Comedy Friend Quotes

We've searched our database for all the quotes and captions related to Comedy Friend. Here they are! All 100 of them:

Plaudite, amici, comedia finita est. (Applaud, my friends, the comedy is over.) [Said on his deathbed]
Ludwig van Beethoven
This girl was so hot, that even if one of your friends slept with her, you would have ended up gloating about it yourself for him.
Jimmy Tudeski (Double Trouble)
Some guys step on a rake in the dark, and get mad and go punch somebody. Others step on a rake in the dark and fall down laughing at themselves. I know which kind of guy I'd rather be. So do my friends.
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
He clamped his eyes shut and waited for the pang of something he could no longer name to subside; it plucked at steel threads holding him together and reverberated through his system.
J. Rose Black (Losing My Breath)
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed.
Mark T. Sullivan (Beneath a Scarlet Sky)
If you don't want to tear off the clothes of the person you're on a date with and jump into bed with them, then what's the point? I'd never date; instead, I'd have lots of good friends and hug them a lot and life would be easier and neater and uncomplicated.
Rachel Machacek (The Science of Single: One Woman's Grand Experiment in Modern Dating, Creating Chemistry, and Finding Love)
Applaud my friends, the comedy is over... [on his death bed]
Ludwig van Beethoven
She had platonic all but tattooed on her forehead.
Kelly Moran (Tracking You (Redwood Ridge #2))
You can't fight hatred with hatred and expect anyone to listen to you. You can only try to lessen it with humor, wit, truth and commonsense. If that doesn't work run like hell, while they throw rocks at you.
Shannon L. Alder
Light flashed in her eyes. In fact, it clung to her—flaring around her skin, her hair, her whole body. It was a trick of the eyes, his mind, when adrenaline hit his system. But she glowed. Vivid. Alive. And for a moment, he’d have given anything to be like her.
J. Rose Black (Losing My Breath)
Though I have always made it my practice to be pleasant to everybody, I have not once actually experienced friendship. I have only the most painful recollections of my various acquaintances with the exception of such companions in pleasure as Horiki. I have frantically played the clown in order to disentangle myself from these painful relationships, only to wear myself out as a result. Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy. I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.) It was hardly to be expected that someone like myself could ever develop any close friends—besides, I lacked even the ability to pay visits. The front door of another person’s house terrified me more than the gate of Inferno in the Divine Comedy, and I am not exaggerating when I say that I really felt I could detect within the door the presence of a horrible dragon-like monster writhing there with a dank, raw smell.
Osamu Dazai (No Longer Human)
The ones who constantly make us laugh are the hardest of friends to know - for comedians are the caricatures among us.
Criss Jami (Killosophy)
CASSIO: Dost thou hear, my honest friend? CLOWN: No, I hear not your honest friend, I hear you. CASSIO: Prithee, keep up thy quillets.
William Shakespeare (Othello)
I didn't want to miss out on another second with this girl. Fuck everything. Fuck everyone. None of it mattered.
Ella Maise (The Hardest Fall)
I had one friend with same-sex orientation, and Dana hadn't spoken to me since I asked her to describe her honeymoon in graphic detail—and then made vibrator noises.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
Friendship matters first.
Kristine Cuevas (Never Love your Best Friend (Dream Trilogy #1))
Every human relationship begins with a coincidence. Even the most fundamental relationship - that of parent and child - begins entirely with a coincidence. The child is produced by whatever serendipity brought its parents together, and the fact that the child was born to its particular parents instead of to another couple is pure happenstance. Thus, children have no choice over the relationship that is most important to their existence. By contrast, friends and lovers choose each other, but even these choices are reactions to whatever random coincidence made the resulting relationship possible.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
Because I'm on the phone, Mom!" "Fooling around with your friends again! Who is that?" "Ahmadinejad." "Oh, my goodness! What is he saying?" "That he wants to see Jeezy at the Beacon tonight. Putin's going too. He scalped a ticket from Kim Jong Il. All tha gangstas are going." "Don't be so fresh, young man!" "Gotta go," he says to me. "Enemy forces have dropped a Momshell." "Fall back, solider. Over and out.
Jennifer Donnelly (Revolution)
Between birth and burial, we find ourselves in a comedy of mysteries. If you don't think life is mysterious, if you believe you have it all mapped out, you aren't paying attention or you've anesthetized yourself with booze or drugs, or with a comforting ideology. And if you don't think life's a comedy - well, friend, you might as well hurry along to that burial. The rest of us need people with whom we can laugh.
