β
That's what literature is. It's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!
β
β
Connie Willis (Passage)
β
He was marrying my girl, and I couldnβt do anything about it. I just had to watch it happen, because he was my brother, because I promised. Take care of him, Connie. Iβm counting on you .
β
β
Jenny Han (We'll Always Have Summer (Summer #3))
β
Merricat, said Connie, would you like a cup of tea?
Oh no, said Merricat, youβll poison me.
Merricat, said Connie, would you like to go to sleep?
Down in the boneyard ten feet deep!
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Cats, as you know, are quite impervious to threats.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
Why do only the awful things become fads? I thought. Eye-rolling and Barbie and bread pudding. Why never chocolate cheesecake or thinking for yourself?
β
β
Connie Willis (Bellwether)
β
I don't have a lot of domestic instincts," Ranger said to me, his attention fixing on the unidentifiable glob in my hair, "but I have a real strong urge to take you home and hose you down."
I went dry mouth. Connie bit into her lower lip, and Lula fanned herself with a file.
β
β
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
β
As she was putting her boots on Daisy threw a barb over her shoulder that struck Connie right in the middle of her chest. βGrow up, Connie! This place is not for faint-hearted romantics!
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
The first wave of homesickness caught Connie by surprise. She had not heard or felt its approach until it hit her hard, knocking her to the ground.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
No one ever fell in love gracefully.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
It was almost 3 a.m. before Connie got into bed. Sipping cocoa in the cold daylight and listening to the silence, only punctuated by the distant barking of dogs, she began to wonder what she had done. What if she had made a disastrous mistake?
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
I donβt think Iβll ever forget this day,β Connie said. βI want to soak up every single moment, so that I can remember it when Iβm old. Remember that Iβ¦we, did this. I want to have stories to tell when Iβm old. I want to have done things.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
The rhythmic motion of the silent paddlers carried her, with a sense of inevitability, to her new life as she heard the Twin Otter take off behind her. There was no turning back now, and Connie gripped the sides of the canoe, her heart beating and her hands sweating.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
From the look on your face, I'd say you know him."
I nodded. "Sold him a cannoli when I was in high school."
Connie grunted. "Honey, half of all the women in New Jersey have sold him their cannoli
β
β
Janet Evanovich (One for the Money (Stephanie Plum, #1))
β
Connie followed the tracks of Daisyβs skidoo, passing giant, rosy pink mountains of snow which cast long grey shadows over the ground ahead of them. The sheer vastness of this multicoloured wilderness was hard to comprehend, and Connie was aware of herself and Daisy, speeding along, mere specks in the landscape.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
β
β
Connie Willis (The Winds of Marble Arch and Other Stories)
β
The reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
A thin, flexible, layer of ice had already formed on the water, and the undulating movement caught the light of the setting sun, like a sparkling curtain of light billowing across the bay. Connie tried to capture the moment in her mind as the thin ice shimmered in oranges and reds as it moved between already forming pieces of thicker ice.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
Come here, cat. You wouldnβt want to destroy the space-time continuum, would you? Meow. Meow.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
The way I see it, living in New Jersey is a challenge, what with the toxic waste and the eighteen wheelers and the armed schizophrenics."
Connie Rosolli
β
β
Janet Evanovich (One for the Money (Stephanie Plum, #1))
β
You can figure out what the villain fears by his choice of weapons.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
He moved to run a hand through her cornrows, then pulled back remembering the one time he's tried that-Connie had lectured him on the Eleventh Commandment: Thou shalt not touch thy black girlfriend's hair. Ever.
β
β
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
β
One has not lived until one has carried a sixty-pound dog down a sweeping flight of stairs at half-past V in the morning.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
I wanted to come, and if I hadnβt, they would have been all alone, and nobody would have ever known how frightened and brave and irreplaceable they were.
β
β
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
β
And kissed her for a hundred and sixty-nine years.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
I bet you ten pounds someone falls in the pool. - Lottie
Twenty pounds says I push one of them. - Jamie
β
β
Connie Glynn (Undercover Princess)
β
Merricat, said Connie, would you like to go to sleep? Down in the boneyard ten feet deep!
