Confusion Between Love And Friendship Quotes

Somewhere between love and hate lies confusion, misunderstanding and desperate hope.

It came as a belated epiphany to me when I learned that the Greeks had several different words for the disparate phenomena that in English we indiscriminately lump together under the label love. Our inability to distinguish between, say, eros (sexual love) and storgé (the love that grows out of friendship) leads to more than semantic confusion. Careening through this world with such a crude taxonomical guide to human passion is as foolhardy as piloting a plane ignorant of the difference between stratus and cumulonimbus, knowing only the word cloud.

If desire were really one to one, self to self, there would never be a problem of infidelity, but desire will always, without confusion, demand a particular class, Caring for a unique object is an illusion, but the feeling must be unique, and though that feeling may not be natural, it is duty. You must love your neighbour like yourself, uniquely. From the personal point of view, sexual desire, because of its impersonal and unchanging character, is a comic contradiction. The relation between every pair of lovers is unique, but in bet they can only do what all mammals do. All the relation in friendship a relationship of spirit, can be unique. In sexual relationship love the only uniqueness can be fidelity.

I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.

How long will it be until the two countries I love forgive each other and move on . . . I'm not even sure what there is to forgive. Something about Cuba seizing ownership of oil refineries. It's all so confusing. Why should something as ugly as oil affect friendships between nations?

How far am I going with this? Is all envy really attraction? Are all female friendships chock-full of repressed sexuality? Do women with body-image issues just need to come out? For sociopolitical shock value, it would be delicious to make these claims. For the sake of truth and useful theory, though, I want to question just that type of absolutism. My point is not that we're all big dykes, but that the distinctions among sensuality, sexual attraction, and platonic love are not always stable or easy to determine. The erotic is an integral part of the wide range of affection between women. Under a system where women are not encourages to acknowledge attraction to women - even to themselves - that attraction has to hide somewhere. Where better than in the socially sanctioned obsession with other women's appearance? Where better than in the supposedly 'pure' model of platonic friendship? I know from my own experience that it's possible to completely confuse envy and attraction, and that this confusion can go totally unnoticed by both the woman in question and those around her. It was easy for me to use the concept of envy to spend twenty-two years as a straight girl, never realizing that I was attracted to women.

It was promptly settled between us that he and I were to be great friends for ever, and he would say 'our friendship' as though he were speaking of some important and delightful thing which had an existence independent of ourselves, and which he soon called—not counting his love for his mistress—the great joy of his life. These words made me rather uncomfortable and I was at a loss for an answer, for I did not feel when I was with him and talked to him—and no doubt it would have been the same with everyone else—any of that happiness which it was, on the other hand, possible for me to experience when I was by myself. For alone, at times, I felt surging from the depths of my being one or other of those impressions which gave me a delicious sense of comfort. But as soon as I was with some one else, when I began to talk to a friend, my mind at once 'turned about,' it was towards the listener and not myself that it directed its thoughts, and when they followed this outward course they brought me no pleasure. Once I had left Saint-Loup, I managed, with the help of words, to put more or less in order the confused minutes that I had spent with him; I told myself that I had a good friend, that a good friend was a rare thing, and I tasted, when I felt myself surrounded by 'goods' that were difficult to acquire, what was precisely the opposite of the pleasure that was natural to me, the opposite of the pleasure of having extracted from myself and brought to light something that was hidden in my inner darkness. If I had spent two or three hours in conversation with Saint-Loup, and he had expressed his admiration of what I had said to him, I felt a sort of remorse, or regret, or weariness at not having been left alone and ready, at last, to begin my work. … We fear more than the loss of everything else the disappearance of the 'goods' that have remained beyond our reach, because our heart has not taken possession of them.

