Comments On Friends Quotes

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Don't listen to the malicious comments of those friends who, never taking any risks themselves, can only see other people's failures.
Paulo Coelho (Eleven Minutes)
A friend had commented once that Neal had a gift for making someone want to punch him just for saying hello.
Tamora Pierce (Page (Protector of the Small, #2))
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
Shannon L. Alder
What is this Chocho business?' Will muttered to himself. But his friends overheard the comment. 'It's a term of great respect,' they chorused, and he glared at them. 'Oh, shut up,' he said.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
I'm going to take a shower," I said and prepared for the comment I knew was coming. "You know what they say, conserve water and shower with a friend.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
This is what you do now to give your day topography--scan the boxes, read the news, see the chain of your friends reporting about themselves, take the 140-character expository bursts and sift through for the information you need. It's a highly deceptive world, one that constantly asks you to comment but doesn't really care what you have to say. The illusion of participation can sometimes lead to participation. But more often than not, it only leads to more illusion, dressed in the guise of reality.
David Levithan (Two Boys Kissing)
Since Thor wasn't there to creatively cuss, Sam did the honors, muttering a few comments that I doubted her grandparents would've approved of. "Those are just expressions," I added hastily. "In no way was my friend giving you permission to do...any of those rude and colorful things.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I don’t have many friends,” I said. “Not ‘come over and eat popcorn and watch a stupid movie’ friends. You and Warren are sort of it.” I don't have many girlfriends. My work isn't conducive to meeting other women. “Pretty sad,” Kyle commented. Then he said, “You and Warren are the only people I eat popcorn with, too.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
Mitch stared at where her hand lay on Blake’s crotch and appreciated that his friend didn’t comment. “Please tell me I don’t have my hand some place inappropriate.” Alana’s voice broke.
Eden Summers (Blind Attraction (Reckless Beat, #1))
Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you—act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. If you started a chess game ten years ago in October, you need only remember whose move it is—or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe an as excuse—like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, “Sorry I haven’t called. Merry Christmas” Then show the present. Christmas Amnesty protocol dictates that your friend say, “That’s okay,” and let you in without further comment. This is the way it has always been done.)
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
The comments on YouTube, Facebook, and Twitter instantly switched from a small, friendly, supportive community to a selection of the loudest, most over-the-top opinions one could imagine. I was a traitor to my species. I was ultra-fuckable. I was a space alien. I was an ultra-fuckable space alien. And so on.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Don't be fool enough to think you can know a person's character after a few moments of observation. You can't. You have no idea where his life began or how his saga has unfolded thus far. Only his present state can you witness. To judge him at a glance is like reading one page in an open book, believing it's enough to confidently recite the story from beginning to end. True, one page may tell you much, but not nearly enough to accurately critique a book or evaluate a life. So, either become his friend and learn his entire story, or refrain from commenting on a tale you know nothing about.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
He had first been excited by Facebook, ghosts of old friends suddenly morphing to life with wives and husbands and children, and photos trailed by comments. But he began to be appalled by the air of unreality, the careful manipulation of images to create a parallel life, pictures that people had taken with Facebook in mind, placing in the background the things of which they were proud.
Chimamanda Ngozi Adichie (Americanah)
MARK SAID, “I knew. From the very first day, I knew that you were made for something great. I am proud to call you my friend and pack.”     CARTER SAID, “I hope you’re ready for werewolf stamina. Like, for real. You’re going to be sore. For days.”     KELLY SAID, “I really wish I hadn’t heard Carter say that. I need to pour bleach on my brain. For days.”  
T.J. Klune (Wolfsong (Green Creek, #1))
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
She sat down at the table and spent a good hour talking about her husband. She told Judith how they'd met, how he relentlessly pursued her, and finished by mentioning just a hundred or two of his special qualities. The only thing the man wasn't capable of was walking on water… yet. Judith made that comment when her friend paused for breath.
Julie Garwood (The Secret (Highlands' Lairds, #1))
When a stranger on the street makes a sexual comment, he is making a private assessment of me public. And though I’ve never been seriously worried that I would be attacked, it does make me feel unguarded, unprotected. Regardless of his motive, the stranger on the street makes an assumption based on my physique: He presumes I might be receptive to his unpoetic, unsolicited comments. (Would he allow a friend to say “Nice tits” to his mother? His sister? His daughter?) And although I should know better, I, too, equate my body with my soul and the result, at least sometimes, is a deep shame of both. Rape is a thousand times worse: The ultimate theft of self-control, it often leads to a breakdown in the victim’s sense of self-worth. Girls who are molested, for instance, often go on to engage in risky behavior—having intercourse at an early age, not using contraception, smoking, drinking, and doing drugs. This behavior, it seems to me, is at least in part because their self-perception as autonomous, worthy human beings in control of their environment has been taken from them.
Leora Tanenbaum (Slut!: Growing Up Female with a Bad Reputation)
Have you ever had a difference with a dear friend? How his letters, written in the period of love and confidence, sicken and rebuke you! What a dreary mourning it is to dwell upon those vehement protests of dead affection! What lying epitaphs they make over the corpse of love! What dark, cruel comments upon Life and Vanities! Most of us have got or written drawers full of them. They are closet-skeletons which we keep and shun
William Makepeace Thackeray (Vanity Fair)
i don't like to talk. every time i go somewhere with a friend they always expect me to talk to them. i like to sit quietly. when i watch a movie or read a poem i don't like to discuss it with anyone. i like to watch movies and then maybe sleep. no talking. occasionally i watch the same movie over and over again until i fall asleep. i prefer watching movies alone. i prefer reading alone. i prefer eating alone. i prefer walking alone. i prefer listening to music alone. i prefer singing alone. i prefer swimming alone. i prefer to eat small children alone. i like it when sean reads me poetry but i just like to listen quietly and not comment afterwards. sometimes i feel this makes him uncomfortable.
Ellen Kennedy (Yesterday I Was Talking to Myself...)
Most of our misfortunes are more supportable than the comments of our friends upon them.
Charles Caleb Colton
What a Crazy Woman Thinks About While Walking Down the Street She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers. She keeps her keys in her hand, three of them held between her fingers, like a dull claw. She makes eye contact only when necessary and if a man should catch her eye, she juts her chin forward, makes sure the line of her jaw is strong. When she leaves work or the bar late, she calls a car service and when the car pulls up to her building, she quickly scans the street to make sure it’s safe to walk the short distance from the curb to the door. She once told a boyfriend about these considerations and he said, “You are completely out of your mind.” She told a new friend at work and she said, “Honey, you’re not crazy. You’re a woman.
Roxane Gay (Difficult Women)
Raoden regarded himself in a small piece of polished steel. His shirt was yellow dyed with blue stripes, his trousers were bright red, and his vest a sickly green. Over all, he looked like some kind of confused tropical bird. His only consolation was that as silly he looked, Galladon was much worse. The large, dark-skinned Dula looked down at his pink and light green clothing with a resigned expression. "Don't look so sour, Galladon." Raoden said with a laugh. "Aren't you Dulas supposed to be fond of garish clothing?“ "That's the aristocracy—the citizens and republicans. I'm a farmer; pink isn't exactly what I consider a flattering color."Then he looked up at Raoden with narrow eyes. "If you make even one comment about my resembling a kathari fruit, I will take off this tunic and hang you with it." Raoden chuckled. "Someday I'm going to find that scholar who told me all Dulas were even-tempered, then force him to spend a week locked in a room with you, my friend.
Brandon Sanderson (Elantris (Elantris, #1))
Many years ago a friend of mine, Kevin O'Niel made a very profound comment ... The difference between the love of God and the love of man is that man loves people or things because they are precious: but God simply loves us - and by loving us makes us precious.
Kevin King (Transformed by Love: The Story of the Song of Solomon)
. . . you know who Polworth is?" "Your best mate," said Robin. "He's my oldest mate," Strike corrected her. "My best mate . . . " For a split second he wondered whether he was going to say it, but the whisky had lifted the guard he usually kept upon himself: why not say it, why not let go? " . . . is you." Robin was so amazed, she couldn't speak. Never, in four years, had Strike come close to telling her what she was to him. Fondness had had to be deduced from offhand comments, small kindnesses, awkward silences or gestures forced from him under stress. She'd only once before felt as she did now, and the unexpected gift that had engendered the feeling had been a sapphire and diamond ring, which she'd left behind when she walked out on the man who'd given it to her. She wanted to make some kind of return, but for a moment or two, her throat felt too constricted. "I . . . well, the feeling's mutual," she said, trying not to sound too happy.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
You didn't think it was possible for a woman to wander the streets in the same spirit and manner as a man. A female pedestrian was subject to constant disruptions: stares, comments, catcalls, gropes. A woman was raised to be always on guard: Was this guy walking too close? Was that guy following her? How, then, could she ever relax enough to experience the loss of sense of self, the joy of pure being that was the ideal of true flânerie?
Sigrid Nunez (The Friend)
To prove to [her friend, Swedish diplomat Count] Gyllenborg that she was not superficial, Catherine composed an essay about herself, "so that he would see whether I knew myself or not." The next day, she wrote and handed to Gyllenborg an essay titled 'Portrait of a Fifteen-Year-Old Philosopher.' He was impressed and returned it with a dozen pages of comments, mostly favorable. "I read his remarks again and again, many times [Catherine later recalled in her memoirs]. I impressed them on my consciousness and resolved to follow his advice. In addition, there was something else surprising: one day, while conversing with me, he allowed the following sentence to slip out: 'What a pity that you will marry! I wanted to find out what he meant, but he would not tell me.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Friends, loved ones, and even enemies influence us, but that doesn’t mean their comments are relevant to your destiny.
T.D. Jakes (Destiny: Step into Your Purpose)
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
Just heard that Gus Waters died after a lengthly battle with cancer. Rest in peace, buddy. I knew these people were genuinely sad, and that I wasn't really mad at them. I was mad at the universe. Even so, it infuriated me: You get all these friends just when you don't need friends anymore. I wrote a reply to his comment: We live in a universe devoted to the creation, and eradication, of awareness. Augustus Waters did not die after a lengthy battle with a cancer. He died after a lenghthy battle with human consciousness, a victim-as you will be-of the universe's need to make and unmake all that is possible.
John Green (The Fault in Our Stars)
The Rat hummed a tune, and the Mole recollected that animal-etiquette forbade any sort of comment on the sudden disappearance of one’s friends at any moment, for any reason or no reason whatever.
Kenneth Grahame (The Wind in the Willows)
Okay, so I stopped posting status updates on Facebook a long time ago. I noticed that whenever someone posts something completely mundane and stupid, like 'Sushi 2nite!' seventeen people have to comment on that. 'I ♥ sushi!' and 'Spicy Tuna 4 meee!' But if you ever try to actually say something serious about your feelings or, like, your life, every one of your 386 "friends" is suddenly mute. So there you have it: My life is a post with no comments. Less interesting than spicy tuna.
J.J. Howard (That Time I Joined the Circus)
Ken was Mary's new boyfriend, a nice guy who made all their friends comments, "Oh, there he is. That's what she's been waiting for," as if finding your perfect match was a guarantee as long as you were patient enough.
Jennifer Close (Girls in White Dresses)
I like bubbles in everything. I respect the power of silence. In cold or warm weather I favor a mug of hot cocoa. I admire cats―their autonomy, grace, and mystery. I awe at the fiery colors in a sunset. I believe in deity. I hear most often with my eyes, and I will trust a facial expression before any accompanying comment. I invent rules, words, adventures, and imaginary friends. I pretend something wonderful every day. I will never quit pretending.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Selfies have begun to replace memories – likes and comments have begun to replace lasting conversations – illusive friends and followers lists have begun to replace real reliable friendship. And this is nothing to be taken for granted.
Abhijit Naskar (The Gospel of Technology)
As a concerned friend, I really ought to check on her emotional state.” “How ghastly for her,” said Alexia, driven beyond endurance into comment. “People actually thinking, with their brains, and right next door. Oh, the travesty of it all.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words. "Thanks, Dec. That's usually my job," Sally told him. "But I was in such shock that I couldn't get my limbs to move." Decebel inclined his head. "Is that why you always seem to stand so close to her?" "It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue." en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide." Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips. The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing." Decebel chuckled and whispered back, "For some reason, ţinere de meu inimă (one who holds my heart), I have a feeling there will be plenty of opportunities for you to embarrass your friends for questionable comments they innocently walk into." Jen shrugged. "True enough, but you still owe me. And what are you calling me when you speak Romanian? You've said the same phrase to me twice now." Decebel patted her leg, causing all sorts of tingling sensations. "Dar tu romaneste, Micul meu lup. (but you speak Romanian, my little wolf)" "I know what lup is and I am not a wolf. Whatever else you said I'm sure is a load of crap as well.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Do not be angry with the dormant friends you have on Facebook and on social media who do not LIKE or comment on your statuses and pictures, and do not congratulate you on your birthday. See them just as the regular passengers you meet every morning on the train and bus on your way to work, and with whom you do not exchange greetings ― the only thing you share being just passengers on board the same train and bus.
Nkwachukwu Ogbuagu
At the tattoo parlor, my friend worked with needle and ink applying a design to the skin on his client's back, as the three of us sat discussing our spiritual desires and ambivalence about religion. In the midst of our conversation, the man under the needle turned and said, 'Jesus is cool, it's just that they have f***ed with Jesus. I mean, Christianity was at its best when it was secret and hidden and you could die for it.' This profound, if crass, statement recognizes that the power of the gospel lay in its ability to be a counter-cultural and revolutionary force - not only a story to believe, but a distinctive way of life. The man's comment prompted me to consider the questions: Am I in some measure complicit in the domestication of Jesus?
Mark Scandrette (Soul Graffiti: Making a Life in the Way of Jesus)
I comment on how cute a friend’s latest ugly baby looks, which I can do very convincingly, as I spend a large proportion of my working day doing the same thing to total strangers.
Adam Kay (This Is Going to Hurt: Secret Diaries of a Junior Doctor)
The Mole recollected that animal-etiquette forbade any sort of comment on the sudden disappearance of one's friends at any moment, for any reason or no reason whatever.
Kenneth Grahame
If you want friends you must be friendly. Always complaining and posting negative comments is not going to bring you friends. No one likes to get puked on.
John Patrick Hickey (Oops! Did I Really Post That)
One good reason to only maintain a small circle of friends is that three out of four murders are committed by people who know the victim. —GEORGE CARLIN, AMERICAN COMEDIAN
Eric Grzymkowski (The Quotable A**hole: More than 1,200 Bitter Barbs, Cutting Comments, and Caustic Comebacks for Aspiring and Armchair A**holes Alike)
Having a best friend is a wonderful thing. There needs be no proofreading, no refinement, of the comments that come from my head.
Mary Kubica (Pretty Baby)
Will these days ever come again?" My friend had meant it in an offhand way, but the comment cut deep. "Not the same days," someone said sadly.
Kyung-Sook Shin (I'll Be Right There)
A newspaper runs a story, a friend posts a link on Facebook, a blogger writes a post, and it’s interesting. But the real intellectual action often takes place in the comments.
Clive Thompson (Smarter Than You Think: How Technology Is Changing Our Minds for the Better)
Cool posts and kind comments make friends. Think about others online.
David Chiles
I’m Tekchin,” he said, exchanging an empty gourd for a full one. “The handsomest and most skilled of the Galantians.” This brought an immediate and loud moan from the other Fhrey. “That scar suggests otherwise,” Moya replied. “On both counts.” More laughter, louder this time. “Pretty and smart,” Tekchin said to the others in Fhrey. Persephone was thankful Moya couldn’t understand their language. A comment like that would have been tantamount to putting torch to tinder. “This?” Tekchin returned to Rhunic and touched his cheek. “Naw, this is a beauty mark given to me by a special friend. He’s dead now, of course, but he was a gifted opponent and aiming for my throat. I can assure you it proves my skill. So what’s your name, or shall I call you Doe-Eyes?” “Doe-Eyes? Seriously?” Moya rolled her same-said eyes in disbelief. “I would have expected something less sappy from a god. My name is Moya. Call me anything else and you’ll receive a second beauty mark.” Tekchin struggled but failed to resist smiling. Behind him, the rest of the Fhrey laughed once more. “God, eh?” Tekchin said. “Don’t get too excited. Apparently it’s only a rumor.” “I like you, Moya.” “Most people do,” she replied.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
Edythe, I finally say, Why don’t you go on back to your bunk and eat your boogers for a midnight snack like you always do at home? Well, that comment really sends my friends, and I’m a big hit. But then I see Edythe’s face. It’s like something has fallen on it and crumpled it in. Somehow she looks so familiar that I can feel her bones inside my own body. And I start to feel sort of sick. She turns and walks away and
Rebecca Wells (Little Altars Everywhere)
But her comment still cut, reminding me of the thorns I drew in my garden sketches. Raw, and doubly painful because they’re attached to flowers. Barbed comments hurt more when they come from a neighbor or a friend.
Saadia Faruqi (A Place at the Table)
Someone told me recently that a commentator or some sort had said, "The United States is in spiritual free-fall." When people make such remarks, such appalling judgements, they never include themselves, their friends, those with whom they agree. They have drawn, as they say, a bright line between an "us" and a "them." Those on the other side of the line are assumed to be unworthy of respect or hearing, and are in fact to be regarded as a huge problem to the "us" who presume to judge "them." This tedious pattern has repeated itself endlessly through human history and is, as I have said, the end of community and the beginning of tribalism.
Marilynne Robinson (When I Was a Child I Read Books)
She glanced again at the number of page views on her blog from last month: 18. Three for every post she'd written. Sean, her mother, and Izzy (her best friend), no doubt. Although Allyson wasn't sure if Izzy had read the last post, and her mother had commented that she'd read it twice, pointing out three grammatical errors.