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
People will buy anything at jumble sales,' I said. 'At the Evacuated Children Charity Fair a woman bought a tree branch that had fallen on the table.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
No," I said finally.
"Slowness in Answering," she said into the handheld. "When's the last time you slept?"
"1940" I said promptly, which is the problem with Quickness in Answering.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
History was indeed controlled by blind forces, as well as character and courage and treachery and love. And accident and random chance. And stray bullets and telegrams and tips. And cats.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
The small woman
Builds cages for everyone
She
Knows.
While the sage,
Who has to duck her head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners
(Courtesy of my dear friend, Conni)
β
β
null
β
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
β
β
Connie Willis
β
Management cares about only one thing. Paperwork. They will forgive almost anything else - cost overruns, gross incompetence, criminal indictments - as long as the paperwork's filled out properly. And in on time.
β
β
Connie Willis (Bellwether)
β
I was never going to get any sleep. I was going to have Alice in Wonderland conversation after Alice in Wonderland conversation until I died of exhaustion. Here, in the restful, idyllic Victorian era.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
And enigmatic smile is worth ten pages of dialog.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
LINSCOTT: Well, life certainly treats you fine.
CONNIE: No, Tom. Life and I go Dutch.
β
β
Dorothy Parker (The Ladies of the Corridor (Penguin Classics))
β
I want you cool and regal, earthy and impertinent, spoiling for a fight and abashed at your own temper. I want you flushed with exertion and rosy with sleep. I want you teasing and provocative, somber and thoughtful. I want every emotion, every mood, every year in a lifetime to come. I want you beside me, to encourage and argue with me, to help me and let me help you. I want to be your champion and lover, your mentor and student.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
There are some things worth giving up anything for, even your freedom, and getting rid of your period is definitely one of them.
β
β
Connie Willis (Even the Queen, & Other Short Stories)
β
It's like this," he'd explained once to Connie. "If someone gave you a single rose, you'd be happy, right?"
"Okay," he went on, "Now imagine someone gives you ten thousand roses."
"That is a whole lotta roses," she said. "That's too much."
"Right. Too much. But more than that, it makes each individual rose much less special, right? It makes it hard to pick one out and say, 'That's the good one.' And it makes you want to just get rid of them all because none of them seem special now."
Connie had narrowed her eyes. "Are you saying when you're at school you just want to get rid of everyone?
β
β
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
β
One of the nastier trends in library management in recent years is the notion that libraries should be 'responsive to their patrons'.
β
β
Connie Willis
β
Find out what people want to do, then tell them to do it. They'll think you're a genius.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
But it's past curfew. - Lottie
That's why they invented sneaking out. - Ellie
β
β
Connie Glynn (Undercover Princess)
β
Translated βNon omnia possumus omnusβ as βNo possums allowed on the omnibus.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
I will be kind, I will be brave, I will be unstoppable.
β
β
Connie Glynn (Undercover Princess)
β
Poor thing, consigned to a life of frivolousness and wretched things for breakfast. Not allowed to go to school or do anything worthwhile, and eel pie besides.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
All the great words, it seemed to Connie were cancelled, for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now and dying from day to day.
β
β
D.H. Lawrence (Lady Chatterley's Lover)
β
Shakespeare put no children in his plays for a reason," Sir Godfrey muttered, glaring at Alf and Binnie.
"You're forgetting the Little Prince," Polly reminded him.
"Who he had the good sense to kill off in the second act," snapped Sir Godfrey.
β
β
Connie Willis (All Clear (All Clear, #2))
β
I learned everything I know about plot from Dame Agatha (Christie).
β
β
Connie Willis (The Winds of Marble Arch and Other Stories)
β
None of the things one frets about ever happen. Something one's never thought of does.
β
β
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
β
I'm underrealized," Lula said. "I gotta lot of untapped potential. Yesterday my horoscope said I gotta expand my horizons." "You expand any more in that dress, and you'll get yourself arrested," Connie said. -- Twelve Sharp
β
β
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
β
That first scream, my lord, was indeed your daughter, my wife, and if you kill me, your grandchild will be quite without a father. Won't you come in?
