries and cakes she had on offer, which were all recipes her mother had taught her to bake. The cake made with dark honey from the Atlas mountains was an all-time customer favorite. Dina had imbibed it with a very specific spell, a childhood memory of a time that she must have fallen asleep on a car ride home, and although she was a little too big to be carried, she remembered her father lifting her into his arms, her mother closing the car door softly so as not to wake her, then carrying her upstairs and tucking her into bed. When she'd been fashioning the spell for the first time, it had occurred to Dina that one day your parents put you down and they never picked you up again, and so she'd made the honey cake to recreate that feeling of childhood comfort. That sensation of someone taking the utmost care of you, holding you close, was a feeling that many in the rushing city of London didn't experience often. Sometimes she wondered if she was really in the business of café ownership, or if she was more of a fairy godmother in disguise. Undeniably, the magical pastries were great at keeping customers coming back for more, so that was a bonus on the businesswoman side of things.

VALLEY The valleys climb towards the sky in the early morning hours - seeking horizon's lines; More than the gravestones do with all the memory lined neatly up and half-forgotten - nearly washed away. Our sun is doomed to meet both.

paces. ‘She can’t do that.’ ‘She can and she is. She’s renting a cottage. I don’t know how long for.’ She takes hold of my wrist and grips it so tightly that her nails pierce my skin. ‘I have to stop her.’ ‘Monica! You need to keep this in perspective!’ I extract my wrist from her fingers and shake her gently. ‘I know she brings back memories of your parents and I know that hurts, but now, in the present, you have nothing to fear from Orla.’ Her eyes say otherwise and as she looks into mine I see that she is close to telling me something. ‘What is it, Monica? What is it?’ My scalp tingles. ‘Is it about Rose?’ Her eyes glaze over. ‘I was warned about this. I was warned—’ ‘What are you talking about? Warned by whom?’ ‘Grace!’ she hisses. ‘Do you have any idea how much damage she could do?’ I give a short laugh, not because it’s funny but because I have to let some emotion out. ‘The status quo should never be underestimated. Life, ticking along. It might seem boring at times but . . .’ She looks up to the right and seems to pluck her words from the air. ‘Orla is dangerous. She will cause havoc and then she will leave. We have to stop her.’ ‘Believe me, I don’t want her around either.’ I take her hand. ‘Tell me what’s troubling you.’ ‘I can’t.’ She pulls free. ‘I can’t break a confidence.’ She takes a few steps backward. ‘Can you find out what Orla wants? Can you do that?’ I already have. ‘I’ll do my best.’ I try to look optimistic. ‘I’ll let you know.’ ‘Good.’ She recovers her composure and gives me an awkward hug. ‘I may not have been popular at school, my home life was in meltdown, but hey!’ She looks around her, takes

There is a powerful difference between picturing an image that does not relate to you, and recalling something specific that you are connected with. When memory experts memorize something that is idle or vain, they’re only attempting to picture an image that does not relate to them. They don’t have to daily apply the digits of mathematical pi to live by them. They don’t have to apply the Declaration of Independence in a practical day to day life. As if Americans say when living life, “As it is written in the Declaration of Independence.” So they teach you how to memorize things idly, where as it is better to make a heartfelt connection with the word of God. Therefore Beloved, read the scriptures first and have a full connection with it before you memorize. As we stated before, it is good to memorize what is speaking out to you in the scriptures. Where God is speaking to you and teaching you in the word is the best place to memorize. It makes an emotional connection with you, and it’s applicable to your life in the here and now. Seeing that it is immediately applicable to your life you’ll be able to make an emotional connection with what you are memorizing. As a result, when you are past these teachings and have full understanding, even years in the future you’ll still remember the scripture because it made an emotional connection with you. Much like reminiscing over the cottage experience, every time the topic is brought up you’ll have waves of scripture rushing to you for practical application. Therefore in this method we are seeking to make memorizing the scriptures an experience and not merely a task or a goal for godliness. When it is relevant to experiences there is more for the mind to grasp onto the memory with thereby giving greater longevity to the memory itself. Similar to the peg method where you create an image for the mind to have more to grasp onto, you are using an already existing “image” so to speak, that the mind will grasp onto harder. But why does it grasp harder? Because it isn’t something silly thought of by oneself but it is an ongoing experience that led to a reminiscent memory. Therefore memorize what God is speaking to you and what has strong meaning to you. Whatever jumps out at you from the pages is what the Lord wants you to be memorizing. Therefore as a good pupil and good student, memorize what the Lord your Teacher is giving you to memorize. In school we do not memorize anything but what the teacher gives us, otherwise it would serve no purpose. Likewise it serves a greater purpose to memorize what God is giving you in the here and now, versus memorizing something that is not applying to you at this moment. Yes, all the word of God applies to your life and it always will. But certain things are speaking true to the immediate lesson in life and thus the scriptures speak out to you, and seem alive. Therefore memorize the words that are alive and you will have a continuous living memory of the word of God.