Dean Koontz (Odd Apocalypse (Odd Thomas, #5))
Haley and I would talk for hours about which member of 'N Sync we'd want to marry. After long deliberation, the answer was always J. C. Chasez. Joey Fatone's last name was going to be “Fat One” no matter how great he was, and even though they didn't know at their age that Lance Bass was gay outright, they sensed he'd make a better good friend and confidante. As for Justin Timberlake, well, JT was the coolest and hottest, but too flashy, so we couldn't trust him to be faithful. J. C. Chasez was the smart compromise.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?" The word sprang from my lips without thought. "No!" "Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?" I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste." I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public. And I'd said it on live television. I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely. "Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?" I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face. He really wanted to know. And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him. A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life. "Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject." I saw Maxon swallow, and I lowered my eyes. "America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell." I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
Kiera Cass (The Selection (The Selection, #1))
Just so you know, Araragi-kun, I hate romantic comedies where it is obvious the two will get together at the end but lukewarm developments keep them at an in-between more-than-friends-less-than-lovers state chapter after chapter just to keep the story going.” “...I see.” “Incidentally, I also hate sports manga where each match takes an entire year and yet you know they are going to win in the end. I also hate battle manga where it is clear they will defeat the final boss and bring peace to the world, but the battles with weaker enemies go on forever.” “I think you just covered every shounen manga and shoujo manga in existence.” - Senjougahara Hitagi & Araragi Koyomi
NisiOisiN (化物語 (上) [Bakemonogatari] (Bakemonogatari, #1, Part 1))
In the Shakespearean comedies, the wedding is the end, and there isn't much indication of what happily ever after will look like day to day. In real life, shouldn't a wedding be an awesome party you throw with your great pal, in the presence of a bunch of your other friends? A great day, for sure, but not the beginning and certainly not the end of your friendship with a person you can't wait to talk about gardening with for the next forty years.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Humans are more venomous than snakes
Atef Ashab Uddin Sahil
Kyle is my best friend. Why would I risk screwing that up?" "Mackenzie Catherine Dobson, have you learned nothing from romantic comedies? Do I need to make a trip to the video store?" Tess set her fork down and sighed. "'We're just friends' is the oldest plot device in the book. All it really means is that you're just friends until one of you get the balls to do something about all the unresolved tension.
Kathleen Peacock (Hemlock (Hemlock, #1))
I don't appreciate people who celebrate their dog's birthdays with "dog parties," and then invite their friends who don't even have dogs. I understand why people like dogs, and I think they definitely bring more to the table than cats or those godforsaken ferrets, but I don't think it's healthy for people to treat their dogs like they are real people.
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
A loner, by nature, burdens no one with their existence. By avoiding entanglements with others, they cause no harm. We are extremely ecologically friendly, clean, and environmentally aware creatures.
Wataru Watari (やはり俺の青春ラブコメはまちがっている 3)
Terrifying, that the loss of intimacy with one person results in the freezing over of the world, and the loss of oneself! And terrifying that the terms of love are so rigorous, its checks and liberties so tightly bound together… Their relationship depended on her restraint… The premise of their affair, or the basis of their comedy, was that they were two independent people, who needed each other for a time, who would always be friends, but who, probably, would not always be lovers. Such a premise forbids the intrusion of the future, or too vivid an exhibition of need.
James Baldwin (Another Country)
To my beloved friends, there’s simply no life without you guys. Thanks for the advice and the love and the billion dinners and laughs. Without you all . . . I’d look for new friends and get them.
Martin Short (I Must Say: My Life as a Humble Comedy Legend)
I glance around the room. What a comedy! All these people sitting there, looking serious, eating. No, they aren't eating: they are recuperating in order to successfully finish their tasks. Each one of them has his little personal difficulty which keeps him from noticing that he exists; there isn't one of them who doesn't believe himself indispensable to something or someone. Didn't the Self-Taught Man tell me the other day: "No one better qualified than Noucapie to undertake this vast synthesis?" Each one of them does one small thing and no one is better qualified than he to do it. No one is better qualified than the commercial traveler over there to sell Swan Toothpaste. No one better qualified than that interesting young man to put his hand under his girl friend's skirts. And I am among them and if they look at me they must think that no one is better qualified than I to do what I'm doing. But I know. I don't look like much, but I know I exist and that they exist. And if I knew how to convince people I'd go and sit down next to that handsome white-haired gentleman and explain to him just what existence means. I burst out laughing at the thought of the face he would make. The Self-Taught Man looks at me with surprise. I'd like to stop but I can't; I laugh until I cry.