β
β
Deeanne Gist (A Bride Most Begrudging)
β
It was about a girl who helps an ugly old woman who turns out to be a good fairy in disguise. Inner values versus shallow appearances.
β
β
Connie Willis (Bellwether)
β
You'd help if you could, wouldn't you, boy?" I said. "It's no wonder they call you man's best friend. Faithful and loyal and true, you share in our sorrows and rejoice with us in our triumphs, the truest friend we ever have known, a better friend than we deserve. You have thrown in your lot with us, through thick and thin, on battlefield and hearthrug, refusing to leave your master even when death and destruction lie all around. Ah, noble dog, you are the furry mirror in which we see our better selves reflected, man as he could be, unstained by war or ambition, unspoilt by-
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
The Taoists realized that no single concept or value could be considered absolute or superior. If being useful is beneficial, the being useless is also beneficial. The ease with which such opposites may change places is depicted in a Taoist story about a farmer whose horse ran away.
His neighbor commiserated only to be told, "Who knows what's good or bad?" It was true. The next day the horse returned, bringing with it a drove of wild horses it had befriended in its wanderings. The neighbor came over again, this time to congratulate the farmer on his windfall. He was met with the same observation: "Who knows what is good or bad?" True this time too; the next day the farmer's son tried to mount one of the wild horses and fell off, breaking his leg. Back came the neighbor, this time with more commiserations, only to encounter for the third time the same response, "Who knows what is good or bad?" And once again the farmer's point was well taken, for the following day soldiers came by commandeering for the army and because of his injury, the son was not drafted.
According to the Taoists, yang and yin, light and shadow, useful and useless are all different aspects of the whole, and the minute we choose one side and block out the other, we upset nature's balance. If we are to be whole and follow the way of nature, we must pursue the difficult process of embracing the opposites.
β
β
Connie Zweig (Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature)
β
Nothing in all those "O swan" poems had ever mentioned that they hissed. Or resented being mistaken for felines. Or bit.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
If King Harold had had swans on his side, England would still be Saxon.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
TO ALL THE
ambulance drivers
firewatchers
air-raid wardens
nurses
canteen workers
airplane spotters
rescue workers
mathematicians
vicars
vergers
shopgirls
chorus girls
librarians
debutantes
spinsters
fishermen
retired sailors
servants
evacuees
Shakespearean actors
and mystery novelists
WHO WON THE WAR.
β
β
Connie Willis (All Clear (All Clear, #2))
β
A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
She hated Mr. Meanie. But she'd gotten to know him and they'd reached an understanding of sorts. Now she was to have him for supper.
"Don't tell me you're feeling guilty?"
Breaking off a piece of the wing, she brought it to her lips and took a bite. It did taste good. Very good.
"I wonder if all grouchy males are this palatable."
Drew choked.
She looked up, tilting her head.
"Are you all right?"
He turned a dull red.
"Eat your supper, Connie.
β
β
Deeanne Gist (A Bride Most Begrudging)
β
Has he ever even said he loved you?"
"He's been telling me for years," she said softly, "I just wasn't listening
β
β
Connie Brockway (As You Desire (Braxton, #1))
β
An intelligent lady, a little too mature for recklessness, a little too young for caution.
β
β
Connie Brockway (My Pleasure (The Rose Hunters Trilogy #2))
β
Life is a book and you are its author. You detemine its plot and pace and you--only you--turn its pages.
β
β
Beth Mende Conny
β
Charm is getting people to say "yes" without ever having to ask them a question.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
Give me a strong back, over a soft heart.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
One of the nastier trends in library management in recent years is the notion that libraries should be "responsive to their patrons." This means having dozens of copies of The Bridges of Madison County and Danielle Steele, and a consequent shortage of shelf space, to cope with which librarians have taken to purging books that haven't been checked out lately.
β
β
Connie Willis (Bellwether)
β
There was literally no nook or cranny of my life that hadnβt been guided by a book, and, for the most part, it had been an uninterrupted journey.
