Loser Movie Quotes

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It’s a depressing habit you have of loving to sneeze and of eating apples as if they were juicier for you and being the first one to exclaim how good the movie is. You depress people. We like apples too.
Leonard Cohen (Beautiful Losers)
And it was the same with the Black Cauldron movie—the book was ten times better.
Andrew Clements (The Losers Club)
No way! Everyone knows he’s in love with that Raven girl. But get this. I saw that ghost guy at the movies last Friday. Alone. Who goes to a movie by himself?” “Only a loony loser crazy person,” Josie said.
Ellen Schreiber (Vampire Kisses (Vampire Kisses, #1))
One who doesn't recognise an opportunity is bigger loser than one who tries his hand at an opportunity.
Amit Kalantri (Wealth of Words)
I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash. Horror movies, science fiction movies, movies about losers on motorcycles- this was the stuff that turned my dials up to ten.
Stephen King (On Writing)
Now, looking for labels, it is hard to call the Hell's Angels anything but mutants. They are urban outlaws with a rural ethic and a new, improvised style of self-preservation. Their image of themselves derives mainly from Celluloid, from the Western movies and two-fisted TV shows that have taught them most of what they know about the society they live in. Very few read books, and in most cases their formal education ended at fifteen or sixteen. What little they know of history has come from the mass media, beginning with comics ... so if they see themselves in terms of the past, it's because they can't grasp the terms of the present, much less the future. They are the sons of poor men and drifters, losers and the sons of losers. Their backgrounds are overwhelmingly ordinary. As people, they are like millions of other people. But in their collective identity they have a peculiar fascination so obvious that even the press has recognized it, although not without cynicism. In its ritual flirtation with reality the press has viewed the Angels with a mixture of awe, humor and terror -- justified, as always, by a slavish dedication to the public appetite, which most journalists find so puzzling and contemptible that they have long since abandoned the task of understanding it to a handful of poll-takers and "experts.
Hunter S. Thompson (Hell's Angels)
Refusing to go on a second date with someone because they failed to recognise a completely random Ghostbusters quote over dinner? Well, why waste time with losers? (It really is astounding I was single until the age of 35.)
Hadley Freeman (Life Moves Pretty Fast: The Lessons We Learned From Eighties Movies (And Why We Don't Learn Them From Movies Any More))
As one refugee, Amila, from Gradačac, commented 20 years later: “The most important part of being a refugee is being a good loser; it’s the only way to survive this. You learn to lose your nationality, your home to strangers with bigger guns, your father to mental illness, one aunt to genocide, and another to nationalism and ignorance. You learn to lose your kids, friends, dreams, neighbours, loves, diplomas, careers, photo albums, home movies, schools, museums, histories, landmarks, limbs, teeth, eyesight, sense of safety, sanity, and your sense of belonging in the world”.
John Farebrother (The Damned Balkans: A Refugee Road Trip)
LOVERS ARE LOSERS I saw a late night movie on TV and it felt just like it was about you and me And since it was me and you, it didn't watch it till the end cause I didn't want it to Lovers are losers Losers, lovers are losers I watch the sports then the news, confuse the lingo that they use Cause winning's not why were playing that's the kinda neo-liberal bullshit that they're saying "losers" Lovers are losers Losers, lovers are losers A strike for the right kind of battles if we choose, it'll feel like we win overtime that we lose And I don't know what the care is, we're all fucking losers from Miami to Paris Losers, Lovers are losers Lovers are losers
Molly Nilsson
It is so easy to slip into “right thinking” mode—that we have arrived at full faith. We know what church God goes to, what Bible translation God prefers, how God votes, what movies God watches, and what books God reads. We know the kinds of people God approves of. God has winners and loser, and we are the winners, the true insiders. God likes all the things we like. We speak for God and think nothing of it. All Christians I’ve ever met who take their faith seriously sooner or later get caught up in thinking that God really is what we think God is, that there is little more worth learning about the Creator of the cosmos. God becomes the face in the mirror. By his mercy, God doesn’t leave us there.