Jean-Paul Sartre (Nausea)
Build mutual friendships. Just be ready to end them when your friends start trying to eat you.
Jesse Petersen (Married with Zombies (Living with the Dead, #1))
Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes and troubles, and yet when King Laugh come he make them all dance to the tune he play.
Bram Stoker (Dracula)
I’d say the winner of this debate is the God of Death, who’s now several minutes closer to claiming all of us.
Jeff Zentner (Rayne & Delilah's Midnite Matinee)
In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards — but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward.
Terri Windling
When I was fourteen, I had a massive poster on my wall of a giant pop-art mouth advertising a Swiss exhibition of abstract art. My friends and family mocked my pretention, but I loved that poster and the hope it offered of an exciting world of thought beyond the boundaries of stifling Solihull. But one day the poster fell off the wall and the dog pissed all over it, ruining it for ever, while my mother laughed. That poster is what the Alternative Comedy dream meant to me - the possibility of a better world. And now it is covered in dog's piss.
Stewart Lee (How I Escaped My Certain Fate)
But despite these and many other differences, Evan and Heeb had become close friends – an improbability that could have been produced only by the even greater improbabilities that brought them together.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
Never mind that. What's going on with you and Heath?" Annabelle pulled a little wide-eyed innocence out of her rusty bag of college acting skills. "What do you mean? Business." "Don't give me that. We've been friends too long." She switched to a furrowed brow. "He's my most important client. You know how much this means to me." Molly wasn't buying it. "I've seen the way you look at him. Like he was a slot machine with triple sevens tattooed on his forehead. If you fall in love with him, I swear I'll never speak to you again." Annabelle nearly choked. She'd known Molly would be suspicious, but she hadn't expected an outright confrontation. "Are you nuts? Setting aside the fact that he treats me like a flunky, I'd never fall for a workaholic after what I've had to go through with my family." Falling in lust, however, was an entirely different matter. "He has a calculator for a heart," Molly said. "I thought you liked him.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
You won’t hear a character’s friend say this in a romantic comedy. Taylor Swift won’t sing this, Eminem won’t rap it, and Suzanne Collins won’t write it, but it’s true: just because you’re “in love” with someone doesn’t mean you should seriously consider marrying them.
Gary L. Thomas (The Sacred Search: What If It's Not about Who You Marry, But Why?)
My task is to explain to you as quickly as possible my essence, that is, what sort of man I am, what I believe in, and what I hope for, is that right? And therefore I declare that I accept God pure and simple. But this, however, needs to be noted: if God exists and if he indeed created the earth, then, as we know perfectly well, he created it in accordance with Euclidean geometry, and he created human reason with a conception of only three dimensions of space. At the same time there were and are even now geometers and philosophers, even some of the most outstanding among them, who doubt that the whole universe, or, even more broadly, the whole of being, was created purely in accordance with Euclidean geometry; they even dare to dream that two parallel lines, which according to Euclid cannot possibly meet on earth, may perhaps meet somewhere in infinity. I, my dear, have come to the conclusion that if I cannot understand even that, then it is not for me to understand about God. I humbly confess that I do not have any ability to resolve such questions, I have a Euclidean mind, an earthly mind, and therefore it is not for us to resolve things that are not of this world. And I advise you never to think about it, Alyosha my friend, and most especially about whether God exists or not. All such questions are completely unsuitable to a mind created with a concept of only three dimensions. And so, I accept God, not only willingly, but moreover I also accept his wisdom and his purpose, which are completely unknown to us; I believe in order, in the meaning of life, I believe in eternal harmony, in which we are all supposed to merge, I believe in the Word for whom the universe is yearning, and who himself was 'with God,' who himself is God, and so on and so forth, to infinity. Many words have been invented on the subject. It seems I'm already on a good path, eh? And now imagine that in the final outcome I do not accept this world of God's, created by God, that I do not accept and cannot agree to accept. With one reservation: I have a childlike conviction that the sufferings will be healed and smoothed over, that the whole offensive comedy of human contradictions will disappear like a pitiful mirage, a vile concoction of man's Euclidean mind, feeble and puny as an atom, and that ultimately, at the world's finale, in the moment of eternal harmony, there will occur and be revealed something so precious that it will suffice for all hearts, to allay all indignation, to redeem all human villainy, all bloodshed; it will suffice not only to make forgiveness possible, but also to justify everything that has happened with men--let this, let all of this come true and be revealed, but I do not accept it and do not want to accept it! Let the parallel lines even meet before my own eyes: I shall look and say, yes, they meet, and still I will not accept it.