β
β
Dave Connis (Suggested Reading)
β
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
β
β
Connie Willis (Bellwether)
β
The entire range of human experience is present in a church choir, including, but not restricted to jealousy, revenge, horror, pride, incompetence (the tenors have never been on the right note in the entire history of church choirs, and the basses have never been on the right page), wrath, lust and existential despair.
β
β
Connie Willis (The Winds of Marble Arch and Other Stories)
β
It is the end of the world. Surely you could be allowed a few carnal thoughts.
β
β
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
β
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
β
β
Connie Willis (The Winds of Marble Arch and Other Stories)
β
He wants a fifteen thousand pound settlement."
"Fifteen thousand!"
"He says you're a great deal of trouble."
She hesitated for one startled moment before choking back a laugh.
"I am."
"I thought so." He leveled Drew a look. "If I pay you the fifteen thousand, do you swear to keep her?"
Drew reared back his head. "Forever?"
Her father scowled. "Forever."
"Oh, I suppose." He gave a long-suffering sigh. "If I must."
She bit the insides of her cheeks to keep from laughing outright.
β
β
Deeanne Gist (A Bride Most Begrudging)
β
You were kidnapped not?"
"I was kidnapped."
"You were forced not into marriage?"
"I was forced into marriage."
"You want not an annulment?"
"I want not an annulment.
β
β
Deeanne Gist (A Bride Most Begrudging)
β
Books are a light. A light that melts ignorance and hate.
β
β
Dave Connis (Suggested Reading)
β
DeAngelo blew up my bus, so I filled his car with shit. Genius, right?"
"DeAngelo didn't blow up the bus," Connie said. "I just got the report from the fire marshal. The coffeemaker shorted out and started the fire."
Some of the color left Vinnie's face. "Say what?"
"Oh man," Lula said. "DeAngelo is gonna be pissed. Least he won't know who did it."
"I left a note," Vinnie said.
Lula gave a hoot of laughter and fell off her chair.
β
β
Janet Evanovich (Explosive Eighteen (Stephanie Plum, #18))
β
What's Management up to?" I whispered to Bennett.
"My guess is a new acronym," he whispered. "Departmental Unification Management Business." He wrote down the ltters on his legal pad. "D.U.M.B.
β
β
Connie Willis (Bellwether)
β
I don't know who started the myth that sheep are fluffy and white. They were more the color of an old mop and just as matted with dirt.
β
β
Connie Willis (Bellwether)
β
Thatβs the problem with modelsβthey only include the details people think are relevant,
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
Do you see that man in the black Porsche?" I asked the women.
They squinted out at Ranger. "Yes," they said."Your partner."
"He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room."
Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?"
"Nope. He's single. He's a real catch."
Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.:
"Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly.
"Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car."....
He leaned into me and his lips brushed the shell of my ear. "Feeling playful?"
"I don't know what you're talking about."
"Watch your back babe. I will get even."
-Ranger and Stephanie
β
β
Janet Evanovich (To the Nines (Stephanie Plum, #9))
β
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
β
β
Connie Willis (Remake)
β
Love shouldn't be comfortable.
β
β
Connie Brockway (The Bridal Season (Bridal Stories, #1))
β
Finch picked up one of the ancient fax-mags and brought it over to me.
"I don't need anything to read," I said. "I'll just sit here and eavesdrop along with you."
"I thought you might sit on the mag," he said. "It's extremely difficult to get soot out of chintz.
β
β
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
β
Ellie, they're not my home. You're my home.'
Ellie's lips parted, her eyes widening at Lottie's words. Finally she smiled. 'I guess there's a tradition of wayward princesses becoming smitten with soft little pumpkins.
β
β
Connie Glynn (Princess in Practice)
β
I was flying out to Connecticut for the express purpose of breaking up with my boyfriend and I bought this set of three paperbacks to read on the plane and by the time I got to New Haven I was so worried about Frodo and Sam that I said to my boyfriend, βItβs awful. Theyβre trying to sneak into Mordor and the Ringwraiths are after them and I donβt trust Gollum andΒ β¦β and I completely forgot to break up with him. And, as of yesterday, weβve been married thirty-nine years.
β
β
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
β
Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was like the simulacrum of reality. The oak leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything...no touch, no contact!