Tricia Goyer (Mom's Night Out)
Critical comments by students should be taken in a friendly spirit,” he said. “Accumulation of material should not stifle the student’s independence.” A society’s competitive advantage will come not from how well its schools teach the multiplication and periodic tables, but from how well they stimulate imagination and creativity.
Walter Isaacson (Einstein: His Life and Universe)
Chrysanthemums,” my friend commented as we moved through our garden stalking flower-show blossoms with decapitating shears, “are like lions. Kingly characters. I always expect them to spring. To turn on me with a growl and a roar.
Truman Capote (The Thanksgiving Visitor)
Whenever something scary happens or I want to comment on something, like Joyce and Hopper’s constant bickering, which is getting annoying, I glance toward Adam’s side of the couch. And each and every time I do, the pain of his absence pierces my chest. That’s the thing about losing someone: there’s one major death followed by a million little deaths.
Alexandra Latos (Under Shifting Stars)
comment about his condition was taken from: Pearl S. Buck, (1892-1973), recipient of the Pulitzer Prize in 1932 and of the Nobel Prize in Literature in 1938, said the following about Highly Sensitive People:   "The truly creative mind in any field is no more than this:   A human creature born abnormally, inhumanly sensitive.   To him... a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death.
Pepper Winters (Third Debt (Indebted, #4))
In our relationships, weatherproofing typically plays itself out like this: You meet someone and all is well. You are attracted to his or her appearance, personality, intellect, sense of humor, or some combination of these traits. Initially, you not only approve of your differences with this person, you actually appreciate them. You might even be attracted to the person, in part because of how different you are. You have different opinions, preferences, tastes, and priorities. After a while, however, you begin to notice little quirks about your new partner (or friend, teacher, whoever), that you feel could be improved upon. You bring it to their attention. You might say, “You know, you sure have a tendency to be late.” Or, “I’ve noticed you don’t read very much.” The point is, you’ve begun what inevitably turns into a way of life—looking for and thinking about what you don’t like about someone, or something that isn’t quite right. Obviously, an occasional comment, constructive criticism, or helpful guidance isn’t cause for alarm. I have to say, however, that in the course of working with hundreds of couples over the years, I’ve met very few people who didn’t feel that they were weatherproofed at times by their partner. Occasional harmless comments have an insidious tendency to become a way of looking at life. When you are weatherproofing another human being, it says nothing about them—but it does define you as someone who needs to be critical. Whether you have a tendency to weatherproof your relationships, certain aspects of your life, or both, what you need to do is write off weatherproofing as a bad idea. As the habit creeps into your thinking, catch yourself and seal your lips. The less often you weatherproof your partner or your friends, the more you’ll notice how super your life really is.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
A major existential breakthrough was averted Friday when, moments before he had a realization of monumental personal significance, 29-year-old local resident Darrell Gatsas instead turned to God. "He was so, so close to discovering something truly fundamental about himself and his place in the universe, but nope—he went with God," close friend Peter Rankin, 27, said. "For a second there it seemed like he was going to seriously consider the cause-and-effect relationship of his own actions and elevate himself to a new level of compassion and understanding, but then he suddenly changed course and asked God to swoop in and fix everything." Reached for comment, God chuckled to reporters that Gatsas is, indeed, a real piece of work.
The Onion
..."Charming people, when not actively shooting one another," a friend had once said, which was so unkind, but, like so many unkind comments, had a grain of truth in it. They did shoot one another and had been doing so for centuries. They did bicker over and brood on long-dead history--or history that should be long dead. The problem with history was that it refused to lie down and die.
Alexander McCall Smith (The Forgotten Affairs of Youth (Isabel Dalhousie #8))
The thought of the Gita is not pure Monism although it sees in one unchanging, pure, eternal Self the foundation of all cosmic existence, nor Mayavada although it speaks of the Maya of the three modes of Prakriti omnipresent in the created world; nor is it qualified Monism although it places in the One his eternal supreme Prakriti manifested in the form of the Jiva and lays most stress on dwelling in God rather than dissolution as the supreme state of spiritual consciousness; nor is it Sankhya although it explains the created world by the double principle of Purusha and Prakriti; nor is it Vaishnava Theism although it presents to us Krishna, who is the Avatara of Vishnu according to the Puranas, as the supreme Deity and allows no essential difference nor any actual superiority of the status of the indefinable relationless Brahman over that of this Lord of beings who is the Master of the universe and the Friend of all creatures. Like the earlier spiritual synthesis of the Upanishads this later synthesis at once spiritual and intellectual avoids naturally every such rigid determination as would injure its universal comprehensiveness. Its aim is precisely the opposite to that of the polemist commentators who found this Scripture established as one of the three highest Vedantic authorities and attempted to turn it into a weapon of offence and defence against other schools and systems. The Gita is not a weapon for dialectical warfare; it is a gate opening on the whole world of spiritual truth and experience and the view it gives us embraces all the provinces of that supreme region. It maps out, but it does not cut up or build walls or hedges to confine our vision.
Sri Aurobindo (Essays on the Gita)
And how does my aide come by this information before I do?" "Well, you know . . . pillow talk. See, sex—in this case—is an advantage to you. McNab said they'd get through faster, but at data clubs like that, the units are totally clogged. But he's on it and it's his top priority." She cleared her throat when Eve made no comment. "Should I still contact Captain Feeney?" "Oh, Feeney and I appear to be superfluous at this point. You and McPecker can fill us in whenever you feel it's appropriate." "McPecker." Peabody snorted. "That's a good one. I'm going to use it on him." "Happy to help." She shot Peabody a deceptively friendly look. "Perhaps I'm wasting my time going to the lab. Have you and Dickie also had a liaison?" " Eeeuw." "My faith in you is, at least, partially restored.
J.D. Robb (Portrait in Death (In Death, #16))
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
Violet 232 books | 49 friends see comment history Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers.
Cassandra Clare
It's alive and well everywhere. Native Americans get a lot of crap in the West and south west. Muslims get treated like crap in just about every country in the Western world lately. Black people are mistreated in some parts of the US still. There are black people who are racist against white people. I've recently encountered someone who decided they couldn't tolerate my presence because I'm catholic, which according them makes me a pedophile, Satan worshipper and a whore. I've even encountered discrimination from people over seas for being American. Especially with my cousin's friends from England. They were rude to me the entire visit. They thought that I had to be an ignorant, xenophobic, racist slob just because I was from America and they spent most of the time trying to pick a fight with me to prove it. Racism exists, but don't take the comments you read online seriously. A good 80-90% of those are trolls looking for attention or a bored teenager who thinks it's funny to be an idiot.
Kathryn Stockett
I didn't choose to be the Angel of Death, blast it!" He practically spat the words. When she blinked, taken aback by his vehemence, he added, "That was some fool's idea of a joke" She kept staring at him, speechless. A joke? Her brother's death was a joke to someone? Seeing her reaction, he went on in a low, tortured voice, "After Roger's accident, I wore black to mourn him. Since Roger wasn't my family, Chetwin commented on it, saying that I dressed in black because Death was my constant companion. He pointed out that everyone I touched died--my parents, my best friend...everyone." He began to pace the clearing, pain etched in his features. "Chetwin was right, of course. Death was my constant companion. So it was no great surprise when other people started calling me the Angel of Death." His voice grew choked. "I fit the part, after all." -Gabriel to Virginia
Sabrina Jeffries (To Wed a Wild Lord (Hellions of Halstead Hall #4))
When In The Soul Of The Serene Disciple When in the soul of the serene disciple With no more Fathers to imitate Poverty is a success, It is a small thing to say the roof is gone: He has not even a house. Stars, as well as friends, Are angry with the noble ruin. Saints depart in several directions. Be still: There is no longer any need of comment. It was a lucky wind That blew away his halo with his cares, A lucky sea that drowned his reputation. Here you will find Neither a proverb nor a memorandum. There are no ways, No methods to admire Where poverty is no achievement. His God lives in his emptiness like an affliction. What choice remains? Well, to be ordinary is not a choice: It is the usual freedom Of men without visions.
Thomas Merton (A Thomas Merton Reader)
I told them that was the dulcet roar of a Rampion's engines," said Kai, "but they all insisted it was just another media hover flying over." His hands were tucked into his pickets and he was dressed more casually than Cinder was used to seeing him - a cotton button-down shirt with the sleeves rolled to his forearms and dark denim jeans. She had never imagined that farm life might suit him, but he looked as comfortable here as he did anywhere. Cinder crossed her arms over her chest. "You're an expert on the sound levels of spaceships now, are you?" "Nah," said Kai. "I've just been waiting to hear that sound all day." She smiled at him, feeling the hummingbird flutter of her own pulse. He smiled back. "Aces," said Thorne with a low groan. "They haven't even kissed yet and they're already making me nauseous." His comment was followed by a pained grunt, but Cinder didn't know which of her friends had smacked him.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Their comments on the issues of the day would be commented on by their friends, to whom Anna and Tom would then email links to thinkpieces arguing the opposite. Five minutes later, those friends would come back with a new thread. They also worked with the windows open. The storms also blew into their apartments.
Vincenzo Latronico (Perfection)
D. T. Suzuki, the eminent scholar of Zen Buddhism, one day made this sarcastic comment on the Christian tradition to his friends, American mythologist Joseph Campbell and psychoanalyst Carl Jung: “Nature against Man, Man against Nature; God against Man, Man against God; God against Nature, Nature against God; very funny religion!
Daniel Odier (Desire: The Tantric Path to Awakening)
This is what you do now to give your day topography—scan the boxes, read the news, see the chain of your friends reporting about themselves, take the 140-character expository bursts and sift through for the information you need. It’s a highly deceptive world, one that constantly asks you to comment but doesn’t really care what you have to say. The illusion of participation can sometimes lead to participation. But more often than not, it only leads to more illusion, dressed in the guise of reality.
David Levithan (Two Boys Kissing)
For so long they had been searching, liking, friending and commenting, emojiing and cancelling, unfriending and swiping and scrolling again, thinking they were no more than writing and rewriting their own worlds, while, all the time—sensation by sensation, emotion by emotion, thought by thought, fear on fear, untruth on untruth, feeling by feeling—they were themselves being slowly rewritten into a wholly new kind of human being. How could they have known that they were being erased from the beginning?
Richard Flanagan (The Living Sea of Waking Dreams)
Over the years, 'organized' seemed to have become her most defining characteristic. It was like she was a minor celebrity with this one claim to fame. It was funny how once it became a thing that her family and friends commented on and teased her about, it seemed to perpetuate itself, so that her life was now extraordinarily well organized...
Liane Moriarty (The Husband's Secret)
I don't wish to marry, ever. I like men quite well- at least the ones I've been acquainted with- but I shouldn't like to have to obey a husband and serve his needs. It wouldn't make me at all happy to have a dozen children, and stay at home knitting while he goes out romping with his friends. I would rather be independent." The room was silent. Lady Berwick's expression did not change, nor did she blink even once as she stared at Pandora. It seemed as if a soundless battle were being waged between the authoritative older woman and the rebellious girl. Finally Lady Berwick said, "You must have read Tolstoy." Pandora blinked, clearly caught off guard by the unexpected comment. "I have," she admitted, looking mystified. "How did you know?" "No young woman wants to marry after reading Tolstoy. That is why I never allowed either of my daughters to read Russian novels.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Once, long ago, Francis Crawford had reduced her to terror and, the episode over, she had suffered to find that for Kate, apparently, no reason suggested itself against making that same Francis Crawford her friend. He was not Philippa’s friend. She had made that clear, and, to be fair, he had respected it. He had even, when you thought of it, curtailed his visits to Kate, although Kate’s studied lack of comment on this served only to make Philippa angrier. He had been nasty at Boghall. He had hit her at Liddel Keep. He had stopped her going anywhere for weeks. He had saved her life. That was indisputable. He had been effective over poor Trotty Luckup, while she had been pretty rude, and he hadn’t forced himself on her; and he had made her warm with his cloak. He had gone to Liddel Keep expressly to warn her, and when she had been pig-headed about leaving (Kate was right) he had done the only thing possible to make her. And then he had come to Flaw Valleys for nothing but to make sure of her safety, and he had been so tired that Kate had cried after he had gone. And then it had suddenly struck her, firmly and deeply in her shamefully flat chest, so that her heart thumped and her eyes filled with tears, that maybe she was wrong. Put together everything you knew of Francis Crawford. Put together what you had heard at Boghall and at Midculter, what you had seen at Flaw Valleys, and it all added up to one enormous, soul-crushing entity. She had been wrong. She did not understand him; she had never met anyone like him; she was only beginning to glimpse what Kate, poor maligned Kate, must have seen all these years under the talk. But the fact remained that he had gone out of his way to protect her, and she had put his life in jeopardy in return.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles #3))
Nora went through her social media. No messages, no comments, no new followers, no friend requests. She was antimatter, with added self-pity.
Matt Haig (The Midnight Library (The Midnight World, #1))
Weekends welcome warriors for social fun that starts on Friday. Share, Like, comment, and friend. Netiquette
David Chiles
And it shows up when friends and family comment on other fat people’s bodies, telling us precisely their thoughts about bodies like ours in the process.
Aubrey Gordon ("You Just Need to Lose Weight": And 19 Other Myths About Fat People (Myths Made in America))
Our safety lies, not in making terms with the enemy, but in dwelling alone with our best Friend.
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
Astute social commentators had been anticipating this rightward shift since the early 1980s. Bertram Gross predicted, in his book Friendly Fascism, that the United States might arrive at a gentler form of the virulent ultranationalism, antilabor activity, and racism, which coalesced into fascism in Europe in the 1930s. Corporate America would tolerate such a rightward drift, so the argument went, because more government restrictions on personal freedom would enhance business efforts to discipline the labor force and increase corporate profits.
Steve Brouwer (Sharing the Pie : A Citizen's Guide to Wealth and Power)
He didn’t have any friends at home. He was overweight and the kids at his middle school often teased him about his size. Even his teachers sometimes made cruel comments without realizing it. On his last day of school, his math teacher, Mrs. Bell, taught ratios. As an example, she chose the heaviest kid in the class and the lightest kid in the class, and had them weigh themselves. Stanley weighed three times as much as the other boy. Mrs. Bell wrote the ratio on the board, 3:1, unaware of how much embarrassment she had caused both of them. Stanley
Louis Sachar (Holes)
So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness— Give it up, Sub-Subs! For by how much more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together—there, ye shall strike unsplinterable glasses!
Herman Melville (Moby-Dick)
it’s stupid to think that listening to God means your life will be easy.” I stared at him, daring him to justify his comment. “Jesus listened to God all the time, and his life sucked. People called him names, his friends betrayed him, and he was murdered.” He gave me a meaningful look, and then turned back to the road. “He was God’s only Son. If anyone knew what God wanted, it was Him.
Natasha Deen (The Promise of Home)
Victoire didn't need to ask who he meant. 'It was like an exercise in hope,' she said after a pause, 'Loving her, I mean. Sometimes I'd think she'd come around. Sometimes I'd look her in the eyes and think that I was looking at a true friend. Then she'd say something, make some off-the-cuff comment, and the whole cycle would begin all over again. It was like pouring sand into a sieve. Nothing stuck.
R.F. Kuang (Babel)
I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his Orientalism was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the Atlantic invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to. Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral.
Christopher Hitchens (Hitch 22: A Memoir)
Blacks, women, immigrants, refugees, brown pelicans—all have cut ahead of you in line. But it’s people like you who have made this country great. You feel uneasy. It has to be said: the line cutters irritate you. They are violating rules of fairness. You resent them, and you feel it’s right that you do. So do your friends. Fox commentators reflect your feelings, for your deep story is also the Fox News deep story.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
Is she your girlfriend?” Oh. My. GOD. What is wrong with you? He paused, and a tiny frown creased his eyebrows. “No, she’s a friend. We’ve known each other since high school.” “Oh.” Nina flailed around for a comment. “Cool beans.” At this her brain threw up its metaphorical hands and curled up on its stem like a pissed-off hen. I’m not playing anymore, it said. If the mouth isn’t going to wait for my advice, I’m done.
Abbi Waxman (The Bookish Life of Nina Hill)
You can laugh," he said. "Dad's been ranting and muttering for an hour. Something about-" his gaze shifted and lingered on Shelby "-traitors and infidels.Hello,you must be the infidel." The friendly irony in his voice had Shelby's lips curving. "I must be." "Shelby Campbell,my brother, Caine." "The first Campbell ever to step into the MacGregor keep.Enter at your own risk." Caine offered his hand as Shelby crossed the threshold. His first thought was that she had the face of a mermaid-not quite beautiful, but alluring and not easily forgotten. Shelby glanced around the wide hall, approving the faded tapestries and heavy old furniture.She caught the scent of spring flowers, a wisp of dust and old polish. No,she couldn't have done it better herself. "Well, the roof didn't cave in," she commented as she studied a crested shield on the wall. "So far so good.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Two aspects of thinking in particular are pronounced in both creative and hypomanic thought: fluency, rapidity, and flexibility of thought on the one hand, and the ability to combine ideas or categories of thought in order to form new and original connections on the other. The importance of rapid, fluid, and divergent thought in the creative process has been described by most psychologists and writers who have studied human imagination. The increase in the speed of thinking may exert its influence in different ways. Speed per se, that is, the quantity of thoughts and associations produced in a given period of time, may be enhanced. The increased quantity and speed of thoughts may exert an effect on the qualitative aspects of thought as well; that is, the sheer volume of thought can produce unique ideas and associations. Indeed, Sir Walter Scott, when discussing Byron's mind, commented: "The wheels of a machine to play rapidly must not fit with the utmost exactness else the attrition diminishes the Impetus." The quickness and fire of Byron's mind were not lost on others who knew him. One friend wrote: "The mind of Lord Byron was like a volcano, full of fire and wealth, sometimes calm, often dazzling and playful, but ever threatening. It ran swift as the lightning from one subject to another, and occasionally burst forth in passionate throes of intellect, nearly allied to madness." Byron's mistress, Teresa Guiccoli, noted: "New and striking thoughts followed from him in rapid succession, and the flame of genius lighted up as if winged with wildfire.