Fyodor Dostoevsky (The Brothers Karamazov)
My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me? You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul
Rod Stewart
Men know that most women want to have an emotional connection with someone before they sleep with them. Men know that a lot of women think it's romantic to be friends first, and then the friendship blossoms into a relationship. Men know that they have to jump through all these hoops first, before they can get laid. And that's really all romance and courtship is to a man: hoops he has to jump through to get laid.
Oliver Markus (Why Men And Women Can't Be Friends)
Writing is a solitary existence, especially if you forget to chat to your friends – sorry, I meant characters.
Carla H. Krueger
I will count my blessings when I am in the doldrums, count to ten when I am quarrelsome, and count on my friends when I need a laugh.
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
Yeah, but Dean and I were both hungry again by the time the restaurant closed. Don’t you have guy friends? You should know that we require constant feeding.
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
So, tell me, Love,” Dad asked as I stared at my new friend with beady eyes. “What kind of person do you want to be in life? A butterfly?” He paused. “Or a caterpillar?
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
Maybe your aunt is funny in quiet moments with her friends because like many women her age, she was taught to not draw attention to herself. And maybe she also noticed how men of her generation weren't attracted to the women who spoke out of turn and uttered their own opinions out loud. And certainly these types of men weren't attracted to women who were funnier than them. Women have always been funny. They just weren't interested in sharing their jokes with you. Truth in point, my mom is hilarious. She has also been single since 1974.
W. Kamau Bell (The Awkward Thoughts of W. Kamau Bell: Tales of a 6' 4", African American, Heterosexual, Cisgender, Left-Leaning, Asthmatic, Black and Proud Blerd, Mama's Boy, Dad, and Stand-Up Comedian)
Tragedy and comedy involve an audience, so they must give--sharing themselves to elicit tears and laughter. Melodrama is not such a strategist. It meets no one's expectation but its internal need to feel.
Yiyun Li (Dear Friend, from My Life I Write to You in Your Life)
No one in comedy (or any field, really) succeeds in a vacuum. And the faster you find friends who challenge you and sometimes make you jealous, the faster you’ll grow as a comedian (and regress as a human).
Colin Jost (A Very Punchable Face)
Think back through your experiences and make a bullet point list of funny stories that have happened to you or your friends. Travel, school, college, parties, work, interaction with parents/in-laws, embarrassing situations, etc. Looking at old photos will help to jog memories.
David Nihill (Do You Talk Funny? 7 Comedy Habits to Become a Better (and Funnier) Public Speaker)
If you ever have access to a friend’s phone, go into the settings and change their calendar to the Buddhist one. Suddenly, they’re living in the 2560s. Maybe try to convince them they have just woken up from a coma.
Matt Parker (Humble Pi: A Comedy of Maths Errors)
Comedy is hard work. People expect you to be funny 24/7. So if you're not constantly cracking up your friends, it can hurt you professionally. They may not read your book or come to your show. 'She's a comedian? She's not that funny!' It's unfair 'cause when cardio surgeon friends say they cut chests open and hold hearts in their hands, everyone just takes their word for it.
Judy Balan
Incidentally, I don't know how late you were planning to stay, but there is an excellent film this evening The Snake Pit. It's a wonderful comedy. I've seen it several times.
Daniel Pinkwater (Adventures of a Cat-Whiskered Girl (Neddie & Friends, #3))
I'm holding a super-expandable energy-powered towel. I've made friends with space hamsters. I think we've stretched believability rather far, don't you?
Michael S. Atkinson
Georgie had never laid eyes on half of them, but that was nothing new. Tara collected friends like Imelda Marcos had collected shoes.
Lindy Dale (It Started With A Kiss (Romantic Comedy Novellas #1))
A friend of mine, with fortune for his foe, Has met with hindrance on his desert way, And, terror-smitten, can no further go,
Dante Alighieri (The Divine Comedy)
And the faster you find friends who challenge you and sometimes make you jealous, the faster you'll grow as a comedian.
Colin Jost (A Very Punchable Face)
Either you are all asses, or I am an ass,” he would declare seriously and even angrily. And all his friends as seriously declared: “You are an ass. We can tell by your voice.
Leonid Andreyev (Seven Who Were Hanged)
As long as there is life, my dear friends, laughter will be the weapon of we who mock it even as we struggle to understand it.