β
β
D.H. Lawrence (Lady Chatterley's Lover)
β
We get a lot of calls where the person is murdered at home, but is not found for a period of time. And so the animals have already started to take the body apart because they haven't been fed in that period. So your evidence is being chewed up by the family pet.
I tell you - Dogs are more loyal than cats. Cats will wait only a certain period of time and they'll start chewing on you. Dogs will wait a day or two before they just can't take the starving anymore. So, keep that in mind when choosing a pet.
You know how a cat just stares at you, maybe at the top of the TV, from across the room? That's because they're watching to see if you're gonna stop breathing.
β
β
Connie Fletcher (Every Contact Leaves a Trace)
β
But if she'd come then, she would never have properly appreciated it. She'd have seen the happy crowds and the Union Jacks and the bonfires, but she'd have no idea of what it meant to see the lights on after years of navigating in the dark, what it meant to look up at an approaching plane without fear, to hear church bells after years of air-raid sirens. She'd have had no idea of the years of rationing and shabby clothes and fear which lay behind the smiles and the cheering, no idea of what it had cost to bring this day to pass--the lives of all those soldiers and sailors and airmen and civilians.
β
β
Connie Willis (All Clear (All Clear, #2))
β
The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure."
"They suddenly become less chaotic?" I said, wishing that would happen at HiTek.
"No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.
β
β
Connie Willis (Bellwether)
β
Their daughter scrunched up her hands and legs, waving them wildly in the air. He opened his palm, allowing the babe to kick his hand.
"Is she like a puppy?"
Constance choked. "What!"
He looked up. "Will she get her spots later?"
Laughter bubbled up from within her as she playfully whacked him on the shoulder.
"Yes. Yes, I'm afraid she will. As soon as the sun touches her skin, the freckles will appear."
A delicious two-dimple grin spread across his face.
"Good. I find I'm rather partial to freckled redheads.
β
β
Deeanne Gist (A Bride Most Begrudging)
β
Where will you go? What will you do?" he demanded.
"That need be no concern of yours--"
"The hell it isn't!" he shouted. "Everything about you is my concern."
She opened her mouth to deny this but the look of him stopped her. For a long tense moment he studied her and when he spoke his voice was low and furious and yearning.
"I don't give a bloody damn if I never share your bed, your name, or your house -- you are still my concern. You can leave, take yourself from my ken, disappear for the rest of my life but you cannot untangle yourself from my -- my concern. That I have of you, Miss Bede, for that, at least, I do not need your permission."
His words shocked her. She looked decades hence and she saw a specter of what might have been haunting her every moment, her every act, for the rest of her life.
"Your concern is misplaced."
"It's mine to misplace," he said steadily.
β
β
Connie Brockway (My Dearest Enemy)
β
Explain! Perhaps youβd like to explain it to me, too. Iβm not used to having my civil liberties taken away like this. In America, nobody would dream of telling you where you can or canβt go.β And over thirty million Americans died during the Pandemic as a result of that sort of thinking, he thought.
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Connie Willis (Doomsday Book (Oxford Time Travel, #1))
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Books are an amazing thing. Anyone who thinks of them as an escape from reality or as something you should get your nose out of and go outside and play, or as merely a distraction or an amusement or a waste of time is - dead wrong.
Books are the most important
the most powerful
the most beautiful thing
humans have ever created.
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Connie Willis
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Iβm not studying the heroes who lead naviesβand armiesβand win wars. Iβm studying ordinary people who you wouldnβt expect to be heroic, but who, when thereβs a crisis, show extraordinary bravery and self-sacrifice. Like Jenna Geidel, who gave her life vaccinating people during the Pandemic. And the fishermen and retired boat owners and weekend sailors who rescued the British Army from Dunkirk. And Wells Crowther, the twenty-four-year-old equities trader who worked in the World Trade Center. When it was hit by terrorists, he could have gotten out, but instead he went back and saved ten people, and died. Iβm going to observe six different sets of heroes in six different situations to try to determine what qualities they have in common.