Kay Redfield Jamison (Touched with Fire: Manic-Depressive Illness and the Artistic Temperament)
Boyfriend/Girlfriend-Centered This may be the easiest trap of all to fall into. I mean, who hasn’t been centered on a boyfriend or girlfriend at one point? Let’s pretend Brady centers his life on his girlfriend, Tasha. Now, watch the instability it creates in Brady. TASHA’S ACTIONS BRADY’S REACTIONS Makes a rude comment: “My day is ruined.” Flirts with Brady’s best friend: “I’ve been betrayed.   I hate my friend.” “I think we should date other people”: “My life is over. You don’t love me anymore.” The ironic thing is that the more you center your life on someone, the more unattractive you become to that person. How’s that? Well, first of all, if you’re centered on someone, you’re no longer hard to get. Second, it’s irritating when someone builds their entire emotional life around you. Since their security comes from you and not from within themselves, they always need to have those sickening “where do we stand” talks. if who I am is what I have and what I have is lost, then who am I? ANONYMOUS When I began dating my wife, one of the things that attracted me most was that she didn’t center her life on me. I’ll never forget the time she turned me down (with a smile and no apology) for a very important date. I loved it! She was her own person and had her own inner strength. Her moods were independent of mine. You can usually tell when a couple becomes centered on each other because they are forever breaking up and getting back together. Although their relationship has deteriorated, their emotional lives and identities are so intertwined that they can never fully let go of each other. Believe me, you’ll be a better boyfriend or girlfriend if you’re not centered on your partner. Independence is more attractive than dependence. Besides, centering your life on another doesn’t show that you love them, only that you’re dependent on them. Have as many girlfriends or boyfriends as you’d like, just don’t get obsessed with or centered on them, because, although there are exceptions, these relationships are usually about as stable as a yo-yo.
Sean Covey (The 7 Habits Of Highly Effective Teens)
A group of older women walked past, wearing fanny packs and large cameras around their necks. ... "I think I'm going to get one of those." Weylin's voice was thoughtful as he watched the women jaywalk. "One of what?" Ree cocked an eyebrow and smiled at her friend. "I don't know, Wey-mand. I think they might be too much woman for you." Paden flashed a crooked grin. "Har, har. I meant a fanny pack." Looking thoughtful, Weylin ignored thier expressions of disbelief. "A...fanny pack?" Sophie was looking at Weylin as if he had lost his mind, but Ree noticed the corners of her mouth twitching. "Yeah. Think about all the cool things I could carry in one." Completely unperturbed, Weylin stopped at the crosswalk and hit the button on the light post. "I could carry knives and some of those collapsible swords that Roland uses. Oh and snacks!" Unable to control her laughter anymore, Ree leaned over and clutched her sides. "Snacks? Weylin, I think you might need to lie down. You obviously have a fever or something." "You won't be saying that the next time we're out and you get a hankering for a pizza or some popcorn. I could even carry bottled water and little sanitizer wipes." "How big of a fanny pack are you planning on getting? Paden raised an eyebrow. ... "Oh, hell no! I am not eating food you've been carrying near your man-pickle. That is so not going to happen." Everyone in the group sputtered and laughed at Juliette's comment.
Nichole Chase (Mortal Defiance (Dark Betrayal Trilogy, #2))
Technology has bridged the gap of distant communication,bringing friends and family closely together but no matter the number of ‘likes’, tweets, chats, comments, posts and shares, none can compare to a sincere smile, a kind kiss and a warm hug
Bernard Kelvin Clive
Thinness was like an asset I was proud of; when my friends commented on my stick-thin legs and tiny waist I saw it as a way for me to stand out. Striving to stay as thin as possible was like achieving a goal that I wanted to be congratulated for.
Gillian Entwistle (Head Heart and Hipbones: Fighting and Surviving Anorexia)
We can combat existential anguish – the unbearable lightness of our being – in a variety of ways. We can choose to work, play, destroy, or create. We can allow a variety of cultural factors or other people to define who we are, or we can create a self-definition. We decide what to monitor in the environment. We regulate how much attention we pay to nature, other people, or the self. We can watch and comment upon current cultural events and worldly happenings or withdraw and ignore the external world. We can drink alcohol, dabble with recreational drugs, play videogames, or watch television, films, and sporting events. We can travel, go on nature walks, camp, fish, and hunt, climb mountains, or take whitewater-rafting trips. We can build, paint, sing, create music, write poetry, or read and write books. We can cook, barbeque, eat fine cuisine at restaurants or go on fasts. We can attend church services, worship and pray, or chose to embrace agnosticism or atheism. We can belong to charitable organizations or political parties. We can actively or passively support or oppose social and ecological causes. We can share time with family, friends, co-workers, and acquaintances or live alone and eschew social intermixing.
Kilroy J. Oldster (Dead Toad Scrolls)
****NOTE 6-30-2015 --Something weird is going on w/my GR profile. This one isn't attached to INTO THE DIM any more, and the one that is by INTO THE DIM doesn't have any of my friends/comments/info. Not to worry, GR is working on it!! In the meantime...CUPCAKES FOR ALL!!****
Janet B. Taylor
Facebook automatically catalogued every tiny action from its users, not just their comments and clicks but the words they typed and did not send, the posts they hovered over while scrolling and did not click, and the people's names they searched and did not befriend. They could use that data, for instance, to figure out who your closest friends were, defining the strength of the relationship with a constantly changing number between 0 and 1 they called a "friend coefficient". The people rated closest to 1 would always be at the top of your news feed.
Sarah Frier (No Filter: The Inside Story of Instagram)
As one refugee, Amila, from Gradačac, commented 20 years later: “The most important part of being a refugee is being a good loser; it’s the only way to survive this. You learn to lose your nationality, your home to strangers with bigger guns, your father to mental illness, one aunt to genocide, and another to nationalism and ignorance. You learn to lose your kids, friends, dreams, neighbours, loves, diplomas, careers, photo albums, home movies, schools, museums, histories, landmarks, limbs, teeth, eyesight, sense of safety, sanity, and your sense of belonging in the world”.
John Farebrother (The Damned Balkans: A Refugee Road Trip)
Genuinely support people in ways you can. If you build great relationships and people get to like you for you, they will eventually promote what you do and would want to do business with you. The bottom line is that people love to do business with those they love and trust. Learn to understand people, your audience, their needs, and their real problem. If you are using a Facebook page or even your own profile, involve your friends in a fruitful discussion. Don’t just make a post and leave to expect likes and comments. Take time to leave a note for a friend, ask about their business and what interests them.
Bernard Kelvin Clive
Listen, we’re going to have to learn to get along if we’re going to be spending the next three months together. So how about a truce? I won’t judge you if you agree not to judge me.” “I don’t make promises that I know I won’t be able to keep. We’ll take it a minute at a time.” “Deal. So let’s start over. I’m Jake Parker, and I’m not the womanizing asshole that the media portrays me as.” “I’m Aubrey Thompson. I am opinionated and downright uncensored. Fair warning.” I shrugged. “Nice to meet you uncensored, opinionated Aubrey. How old are you?” “Twenty-three, almost twenty-four.” “I’m twenty-five, almost twenty-six.” “Well, almost twenty-six year old Jake I’d really like to get back to this.” I held my e-reader up. “I like you Aubrey. I can tell by your sarcastic undertones, rude comments and sheer lack of common decency that we’re going to friends in no time. I can just tell.” “Whatever you say, Boss.” I grumbled.
Sophie Monroe (Battlescars (Battlescars, #1))
The constant struggle to feel accepted and worthy is unrelenting. We put so much of our time and energy into making sure that we meet everyone’s expectations and into caring about what other people think of us, that we are often left feeling angry, resentful and fearful. Sometimes we turn these emotions inward and convince ourselves that we are bad and that maybe we deserve the rejection that we so desperately fear. Other times we lash out—we scream at our partners and children for no apparent reason, or we make a cutting comment to a friend or colleague. Either way, in the end, we are left feeling exhausted, overwhelmed and alone.
Anonymous
Pour produire des idées, il n'est pas nécessaire d'être un saint. De tout façon, les vrais intellectuels, il y en a très peu. La plupart des gens cultivés passent leur vie à commenter paresseusement les idées des autres. Leur énergie est principalement consacrée à exercer leur sadisme pour contrer tout rival potentiel.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
She wanted to tell him everything: that her worst fears had come true, that her husband had managed to place a surveillance device into her mind, the whole story. But she didn't want to seem crazy. This was shitty because the truth was crazy, not her. There had been a tagline of a TV show, 'The truth is out there,' that Hazel had initially misinterpreted and felt comforted by. 'That is for sure!' she'd thought, the truth was the most far-out thing possible. Hazel had always felt this--when she learned about periods and sex, when she learned about death, when she learned about the impossible living conditions of the other planets in the solar system and the manufacturing of processed meats. Almost always, the truth was way more bizarre and gross than she would've imagined. Then one night she commented on this to a friend and was told, 'No, dumbass, the show is saying that the truth will be discovered. Like how aliens are real and the U.S. government knows it.
Alissa Nutting (Made for Love)
He was prolix, it may be admitted, but who could bear to have him cut? He loved to sit down and tell you just all about it. His use of letters for his narratives made this gossipy style more easy. First he writes and he tells all that passed. You have his letter. She at the same time writes to her friend, and also states her views. This also you see. The friends in each case reply, and you have the advantage of their comments and advice. You really do know all about it before you finish. It may be a little wearisome at first, if you have been accustomed to a more hustling style with fireworks in every chapter. But gradually it creates an atmosphere in which you live, and you come to know these people, with their characters and their troubles, as you know no others of the dream-folk of fiction. Three times as long as an ordinary book, no doubt, but why grudge the time? What is the hurry? Surely it is better to read one masterpiece than three books which will leave no permanent impression on the mind.
Arthur Conan Doyle (Through the Magic Door)
In his book I Ain’t Much, Baby—But I’m All I Got, the psychologist Jess Lair comments: “Praise is like sunlight to the warm human spirit; we cannot flower and grow without it. And yet, while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellow the warm sunshine of praise.
Dale Carnegie (How to Win Friends and Influence People)
Long ago I used to mutter (as you probably do), "Very interesting," and cast a desperate glance around for the punch-bowl. This banal comment fools no one, least of all the artist, and you quickly find you have lost a friend and alienated a roomful of people, all of whom are pretending they like the pictures with a grim kind of appreciation.
Sydney J. Harris
We are gathered here, friends,” he said, “to honor lo Hoon-yera Mora-toorz tut Zamoo-cratz-ya, children dead, all dead, all murdered in war. It is customary on days like this to call such lost children men. I am unable to call them men for this simple reason: that in the same war in which lo Hoon-yera Mora-toorz tut Zamoo-cratz-ya died, my own son died. “My soul insists that I mourn not a man but a child. “I do not say that children at war do not die like men, if they have to die. To their everlasting honor and our everlasting shame, they do die like men, thus making possible the manly jubilation of patriotic holidays. “But they are murdered children all the same. “And I propose to you that if we are to pay our sincere respects to the hundred lost children of San Lorenzo, that we might best spend the day despising what killed them; which is to say, the stupidity and viciousness of all mankind. “Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns. “I do not mean to be ungrateful for the fine, martial show we are about to see—and a thrilling show it really will be . . .” He looked each of us in the eye, and then he commented very softly, throwing it away, “And hooray say I for thrilling shows.” We had to strain our ears to hear what Minton said next. “But if today is really in honor of a hundred children murdered in war,” he said, “is today a day for a thrilling show? “The answer is yes, on one condition: that we, the celebrants, are working consciously and tirelessly to reduce the stupidity and viciousness of ourselves and of all mankind.
Kurt Vonnegut Jr. (Cat’s Cradle)
You seem disappointed that I am not more responsive to your interest in "spiritual direction". Actually, I am more than a little ambivalent about the term, particularly in the ways it is being used so loosely without any sense of knowledge of the church's traditions in these matters. If by spiritual direction you mean entering into a friendship with another person in which an awareness and responsiveness to God's Spirit in the everydayness of your life is cultivated, fine. Then why call in an awkward term like "spiritual direction"? Why not just "friend"? Spiritual direction strikes me as pretentious in these circumstances, as if there were some expertise that can be acquired more or less on its own and then dispensed on demand. The other reason for my lack of enthusiasm is my well-founded fear of professionalism in any and all matters of the Christian life. Or maybe the right label for my fear is "functionalism". The moment an aspect of Christian living (human life, for that matter) is defined as a role, it is distorted, debased - and eventually destroyed. We are brothers and sisters with one another, friends and lovers, saints and sinners. The irony here is that the rise of interest in spiritual direction almost certainly comes from the proliferation of role-defined activism in our culture. We are sick and tired of being slotted into a function and then manipulated with Scripture and prayer to do what someone has decided (often with the help of some psychological testing) that we should be doing to bring glory to some religious enterprise or other. And so when people begin to show up who are interested in us just as we are - our souls - we are ready to be paid attention to in this prayerful, listening, non-manipulative, nonfunctional way. Spiritual direction. But then it begins to develop a culture and language and hierarchy all its own. It becomes first a special interest, and then a specialization. That is what seems to be happening in the circles you are frequenting. I seriously doubt that it is a healthy (holy) line to be pursuing. Instead, why don't you look over the congregation on Sundays and pick someone who appears to be mature and congenial. Ask her or him if you can meet together every month or so - you feel the need to talk about your life in the company of someone who believes that Jesus is present and active in everything you are doing. Reassure the person that he or she doesn't have to say anything "wise". You only want them to be there for you to listen and be prayerful in the listening. After three or four such meetings, write to me what has transpired, and we'll discuss it further. I've had a number of men and women who have served me in this way over the years - none carried the title "spiritual director", although that is what they have been. Some had never heard of such a term. When I moved to Canada a few years ago and had to leave a long-term relationship of this sort, I looked around for someone whom I could be with in this way. I picked a man whom I knew to be a person of integrity and prayer, with seasoned Christian wisdom in his bones. I anticipated that he would disqualify himself. So I pre-composed my rebuttal: "All I want you to do is two things: show up and shut up. Can you do that? Meet with me every six weeks or so, and just be there - an honest, prayerful presence with no responsibility to be anything other than what you have become in your obedient lifetime." And it worked. If that is what you mean by "spiritual director," okay. But I still prefer "friend". You can see now from my comments that my gut feeling is that the most mature and reliable Christian guidance and understanding comes out of the most immediate and local of settings. The ordinary way. We have to break this cultural habit of sending out for an expert every time we feel we need some assistance. Wisdom is not a matter of expertise. The peace of the Lord, Eugene
Eugene H. Peterson (The Wisdom of Each Other (Growing Deeper))
So you’re going to be the Big Boss Lady?” I opened my mouth to make some quippy comment, but nothing came. So I just said, “Yeah. I am.” She gave a little nod. “You’ll be good at it. But if you ever tell anyone I said that, I’ll kill you.” I chuckled. “Fair enough.” For a long moment, I watched her watching the house. And then, very quietly, I said, “If you’re ready for me to…I don’t know, set you free or whatever, I can now. At least I think I can.” Elodie turned to me, her feet hovering just off the ground. “Where would I go?” “I don’t know.” “Would you…” She trailed off, and if I hadn’t known Elodie better, I would’ve sworn nervousness crossed her face. Then her lips moved so quickly that I couldn’t make out any of the words. “Whoa, slow down. My lip-reading skills aren’t that great.” She drifted closer. “I said, if you’re staying at Hex Hall, then…I want to stay, too.” I blinked. “For real? You want to stay tethered to me for all eternity? Because if you think for one second I’m letting you in my body again, you’ve got another think coming.” “I don’t want to be in your body anymore,” she said, before screwing her face up. “That sounded gross. Anyway, I just want to stay here. For now.” “Why?” She threw up her hands. “Because you’re my friend, okay? Because helping you and your loser crew these past few weeks has been…I don’t know, fun. And way more fun than I thought I could have dead.” I was weirdly touched.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It was like an exercise in hope', she said after a pause. 'Loving her, I mean. Sometimes I'd think she'd come around. Sometimes I'd look her in the eyes and think that I was looking at a true friend. Then she'd say something, make some off-the-cuff comment, and the whole cycle would begin all over again. It was like pouring sand into a sieve. Nothing stuck.
R.F. Kuang (Babel)
My education has served me well in this career, even if it was not what I originally imagined for myself. It also, like a job as an analyst likely would have, fits my introverted yet very opinionated personality. I spend a lot of time observing, thinking, commenting. I do not have to compromise my principles or soften my message to make friends or keep a job
Ijeoma Oluo (Mediocre: The Dangerous Legacy of White Male America)
Proverbs. 29:22 says, “An angry person stirs up conflict, and a hot-tempered person commits many sins.” Proverbs 22:24-25 says, “Do not make friends with a hot-tempered person, do not associate with one easily angered, or you may learn their ways and get yourself ensnared.” When your husband is angry, don’t argue or engage him. Walk away. Withhold your comment.
Karla Downing (10 Lifesaving Principles For Women In Difficult Marriages)
Teenage guys are not supposed to be concerned like this. They are supposed to tell fart jokes, and comment on girls' boobs, and not really pay attention when something is bothering a friend. It's really, really difficult when they convince you they can be something else entirely - a human being, one who truly cares, especially when they're less yours and more someone else's.