George Herman (A Comedy of Murders (Leonardo da Vinci and Niccolo da Pavia, #1))
I gulped. But, I mean, everyone bends the truth sometimes to be friendly. What's really weird is that I'm the only one who seems to get in trouble for it. Anyway, what could possibly go wrong this time?
Sue Wyshynski (Poser)
You don't have to live in a mansion to be happy. All you need is to create the right space; something that says this is who you are, and you can always change who you are, just as you change your environment.
Anthea Syrokou (Eventually Julie (Julie & Friends, #1))
That’s the difference, a true friend is happy for you no matter what you do and what you have and quite frankly I didn’t have the time for meaningless conversations or friendships that drained me of my energy.
Christie Barlow (A Year in the Life of a Playground Mother (A School Gates Comedy #1))
I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
They are between. Not what they used to be, and not what they have become. In those times, they are nothing. And I am invisible, and I am nothing too. That is the true demimonde, Lucien, and the secret is, it is not always desperate and dark. Sometimes it is just nothing. No burden of potential or regret. There are worse things than being nothing, my friend.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
I remembered talking with a writer friend who lived in Otisfield and supported his wife and two kids by raising chickens and turning out one paperback original a year — spy stories. We had gotten talking about the bulge in popularity of books concerning themselves with the supernatural. Gault pointed out that in the forties Weird Tales had only been able to pay a pittance, and then in the fifties it went broke. When the machines fail, he had said (while his wife candled eggs and roosters crowed querulously outside), when the technologies fail, when the conventional religious systems fail, people have got to have something. Even a zombie lurching through the night can seem pretty cheerful compared to the existential comedy/horror of the ozone layer dissolving under the combined assault of a million fluorocarbon spray cans of deodorant.
Stephen King (The Mist)
Democracy is beautiful in theory; in practice it is a fallacy. You in America will see that some day. Every anarchist is a baffled dictator. The truth is that men are tired of liberty. Socialism is a fraud, a comedy, a phantom, a blackmail. It's good to trust others but, not to do so is much better. War alone brings up to their highest tension all human energies and imposes the stamp of nobility upon the peoples who have the courage to make it. Fascism is a religious concept. Let us have a dagger between our teeth, a bomb in our hands, and an infinite scorn in our hearts. The League is very well when sparrows shout, but no good at all when eagles fall out. We become strong, I feel, when we have no friends upon whom to lean, or to look to for moral guidance.
Benito Mussolini
You are you because you love the way the world looks through your camera. You are you because of the way you love your friends and family. Not because some scar is on your body. That's a part of your history and what helps form what you believe in. not what defines you.
A.M. Willard (Heated Sweets (A Taste of Love, #3))
I miss you of course and I think of you all the time. I am O.K., and even though I have never believed in wars - and know them to be foolish, even when they are necessary - I am proud that I am involved since so many others are, and this is what's happening. I do not recognize any enemy which is human, for no human being can be my enemy. Whoever he is, he is my friend. My quarrel is not with him, but with that unfortunate part of him which I seek to destroy in myself first.
William Saroyan (The Human Comedy)
I know this sounds very Neanderthal but I want a man that would just take me, ravage me, and do what he pleases with me. I frankly don’t care what he does or how he does it. I just want it to be fucktastic. I want some bodies slamming, head banging, and wild animalistic beastie craze sex. You Jane, me Tarzan kind of sex.
Dee Dinh (Sin of Attraction: Sin of Attraction (Sin Series - Book One))
Just putting your acting skills to the test. You adapted and played the role exceptionally well.
J.P. Nicholas (Just Pretend (Sandy Heights, #1))
Comedy made me friends, big friends to protect me from bullies. I made them laugh, and you don’t hit the kid that makes you laugh.
Mel Brooks (All about Me!: My Remarkable Life in Show Business)
The notion of trying to make friends in high places seems absurd, when you consider what they must have done to get there.
Daksh Tyagi (A Nation of Idiots)
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy.
Mark T. Sullivan (Beneath a Scarlet Sky)
BETWEEN BIRTH AND BURIAL, WE FIND OURSELVES in a comedy of mysteries. If you don’t think life is mysterious, if you believe you have it all mapped out, you aren’t paying attention or you’ve anesthetized yourself with booze or drugs, or with a comforting ideology. And if you don’t think life’s a comedy—well, friend, you might as well hurry along to that burial. The rest of us need people with whom we can laugh. In
Dean Koontz (Odd Apocalypse: A supernatural suspense fiction novel)
One of my podcasting friends told me that he does stick up for women in challenging situations, like testosterone-soaked comedy greenrooms, for instance, but complained, “I get mocked for it!” Yes, I know you do. Welcome. Getting yelled at and made fun of is where many of us live all the time. Speaking up costs us friends, jobs, credibility, and invisible opportunities we’ll never even know enough about to regret.