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Connie Willis (Blackout (All Clear, #1))
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Iedereen die voor abnormaal wil doorgaan en er hard aan werkt om excentriek en uitzonderlijk te zijn, heeft een grotere voorspelbaarheid dan wie normaal, gewoon, alledaags en onopvallend heet te zijn. Zodra bijzonderheid gewild is, is het meest bijzondere er vanaf. Echt uitzonderlijke mensen weten zelden van zichzelf dat ze uitzonderlijk zijn en als ze er door de jaren heen achter beginnen te komen dat iets hen van anderen onderscheidt, kost het ze meestal hun verdere leven om zich er bij neer te leggen.
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Connie Palmen (De vriendschap)
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She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage.
He looked ... contented. As if he was where he wanted to be, doing what he wanted to do.
Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy.
To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
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Connie Willis (All Clear (All Clear, #2))
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Where are you going?"
"To get my Bible."
"Right now? You can't get your Bible out right now! I'm, I'm, we're just about to..."
She'd never be able to go through with this if he got out his Bible. She wiped all humor from her face.
"I believe you. Proverbs 5:18. Rejoice, relish, and romp with your husband."
He chuckled. "I'm serious, Connie, and I won't have you feeling ashamed or unclean over anything we do in that bed, tonight or any other night."
"I won't. I feel unashamed and very clean. I promise. But please don't get out that Bible."
"What? Think you that God can't see us right now?"
Groaning, she slid off his lap and covered her face with her hands. He sunk to his knees in front of her, drawing her hands down.
"I love you. You love me. We are man and wife. God is watching, Connie, and He is very, very pleased.
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Deeanne Gist (A Bride Most Begrudging)
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You next," he said. "Out of those clothes and into bed."
She nodded but didn't move from Sally's side. The thought of undressing exhausted her. Where would she find the strength such a task would require?
"I'm filthy. I'll ruin the new bed."
"I'll bring you some fresh water."
"I've no clothes to change into."
His grin was downright wicked. "I know."
A short laugh escaped her.
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Deeanne Gist (A Bride Most Begrudging)
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He looked resigned, as though he knew that wretched door--to where? Home? Heaven? Peace?--would never open, and at the same time he seemed resolved, ready to do his bit even though he couldn't possibly know what sacrifices that would require. Had he been kept here, too--in a place he didn't belong, serving in a war in which he hadn't enlisted, to rescue sparrows and soldiers and shopgirls and Shakespeare? To tip the balance?
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Connie Willis (All Clear (All Clear, #2))
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He stopped. She heard the intake of his breath. βYou are my country, Desdemona.β Yearning, harsh and poignant and she felt herself swaying toward him. βMy Egypt. My hot, harrowing desert and my cool, verdant Nile, infinitely lovely and unfathomable and sustaining.β
She gasped.
His gaze fell, shielded by his lashes. An odd, half-mocking smile played about his lips. βYouβll never hear old Blake say something like that.β
She swallowed, unable to speak, her senses abraded by his stimulating words, her pulse hammering in anticipation? Trepidation?
βRemember my words next time he calls you a bloody English rose.
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Connie Brockway (As You Desire (Braxton, #1))
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Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words."
Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little.
The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people.
Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head.
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John Steinbeck (The Grapes of Wrath)
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Cyril had staked out his claim and refused to move. "Move over!" I said, freeing one hand from holding the cat to push. "Dogs are supposed to sleep at the foot of the bed." Cyril had never heard of this rule. He jammed his body up against my back and began to snore. I tugged at the rugs, trying to get enough to cover me, and turned on my side, the cat cradled in my arms. Princess Arjumand paid no attention to the regulations of animals on the bed either. She promptly wriggled free and walked round the bed, treading on Cyril, who responded with a faint "oof," and kneading her claws in my leg. Cyril shoved and shoved again until he had the entire bed and all the covers, and Princess Arjumand draped herself across my neck with her full weight on my Adam's apple. Cyril shoved some more. An hour into this little drama it began to rain in earnest, and everyone moved in under the covers and began jockeying for position again.
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Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
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Over the years I have read many, many books about the future, my βweβre all doomedβ books, as Connie liked to call them. βAll the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.β But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet wonβt replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? Iβm no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called βsecureβ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if itβs the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
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David Nicholls (Us)