Karole Cozzo (How to Say I Love You Out Loud)
Bernard's other victim-friend was Helmholtz. When, discomfited, he came and asked once more for the friendship to preserve, Helmholtz gave it; and give it without a reproach, without a comment, as though he had forgotten that there had been a quarrel. Touched, Bernard felt himself at the same time humiliated by this magnanimity - a magnanimity the more extraordinary and therefore the more humiliating in that it owed nothing to soma and everything to Helmholtz's character. It was the Helmholtz of daily life who forgot and forgave, not the Helmholtz of a half-gramme holiday. Bernard was duly grateful (it was an enormous comfort to have his friend again) and also duly resentful (it would be a pleasure to take some revenge on Helmholtz for his generosity).
Aldous Huxley (Brave New World)
Is anyone else coming?” I asked him when he didn’t say anything after setting his glass back down on the table. I’d overheard a couple of the guys talking about Rip’s half-hearted invitation when I had taken a bathroom break, but I hadn’t heard more than that. His gaze hadn’t left mine from the moment he had spotted me, and it didn’t go anywhere as he shrugged and said, “Doubt it.” I must have made a face because he added, casually, “I’m not exactly anybody’s favorite, Luna.” The smile fell right off my mouth, and I couldn’t help but frown at him. At the harshness of his words. At the… fact-like nature of them. That wasn’t very nice for him to assume. That wasn’t very nice to assume at all, and it bothered me… even if it was true that Mr. Cooper was my favorite person at the shop. And I was his. And Miguel’s— Crap. “I’m sure—“ I started before getting cut off. “I’m not,” he told me, tapping his short fingernails against the glass. Rip tipped his chin up a millimeter, giving me a slightly better view of the shading tucked up against his jawline. He swallowed, everything about his body language saying that he was telling me these words in this way because it wasn’t a big deal to him. He didn’t care. Why should he? His body said. His next words confirmed it. “I’m not around to be anybody’s friend.” All righty then. I wanted to tell him something that would make it seem that it wasn’t like anyone hated him or disliked him. Most of the guys were just… wary. Even I was wary, and he didn’t scare or intimidate me… unless I screwed up. But I didn’t know what to say to that comment. I hated liars as much as I hated aggressive drunk people and cooked carrots. So I did the only thing I could think of: I smiled at him and shrugged. He didn’t look even a little put out or hurt by what he’d been saying. Who was I to make it a big deal if he claimed he didn’t care? “Did you like your cake?
Mariana Zapata (Luna and the Lie)
Today, reading his reactions to events in the war and the immediate years after the war, my first thought is: '0 how I wish Orwell were still alive, so that I could read his comments on contemporary events.' For example, last year, our mutual friend, Geoffrey Gorer, sent out a questionnaire, asking people to identify their social class—I think he gave them about five options. Almost all his respondents, he tells me, identified themselves correctly. What would he say to that? What would he say about hippie communes, student demonstrations, drugs, trades unions? Would he still be as hopeful about the social benefits of nationalised industries? Would he still call for a higher birth-rate? What he would say, I have no idea : I am only certain that he would be worth listening to.
W.H. Auden
When we got married, I poured all my energy into turning myself into the wife he wanted. I never wore my hair up, because he'd commented that my ears were big. I let him answer questions when we had company, because he'd said I tended to ramble. I felt like a human-shaped shell, hollowing myself out for my husband so he could fill me with his own likes and desires. I make a mental note to myself—find some real friends.
Heather Day Gilbert (Queen of Hearts)
Well, she’d chosen this. She’d chosen to live by the beach, as if she had as much right as anyone else. She could reward herself for two hours’ work with a walk on the beach. A walk on the beach in the middle of the day. She could go back to Blue Blues, buy a coffee to go and then take an arty photo of it sitting on a fence with the sea in the background and post it on Facebook with a comment: Work break! How lucky am I? People would write, Jealous! If she packaged the perfect Facebook life, maybe she would start to believe it herself. Or she could even post, Mad as hell!! Ziggy the only one in the class not invited to a birthday party!! Grrrrr. And everyone would write comforting things, like, WTF? and Awwww. Poor little Ziggy! She could shrink her fears down into innocuous little status updates that drifted away on the news feeds of her friends.
Liane Moriarty (Big Little Lies)
Yeah, ignore me." Aaro pawed through the bags until he found one with stenciled hearts on it. "By the way, you never did tell me your size. Hope nothing binds or pinches your tender pink places, babe." He let the bag fly. It landed on Lily's lap. She shrank back as if it were a venomous snake. Fuck-me-please panties spilled out. A tangle of satin, lace and silk. Red, black, peach, flesh-tone. Bruno growled expletives in a Calabrese dialect as he shoved underwear into the bag. It was his standard tension reliever. None of the people he insulted knew he was commenting on their grandmother's predilection for sex with sheep. "I am not wearing that slutty, disgusting stuff." Lily's voice was haughty. "Certainly not after you're pawed it. Dog." "Arf, arf." Aaro's tone was more cheerful than it had been so far any time this morning. "I love it when she spits bile.
Shannon McKenna (Blood and Fire (McClouds & Friends #8))
He should rest his mind and body as much as possible to ensure a complete recovery." She wrinkled her nose playfully at Bazzle, who was curled up on the other side of the bed with a ball of red fluff cuddled against his chest. "That means we mustn't let the puppy disturb Mr. Severin's sleep." The puppy had been a gift from Winterborne and Helen, delivered just that morning. They had received word of a new litter from a friend who bred toy poodle dogs, and at their request had sent the pick of the litter when he was ready to be weaned. Bazzle was enchanted with the little creature, whose presence had already helped him to stop fretting over the fright he'd received. "There's a dust wad on the bed," had been Tom's comment upon first seeing the puppy. "It has legs." Now the toy poodle stretched and yawned, and toddled up along Tom's side, staring at him with bright amber eyes.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Good evening, Miss Peyton. I see you’re fully clothed …for a change.” Gritting her teeth, Annabelle turned to face him. “I must confess, Mr. Hunt, I was amazed by your restraint during dinner. I had expected a rash of insulting comments from you, and yet you managed to behave like a gentleman for a full hour.” “It was a strain,” he acknowledged gravely. “But I thought that I would leave the shocking behavior to you…” He paused delicately before adding, “…since you seem to be doing so well at it of late.” “My friends and I did nothing wrong!” “Did I say that I disapproved of your playing Rounders in the altogether?” he asked innocently. “On the contrary—I endorse it wholeheartedly. In fact, I think you should do it every day.” “I wasn’t in the ‘altogether,’ ” Annabelle retorted in a sharp whisper. “I was wearing undergarments.” “Is that what they were?” he asked lazily.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
People share books they love. They want to spread to friends and family the goodness that they felt when reading the book or the ideas they found in the pages. In sharing a loved book, a reader is trying to share the same excitement, pleasure, chills, and thrills of reading that they themselves experienced. Why else share? Sharing a love of books and of one particular book is a good thing. But it is also a tricky maneuver, for both sides. The giver of the book is not exactly ripping open her soul for a free look, but when she hands over the book with the comment that it is one of her favorites, such an admission is very close to the baring of the soul. We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
Hey! Yeah, this is a personal quote. Howler here. You’ve probably heard of me AT LEAST once. ‘Cause I’m totally famous. Whether it be you’ve seen me in someone’s profile bio, or even just lurking about in their comment section. Sometimes photos. I’m basically everywhere. Loads of groups, too. And I have a lot of friends. (If you’re one and you’re reading this, hi! <3) So, you get the point. I’m famous, and nobody will stop me from conquering the moon.
Howler the Icewing
I arched a brow. “Something funny?” Her mouth formed a tight line. “Nope.” I approached her. “You sure?” Her gaze flicked to mine, then away. “Uh-huh.” “Okay, then.” I turned and headed over to grab the last of our things. “It’s just . . .” Eilish began and then trailed off. “Yes?” She shook her head and finally let her giggles flow free. I couldn’t help smiling, too, even though I wasn’t entirely sure an inconvenient hard-on warranted so much laughter. It was infectious all the same. She gestured to the retreating group of tourists. “I studied German at school, so I can pick out certain words. One of the women commented about you to her friend.” I smirked. “Oh yeah? What did she say?” She dabbed the wetness from the corners of her eyes. “Something along the lines of a bratwurst big enough to feed an army.” My smirk died. “I wish I hadn’t asked.” “Really? I thought men enjoyed compliments about that . . . particular area.” “They do. But armies are generally made up of a bunch of blokes.” I arched a brow meaningfully. A loud burst of laughter escaped her, and she clamped her hand over mouth. God, she was too fucking adorable. She sucked in a breath, finally calming down from her fit of giggles. “You’re too much, Bryan Leech.” “That’s what the German ladies think anyway,” I deadpanned, my smirk returning. Eilish burst into laughter all over again.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
By the way,” Hadrian began, “what was the real reason you didn’t tell me?” “Huh?” “A bit ago you said—” “Oh.” Royce continued to study the walls. He seemed a little too preoccupied by them. Just as Hadrian was sure he would not answer, Royce said, “I didn’t want you to leave.” Hadrian almost laughed at the comment, thinking it was a joke, and then nearly bit his tongue. Thinking of Royce as anything but callous was difficult. Then he realized Royce never had a family and precious few friends. He had grown up an orphan on the streets of Ratibor, stealing his food and clothes and likely receiving his share of beatings for it. He had probably joined the Diamond as much from a desire to belong as a means to profit. After only a few short years, they had betrayed him. Hadrian realized at that moment that Royce did not see him as just his partner, but his family. Along with Gwen and perhaps Arcadius, Hadrian was the only one he had.
Michael J. Sullivan (Nyphron Rising (The Riyria Revelations, #3))
So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness: Give it up, Sub-Subs! For by how much the more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long-pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together; there, ye shall strike unsplinterable glasses!
Herman Melville (Moby-Dick or, The Whale)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Similarly, whenever old friends meet up with me for the first time since my transition, they almost invariably comment on how strange it is that I seem like the exact same person to them, except that now I am female. It’s as if our compulsion to place women and men into different categories of our brain, to see them as “opposite” sexes, is so intense that we have trouble imagining that it is possible for a person to change their sex without somehow becoming an entirely different person.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
Everybody needs somebody. Sorry. If you were thinking you could get through life completely on your own, you're wrong. It's a proven fact that people need people. Sure, there are those who try to stuff their lives full of cats in an effort to fill the void, but, for the most part, people thrive, live, and do better if their existences are full of interaction with other humans. Some people find people to interact with at school. Some people run with people they meet at church. Work is a half-decent place to find acquaintances. Or maybe one day last May you were flying a kite in Central Park and a couple of nice people commented on how high the kite was, and that sparked a conversation that led to the three of you having dinner together at a small restaurant in Times Square and then catching a Broadway show about friendly cats. That could have happened -- which just goes to show you that, either way, you are going to end up surround by cats. Let's hope you're not allergic.
Obert Skye (Leven Thumps and the Eyes of the Want (Leven Thumps, #3))
He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I want to... have fun with writing again. Enjoy my work, enjoy playing with the language and characters like a sculptor plays with clay. But there's this manic focus on numbers--how many books have you written and how many have you sold and it's all push, push, push, and no time for reflection--but at heart, books are about dreaming... which is just the opposite. So I don't know... M.M. Bennetts comment to Nancy Bilyeau as related in Nancy's tribute "M.M. Bennetts: The Closest Friend I Never Met
M.M. Bennetts
As soon as all the prizes had been given out, the band began to play a lively dance number. Rod Havelock, who had been watching closely, came up to claim Nancy and was only a second ahead of Al. “I guess I’d better get my dances in early,” the assistant purser teased. “I see I have a handsome rival.” Nancy laughed as they glided off. “I’m glad you did, because I must ask you a question. We are planning to open the mystery trunk tonight after this party is over. Will you come and help us investigate it?” “You bet I will,” Rod replied. “I can tell you now that the dancing will end at eleven o’clock sharp. Shall we say eleven-fifteen in your room?” “Perfect,” Nancy agreed. At this moment the music ended. Others came up to talk to the couple, and presently AI made his way toward Nancy. “May I have the next dance?” he asked. The whole evening was a joyful one for Nancy and her friends. They were claimed for every dance. Al asked the girl detective if she would accompany him to the lavish table of food that had been set up on the deck outside. She went along and they found Bess, George, and Nelda there with Bruce, Chipper, and Tubby. “Hey, have some of those delicious meatballs!” Tubby recommended. “Now, Tub, I thought you were staying away from all this fattening stuff?” Chipper teased. “Well, I had to try a little of each!” Tubby defended himself. When the music began to play again, Al asked Nancy to dance. “Sure, I’d like to,” she said. “I’m glad you would,” Al commented. “Next to football, dancing is my favorite pastime.
Carolyn Keene (Mystery of the Brass-Bound Trunk (Nancy Drew, #17))
William’s weekend with his friends, Geoffrey and Maggie, was turning out to be neither restful nor enjoyable. Things could have been worse, of course: there must be weekends during which the hosts’ house burns to the ground, one of the guests murders another, the hostess is arrested in extradition proceedings or the guests are all poisoned by the inclusion of death’s cap mushrooms in the stew. Such weekends must be very difficult indeed, not least because of the wording of the thank-you letters that one would have to write. The disaster, whatever it was, could hardly be ignored, but must be referred to tactfully in the letter, and always set in proper perspective. Thus, in the case of the mushroom poisoning, one would comment on how the other courses of the meal were delicious; in the case of the hostess’s arrest, one would say something comforting about the ability of defence lawyers in the jurisdiction to which she was being extradited—and so on, mutatis mutandis, trying at all times to be as positive as possible.
Alexander McCall Smith (A Conspiracy of Friends (Corduroy Mansions, #3))
He never comments or judges, instead listening and absorbing and never telling me anything personal in return. But I’ve discovered that you can learn a lot without words. And what I’ve learned is hard won, because – though he’s the closest thing I have to a friend here, and as far as I know, I’m his – I have no idea what he looks like beneath his hood. It sounds impossible. It ought to be; how can you call someone a friend, know them for so long and not know what they look like? Yet I don’t. I don’t know what colour his eyes are, or his hair. I know his mouth, and the point of his chin, and his neat teeth. Once I even saw the end of his nose when he tipped his head back to laugh. But that’s all. From our first meeting, to today, he has always, always been hooded, gloved and cloaked, and he’s never removed them, never even pushed them aside, whether we’re indoors or out. When I asked him why, he told me it was safer like that. For us both. And to not ask again. Mysterious boys are not as enjoyable in reality as they are in stories.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Chelsea, of course, was the first one to speak up. “Okay, am I the only one who noticed how gi-mungous Mimi Nichols’s dress makes her ass look? Of course, you can barely notice it since her freakishly giant boobs are practically hanging out the top of it.” Chelsea glanced at Jules and grinned. “No offense, of course,” she offered, raising her eyebrows at Jules’s chest. Claire giggled, and Jules wrinkled up her face in disgust at Chelsea’s teasing barb. “You’re just jealous,” she retorted, eyeing Chelsea’s chest in return. “Touche, Jules. Touche!” Chelsea admitted. Claire wanted so badly to join in on the catty conversation, but she was terrible at finding other people’s flaws . . . at least intentionally. Still, she gave it her best shot. “And what about Jennifer Cummings?” she asked accusingly, trying to mimic one of Chelsea’s cutting looks. They looked around at one another, wondering what it was that they weren’t getting. Chelsea was the only one brave enough to ask, “What about her, Claire?” “She does not even look kind of cute!” Claire stated, her face a mask of mock horror. They all stared at her, not sure what to say. And then once again, of course, it was Chelsea who broke the stunned silence. “I swear, Claire-bear, I am going to call your mom and tell her you need to start riding the short bus. You really need to start practicing your bitchy comments. What are you gonna do when we’re not here to get your back?” Claire rolled her eyes, too oblivious to be insulted, which was why she was the perfect friends for Chelsea, who was too insulting to be obvious. “Geez, Chels, I don’t even ride the bus.” Jules couldn’t help herself; despite her best efforts to hold on to her detached cool, she started laughing. And pretty soon they were all laughing, even Claire, who still didn’t realize what they were laughing at. “You guys are so mean!” Violet charged accusingly. “Can’t you just have fun and stop picking everyone part?” Chelsea looked disgusted. “You’ve gone soft, haven’t you? Jay has made you soft!” Violet rolled her eyes, smiling despite her best efforts. “Whatever. Everyone’s soft compared to you.” “Ouch!” Chelsea pretended to be wounded. But again, she just couldn’t pull it off.
Kimberly Derting (The Body Finder (The Body Finder, #1))
When she finally opened them and took in the sight of the two men, a burble of silvery laughter spilled from her dusty lips. "You-you look like bandito snowmen from hell," she choked mirthfully. "And very old ones at that!" Rider yanked his bandanna from his face, and she laughed even harder at his two-toned complexion. Winking at Juan, Rider commented, "This is the thanks we get for coming to her rescue." Juan chuckled. "Si, I think she deserves to have to gaze at herself in the mirror. She looks the bruja pequena, hey, compadre?" "Little witch!" Willow blustered. "Well,none of you are sitting on the furniture until you've cleaned up," Miriam interjected sternly. Willow hurried to the sitting-room window, gasping at the sight of swirling, brownish-gray dirt and debris. "We might as well break out a deck of cards and take a seat on the floor because I think it's going to be awhile before we can get to the water pump and wash ourselves." As if to confirm her words, a loud boom of thunder reverberated above the house. Seconds later, rain pelted the windowpane, and a jagged spear of lightning knifed through the riotus gloom. Willow automatically jumped back from the window, surprised when she stumbled over Rider's toes. He steadied her and she gave an embarrassed smile. "Sorry. I know darn well that lightning can't get to me in here, but it never fails to make me blink and jump." Rider grinned down at her. "It's a natural reaction.If I'd been paying attention to the sky instead of you, I'd have jumped,too." Willow flushed and glanced at Miriam, hoping her friend hadn't heard his candid remark. To her dismay, Miriam winked and smiled knowingly.