Peter Enns (The Sin of Certainty: Why God Desires Our Trust More Than Our "Correct" Beliefs)
We live in the society of the capitalist spectacle, mate, the more spectacular the better. Build it and they will come, as that old baseball movie says. We worship the event, the occasion, the unmissable show. We want Super Sunday, the Thriller in Manila, the showdown of the century…the things that bring the highest profits for the capitalist organisers. If you’re not at the event, you’re nobody. Life has passed you by. That’s the tyranny of the spectacle. Yet, if you think about it, the spectacle is the biggest joke of all – because all the people at the event are desperate not to be losers. Who wants to be in a collection of people fleeing from fear of failure? Losers and the spectacle go together, the winners performing and the losers watching. The spectacle is how losers numb the pain, how they crave to be part of something, on the winning side for once. The LLN have decided to harness the society of the spectacle too, but not the capitalist version where small groups perform to large groups and get paid a fortune. Instead, the LLN offer the spectacle of life. And Revolution is the greatest spectacle of all.
Mike Hockney (The Last Bling King)
Question the Thought “Failure is Just for Losers” A failure-related thinking error that anxious perfectionists sometimes make is thinking that failure is just for losers. If you have this thinking bias, try this thought experiment: Experiment: Think of a highly successful person you admire. It can be anyone, from Oprah to someone you actually know. What failures has this person experienced in areas where he or she is generally successful? Has a businessperson you admire made some bad investments? Has your favorite actor made a movie that lost money? Has your favorite musician had an album flop? You may be able to think of examples and failures off the top of your head, or you may need to do some online research or read a biography of that person. Make sure the examples are relevant to the person’s core domain of success. A superstar chef opening a restaurant and failing is more relevant than an actor opening a restaurant and failing. After you’ve done the thought experiment, ask yourself, “What’s an alternative thought that’s more realistic and less harsh than ‘Failure is just for losers’?” Alternate option: Ask mentors (people you actually know) about examples of their failures. Ask them what they learned from the experiences. You could also ask your mentors for examples of failures that have happened to prominent people in your field. They might be more willing to volunteer this information than to talk about their own failures.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
The institutionalization of the radical ethos in the academy has brought with it not only an increasing politicization of the humanities, but also an increasing ignorance of the humanistic legacy. Instead of reading the great works of the past, students watch movies, pronounce on the depredations of patriarchal society, or peruse second- or third-rate works dear to their ideological cohort; instead of reading widely among primary texts, they absorb abstruse commentaries on commentaries, resorting to primary texts only to furnish illustrations for their pet critical "theory." Since many older professors have themselves been the beneficiaries of the kind of traditional education they have rejected and are denying their students, it is the students who are the real losers in this fiasco.
Roger Kimball (Tenured Radicals: How Politics Has Corrupted Our Higher Education)
Consider taking a break for yourself. To rest and rejuvenate. Make your schedule slow and include some small breaks in it. Sit and enjoy your favorite music, go for a walk, or just watch your favorite movie. Address your inner critic or judgments who shame you for crying too much or not enough. Quit calling yourself names for not doing enough. You have these completely unrealistic expectations out of yourself that no sane man can match up to. Grieving takes up a lot of your energy so don’t burden yourself with expectations. You’re trying your best and that’s an achievement in itself. You’re not a wimp or a loser for not checking off everything on your to-do list. Pause and listen to these noises in your head. Drop constantly putting yourself down and just be and feel grief for as long as you can. Embracing vulnerability, anxiousness, and irritability is normal for someone who’s experiencing separation or loss. Be tender so you can understand your needs and requirements during this phase of hardships. It’s a part of you so there’s no need to hide or tuck it away.
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
Get in, loser. We’re fixin’ to celebrate.” “Why are you calling me a loser?” Pearl threw open the car door and hopped out. “I swear, don’t you watch any movies?