Lindy West (The Witches are Coming)
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
When the Apocalypse comes, you'll find me pushing Marie Antoinette out of the way and saying, 'Let me eat cake! Forget them; I want the cake! Two helpings! I have some friends with me! Is there coffee with the cake, Marie? I'm just asking.
Gina Barreca ("If You Lean In, Will Men Just Look Down Your Blouse?": Questions and Thoughts for Loud, Smart Women in Turbulent Times)
If you’ve ever grown zucchini, you know they all ripen the same day. You wait all of June and July for zucchini. August rolls around, and one day—bam! You have more zucchini than you know what to do with. You start handing them out to your neighbors and friends at work because there’s no way any single person can handle all that zucchini. Not even if you’re smart and resourceful and have accumulated dozens of good recipes, not even a person who likes zucchini as much as I do.--Grace Savage
Gale Martin (Grace Unexpected)
...Hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer, “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on...
George Bernard Shaw (Man and Superman)
Thus the esthetically sensitive man stands in the same relation to the reality of dreams as the philosopher does to the reality of existence; he is a close and willing observer, for these pictures afford him an interpretation of life, and it is by these processes that he trains himself for life. And it is not only the agreeable and friendly picture that he experiences in himself with such perfect understanding: but the serious, the troubled, the sad, the gloomy, the sudden restraints, the tricks of fate, the uneasy presentiments, in short, the whole DIVINE COMEDY of life, and the inferno, also pass before him, not like mere shadows in the wall - for in these scenes he lives and suffers - and yet without that fleeting sensation of appearance.
Friedrich Nietzsche (The Birth of Tragedy)
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed. And we must have faith in God, and in the Universe, and in a better tomorrow, even if that faith is not always deserved.” “Pino Lella’s prescription for a long, happy life?
Mark T. Sullivan
We go around the room, introducing ourselves. 'I'm Hamza, I'm a friend of John's, I suppose,' he says a little reluctantly. Hamza tweeted recently that Muslims should not befriend the infidel. So I'm chuffed by his declaration. A bit like when a friend's cat hates everyone but you.
John Safran (Depends What You Mean By Extremist)
At a friend’s house in Greenwich Village I remember talking of the frustration of trying to find the precise word for one’s thoughts, saying that the ordinary dictionary was inadequate. ‘Surely a system could be devised,’ I said, ‘of lexicographically charting ideas, from abstract words to concrete ones, and by deductive and inductive processes arriving at the right word for one’s thought.’ ‘There is such a book,’ said a Negro truck-driver: ‘Roget’s Thesaurus’ A waiter working at the Alexandria Hotel used to quote his Karl Marx and William Blake with every course he served me. A comedy acrobat with a Brooklyn ‘dis’, ‘dem’ and ‘dose’ accent recommended Burton’s Anatomy of Melancholy, saying that Shakespeare was influenced by him and so was Sam Johnson. ‘But you can skip the Latin.’ With the rest of them I was intellectually a fellow-traveller.
Charlie Chaplin (My Autobiography (Neversink))
The house in the story is based on my friend Tori's house in Kinsale, Ireland, which is obviously not actually haunted, and the sound of people upstairs moving wardrobes around when you are downstairs there and alone is probably just something that old houses do when they think they are unobserved.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Just to be clear,” I said, “I do lead a life of quiet desperation. I wouldn’t want to be friends with anyone who doesn’t, or anyone who isn’t filled with ambivalence, because I assume they’d be incredibly shallow. But I'm sure I’d be ten times more quietly desperate if I were living in the suburbs with a two-car garage.
Curtis Sittenfeld (Romantic Comedy)
Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend; in which the malignity of one is sometimes defeated by the frolick of another; and many mischiefs and many benefits are done and hindered without design.
Samuel Johnson (Preface to Shakespeare)
You’re stupid. First of all, I need for you to know that.” “Uhhh, thanks?” “That is the most romantic thing I’ve ever heard. What could possibly be more romantic than the man of your dreams swooping in like a white knight? This is your fucking fairytale, bitch, and you’re about to let it slip away...” Gina growls in frustration. Add a note
Heather M. Orgeron (Boomerangers)
I’m probably getting too familiar with him, but there’s something about him that makes me feel like I would tell him anything. He asks these incredibly direct questions, things that some of my closest friends have never even thought to ask, and I’m inexplicably compelled to share all these deeply personal thoughts. He’s like human Xanax or something.