Charlotte McPherren (Song of the Willow)
A friend of mine commented yesterday that she has experienced similar insights that I talked about that all enlightened Masters and founders of religion are actually talking about the same ocean, the same invisible life source, the same God. She also said that she worked in a Christan environment at the time that she received these insights, and when she tried to share these insights with the Christians she was accused of being "impure" and of being associated with the "Devil". Christians hold on to the idea that Jesus was the only son of God, without realizing that we are all son's and daughter's of God. By holding on to the idea that Jesus is the only son of God, they do not either to realize that all enlightened Masters are talking about the same God. Jesus did not talk about faith, he talked about trust. He talked about discovering a trust in yourself and in relationship to God. Jesus said that the kingdom of God is within you. In Christianity, the church has become the intermediate between man and God, and people who claim that they have found a direct relationship to God are accused of blasphemy. The Christan church has become a barrier between man and God, and anyone who has declared that he has found a direct relationship to God are immediately banned by the church, for example Master Eckhart and Franciskus of Assisi. I have always had a deep love for Jesus, but it is not the picture of Jesus that the Christian church presents. I was a disciple of Jesus in a former life, and was thrown to the lions in Colosseum in Rome as one of the early Christians. Jesus had many more disciples than the twelve disciples mentioned in The Bible. In this life, I resigned my automatic membership in the church as soon as I could think for myself when I was 15 years old. I was also disgusted with an organization that said that they preached love and which has murdered more people than Hitler. My experience with these rare and precious insights are that they expand our consciousness of reality. They are gradual initiations into reality. They may fade away, but we will never be the same again after receiving them. They will also come more and more, the more committment we have to our spiritual growth.
Swami Dhyan Giten
Why are you always so mad?” She laughs under her breath. “That’s easy,” she says. “Assholes, stupid customers, a shitty job, worthless parents, crappy friends, bad weather, annoying roommates who don’t know how to kiss.” I laugh at the last comment, which I’m sure was supposed to be a dig, but it felt more like an underhanded flirt. “How are you so happy all the time?” she asks. “You think everything is funny.” “That’s easy,” I say. “Great parents, being lucky enough to have a job, loyal friends, sunny days, and roommates who starred in porn films.
Colleen Hoover (Maybe Not (Maybe, #1.5))
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
She does not even look kind of cute!" Claire stated, her face a mask of mock horror. They all started at her, not sure what to say. And then once again, of course, it was Chelsea who broke the stunned silence. "I swear, Claire-bear, I am going to call your mom and tell her you need to start riding the short bus. You really need to start practicing your bitchy comments. What are you gonna do when we're not here to get your back?" Claire rolled her eyes, too oblivious to be insulted, which was why she was the perfect friend for Chelsea, who was too insulting to be oblivious. "Geez, Chels, I don't even ride the bus." Jules couldn't help herself; despite her best efforts to hold on to her detached cool, she started laughing. And pretty soon they were all laughing, even Claire, who still didn't realize what they were laughing at. "You guys are so mean!" Violet charged accusingly. "Can't you just have fun and stop picking everyone apart?" Chelsea looked disgusted. "You've gone soft, haven't you? Jay has made you soft!" Violet rolled her eyes, smiling despite her best efforts. "Whatever. Everyone's soft compared to you." "Ouch!" Chelsea pretended to be wounded. But again, she just couldn't pull it off.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Some have argued that capitalism promotes democracy, because of common norms of transparency, rule of law, and free competition—for markets, for ideas, for votes. In some idealized world, capitalism may enhance democracy, but in the history of the West, democracy has expanded by limiting the power of capitalists. When that project fails, dark forces are often unleashed. In the twentieth century, capitalism coexisted nicely with dictatorships, which conveniently create friendly business climates and repress independent worker organizations. Western capitalists have enriched and propped up third-world despots who crush local democracy. Hitler had a nice understanding with German corporations and bankers, who thrived until the unfortunate miscalculation of World War II. Communist China works hand in glove with its capitalist business partners to destroy free trade unions and to preserve the political monopoly of the Party. Vladimir Putin presides over a rigged brand of capitalism and governs in harmony with kleptocrats. When push comes to shove, the story that capitalism and democracy are natural complements is a myth. Corporations are happy to make a separate peace with dictators—and short of that, to narrow the domain of civic deliberation even in democracies. After Trump’s election, we saw corporations standing up for immigrants and saluting the happy rainbow of identity politics, but lining up to back Trump’s program of gutting taxes and regulation. Some individual executives belatedly broke with Trump over his racist comments, but not a single large company has resisted the broad right-wing assault on democracy that began long before Trump, and all have been happy with the dismantling of regulation. If democracy is revived, the movement will come from empowered citizens, not from corporations.
Robert Kuttner (Can Democracy Survive Global Capitalism?)
…the two chatting surreptitiously as a procession of priests, musicians, and locals dressed like demons paraded down the street: the men hoisting erect wooden phalluses, the women embracing smaller carved penises swathed in red paper, the spectators touching the tips of passing phalluses to ensure good health for their children. “How remarkable,” commented Holmes. “I thought you might find this of interest,” said Mr Umezaki. Holmes grinned slyly. “My friend, I suspect this is much more to your liking than mine.” “You’re probably right,” agreed Mr Umezaki, smiling while his fingertips reached out for an oncoming phallus.
Mitch Cullin (A Slight Trick of the Mind)
San Francisco’s battles are no longer with itself but with the outside world, as it exports the European-style social ideas that drive Republican leaders and Fox News commentators into a frenzy: gay marriage, medical marijuana, universal health care, immigrant sanctuary, “living” minimum wage, bicycle-friendly streets, stricter environmental and consumer regulations. Conservatives see these San Francisco values as examples of social engineering gone mad. But in San Francisco, they’re seen as the bedrock of a decent society, one that is based on a live-and-let-live tolerance, shared sense of humanity, and openness to change.
David Talbot (Season of the Witch: Enchantment, Terror and Deliverance in the City of Love)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Dear Mr Worsthorne, My attention has only been drawn to an astonishing attack you made some months ago in 'The Sunday Telegraph' on that fine man Lord Longford. 'That Lord Longford should team up with Janie Jones, the convicted procuress,' you wrote, 'may not at first glance seem to be a matter meriting much adverse comment. It might even be thought desirable, and a mark of a civilised society, for such a universally execrated wretch to have at least one friend in high places'. Well! Calling Lord Longford a universally execrated wretch is irresponsible journalism at it's worst, in my opinion, and I would strenuously dispute that Miss Janie Jones moves in high places.
William Donaldson (The Complete Henry Root Letters)
...Now let's set the record straight. There's no argument over the choice between peace and war, but there's only one guaranteed way you can have peace—and you can have it in the next second—surrender. Admittedly, there's a risk in any course we follow other than this, but every lesson of history tells us that the greater risk lies in appeasement, and this is the specter our well-meaning liberal friends refuse to face—that their policy of accommodation is appeasement, and it gives no choice between peace and war, only between fight or surrender. If we continue to accommodate, continue to back and retreat, eventually we have to face the final demand—the ultimatum. And what then—when Nikita Khrushchev has told his people he knows what our answer will be? He has told them that we're retreating under the pressure of the Cold War, and someday when the time comes to deliver the final ultimatum, our surrender will be voluntary, because by that time we will have been weakened from within spiritually, morally, and economically. He believes this because from our side he's heard voices pleading for "peace at any price" or "better Red than dead," or as one commentator put it, he'd rather "live on his knees than die on his feet." And therein lies the road to war, because those voices don't speak for the rest of us. You and I know and do not believe that life is so dear and peace so sweet as to be purchased at the price of chains and slavery. If nothing in life is worth dying for, when did this begin—just in the face of this enemy? Or should Moses have told the children of Israel to live in slavery under the pharaohs? Should Christ have refused the cross? Should the patriots at Concord Bridge have thrown down their guns and refused to fire the shot heard 'round the world? The martyrs of history were not fools, and our honored dead who gave their lives to stop the advance of the Nazis didn't die in vain. Where, then, is the road to peace? Well it's a simple answer after all. You and I have the courage to say to our enemies, "There is a price we will not pay." "There is a point beyond which they must not advance." And this—this is the meaning in the phrase of Barry Goldwater's "peace through strength." Winston Churchill said, "The destiny of man is not measured by material computations. When great forces are on the move in the world, we learn we're spirits—not animals." And he said, "There's something going on in time and space, and beyond time and space, which, whether we like it or not, spells duty." You and I have a rendezvous with destiny. We'll preserve for our children this, the last best hope of man on earth, or we'll sentence them to take the last step into a thousand years of darkness...
Ronald Reagan (Speaking My Mind: Selected Speeches)
She seemed nice, but she was most likely one of those American women whose knowledge of Africa was based largely on movies and National Geographic and thirdhand information from someone who knew someone who had been to somewhere on the continent, usually Kenya or South Africa. Whenever Jende met such women (at Liomi’s school; at Marcus Garvey Park; in the livery cab he used to drive), they often said something like, oh my God, I saw this really crazy show about such-and-such in Africa. Or, my cousin/friend/neighbor used to date an African man, and he was a really nice guy. Or, even worse, if they asked him where in Africa he was from and he said Cameroon, they proceeded to tell him that a friend’s daughter once went to Tanzania or Uganda. This comment used to irk him until Winston gave him the perfect response: Tell them your friend’s uncle lives in Toronto. Which was what he now did every time someone mentioned some other African country in response to him saying he was from Cameroon. Oh yeah, he would say in response to something said about Senegal, I watched a show the other day about San Antonio. Or, one day I hope to visit Montreal. Or, I hear Miami is a nice city. And every time he did this, he cracked up inside as the Americans’ faces scrunched up in confusion because they couldn’t understand what Toronto/San Antonio/Montreal/Miami had to do with New York.
Imbolo Mbue (Behold the Dreamers)
Scientologist community and was still invited to get-togethers. You are allowed to be friends with non- or ex-Scientologists, as long as they aren’t antagonistic toward Scientology. If they are, you are expected to disconnect or break off all ties with that member, who is considered a Suppressive Person. A person is declared by the church to be an SP for a variety of reasons, which may include going to the authorities about the church or making any kind of negative comment about it publicly or in the press. Both are considered suppressive acts that can have devastating consequences for relationships. And furthermore, if the church were to find out that you remained in contact with an SP, you would then
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
I like new-Jay,” Chelsea finally announced, as though she was making a simple observation rather than trying to pry information out of her friend. “Shut up.” Violet groaned, unable to completely hide her smile at Chelsea’s absurd comment. Still, she didn’t feel inclined to share her problems with Chelsea. “Don’t get me wrong, Vi. I still like old-Jay better; I’m just saying that new-Jay’s not so bad. Plus, at least he had the balls to ask you to the dance. That’s something that old-Jay couldn’t seem to manage.” “He’s not new-Jay,” Violet insisted, stopping at her locker to grab her notebook. “Jay’s just pissed off at me right now. He’ll get over it. Besides, I already told you that we’re just friends.” “Which one? New-Jay or old-Jay?” Violet rolled her eyes as she slammed the metal door shut. “Both.” She turned on her feel and left Chelsea standing alone by the row of lockers. And then she called back over her shoulder. “Besides . . . there is no new-Jay.” It took Violet only a moment to register the fact that Jay was standing right there in the hallway, just a few feet away from her and within earshot of her entire conversation with Chelsea, although she couldn’t be sure how long he’d been standing there. Still, she was mortified that he’d caught her talking about him at all. She ignored the blazing look he flashed in her direction as she hurried past him, escaping to her next class . . . and trying to ignore the fact that he would be sitting right next to her.
Kimberly Derting (The Body Finder (The Body Finder, #1))
that? Masculinity is and was a broad category that encompassed many forms of behaviour; the manliness of these particular men was inflected by identities of class, ethnicity and profession. Yet it is striking how often the key protagonists appealed to pointedly masculine modes of comportment and how closely these were interwoven with their understanding of policy. ‘I sincerely trust we shall keep our backs very stiff in this matter,’ Arthur Nicolson wrote to his friend Charles Hardinge, recommending that London reject any appeals for rapprochement from Berlin.156 It was essential, the German ambassador in Paris, Wilhelm von Schoen wrote in March 1912, that the Berlin government maintain a posture of ‘completely cool calmness’ in its relations with France and approach ‘with cold blood’ the tasks of national defence imposed by the international situation.157 When Bertie spoke of the danger that the Germans would ‘push us into the water and steal our clothes’, he metaphorized the international system as a rural playground thronging with male adolescents. Sazonov praised the ‘uprightness’ of Poincaré’s character and ‘the unshakable firmness of his will’;158 Paul Cambon saw in him the ‘stiffness’ of the professional jurist, while the allure of the reserved and self-reliant ‘outdoorsman’ was central to Grey’s identity as a public man. To have shrunk from supporting Austria-Hungary during the crisis of 1914, Bethmann commented in his memoirs, would have been an act of ‘self-castration’.
Christopher Clark (The Sleepwalkers: How Europe Went to War in 1914)
Marina Orlova was hooked on my quote about women not owing men. I scrolled through her posted paintings and recalled a Slovak friend once commenting on a guy wanna-be a great painter, something like this: "Aaano, on bol profesionalnym maljiarom na Slovensku, maloval tam pice a hakove krize po stenach". He meant graffiti, but I hesitate to translate it in detail for it may sound too rough. Another thought is about surreal, sometimes spurious aesthetics mixed with hinted or daring sexuality, which Marina Orlova endorses, deliberately or not, in line of her claimed profession. The posts call to mind The Cook, the Thief, His Wife & Her Lover or even Titus Andronicus. No wonder, thousands of bozos are attracted to her internet activity because ..., well, the woman is hot.
Vinko Vrbanic
Since I’ve been home I’ve been trying hard to mend my relationship with my mother. Asking her to do things for me instead of brushing aside any offer of help, as I did for years out of anger. Letting her handle all the money I won. Returning her hugs instead of tolerating them. My time in the arena made me realize how I needed to stop punishing her for something she couldn’t help, specifically the crushing depression she fell into after my father’s death. Because sometimes things happen to people and they’re not equipped to deal with them. Like me, for instance. Right now. Besides, there’s one wonderful thing she did when I arrived back in the district. After our families and friends had greeted Peeta and me at the train station, there were a few questions allowed from reporters. Someone asked my mother what she thought of my new boyfriend, and she replied that, while Peeta was the very model of what a young man should be, I wasn’t old enough to have any boyfriend at all. She followed this with a pointed look at Peeta. There was a lot of laughter and comments like “Somebody’s in trouble” from the press, and Peeta dropped my hand and sidestepped away from me. That didn’t last long — there was too much pressure to act otherwise — but it gave us an excuse to be a little more reserved than we’d been in the Capitol. And maybe it can help account for how little I’ve been seen in Peeta’s company since the cameras left. I go upstairs to the bathroom, where a steaming tub awaits. My mother has added a small bag of dried flowers that perfumes
Suzanne Collins (Catching Fire (The Hunger Games, #2))
These boys never really argue. Ever so careful with each other's feelings, they tiptoe from one comment to the next, taking great pains to shelter their own feelings in the process. They'll do anything to avoid being ridiculed. Truly, they're convinced that if they ever did do something hurtful, they'd either have to kill the other guy or die themselves. It's why they avoid conflict as a rule. These friends know all kinds of expressions that could smooth things over. At least ten different gradations for conveying what essentially means "no." Long before any type of conflict can emerge, they're exchanging gestures of diplomacy. And while they dance across the surface with their smiles and their handshakes, in their minds they're both saying the same thing: what an idiot!
Osamu Dazai (The Flowers of Buffoonery)
On occasions the person may appear ill-mannered; for example, one young man with Asperger's Syndrome wanted to attract his mother;s attention while she was talking to a group of her friends, and loudly said, 'Hey, you!', apparently unaware of the more appropriate means of addressing his mother in public. The child, being impulsive and not aware of the consequences, says the first thing that comes into their mind. Strangers may consider the child to be rude, inconsiderate or spoilt, giving the parents a withering look and assuming the unusual social behavior is a result of parental incompetence. They may comment, 'Well, if I had him for two weeks he would be a different child.' The parents' reaction may be that they would gladly let them have the child, as they need a rest, and to prove a point.
Tony Attwood
It's almost like he's trying to protect me. He hasn't done this since fifth grade, when the most popular, richest, and prettiest girl (seriously, where is the justice in the world?) in the year below us, Minami Vu, made fun of my overalls. "Those are so last year," she'd sneered, with her perfect button nose pointing up in the air. Her mother is a venture capitalist, and Minami always wears the latest styles before they even started trending on Instagram. I'd been proud of my green corduroy overalls. Hell, I didn't even know overalls had a year. But Jack loudly commented, "I like overalls. They look good on you, Ellie." Then he'd shifted in front of me, facing the girl, and she flushed all red. The following week, she wore the exact same green corduroy overalls to school. For some reason, he never complimented her on them.
Julie Abe (The Charmed List)
Despite the attempts of some contemporary commentators to equate Negro slavery with other historical forms of bondage, the literature on the subject matter indicates, however, that trans-Atlantic Slavery was the most oppressive form of subjugation ever instituted by humankind. In the crucible of evil and oppression, the Negro slave at all times, was liable to be sold in the same way that cattle or any personal property may be sold. Moreover, the Negro slave was subject to exile from his home, his family and friends as well as from the colony in which he may have been born. Further, at any time, a Negro slave was liable to be subjected to “rape” but could seek no redress for the abuse and could even be killed for resisting. Also, the Negro slave was subject to the authority not only of his owner, but of every white person in slave society.