Wendy Day (Mexico, Margaritas, and Murder (Sally and Pearl Adventure Club #1))
In 2 Corinthians 4:6-7, Paul wrote, “For it is the God who commanded light to shine out of darkness, who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ. But we have this treasure in earthen vessels, that the excellence of the power may be of God and not of us.” And that brings us full circle to where we started in this chapter: at the end of the day there is no human explanation for the growth of the church. The world thinks we’re odd and bizarre. We’re the losers. We’re the privy pots. And yet, through the mouths of Paul and other misfits across the centuries, the church inexplicably moves in the history of the world with immense power beyond anything else. The gospel alone turns sinners into saints by transplanting men and women from the kingdom of darkness into the kingdom of God’s dear Son—from eternal death to everlasting life. That is power to create new beings fit for God’s presence and glory. If we brought a bus load of movie stars, corporate titans, or Ivy League professors into our church (assuming they’d condescend to get on a bus), they’d look at us and laugh: “These people can’t change the world!” No, we can’t. But for those who remain faithful to the whole truth of Christianity, God is changing the world through us. He’s been doing it through all history.
John F. MacArthur Jr. (Hard to Believe: The High Cost and Infinite Value of Following Jesus)
says Robert Faris, a sociologist at UC Davis. If you were to screen the movie Cool Hand Luke for an audience of chimps—something he has not done—they would have no trouble determining who prevails in the prison boxing scene: the hulking boss, Dragline, beats Luke until the title character can barely stand. But the next scene would leave the chimps scratching their heads. Luke, the loser, has become the new leader of the prisoners. A human moviegoer could attempt to explain. Because Luke kept getting up out of the dirt, even when he was beat, he won the other prisoners’ respect. But the chimps would just not get it. “That’s a complexity of humans,” Faris says: it was not until after the human-chimpanzee split that Homo sapiens developed a newer, uniquely human path to power. Scholars call it “prestige.
Anonymous
There are always losers in the genetic lottery
Ashby (Movie Stars & Rattlesnakes: The Heyday of Montana Live Television)
A real loser is someone who's so afraid of not winning he doesn't even try.
Grandpa, Little Miss Sunshine (2006)
Andrew Willard Jones writes, Within the metanarrative of progress that underwrites liberalism, Christians are cast as the losing side and, I am afraid, there is no amount of maneuvering that can change that. In fact, our role in the drama is precisely this maneuvering. We are cast to fight a rearguard action: we steadily lose ground, but nonetheless put up a stubborn resistance. In the liberal march to freedom, we are the ever-retreating but completely necessary tyrants, the enemies of human rights against whom the freedom fighters heroically contend, the defenders of dogma against whom the courageous scientists struggle, the stuffy prudes against whom the free-spirited youth must battle. We have all seen multiple versions of this movie—in fact, this is the plot of nearly all our cultural productions. If this is indeed our role in the cultural narrative, new tactics will not save us. Devising new ways to “turn back the clock” or new arguments within the dominant discourse of freedom and rights, of religion and the State, is simply to continue to play the part of the loser in a liberal script acted out on a set constructed of modern concepts. To view ourselves as the retreating good guys is simply our role.
Douglas Haugen (In Pursuit of the Metaverse: Millennial Dreams, Political Religion, and Techno-Utopia)
Massive amounts of venture capital, much of it flowing directly from Masa and the Vision Fund, were flooding into everything from scooters to food delivery to all-you-can-watch movies. The money was being funneled to consumers, who were happy to receive heavily subsidized services, while Bird and DoorDash and MoviePass all burned cash to acquire customers, hoping that one day they could charge full price. For businesses without Warren Buffett’s “moat” protecting them, a new model existed: “capital as a moat.