Lisa Daily (Single-Minded)
There’s a poetry to it, engineer’s poetry…it suggests Haverie—average, you know—certainly you have two lobes, don’t you, symmetrical about the rocket’s intended azimuth…hauen, too-smashing someone with a hoe or a club…” off on a voyage of his own here, smiling at no one in particular, bringing in the popular wartime expression ab-hauen, quarterstaff technique, peasant humor, phallic comedy dating back to the ancient Greeks…Slothrop’s first impulse is to get back to what that Plas is into, but something about the man, despite obvious membership in the plot, keeps him listening…an innocence, maybe a try at being friendly in the only way he has available, sharing what engages and runs him, a love for the Word.
Thomas Pynchon (Gravity’s Rainbow)
Now give me some advice about how to take full advantage of this city. I’m always looking to improve my odds.” “Just what I’d expect from a horny actuary.” “I’m serious.” Carlos reflected for a moment on the problem at hand. He actually had never needed or tried to take full advantage of the city in order to meet women, but he thought about all of his friends who regularly did. His face lit up as he thought of some helpful advice: “Get into the arts.” “The arts?” “Yeah.” “But I’m not artistic.” “It doesn’t matter. Many women are into the arts. Theater. Painting. Dance. They love that stuff.” “You want me to get into dance? Earthquakes have better rhythm than me…And can you really picture me in those tights?” “Take an art history class. Learn photography. Get involved in a play or an independent film production. Get artsy, Sammy. I’m telling you, the senoritas dig that stuff.” “Really?” “Yeah. You need to sign up for a bunch of artistic activities. But you can’t let on that it’s all just a pretext to meet women. You have to take a real interest in the subject or they’ll quickly sniff out your game.” “I don’t know…It’s all so foreign to me…I don’t know the first thing about being artistic.” “Heeb, this is the time to expand your horizons. And you’re in the perfect city to do it. New York is all about reinventing yourself. Get out of your comfort zones. Become more of a Renaissance man. That’s much more interesting to women.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed. And we must have faith in God, and in the Universe, and in a better tomorrow, even if that faith is not always deserved.
Mark T. Sullivan (Beneath a Scarlet Sky)
Between birth and burial, we find ourselves in a comedy of mysteries. If you don’t think life is mysterious, if you believe you have it all mapped out, you aren’t paying attention or you’ve anesthetized yourself with booze or drugs, or with a comforting ideology. And if you don’t think life’s a comedy—well, friend, you might as well hurry along to that burial. The rest of us need people with whom we can laugh.
Dean Koontz (Odd Apocalypse (Odd Thomas #5))
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
...loading your brain with subliminal messages.... How loathsome to turn a sadistic murder into entertainment [in the newspaper] -- and yet how hard not to read about it. What dark comedy to realize that you are scanning for descriptions of torture as you disapprove. Which of course only makes it more entertaining. "But naturally I was hoping they'd report something grisly," you say to your friends, who chuckle lighthearted acknowledgment of hypocrisy.
Mary Gaitskill (Don't Cry)
Why was it, she wondered, that men always seemed to want so much advice? They never took it unless it was a confirmation of their own desires, but they liked to have it. They liked to march fortified by feminine approval as well as by masculine initiative. Would women, she mused while in the kitchen, opening paper bags, laying out plates and knives and spoons on trays, cutting tomatoes, grating cheese, and scraping the remnants of ham from a knuckle bone, would women have done better through life if they had more consistently demanded from men the toll of daily council? If, instead of merely doing things, they had waylaid friends, lovers, husbands, and brothers, and set before them this plan and the other, crying dramatically, “This step will make or mar me!” Or, “If I go wrong here, I’m done!” Or, “But in spite of God and the devil, I’ll do it yet,” Women, reflected Jean, too often knew that, as likely as not, they would never be done till dead.
Winifred Holtby (Mandoa, Mandoa!: A Comedy of Irrelevance (Virago Modern Classics Book 211))
He has time for gossip, for prophecies, for marvelous dramatic interplays, for treatises on history, for analyzing the French monarchy, the corruption of the Church, the decay of Italian politics. He has time for all sorts of metaphysical treatises on such matters as the nature of the generative principle, literary criticism, meteorology—in short, for his whole unfinished encyclopedia. And he still has time to invent a death for Ulysses, to engage in a metamorphic contest with Ovid, to make side remarks to his friends.