Eddie Donoghue (Black Breeding Machines)
And I still have other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: 'You know, what's so dreadful about dying is that you are completely on your own'; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile clichés, there was in her a garden and a twilight, and a palace gate — dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions; for I often noticed that living as we did, she and I, in a world of total evil, we would become strangely embarrassed whenever I tried to discuss something she and an older friend, she and a parent, she and a real healthy sweetheart, I and Annabel, Lolita and a sublime, purified, analyzed, deified Harold Haze, might have discussed — and abstract idea, a painting, stippled Hopkins or shorn Baudelaire, God or Shakespeare, anything of a genuine kind. Good will! She would mail her vulnerability in trite brashness and boredom, whereas I, using for my desperately detached comments an artificial tone of voice that set my own last teeth on edge, provoked my audience to such outburst of rudeness as made any further conversation impossible, oh my poor, bruised child.
Vladimir Nabokov (Lolita)
Maybe you could tell us how you and Jordan met, Nick.” All conversation at the table stopped. Frankly, Nick was surprised it had taken this long for someone to ask. Out of the corner of his eye, he saw Jordan take a nervous sip of her wine. He knew this was the part of the evening she’d dreaded, the part where they told more lies to her friends. Perhaps he could help her out with that. “Jordan and I met two weeks ago, at her store,” he said. “On the night of the big snowstorm.” Pete chuckled. “You really must’ve been jonesing for wine to go out in that mess.” Nick reached across the table and linked his fingers through Jordan’s. “I think Fate had a higher purpose for bringing me to her store that night.” He winked at her. I’ve got this. Melinda melted. “That’s so sweet.” “Then what happened?” Corinne prompted. Nick faced Jordan’s friends. For her sake, he’d tell the truth—perhaps not the whole truth—but at least nothing but. “Well, I asked Jordan a few questions, some quips were exchanged, and I distinctly recall her making a sarcastic comment about chardonnay. I can’t tell you exactly what happened from there, but five days later I found myself at Xander Eckhart’s party drinking pink champagne.” Her friends laughed. Charles raised his glass. “That’s how it happens, Nick. A cute smile, a few clever words, and five years later you’re watching Dancing with the Stars on Monday nights instead of football.” “Hey, don’t knock it until you’ve tried it,” Pete said indignantly. As the group teased Pete, Nick felt Jordan squeeze his knee underneath the table. She spoke softly as she held his gaze. “Thank you.” It took far more effort than it should have to make his tone sound as cavalier as always. “Any time, Rhodes
Julie James (A Lot like Love (FBI/US Attorney, #2))
People you’re contacting to create a new relationship need to see or hear your name in at least three modes of communication—by, say, an e-mail, a phone call, and a face-to-face encounter—before there is substantive recognition. • Once you have gained some early recognition, you need to nurture a developing relationship with a phone call or e-mail at least once a month. • If you want to transform a contact into a friend, you need a minimum of two face-to-face meetings out of the office. • Maintaining a secondary relationship requires two to three pings a year. • Social media pings (status updates, retweets, comments, etc.) are terrific for ongoing relationship maintenance, especially for the fringe of your network, but they don’t replace the need for one-to-one pinging with the people in your highest-priority network, those people connected to your current goals.
Keith Ferrazzi (Never Eat Alone: And Other Secrets to Success, One Relationship at a Time)
The therapist says, “We need to bear in mind that in the context of ambiguous loss, ‘closure’ is a myth. It’s easy to succumb to intense societal pressure to ‘find closure,’ and this message is drummed home by the media, reinforced in movies and in novels. It’s echoed in comments from friends and family. We live in a society that places high value on resolving problems, on finding solutions, on ‘getting over’ things quickly. But when society is faced with people who are missing, there’s a disconnect, a discomfort. They don’t know how to cope with people who are missing loved ones, or with situations that actually have no answers or resolutions. We should not be forced to chase closure,” she warns. “What we need to find are ways to coexist with our complex feelings, and to always remember that our reactions are completely normal.” She glances at Jane. “They’re not a sign of personal weakness.
Loreth Anne White (The Unquiet Bones)
Cultivate skepticism as a virtue. In this exercise you will upgrade what Professor Neil Postman of New York University calls your “crap detector.” The term is from Ernest Hemingway, who said that it was one of the writer’s most important tools. Each day, keep an eye peeled for the most telling instance of lying, deceiving, and distortion or concealment of the truth. This will take no extra time at all, since these messages and images are thrust at you continually, unless you live in a cabin at Walden Pond without a television set or computer. For example: • Billboards • Advertising flyers • Newspapers • Commercials on radio or TV (and sometimes the newscasts!) • Opinions thrust on us by other people. For the top choice each day, identify the technique of deception or distortion being used. (It’s going to be a hard call!) Share your examples with friends and colleagues, and invite their comments and observations.
Ronald Gross (Socrates' Way: Seven Keys to Using Your Mind to the Utmost)
Stopping before them, St. Vincent confided, “I would have found you sooner, but I was attacked by a swarm of dingy-dippers.” His voice lowered with conspiratorial furtiveness. “And I don’t wish to alarm either of you, but I had to warn you…they’re planning to serve kidney pudding in the fifth course.” “I can manage that,” Lillian said ruefully. “It is only animals served in their natural state that I seem to have difficulty with.” “Of course you do, darling. We’re barbarians, the lot of us, and you were perfectly right to be appalled by the calves’ heads. I don’t like them either. In fact, I rarely consume beef in any form.” “Are you a vegetarian, then?” Lillian asked, having heard the word frequently of late. Many discussions had centered on the topic of the vegetable system of diet that was being promoted by a hospital society in Ramsgate. St. Vincent responded with a dazzling smile. “No, sweet, I’m a cannibal.” “St. Vincent,” Westcliff growled in warning, seeing Lillian’s confusion. The viscount grinned unrepentantly. “It’s a good thing I happened along, Miss Bowman. You’re not safe alone with Westcliff, you know.” “I’m not?” Lillian parried, tensing inwardly as she reflected that he never would have made the glib comment had he known of the intimate encounters between her and the earl. She didn’t dare look at Westcliff, but she apprehended the immediate stillness of the masculine form so close to hers. “No, indeed,” St. Vincent assured her. “It’s the morally upright ones who do the worst things in private. Whereas with an obvious reprobate such as myself, you couldn’t be in safer hands. Here, you had better return to the dining hall under my protection. God knows what sort of lascivious scheme is lurking in the earl’s mind.” Giggling, Lillian stood from the bench, enjoying the sight of Westcliff being teased. He regarded his friend with a slight scowl as he too rose to his feet.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
with friends at a local coffee shop Posting comments on discussion boards rather than communicating face to face in social settings Conversing via e-mails and text messages rather than phone conversations Being a part of anonymous online support groups rather than attending local support group meetings Cybersnooping friends' profiles rather than getting to know them personally Of course, some of these ways of "techno-relating" are fun and beneficial. The social components of the Web appeal to many people because they offer easier, safer, and quicker ways to connect to others. No one really knows to what extent isolation from overuse of technological ways of relating to other people contributes to the development of BPD or other emotional problems. However, technology can prevent the in-person contact you need to build relationships and trust. To get better, people with BPD need real relationships, real social support, and real feedback about their behavior.
Charles H. Elliott (Borderline Personality Disorder For Dummies)
When we did the majestic march on the stage at the school in the auditorium for the others to see us, we felt the warmth of the crowds, yet that did not last all that long. At the start of our walk, no one would have ever known. Yet some big mouths could not help, but make their nasty comments, their families did not approve of us going to prom in the condition she was in. Like one called out, ‘see the slut dirtbag, that got knocked up!’ One yield- ‘There is a thing called birth control, you two should have used it!’ Why it is any of their business, I do not know. It is our choice not there’s. Yet that was not going to stop us or spoil our night together. Ava and her sisters and friends were saying all kinds of things there and at the dance. Ava and her girlfriends and their dates would gather around us, and they even kept bumping into us on the dance floor. Yet all she wanted was one slow dance and a photo, and we got it. Oh God, I can still hear their comments!
Marcel Ray Duriez
But for the rest of the party, he would feel strangely elsewhere, as if floating above the room, and at dinner, where he would be seated not with the bright young things of the gathering but, rather, among their parents’ friends and relations—the father’s sister, for example, or the mother’s elderly uncle—he would feel the full force of his undeniable otherness, how what he had striven to conceal had been recognized and accounted for by everyone in their circle. From the other end of the table would occasionally come gusts of laughter, and his seatmate would shake his or her head indulgently, before turning to him and commenting on the irrepressible frivolity of the young, and how one must allow them such latitudes. Sometimes after saying this they would realize their mistake, and hastily add that he, too, must have his moments of mirth, but other times they would not; he would be aged before his time, cast from the island of youth not by his years but by his temperament
Hanya Yanagihara (To Paradise)
So how does a woman know how to fight man to man?" another boy sniggered, loud enough so that he was heard. Shazad's eyebrows went up. I stepped back. ... "I'll tell you what," Shazad turned toward him. "Why don't you come and face me? Anyone who can land a blow can take over this training." A small audience was gathering by now. Everyone who'd ever seen Shazad fight knew exactly where this was going. The rebels were elbowing one another slyly as the boy stepped forward, looking all too confident. ... "Doesn't seem like a fair fight to me," the boy said, too lightly. The boy was at least twice Shazad's weight, broad where she was slim--slimmer still, after her time in Eremot. ... "It's not even close to a fair fight," Jin commented from the sidelines. We'd all formed a circle now, watching. ... "Oh, my friend," Sam clapped the boy on his back. "I'm sorry for your loss." "My loss?" The young idiot said. "Of your dignity." He gave him a rueful smile before stepping back to stand next to me.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
deathAloneness has been my constant companion in life. I lost early the people that I loved: first when my young and unmarried biological mother had to leave me because of outer circumstances. I was adopted by a very loving couple, who could not concieve a child. I have always felt naturally loved by them, and I have never really felt that I was adopted. Instead, I have always felt that I did a little detour to be able to be adopted by my real parents. Then my mother died when I was 15 years old after a long sickness. On her funeral I took the decision to never depend on anybody again. Her death created such a deep pain in me that it was also the death of relationships for me. Then my father died when I was 21 years old – and I was completely alone in the world. This created a basic feeling of being alone and unloved in me, it created early a feeling of independence and self-suffiency in me. It also created a basic feeling of not trusting that I am alright as I am, and of not trusting that life takes care of me. This created such a pain in me that I simply repressed the pain for many years in order to survive. These early meetings with death also created a thirst in me to discover a quality, an inner awareness, that death could not take away. Now I can see that these early painful experiences are a blessing in disguise. It liberated me from relationships. I relate with people, but there is always an aloneness within me. I realize that a seeker of truth needs to accept that he is totally alone. It is not possible to lean on other people like crutches. When we totally accept our aloneness, it becomes a source of love, joy, truth, silence, meditation and wholeness. I shared these experiences with a beloved friend and her thoughtful comment was: “I have my own aloneness.” Aloneness is to be at home in ourselves, to be in contact with our inner source of love, while loneliness is to hanker for other people, to hanker for a source of love outside of ourselves. Aloneness is to come home.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
This is an important tool that is unique to networked products. Traditional products that lack networks often struggle with this, because they rely on spammy emails, discounts, and push notifications to entice users back. This usually doesn’t work, and company-sent communications rank among the lowest clickthrough rate messages. Networked products, on the other hand, have the unique capability to reactivate these users by enlisting active users to bring them back. Even if you don’t open the app on a given day, other users in the network may interact with you—commenting or liking your past content, or sending you a message. Getting an email notification that says your boss just shared a folder with you is a lot more compelling than a marketing message. A notification that a close friend just joined an app you tried a month ago is a lot more engaging than an announcement about new features. And the more dense the network is around a churned user, the more likely they are to receive this type of interaction.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
I hear two female voices around the corner and creep toward the end of the hallway to hear better. “…just can’t handle her being here,” one of them sobs. Christina. “I can’t stop picturing it…what she did…I don’t understand how she could have done that!” Christina’s sobs make me feel like I am about to crack open. Cara takes her time responding. “Well, I do,” she says. “What?” Christina says with a hiccup. “You have to understand; we’re trained to see things as logically as possible,” says Cara. “So don’t think that I’m callous. But that girl was probably scared out of her mind, certainly not capable of assessing situations cleverly at the time, if she was ever able to do so.” My eyes fly open. What a--I run through a short list of insults in my mind before listening to her continue. “And the simulation made her incapable of reasoning with him, so when he threatened her life, she reacted as she had been trained by the Dauntless to react: Shoot to kill.” “So what are you saying?” says Christina bitterly. “We should just forget about it, because it makes perfect sense?” “Of course not,” says Cara. Her voice wobbles, just a little, and she repeats herself, quietly this time. “Of course not.” She clears her throat. “It’s just that you have to be around her, and I want to make it easier for you. You don’t have to forgive her. Actually, I’m not sure why you were friends with her in the first place; she always seemed a bit erratic to me.” I tense up as I wait for Christina to agree with her, but to my surprise--and relief--she doesn’t. Cara continues. “Anyway. You don’t have to forgive her, but you should try to understand that what she did was not out of malice; it was out of panic. That way, you can look at her without wanting to punch her in her exceptionally long nose.” My and moves automatically to my nose. Christina laughs a little, which feels like a hard poke to the stomach. I back up through the door to the Gathering Place. Even though Cara was rude--and the nose comment was a low blow--I am grateful for what she said.
Veronica Roth (Insurgent (Divergent, #2))
How to Create Coping Statements Coping statements should be brief and simple so you can easily remember them when you feel anxious. They should apply directly to the situation you fear--if you are worried about your hand shaking while you eat, a statement about public speaking won’t help. They should also be realistic. You might try to counter anxious feelings with a statement like, “I won’t be nervous.” That statement is too unrealistic to help; everyone feels nervous at times. Your statements should help you cope with the nervousness. Some examples of effective coping statements include: -Relax. I’m in control. -My friends will still accept me if I say something silly. -It’s not that bad. I can do it. You may want to write your coping statement on a piece of paper to carry with you. You can also write other helpful comments on it. Then, when you become anxious, you can read the coping card and can remind yourself that you can change the way you think. Often, simply having the card with you is calming whether you refer to it or not.
Heather Moehn (Social Anxiety (Coping With Series))
Though I do not know why. It was not a joke. I know of jokes. A soldier came running into camp after going to see the prostitutes. He was white in the face. His friends asked if he had found a good time. He said that he had not. They asked why. He said that when he’d asked how much the woman charged, she’d said one mark plus the tip. He told his friends that he hadn’t realized they were charging body parts now.” Shallan grimaced. “You heard that from Vathah’s men, didn’t you?” “Yes. It is funny because the word ‘tip’ means several different things. A payment made in addition to the sum initially charged, usually given voluntarily, and the top piece of something. In addition, I believe that ‘the tip’ means something in the slang of the soldiers, and so the man in the joke thought she was going to cut off his—” “Yes, thank you,” Shallan said. “That is a joke,” Pattern continued. “I understand why it is funny. Ha ha. Sarcasm is similar. You replace an expected result with one grossly unexpected, and the humor is in the juxtaposition. But why was your earlier comment funny?
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Dawn’s afternoons at the Baker Institute for physically disabled kids sounded fascinating. She rode to Stamford in a specially equipped van with four children from Stoneybrook who went to Baker for physical therapy, classes in the arts, and a chance to make new friends. The bus driver was a woman who was going to college to learn to be a physical therapist. She drove the bus to earn some extra money, but the kids were more than just a job to her. She really enjoyed being with them. “Candace is so funny,” Dawn told me. “She jokes around with the kids, and they love her. She treats all of them the way you’d treat kids who aren’t in wheelchairs or wearing braces. She’ll say to them, ‘Hurry up! I haven’t got all day,’ and the kids just giggle. Most people tiptoe around the kids like they’re going to break. And never mention their braces or anything. But if a friend of yours got new clothes, you’d make a comment, right? So if a kid gets on the bus with decorations all over the back of his wheelchair, Candace will say, ‘Your chair looks great today! I think you should go into business as a decorator.
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
It struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate—dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions; for I often noticed that living as we did, she and I, in a world of total evil, we would become strangely embarrassed whenever I tried to discuss something she and an older friend, she and a parent, she and a real healthy sweetheart, I and Annabel, Lolita and a sublime, purified, analyzed, deified Harold Haze, might have discussed—an abstract idea, a painting, stippled Hopkins or shorn Baudelaire, God or Shakespeare, anything of a genuine kind. Good will! She would mail her vulnerability in trite brashness and boredom, whereas I, using for my desperately detached comments an artificial tone of voice that set my own last teeth on edge, provoked my audience to such outbursts of rudeness as made any further conversation impossible, oh my poor bruised child.
Vladimir Nabokov (Lolita)
She had a point,you know," Edward commented a few hours later. "Unnecessarily crude, perhaps, but apt. Our public personas frequently do not match our private ones. You, of all people, should know that." "This isn't about me," I said grumpily. "This is about needing to find more information about the private you.Something I don't already know." "I have terribly ugly feet." "Not what I had in mind.And probably untrue anyway." Edward glanced down at the empty space below his rib cage. "Probably. So, what did you have in mind?" "A letter,maybe.From Diana.Something that connected your love to your work." "I rather thought I did that through my paintings." "You did.I mean, that's what attracted me to you in the first place.Well, o, that was your smile, probably,but the paintings helped. It's just that I need to know more about your muse." "Ah, darling Ella, the artist's muse is Ego.Nothing more." "You don't mean that.You married Diana because she made you feel like no one else in the universe ever did or could." He nodded. "She was extraordinary." "But not everyone saw that.Your family went nuts.Half of your friends stopped inviting you over, at least for a while." "Their loss. She was a woman who comes along once in a lifetime.