Memories are not always a prison - sometimes they can be a key too.

There is a part of you I can't entirely forget - where my memories grow flowers and our past outreaches the gates of my garden; where the words I rather forget become a book of regret.

Chapter Five Already Gone In which the Oppenheimer triplets arrive and immediately commence to grow apart Lewyn’s first memory was of a rocky beach (later to be identified as the one behind our Vineyard cottage), and a long strand of brown seaweed he held up to the sun. Harrison’s first memory was of Jürgen the dog, growling at him. Sally’s first memory was of her brother Harrison grabbing a piece of apple out of her brother Lewyn’s grubby hand. What was the first shared memory? Settling on even that trifling common denominator would have required conversation and the acknowledgment of a shared history, and that was not to be, at least not while they were still children. Harrison, who did most things first, would opt out before the other two, but Sally wasn’t far behind. Lewyn, poor Lewyn, held on longer than would be reasonable to anyone else. In fact, he wouldn’t give up entirely until his sister dismissed him at the start of their shared freshman year at their mutual alma mater. But without the cooperation of the others, did it ever matter what Lewyn wanted? Only days before their arrival, the house in Brooklyn Heights had been cavernous and still, classically proportioned rooms full of air, with only an immobile woman upstairs in the bedroom and a lazy dachshund

Opening the box, they withdrew the thick plastic grave markers. His lips twitched as he scanned the epitaphs: R.I.P. Van Winkle, Dee Cayed, I.M. Gone, and Barry R. Bones. "Dracula, Fangs for the Memories," he read aloud and, chuckled. Grace held up her favorite. "Rigger Mortys. Death Grips and Holds Me Tight, But I Shall Return on Halloween Night." Tongue-in-cheek, he asked her, "What would your headstone say?" "She Threw a Great Party," came to mind. "How about yours?" "Death by Decorating.

Happy he who has passed his whole life mid his own fields, he of whose birth and old age the same house is witness; he whose stick supports his tottering steps o’er the very ground whereon he crawled as a baby and whose memory knows but of one cottage as the scene where so long a life was played out.

Lachlan Kite woke at sunrise, crept out of bed, changed into a pair of shorts and running shoes and set out on a four-mile loop around the hills encircling the cottage in Sussex. The news of Xavier’s death had hit him as hard as anything he could recall since the sudden loss of Michael Strawson, his mentor and father figure, to a cancer of the liver which had ripped through him in the space of a few months. Though he had seen Xavier only fitfully over the previous ten years, Kite felt a personal sense of responsibility for his death which was as inescapable as it was illogical and undeserved. Usually, pounding the paths around the cottage, feeling the soft winter ground beneath his feet, he could switch the world off and gain respite from whatever problems or challenges might face him upon his return. Kite had run throughout his adult life—in Voronezh and Houston, in Edinburgh and Shanghai—for just this reason: not simply to stay fit and to burn off the pasta and the pints, but for his own peace of mind, his psychological well-being. It was different today, just as it had been on the afternoon of Martha’s call when Kite had immediately left the cottage and run for seven unbroken miles, memories of Xavier erupting with every passing stride.

Men can love a tree, a cottage, a stream ; Flavian loved Avalon as being the temple of the unutterable memories of the past.

Because I was tired of strangers vaguely recognizing it when I was introduced to them. Because I hated the way their features froze, if only for a second, when their memories clicked. Because it made me sick knowing my name and His will forever be associated. Coop ultimately talked me out of it. He said I should hold on to my name as a stubborn point of pride. Changing it wouldn’t separate the name Quincy Carpenter from the horrors of Pine Cottage. Keeping it could, if I moved on and made something of myself.

Those that remain are streaked with bird mess and felted with moss, making the cottage look less like it was built by human hands and more as if it was raised from the soil by an evil wizard's spell.