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
So, with no prospects and no skills (again, I majored in The History and Literature of Russia and Britain), I got ahead of the millennial curve and moved back to my parents’ house and into my childhood bedroom. Which, if you haven’t done it, is one of the most humiliating experiences an adult can go through. At first you think, No big deal. It’s like I’m back in high school, except no curfew and I can drink in front of my parents! Then you have one drink in front of your parents in your childhood kitchen and you’re like, I’m the saddest boy on Earth. There’s something about moving back home after college that eliminates all the respect you accumulated by going away to college. All the bragging your parents did about you going to a good school disappears overnight. You live in their house, yet they dare not speak your name in public, for fear that a friend of theirs with a working child will ask, “And what is Colin doing now?” So you slink around and try to eat alone at odd hours and then go to a movie at 11:45 P.M. on a Tuesday with your one other loser friend who moved back home. Then you go to a diner at 2 A.M. and see your high school girlfriend and she’s already married with three kids and you don’t understand how that’s even physically possible. (Or why she’s at a diner at 2 A.M. with three kids at home.) So you ask the diner to make your plate of eggs “to go” to escape the whole scene and now you’re eating cold eggs in the basement of your house at 3 A.M., watching Howard Stern tell a porn star to kiss Gary the Retard, because that’s easily the most thrilling moment of your day. And pretty soon you’re thinking, Why the fuck did I major in the History and Literature of Russia and Britain? After a few weeks of extreme depression, I talked to a couple friends from college who were equally miserable and unemployed, and we all decided: Let’s move to Manhattan or Brooklyn or wherever we can get an apartment and just force ourselves to get jobs and become actual adults. And my parents were like, “No…don’t…” And then closed the door behind me and locked it.
Colin Jost (A Very Punchable Face)
different levels of punishment (or more to the point, nonpunishment) for each. The rich have always gotten breaks and the poor have always had to swim upstream. The new truth is infinitely darker and more twisted. The new truth is a sci-fi movie, a dystopia. And in this sci-fi world the issues aren’t justice and injustice, but biology and mortality. We have a giant, meat-grinding bureaucracy that literally alters the physical makeup of its citizens, systematically grinding down the losers into a smaller, meeker, lower race of animal while aggrandizing the winners, making them bigger than life, impervious, super-people. Again, the poor have always faced the sharp end of the stick. And the rich have always fought ferociously to protect their privilege, not just in America but everywhere.
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
it’s win-win-win! Dad buys our love, I get a vocabulary, team gets a juicer. Except I guess you are the loser. I have to remind you of that, according to every teen movie I have ever watched.
Kelly Harms (The Overdue Life of Amy Byler)
Cultural power? Rock stars and movie idols are drug-addled losers with personal lives of Mogadishu-levels of chaos.
Kurt Schlichter (Militant Normals: How Regular Americans are Rebelling Against the Elite to Reclaim Our Democracy)
On Relationships – The end of Midsomar is harrowing but the director claims that it’s meant to be a breakup film. The man has the right concept although you have to question the execution (no pun intended). Contrast that heroine to Demi Moore’s Molly in the movie Ghost. When her lover dies, she spends the majority of the film in maudlin tears, holding on to the scraps of their affair. His ghost lingers near her, inaudible and invisible, staring in disbelief when she clings to the stub of a concert they once attended. He points out that she hated that concert so why keep that stub? Why cling to the detritus of an affair spent with a man too gutless to say he loved her? When a relationship is over, then it’s time to sell the ex’s possessions on Ebay. What can’t be sold should be donated to Goodwill—and don’t forget to get that slip of paper so you can claim the donation on your taxes! What Goodwill won’t accept, you give to your family, friends and loved ones. What they won’t take, you toss in the trash or, for the true cathartic effect, you pile in a heap on the lawn and burn it to ashes.
Marsha Hinds
Losers" Losers are closer to my heart, because they were right... Because integrity doesn’t win as depicted in superficial Hollywood movies... Integrity always loses, for many are those who fear those who sell, and those whose interests don’t align with its harsh conditions… I love losers because they were right... I, too, who once bet on humanity, I lost! [Original poem published in Arabic on December 12, at ahewar.org]
Louis Yako