We Will Let You Down: If We’re Close Enough to Help, We’re Close Enough to Hurt Bob Nobody wants to be the church that hurts people. But at some point, every church ends up doing just that. Early in our church life we came to the painful realization that as much as we were determined to be a church that healed and not hurt, human nature and our own sinful tendencies were going to make it impossible to never cause hurt to anyone. More, we discovered that the nature of community ensured that at some point, some hurt would happen. As we moved through the early years of our church, we realized just how much emotional weight people were putting on the community. The fact that they had found in our church a safe place to be in process, a place where it seemed they could be their authentic selves and form close relationships, meant that when something happened that confused or consternated them, the dissonance between the idealized version of church that they held in their heads and hearts and the real flesh-and-blood community they were participating in felt like a betrayal. That’s when we knew we had to develop some language around the issue and help people to realize that at some point we, the pastors or other elders, or other people in the community, or perhaps the church as a whole, were going to let them down. We would not recognize or use their gifts in the ways they hoped we would. We would say something from the pulpit or make a decision as elders that they disagreed with or found hurtful. We would go left when everything in them screamed “right!” We wanted people to do three things with that information. First, we wanted them to know in advance that it was coming, so that when it happened it wasn’t a shock. It’s not as though we were claiming to be a perfect community, and certainly no one has ever said that they thought we were. But forewarning people that we would eventually let them down in some way seemed to lessen the impact when it happened.1 Second, we really wanted people to understand that the cost of real community is vulnerability to hurt. We loved all the close relationships we were seeing as people moved in together into community houses, or formed new friendships through our church as they found people who had been on a similar journey. But the cost of being close to others is that they now have the ability to step on your toes—hard. The closer the relationship, in fact, the more potential it has for impact in our lives, both positive and negative. As we occasionally had to come in and help untangle some knots people had gotten into with one another, we reminded them that if we’re close enough to help, we’re close enough to hurt. The only way to ever ensure we will never be hurt in community is to keep people at a distance, but that means cutting ourselves off from all the ways those people could help us as well.

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

James drove while Ryan looked out the side window. God, the silence between them had never felt so uncomfortable and suffocating. They entered Ryan’s flat still in silence. James sat down on the couch. Ryan sat next to him. Neither of them looked at the other and they didn’t speak for a long time. At last, Ryan said tonelessly, “It isn’t working, is it?” James stared down at his hands. “No.” He wasn’t sure what they were talking about: Ryan’s matchmaking or the fact that their relationship was slowly crumbling despite their best efforts. Maybe both. His eyes stinging, James bit the inside of his cheek. Was this how it was destined to end? Both of them getting more and more frustrated with each other, because they were unable to let go when they should have? A friendship with one of the friends in unrequited love with the other could never work. Could never last. This was what Tristan had meant. He’d been right. “This is pointless,” he whispered. “We should just…” He heard Ryan take a shaky breath before suddenly he had Ryan’s arm around him. Ryan’s nose pressed against his temple. “No,” Ryan said, anger and frustration clear in his voice. “No, Jamie.” James closed his eyes, wondering why things couldn’t be simple. “Maybe it would be for the best,” he said around the lump in his throat. “Before we start hating each other.” “No,” Ryan bit off, his breath hot on James’s cheek. He shivered. “Ryan—” “I said no.” The humor in Ryan’s voice couldn’t have been more forced as he said, “I’d hate to have to train a new best friend after wasting so many years on you.” “Ryan—

To: James Grayson Dec 9 Fuck off, Grayson. And don’t think I’ve forgotten what we were talking about. So let me get it straight: Yesterday Ryan broke up with his girlfriend after you told him it wasn’t working and you wanted to end your epic “friendship.” Ryan told you in no uncertain terms there could never be anything between you, because he was straighter than an arrow. Then you two got drunk and you sucked him off. Is that right? From: James Grayson To: Luke Whitford Dec 9 Pretty much. And stop putting our friendship into quotes. From: Luke Whitford To: James Grayson Dec 9 I’ll stop putting it into quotes when your “friendship” starts being a friendship. Usually a man doesn’t fucking break up with the woman he loves for his best friend, Jimmy. Anyway, what happened after the blowjob? From: James Grayson To: Luke Whitford Dec 9 Nothing. From: Luke Whitford To: James Grayson Dec 9 Nothing? From: James Grayson To: Luke Whitford Dec 9 We were drunk. I passed out. When I woke up this morning, he was still out. I went home. From: Luke Whitford To: James Grayson Dec 9 You haven’t talked today at all? From: James Grayson To: Luke Whitford Dec 9 No. From: Luke Whitford To: James Grayson Dec 9 I can feel the angst from here.