Melissa Jensen (The Fine Art of Truth or Dare)
And as he watched, the first powerful four-legged lion stepped into the clearing. The male animal shook the snow from its dark, flowing mane, tilted its head and roared into the night. Another call followed, and yet another. And as Dane watched, Lawe and Rule moved warily from their positions, edging back to the limo as he threw the doors open and allowed the two Breeds to slide inside the warmth of the car. Rye didn't bother to get out and enter the back through a door. He slid over the seat positioned behind the driver's area and stared back at Dane in surprise. "There's a lot of fucking lions out there," he commented uncomfortably. They were screaming into the night now, spurred by the animal Dane could swear he could feel heading this way. Another animal stepped in. A lioness, her scream echoing through the night as the lions surrounded the cabin. A dozen fully grown, enraged creatures, following one simple command. To protect Mercury's mate. Dane let a smile tip his lips as he opened the small bar set in the center of the seat and pulled free the whiskey and glasses. "Looks like the night just got interesting, my friends," he drawled, pouring the alcohol. "I say we enjoy the show while we can." Ria's mate was coming for her.
Lora Leigh
As a close friend commented: “She seems to dread Charles’s appearance. The days when she is happiest is when he is in Scotland. When he is at Kensington Palace she feels absolutely at a loss and like a child again. She loses all the ground she has built up when she is on her own.” The changes in her are physical. Her speech, normally rapid, energetic, coloured and strong, degenerates instantly when he is with her. Diana’s voice becomes monosyllabic and flat, suffused with an ineffable weariness. It is the same tone that infects her speech when she talks about her parents’ divorce and what she calls “the dark ages”, the period in her royal life until the late 1980s when she was emotionally crushed by the royal system. In his presence she reverts to the girl she was a decade ago. She giggles over nothing, starts biting her nails--a habit she gave up some time ago--and takes on the hunted look of a nervous fawn. The strain in their home when they are together is palpable. As Oonagh Toffolo observes: “It is a different atmosphere at Kensington Palace when he is there. It is tense and she is tense. She doesn’t have the freedom she would like when he’s around. It is quite sad to see the stagnation there.” Another frequent guest simply calls it “The Mad House.
Andrew Morton (Diana: Her True Story in Her Own Words)
Early in my career, I formed a personal motto, one by which I continue to live: If offering a criticism, accompany it with one potential solution. In the case I described, the individual didn’t want to work together to find a solution. Unfortunately, I’ve never found an effective way to deal with adults who exhibit immaturity. The Bible offers a bit of interesting insight that I consider applicable: “Do not eat the bread of a selfish man, or desire his delicacies; for as he thinks within himself, so he is. He says to you, ‘Eat and drink!’ but his heart is not with you. You will vomit up the morsel you have eaten, and waste your compliments. Do not speak in the hearing of a fool, for he will despise the wisdom of your words” (Proverbs 23:6-9). The Bible also says, “If possible, so far as it depends on you, be at peace with all men” (Romans 12:18). It saddens me to say, but in that individual’s case, peace meant limiting my interactions with him. To foster peace, I stopped saying hello in the mornings. Not out of spite, but because friendly conversation led to comfort, and comfort, I noticed, opened the door for negative comments. Rarely do I take such an extreme measure, but sometimes distance is helpful. His visits ended. My peace and fervor began to reemerge.
John Herrick (8 Reasons Your Life Matters)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
I know I said this before, but it bears repeating. You know Tate won’t like you staying with me.” “I don’t care,” she said bitterly. “I don’t tell him where to sleep. It’s none of his business what I do anymore.” He made a rough sound. “Would you like to guess what he’s going to assume if you stay the night in my apartment?” She drew in a long breath. “Okay. I don’t want to cause problems between you, not after all the years you’ve been friends. Take me to a hotel instead.” He hesitated uncharacteristically. “I can take the heat, if you can.” “I don’t know that I can. I’ve got enough turmoil in my life right now. Besides, he’ll look for me at your place. I don’t want to be found for a couple of days, until I can get used to my new situation and make some decisions about my future. I want to see Senator Holden and find another apartment. I can do all that from a hotel.” “Suit yourself.” “Make it a moderately priced one,” she added with graveyard humor. “I’m no longer a woman of means. From now on, I’m going to have to be responsible for my own bills.” “You should have poured the soup in the right lap,” he murmured. “Which was?” “Audrey Gannon’s,” he said curtly. “She had no right to tell you that Tate was your benefactor. She did it for pure spite, to drive a wedge between you and Tate. She’s nothing but trouble. One day Tate is going to be sorry that he ever met her.” “She’s lasted longer than the others.” “You haven’t spent enough time talking to her to know what she’ s like. I have,” he added darkly. “She has enemies, among them an ex-husband who’s living in a duplex because she got his house, his Mercedes, and his Swiss bank account in the divorce settlement.” “So that’s where all those pretty diamonds came from,” she said wickedly. “Her parents had money, too, but they spent most of it before they died in a plane crash. She likes unusual men, they say, and Tate’s unusual.” “She won’t go to the reservation to see Leta,” she commented. “Of course not.” He leaned toward her as he stopped at a traffic light. “It’s a Native American reservation!” She stuck her tongue out at him. “Leta’s worth two of Audrey.” “Three,” he returned. “Okay. I’ll find you a hotel. Then I’m leaving town before Tate comes looking for me!” “You might hang a crab on your front door,” she said, tongue-in-cheek. “It just might ward him off.” “Ha!” She turned her eyes toward the bright lights of the city. She felt cold and alone and a little frightened. But everything would work out. She knew it would. She was a grown woman and she could take care of herself. This was her chance to prove it.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Jane Curtin was probably the most direct of the three about going in and talking to Lorne, calmly and rationally, about the parts or lack of parts she was getting on the show, although she sometimes confronted Lorne in anger. One friend described her as a smooth lake that occasionally roiled but quickly settled back down again. She was a member of a group within the show—assistant costume designer Karen Roston and associate producer Jean Doumanian were others—that one of the men called “the Smart Women.” The Smart Women would sit in the ninth-floor green room or, when she got one, in Curtin’s dressing room, sipping tea or wine and commenting wryly on the weirdness surrounding them. Curtin was so clearly the most responsible, normal cast member that for the first two contract renegotiations the players had with NBC they chose her as the representative for all of them. After discussing objectives with the cast, Curtin sat down with program executive Aaron Cohen (who would already have discussed parameters with Lorne) to present the cast’s proposals and take Cohen’s offers back to the 17th floor. One observer privy to this process believes another reason Jane was designated the cast’s representative was that she was the most suspicious of Lorne’s role in the negotiations and therefore would be likely to get them the best possible deal.
Doug Hill (Saturday Night: A Backstage History of Saturday Night Live)
It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.
Max Harms (Crystal Society (Crystal Trilogy, #1))
You want us to love you, is that right? Love, Tabitha Crum, is to be earned, not given away to just anyone like a festering case of fleas. She'd been seven when her mother had made the comparison of love and irritable itching. Tabitha remembered the statement quite well because it was the same year children at school had suddenly gotten it in their heads that she had a case of head lice. That had been a difficult time and nobody had gotten close to Tabitha since. Of course, with the addition of a pet mouse over the last year, her lack of friendship could perhaps be further explained by the misapprehension that she spoke to herself. Pemberley was a most excellent consultant in all matters, but he tended to stay out of sight, so Tabitha could somewhat understand the slanderous comments. Or it might have been the unfortunate, uneven unattractive, blunt-scissored haircut her mother was so fond of giving her. Or it could have been the simple truth that making friends can be an awkward and a difficult thing when it's a one-sided endeavor and you've a pet mouse and you've been painted as odd and quiet and shy, when really you're just a bit misunderstood. In any case, nobody at St. John's seemed lacking for companionship except her. But Tabitha reminded herself that there were far worse things than not having friends. In fact, she often made a game of listing far worse things: • eating the contents of a sneeze • creatures crawling into her ear holes. • losing a body part (Though that one was debatable depending on the part. An ear or small toe might be worth a friend or two.
Jessica Lawson (Nooks & Crannies)
It will be seen that this mere painstaking burrower and grubworm of a poor devil of a Sub-Sub appears to have gone through the long Vaticans and street-stalls of the earth, picking up whatever random allusions to whales he could anyways find in any book whatsoever, sacred or profane. Therefore you must not, in every case at least, take the higgledy-piggledy whale statements, however authentic, in these extracts, for veritable gospel cetology. Far from it. As touching the ancient authors generally, as well as the poets here appearing, these extracts are solely valuable or entertaining, as affording a glancing bird's eye view of what has been promiscuously said, thought, fancied, and sung of Leviathan, by many nations and generations, including our own. So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness — Give it up, Sub-Subs! For by how much the more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long-pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together — there, ye shall strike unsplinterable glasses!
Herman Melville (Moby-Dick or, The Whale)
Based on a 1934 play by George S. Kaufman and Moss Hart, Merrily We Roll Along tells the story of three friends—Franklin Shepard, a composer; Charley Kringas, a playwright and lyricist; and Mary Flynn, a novelist—who meet in the enthusiasm of youth, when everything seems possible. The play traces what happens to their dreams and goals as time passes and they are faced with life’s surprises, travails, successes, and disappointments. The trick here is that the play moves chronologically backward. It begins on an evening in 1976 at a party for the opening of a movie Frank has produced. The movie is apparently a hit, but Frank’s personal life is a mess. His second wife, Gussie, formerly a Broadway star, was supposed to have starred in the movie but was deemed too old; she resents being in the shadows and suspects, correctly, that Frank is having an affair with the young actress who took over her part. Frank is estranged from his son from his first marriage. He is also estranged from Charley, his former writing partner—so estranged, in fact, that the very mention of his name brings the party to an uncomfortable standstill. Mary, unable to re-create the success of her one and only novel and suffering from a longtime unreciprocated love for Frank, has become a critic and a drunk; the disturbance she causes at the party results in a permanent break with Frank. The opening scene reaches its climax when Gussie throws iodine in the eyes of Frank’s mistress. The ensemble, commenting on the action much like the Greek chorus in Allegro, reprises the title song, asking, “How did you get to be here? / What was the moment?” (F 387). The play then moves backward in time as it looks for the turning points, the places where multiple possibilities morphed into narrative necessity.
Robert L. McLaughlin (Stephen Sondheim and the Reinvention of the American Musical)
And will I still be bound by this bargain at Nynsar, too?' Silence. I pushed. 'After- after what happened-' I couldn't mention specifics on what had occurred Under the Mountain, what he'd done for me during the fight with Amarantha, what he'd done after- 'I think we can agree that I owe you nothing, and you owe me nothing.' His gaze was unflinching. I blazed on. 'Isn't it enough that we're all free?' I splayed my tattooed hand on the table. 'By the end, I thought you were different, thought that it was all a mask, but taking me away, keeping me here...' I shook my head, unable to find the words vicious, clever enough to convince him to end this bargain. His eyes darkened. 'I'm not your enemy, Feyre.' 'Tamlin says you are.' I curled the fingers of my tattooed hand into a fist. 'Everyone else says you are.' 'And what do you think?' He leaned back in his chair again, but his face was grave. 'You're doing a damned good job of making me agree with them.' 'Liar,' he purred. 'Did you even tell your friends about what I did to you Under the Mountain?' So that comment at breakfast had gotten under his skin. 'I don't want to talk about anything related to that. With you or them.' 'No, because it's much easier to pretend it never happened and let them coddle you.' 'I don't let them coddle me-' 'They had you wrapped up like a present yesterday. Like you were his reward.' 'So?' 'So?' A flicker of rage, then it was gone. 'I'm ready to be taken home,' I merely said. 'Where you'll be cloistered for the rest of your life, especially once you start punching our heirs. I can't wait to see what Ianthe does when she gets her hands on them.' 'You don't seem to have a particularly high opinion of her.' Something cold and predatory crept into his eyes. 'No, I can't say that I do.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
If anyone had questioned how deeply the summer's activities had penetrated the consciousness of white America, the answer was evident in the treatment accorded the March on Washington by all the media of communication. Normally Negro activities are the object of attention in the press only when they are likely to lead to some dramatic outbreak, or possess some bizarre quality. The March was the first organized Negro operation which was accorded respect and coverage commensurate with its importance. The millions who viewed it on television were seeing an event historic not only because of the subject, but because it was being brought into their homes. Millions of white Americans, for the first time, had a clear, long look at Negroes engaged in a serious occupation. For the first time millions listened to the informed and thoughtful words of Negro spokesmen, from all walks of life. The stereotype of the Negro suffered a heavy blow. This was evident in some of the comment, which reflected surprise at the dignity, the organization and even the wearing apparel and friendly spirit of the participants. If the press had expected something akin to a minstrel show, or a brawl, or a comic display of odd clothes and bad manners, they were disappointed. A great deal has been said about a dialogue between Negro and white. Genuinely to achieve it requires that all the media of communication open their channels wide as they did on that radiant August day. As television beamed the image of this extraordinary gathering across the border oceans, everyone who believed in man's capacity to better himself had a moment of inspiration and confidence in the future of the human race. And every dedicated American could be proud that a dynamic experience of democracy in his nation's capital had been made visible to the world.
Martin Luther King Jr. (Why We Can't Wait)
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face. “Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser. “No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.” I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street. “No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing. “Good heavens, Diana, why?” “Well . . . I spent last weekend at Balmoral.” “With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne. “No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved. I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?” “Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had. “Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
I've encountered no greater mystery in life than myself. In a just society I'd be warehoused somewhere. But of course what really threatens the scofflaw is not the just society but the decaying one. It is here that he finds himself becoming slowly indistinguishable from the citizenry. He finds himself co-opted. Difficult these days to be a rake or a bounder. A roué. A deviant? A pervert? Surely you're joking. The new dispensations have all but erased these categories from the language. You can no longer be a loose woman . For instance. A trollop. The whole concept is meaningless. You cant even be a drug addict. At best you're just a user. A user? What the fuck is that? We've gone from dope friends to drug users in just a few short years. It doesn't take Nostradamus to see where this is headed. The most heinous of criminals clamoring for standing. Serialkillers and cannibals claiming a right to their lifestyle. Like anyone else I try to sort out where I fit into this menagerie. Without malefactors the world of the righteous is robbed of all meaning. As for myself again if I cant be decorum's sworn enemy while savoring its fruits I simply see no place for me at all. What would you recommend, Squire? Go home and draw a warm bath and climb in and open a vein? Never mind. I see you weighing the merits of it. Anyway, Hoffer has it right. Real trouble doesn't begin in a society until boredom has become its most general feature. Boredom will drive even quietminded people down paths they'd never imagined. Boredom. Squire, I'm a scoundrel very nearly without peer. But in our time decent people actually attract comment. We dont know what to make of them. They have few friends, while I have more friends than I know what to do with. Why is that? I dont know. I think it's because people are bored out of their fucking minds. I cant come up with anything else.
Cormac McCarthy (The Passenger (The Passenger #1))
This Padre Antonio doubted, probably after his training in modern theology or as a practitioner of Catholicism. He argued that those practices were spurious; they did not derive from a true belief in earth-beings. “They do it for money, it’s not real,” he repeated stubbornly. But for Nazario, beliefs are a requirement with Jesus and the Virgin. They are part of faith, or iñi, a Quechua word (and a sixteenth-century neologism).6 Faith, he explained, is not necessary with earth-beings; they require despachos, coca leaves, and words and are present when respectfully invited to participate in runakuna lives—always. They are different, always there and acting with plants, water, animals. Their being does not need to be mediated by faith, but Jesus’s does. And just as Padre Antonio and I talked about Nazario, Nazario and I commented about how our dear Padre thought practices with earth-beings were like religion, like belief or kriyihina—another combination of a Spanish verb (kriyi is the Quechua form of the Spanish creer, to believe) and a Quechua suffix (hina, or like) used to express a condition that Quechua alone cannot convey. Nazario thought earth-beings and Jesus were different, but he was not sure that Antonio was wrong: could they be the same? And finally, neither Nazario nor I were sure that Padre Antonio’s relationship with earth-beings was only like his relationship with Jesus. We speculated that having been in the region for so long, and having been a close friend of Mariano, Padre Antonio must have learned from Mariano’s relations with earth-beings. I still think so; Padre Antonio is a complex religious man, and so are the other Jesuits who live in the region. Some of their Catholic practices may have become partially connected with despachos, and thus less than many and still different. I liked, and still do like, having these priests as friends.