Dante Alighieri (The Divine Comedy: (inferno, purgatorio, paradiso))
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth. DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century anew generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on”—without getting us a step farther. And yet you want to leave this paradise!
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
Though I have always made it my practice to be pleasant to everybody, I have not once actually experienced friendship. I have only the most painful recollections of my various acquaintances with the exception of such companions in pleasure as Horiki. I have frantically played the clown in order to disentangle myself from these painful relationships, only to wear myself out as a result. Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy. I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.) It was hardly to be expected that someone like myself could ever develop any close friends—besides, I lacked even the ability to pay visits. The front door of another person’s house terrified me more than the gate of Inferno in the Divine Comedy, and I am not exaggerating when I say that I really felt I could detect within the door the presence of a horrible dragon-like monster writhing there with a dank, raw smell.
Osamu Dazai (No Longer Human)
claque, aka canned laughter It’s becoming increasingly clear that there’s nothing new under the sun (a heavenly body, by the way, that some Indian ascetics stare at till they go blind). I knew that some things had a history—the Constitution, rhythm and blues, Canada—but it’s the odd little things that surprise me with their storied past. This first struck me when I was reading about anesthetics and I learned that, in the early 1840s, it became fashionable to hold parties where guests would inhale nitrous oxide out of bladders. In other words, Whip-it parties! We held the exact same kind of parties in high school. We’d buy fourteen cans of Reddi-Wip and suck on them till we had successfully obliterated a couple of million neurons and face-planted on my friend Andy’s couch. And we thought we were so cutting edge. And now, I learn about claque, which is essentially a highbrow French word for canned laughter. Canned laughter was invented long before Lucille Ball stuffed chocolates in her face or Ralph Kramden threatened his wife with extreme violence. It goes back to the 4th century B.C., when Greek playwrights hired bands of helpers to laugh at their comedies in order to influence the judges. The Romans also stacked the audience, but they were apparently more interested in applause than chuckles: Nero—emperor and wannabe musician—employed a group of five thousand knights and soldiers to accompany him on his concert tours. But the golden age of canned laughter came in 19th-century France. Almost every theater in France was forced to hire a band called a claque—from claquer, “to clap.” The influential claque leaders, called the chefs de claque, got a monthly payment from the actors. And the brilliant innovation they came up with was specialization. Each claque member had his or her own important job to perform: There were the rieurs, who laughed loudly during comedies. There were the bisseurs, who shouted for encores. There were the commissaires, who would elbow their neighbors and say, “This is the good part.” And my favorite of all, the pleureuses, women who were paid good francs to weep at the sad parts of tragedies. I love this idea. I’m not sure why the networks never thought of canned crying. You’d be watching an ER episode, and a softball player would come in with a bat splinter through his forehead, and you’d hear a little whimper in the background, turning into a wave of sobs. Julie already has trouble keeping her cheeks dry, seeing as she cried during the Joe Millionaire finale. If they added canned crying, she’d be a mess.
A.J. Jacobs (The Know-it-All: One Man's Humble Quest to Become the Smartest Person in the World)
I’m sure I’ve never heard of this one. You?” Eve shook her head. “I’m not much of a follower of the bard.” Shrugging, Rose settled back in her seat and waited. This was either going to be very good or very bad. It ended up being the latter. The play seemed disjointed, although the blame for that couldn’t be put totally on Lord Battenfield. His acting abilities were next to nonexistent, but he made up for it in sheer drama. Rose recognized some of his lordships “company” as various children of titled families. They seemed to be having a good time. But the play! In this case the play was not the thing. Neither it nor the people acting it out could seem to decide if it was a tragedy or a comedy and so the audience never knew whether or not they should laugh. Rose was amongst them. Timon began the play as a posturing, wealthy character like many modern aristos, caring about nothing but money. Lord Battenfield played this with a naïve bravado that made it highly amusing. But then Timon lost his fortune and none of his former friends would help him. This should have been a serious moment in the production, but it wasn’t. Finally, when Timon realizes the servant Flavius is his only friend and then seems to commit suicide in the wilderness, what could have been a poignant commentary on society became a joke when Lord Battenfield’s death scene revealed that he was completely naked beneath the toga. It was just a glimpse, but Rose was certain she would be scarred for life. She and Eve were trying to control their giggles when the curtains fell.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))