Marisol de la Cadena (Earth Beings: Ecologies of Practice across Andean Worlds (The Lewis Henry Morgan Lectures Book 2011))
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
forgot about my huge goal. I focused on what I could control: what I did every day. After a little experimentation and a lot of thought, I settled on a process. Because the Internet never sleeps, here’s what I did every day: Write a new post. Without fail. No excuses. Build relationships. I contacted three people who tweeted my posts that day, choosing the three who seemed most influential, the most noteworthy, the most “something” (even if that “something” was just “thoughtful comment”). Then I sent an e-mail—not a tweet—and said thanks. My goal was to make a genuine connection. Build my network. I contacted one person who might be a great source for a future post. I aimed high: CEOs, founders, entrepreneur-celebrities . . . people with instant credibility and engaged followings. Many didn’t respond. But some did. And some have become friends and appear in this book. Add three more items to my “list of great headlines.” Headlines make or break posts: A great post with a terrible headline will not get read. So I worked hard to learn what worked for other people—and to adapt their techniques for my own use. Evaluate recent results. I looked at page views. I looked at shares and likes and tweets. I tried to figure out what readers responded to, what readers cared about. Writing for a big audience has little to do with pleasing yourself and everything to do with pleasing an audience, and the only way to know what worked was to know the audience. Ignore my editor. I liked my editor. But I didn’t want her input because she knew only what worked for columnists who were read by a maximum of 300,000 people each month. My goal was to triple that, which meant I needed to do things differently. We occasionally disagreed, and early on I lost some of those battles. Once my numbers started to climb, I won a lot more often, until eventually I was able to do my own thing. Sounds simple, right? In a way it was, because I followed a self-reinforcing process:
Jeff Haden (The Motivation Myth: How High Achievers Really Set Themselves Up to Win)
When the time comes, & I hope it comes soon, to bury this era of moral rot & the defiling of our communal, social, & democratic norms, the perfect epitaph for the gravestone of this age of unreason should be Iowa Senator Chuck Grassley's already infamous quote: "I think not having the estate tax recognizes the people that are investing... as opposed to those that are just spending every darn penny they have, whether it’s on booze or women or movies.” Grassley's vision of America, quite frankly, is one I do not recognize. I thought the heart of this great nation was not limited to the ranks of the plutocrats who are whisked through life in chauffeured cars & private jets, whose often inherited riches are passed along to children, many of whom no sacrifice or service is asked. I do not begrudge wealth, but it must come with a humility that money never is completely free of luck. And more importantly, wealth can never be a measure of worth. I have seen the waitress working the overnight shift at a diner to give her children a better life, & yes maybe even take them to a movie once in awhile - and in her, I see America. I have seen the public school teachers spending extra time with students who need help & who get no extra pay for their efforts, & in them I see America. I have seen parents sitting around kitchen tables with stacks of pressing bills & wondering if they can afford a Christmas gift for their children, & in them I see America. I have seen the young diplomat in a distant foreign capital & the young soldier in a battlefield foxhole, & in them I see America. I have seen the brilliant graduates of the best law schools who forgo the riches of a corporate firm for the often thankless slog of a district attorney or public defender's office, & in them I see America. I have seen the librarian reshelving books, the firefighter, police officer, & paramedic in service in trying times, the social worker helping the elderly & infirm, the youth sports coaches, the PTA presidents, & in them I see America. I have seen the immigrants working a cash register at a gas station or trimming hedges in the frost of an early fall morning, or driving a cab through rush hour traffic to make better lives for their families, & in them I see America. I have seen the science students unlocking the mysteries of life late at night in university laboratories for little or no pay, & in them I see America. I have seen the families struggling with a cancer diagnosis, or dementia in a parent or spouse. Amid the struggles of mortality & dignity, in them I see America. These, & so many other Americans, have every bit as much claim to a government working for them as the lobbyists & moneyed classes. And yet, the power brokers in Washington today seem deaf to these voices. It is a national disgrace of historic proportions. And finally, what is so wrong about those who must worry about the cost of a drink with friends, or a date, or a little entertainment, to rephrase Senator Grassley's demeaning phrasings? Those who can't afford not to worry about food, shelter, healthcare, education for their children, & all the other costs of modern life, surely they too deserve to be able to spend some of their “darn pennies” on the simple joys of life. Never mind that almost every reputable economist has called this tax bill a sham of handouts for the rich at the expense of the vast majority of Americans & the future economic health of this nation. Never mind that it is filled with loopholes written by lobbyists. Never mind that the wealthiest already speak with the loudest voices in Washington, & always have. Grassley’s comments open a window to the soul of the current national Republican Party & it it is not pretty. This is not a view of America that I think President Ronald Reagan let alone President Dwight Eisenhower or Teddy Roosevelt would have recognized. This is unadulterated cynicism & a version of top-down class warfare run amok. ~Facebook 12/4/17
Dan Rather
July 8, 2013 Review of Bargain with the Devil Author: Gloria Gravitt Moulder My interest in the death of Margaret Mitchell was sparked as a young child growing up in Georgia. I was born in 1953, 4 years after her death. Older relatives, neighbors and friends would sit around discussing her death as I was growing up and with the inquisitive mind of a young child; I found what they were saying interesting enough to listen in. They talked about how the taxi cab driver, Hugh Gravitt, (some of which knew him as this was a small southern town where everyone knew everyone) was not a drinker because of his health and how the newspaper articles had written he was drunk and speeding when it wasn’t true. I overheard many things about how the media was wrong regarding the circumstances of her death. Some speculated she committed suicide; others suspected her husband pushed her in front of the car Mr. Gravitt was driving. All commented that both Margaret and John were drunk and jaywalking across Peachtree Street. I read the book (Gone with the Wind) when I was 13 and went to see the movie in 1969 at the Fox theatre with friends. I cannot relate how this impacted me. I became interested in all I heard as a child again and over the years have read many articles on the subject of Margaret Mitchell and John Marsh. I never believed the stories about Hugh Gravitt being at fault in her death as a result of all those conversations I had overheard by my elders as a child. Gloria Gravitt Moulder, the daughter of Hugh Gravitt, has written the perfect book called “Bargain with the Devil” with facts derived from her own father on his death bed. I could not put this book down; I read it in one day. It has confirmed everything I heard from people who suspected in the few years after Margaret Mitchell’s death what actually happened. Thank you Mrs. Moulder, for your courage in bringing your father’s version to light after all his suffering from 1949 to his death. Also, for confirming my beliefs in what I heard growing up as this was only suspicion until I read about your father’s version. Kathy Whiten 621 Brighton Drive Lawrenceville, GA 30043 404-516-0623
Gloria Gravitt Moulder (Bargain With A Devil: The Tragedy Behind Gone With The Wind)
One of my best friends is LinDee Loveland, who is a Bible teacher at OCS and the children’s minister at our church. She and another friend and teacher, Mrs. Rita, were there at the hospital with us. As soon as they heard that everything had gone well, the two of them gathered all of Mia’s cousins together. “Missy, what’s Mia’s room number?” LinDee asked. I rattled it off, then quickly caught up with Jase, who was heading to the recovery room. We spent an hour in the recovery room with Mia, and when she was ready to be moved to her regular hospital room, Jase and I walked beside her gurney. When we walked into her room, I burst into tears. Mia’s room was beautiful! Several weeks before Mia’s scheduled surgery, Mrs. LinDee had asked the children at church to make snowflakes that would be given to a child who needed some encouragement. Mia even made one herself and signed it. “Each individual snowflake is special, and no two are alike,” Mrs. LinDee told them. “It’s the same way with us,” she shared. “No two people are alike. God makes everyone unique and special, with a purpose designed to glorify Him.” Later, when Mia wasn’t there, she asked all the children to make cards for Mia. When LinDee and the cousins scooted out of the waiting room, they went straight to Mia’s room and hung up the cards and the snowflakes all over her room. Mia was awake by the time she got back to her room, and when she saw the decorations, she literally oohed and ahhed. Dr. Sperry and Dr. Genecov both made the same comment when they visited Mia later. “I’ve never seen a room like this! This is the most decorated room that’s ever been in this hospital!” And Dr. Sperry summed it up beautifully: “Wow, somebody must really love you.” Having a room decorated means so much to a child--and maybe even more to a child’s parents. The fact that so many of Mia’s friends had created such exquisite, handmade snowflakes and worked so hard to make cards for her, and that Mrs. LinDee, Mrs. Rita, and all the cousins surprised us with the final display, spoke volumes to me about the way people loved Mia and our family. That expression of creativity was not only beautiful, it also touched my heart deeply.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
I can only imagine the sort of havoc Oliver must have wreaked as a boy.” Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.” “Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.” “How the devil do you know that?” Oliver asked. “You were, what, eleven?” “Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?” A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.” “Good heavens,” Maria said. “Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.” “You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.” “Was he a pompous idiot?” Oliver asked. “A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!” “Then I hope they did more than soap his windows,” Oliver drawled. The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?” “Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?” “No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.” Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation. “Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked. “Because they know how it irritates us,” Maria said.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Tell me,” Zachary said softly, “what kind of man would ask his best friend to marry his wife after he died? And what kind of man would inspire two seemingly sensible people to agree to such a damned stupid plan?” The man's gray eyes surveyed him in a measuring stare. “A better man than you or I will ever be.” Zachary couldn't stop himself from sneering. “It seems that Lady Holland's paragon of a husband wants to control her from the grave.” “He was trying to protect her,” Ravenhill said without apparent heat, “from men like you.” The bastard's calmness infuriated Zachary. Ravenhill was so damned confident, as if he had already won a competition that Zachary hadn't even known about until it was over. “You think she'll go through with it, don't you?” Zachary muttered resentfully. “You think she'll sacrifice the rest of her life simply because George Taylor asked it of her.” “Yes, that's what I think,” came Ravenhill's cool reply. “And if you knew her better, you'd have no doubt of it.” Why? Zachary wanted to ask, but he couldn't bring himself to voice the painful question. Why was it a foregone conclusion that she would go through with her promise? Had she loved George Taylor so much that he could influence her even in death? Or was it simply a matter of honor? Could her sense of duty and moral obligation really impel her to marry a man she didn't love? “I warn you,” Ravenhill said softly, “if you hurt or distress Lady Holland in any way, you'll answer to me.” “All this concern for her welfare is touching. A few years late in coming, isn't it?” The comment seemed to rattle Ravenhill's composure. Zachary felt a stab of triumph as he saw the man flush slightly. “I've made mistakes,” Ravenhill acknowledged curtly. “I have as many faults as the next man, and I found the prospect of filling George Taylor's shoes damned intimidating. Anyone would.” “Then what made you come back?” Zachary muttered, wishing there were some way to forcibly transport the man back across the Channel. “The thought that Lady Holland and her daughter might need me in some way.” “They don't. They have me.” The lines had been drawn. They might as well have been generals of opposing armies, facing each other across a battlefield. Ravenhill's thin, aristocratic mouth curved in a contemptuous smile. “You're that last thing they need,” he said. “I suspect even you know that.
Lisa Kleypas (Where Dreams Begin)
What about you? I know you’re not married. Are you seeing anyone or anything?” An image of Brooke sleeping in his bed popped into Cade’s head. Then a second image came to mind, of her giving him the “text me” speech at his front door. “Nothing serious.” “Really? ’Cuz you paused there.” If one more person commented on these damn alleged pauses . . . “Just eat your lunch,” Cade said. With a grin, Zach threw Cade’s words back at him. “If you’re having trouble talking to some girl, maybe you need to find another way to tell her how you feel.” “I know how to talk to her just fine.” “Maybe you’re not saying the right things, then.” “Can we change the subject?” Cade ran his hand through his hair. “You’re sixteen years old. Trust me, relationships get a lot more complicated when you’re an adult.” “Is this a friends-with-benefits situation?” “Aren’t you a little young to know about friends-with-benefits situations?” “I didn’t say I was partaking in them myself,” Zach said. “But shockingly, yes, I have heard of scenarios in which adults engage in intercourse without riding off into the sunset together.” Cade tried to decide how best to sum up the situation with Brooke. “There is a woman. We are friendly. There have been benefits.” “Do you like her?” Cade gestured with his burger. “Of course I like her. She’s, like, the smartest, wittiest, woman I’ve ever met. And hot, too.” “Yeah, I can see why you’d be confused about that,” Zach said. “Smart, witty, and hot. Sounds like a real complicated situation to me.” Okay, fine. To youthful, unjaded ears, it probably did sound odd. Cade tried a different way to explain. “She and I are on the same page. We’re just keeping it casual.” “Hey, you’re an intelligent guy, you obviously know what you’re doing,” Zach said. “But casual or not, if this girl’s that great you probably need to follow your own advice.” “What advice is that?” “Up your game.” That said, Zach took a big bite of his cheeseburger. Cade thought about that. Up his game? Pfft. If he had been thinking he might want to try to change Brooke’s mind about their just-having-fun situation—which obviously he did not, since no man of sound mind and body ever messed with a just-having-fun situation—maybe then he’d worry about upping his game. He scoffed. “You’re a teenager. What do you know?” “I’m wise beyond my years,” Zach said, his mouth full of burger
Julie James (Love Irresistibly (FBI/US Attorney, #4))
You have unfairly tasked me with three very difficult questions. I was very interested in your comments about Christ’s atheism on the cross. That final moment of atheism, that’s something I have never thought about in that way. It’s a very interesting thought because what it really ….it’s an unbelievably merciful idea in some sense. That the burden of life is so unbearable and you see in the Christian passion, of course, torture, unfair judgement by society, betrayal by friends and then a low death. That’s about …as bad as it gets. Right? Which is why it is an archetypal story. It’s about as bad as it gets. And the story that you describe points out that it’s so bad that even God himself might despair about the essential quality of being. Right? Right. So that is merciful in some sense because it does say that there is something that’s built into the fabric of existence, that tests us so severely in our faith about being itself that even God himself falls prey to the temptation to doubt. So that’s…ok now… There is a very large critical literature that suggests that if you want to develop optimal resilience, what you do is lay out a pathway towards somewhere better, someone comes in, they have a problem, you try to figure out what the problem is and then you try to figure out what might constitute a solution. So you have a map. And it’s a tentative map of how you get from where things aren’t so good to where they are better. And then you have the person go out in the world and confront those things that they are avoiding, that are stopping them from moving to that higher place. And there’s an archetypal reality to that, you’re in a fallen state, you are attempting to redeem yourself and there is a process by which that has to occur. And that process involves voluntary confrontation with what you’re afraid of, disgusted by and inclined to avoid. And that’s works. Every psychological school agrees upon that exposure therapy, psychoanalysts expose you to the tragedies of your past, and redeem you in that manner, the behaviourists expose you to the terrors of the present and redeem you in that manner, but there is a broad agreement between psychological schools that that works. My sense is that we are called upon as individuals precisely to do that in our life. We are faced by this unbearable reality, that you made reference to when you talked about the situation on the cross, life itself is fundamentally - and this is a pessimism that we might share - it’s fundamentally suffering and malevolence. But this is I think where we differ, I believe that the evidence suggests that the light that you discover in your life is proportionate to the amount of darkness that you are willing to forthrightly confront and that there is no necessarily upper limit to that. So I think that the good that people are capable of it’s a higher good than the evil that people are capable of. And believe me that I do not say that lightly, given that I know about the evil that people are capable of. And I believe that the central psychological message of the biblical corpus fundamentally it’s that. That’s why it culminates in some sense with the idea that it is necessary to confront the devil and to accept the unjustness of your tortured mortality. If you can do that, and that’s a challenge sufficient to challenge even God himself, you have the best chance of transcending it, and living the kind of life that would set your house in order and everyone’s house in order at the same time. And I think that’s true even in states like North Korea...
Jordan Peterson
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
Notice that Jesus knows exactly who he is asking to lead his community: a sinner. As all Christian leaders have been, are, and will be, Peter is imperfect. And as all good Christian leaders are, Peter is well aware of his imperfections. The disciples too know who they are getting as their leader. They will not need—or be tempted—to elevate Peter into some semi-divine figure; they have seen him at his worst. Jesus forgives Peter because he loves him, because he knows that his friend needs forgiveness to be free, and because he knows that the leader of his church will need to forgive others many times. And Jesus forgives totally, going beyond what would be expected—going so far as to establish Peter as head of the church.11 It would have made more earthly sense for Jesus to appoint another, non-betraying apostle to head his church. Why give the one who denied him this important leadership role? Why elevate the manifestly sinful one over the rest? One reason may be to show the others what forgiveness is. In this way Jesus embodies the Father in the Parable of the Prodigal Son, who not only forgives the son, but also, to use a fishing metaphor, goes overboard. Jesus goes beyond forgiving and setting things right. A contemporary equivalent would be a tenured professor stealing money from a university, apologizing, being forgiven by the board of trustees, and then being hired as the school’s president. People would find this extraordinary—and it is. In response, Peter will ultimately offer his willingness to lay down his life for Christ. But on the shore of the Sea of Galilee, he can’t know the future. He can’t understand fully what he is agreeing to. Feed your sheep? Which sheep? The Twelve? The disciples? The whole world? This is often the case for us too. Even if we accept the call we can be confused about where God is leading us. When reporters used to ask the former Jesuit superior general Pedro Arrupe where the Jesuit Order was going, he would say, “I don’t know!” Father Arrupe was willing to follow, even if he didn’t know precisely what God had in mind. Peter says yes to the unknowable, because the question comes from Jesus. Both Christ’s forgiveness and Peter’s response show us love. God’s love is limitless, unconditional, radical. And when we have experienced that love, we can share it. The ability to forgive and to accept forgiveness is an absolute requirement of the Christian life. Conversely, the refusal to forgive leads ineluctably to spiritual death. You may know families in which vindictiveness acts like a cancer, slowly eating away at love. You may know people whose marriages have been destroyed by a refusal to forgive. One of my friends described a couple he knew as “two scorpions in a jar,” both eagerly waiting to sting the other with barbs and hateful comments. We see the communal version of this in countries torn by sectarian violence, where a climate of mutual recrimination and mistrust leads only to increasing levels of pain. The Breakfast by the Sea shows that Jesus lived the forgiveness he preached. Jesus knew that forgiveness is a life-giving force that reconciles, unites, and empowers. The Gospel by the Sea is a gospel of forgiveness, one of the central Christian virtues. It is the radical stance of Jesus, who, when faced with the one who denied him, forgave him and appointed him head of the church, and the man who, in agony on the Cross, forgave his executioners. Forgiveness is a gift to the one who forgives, because it frees from resentment; and to the one who needs forgiveness, because it frees from guilt. Forgiveness is the liberating force that allowed Peter to cast himself into the water at the sound of Jesus’s voice, and it is the energy that gave him a voice with which to testify to his belief in Christ.
James Martin (Jesus: A Pilgrimage – A New York Times Bestselling Meditation on Christ, Scripture, and Faith in the Holy Land)