Coastal Girl Quotes

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

For as long as she can remember, telling stories has been her momma's gift to those around her, fables filled with rich, detailed accounts of gods and monsters, of love and curses. She can weave a tale from Spanish moss and moonlight that will make a young girl's heart resonate with yearning or weep with anguish. Her coastal Georgia roots add a dark sweetness to all her narratives, one that stains her stories with sorrow like a drop of molasses dissolving in warm butter.

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

I'm the 'walks on the beach, toss all the leftovers into a salad, fall asleep reading' kind of girl." I spread my hands out in front of me as if our answer was as plain as day. "We'll walk on the beach and eat salads and read until you let me fuck you again, and then we'll fall asleep. Be ready.

hills in the distance—beyond the tiny coastal city and the boats in the water that everyone in a hurry misses—represent all that is beyond the moment in time when the angel told the Virgin she would bear the Savior of the world. That is the vanishing point. Without it, there would be no sense that this moment is a slice of time.

On the thirteenth day of the fifth month of the third year after the Day of the Girls, Tatiana Moskalev brings her wealth and her connections, a little less than half her army, and many of her weapons to a castle in the hills on the borders of Moldova. And there she declares a new kingdom, uniting the coastal lands between the old forests and the great inlets and thus, in effect, declaring war on four separate countries, including the Big Bear herself. She calls the new country Bessapara, after the ancient people who lived there and interpreted the sacred sayings of the priestesses on the mountaintops. The international community waits for the outcome. The consensus is that the state of Bessapara cannot hold on for long.

Even worse was [singing] in English, a language much too lacking in chewability for hard Finnish jaws, so sloppy that only little girls could get top marks in it - sluggish double Dutch, tremulous and damp, invented by mud-sloshing coastal beings who've never needed to struggle, never frozen nor starved. A language for idlers, grass-eaters, couch potatoes, so lacking in resilience that their tongues slop around their mouths like sliced-off foreskins.

Girls fell all over him. Guys bought him beers. ... "Women eager to say they've been Zaned. You know there're T-shirts that say I've been ZANED.

Mardi Gras in Cuba was one of the most uninhibited festivals I have ever witnessed. Although I do not condone the criminal elements that existed behind the festive atmosphere, I dove into the sweeping pleasures without guilt. At my age, life was to be lived, and live it I did! Most of the people surrounding me, on the packed streets of Havana, came from the United States. It also seemed that half of the Miami Police Force was there for these unrestrained festivities. Perhaps the excesses I witnessed are to be criticized, but it was all fun and well beyond my imagination. Everything was new and extremely exciting at the time. The many beautiful girls, who were said to have been exploited, certainly were as caught up in the euphoria as we were and enjoyed the moment every bit as much as we did. The decorated cars and beautiful floats with girls and guys waving, were followed by people dancing to the loud Latin beat. The jubilant parade wound its way along the coastal route to the Avenida Maceo, having started from the wide boulevard Calle G or Avenida de los Presidentes. Crowds of tourists and other revelers laughed and cheered. Smaller, but every bit as intense, were celebrations on other main streets such as Calle Neptuno. Everyone had a great time, and thanks to our officers, even our available time ashore was extended by an hour. I don’t think that it was abused by anyone, but the next day we were all tired and nursing hangovers.

You, a small-town girl from coastal South Carolina, came all the way to Utah to eat octopus? You could throw a rock out of our bedroom window and hit an octopus on the head.

Rose was in existential distress that fateful winter when her would-be earthly master, Robert Martin, passed away. The place: coastal South Carolina; the year: 1852. We do not know Rose’s family name, or the place of her birth, or the year of her death. Such is the case with the vast majority of African and Indigenous American women who were bought, sold, and exploited by the hundreds of thousands. But we can be sure that Rose faced the deep kind of trouble that no one in our present time knows and only an enslaved woman has seen. Rose knew that she or her little girl, Ashley, could be next on the auction block, the cold device enslavers turned to when their finances faltered.

Stella Cameron, New York Times bestselling author “The Girl Who Stayed defies type. Crosby’s tale is honest and sen- sitive, eerie and tragic. It’s a homecoming tale of a past ever with us and irrevocably lost forever. A haunting vision of that chasm between life and death we call ‘missing.’” – Pamela Morsi, bestselling author of Simple Jess “An intense, mesmerizing Southern drama about a young woman who returns to her coastal home to put to rest the haunting ghost of her sister’s tragic past. Told in the rich, lyrical style of Siddons and Conroy, The Girl Who Stayed is a woman’s story of discovery and acceptance, redefined by Tanya Anne Crosby’s dramatic storytelling, sharp characters, and well-defined plot. A must read for any woman who believes she can never go back home. Fabulous, rich and evocative!” – New York Times bestselling author Jill Barnett “Crosby tugs heartstrings in a spellbinding story of a woman trying to move beyond her past.” – New York Times bestselling

mesmerizing Southern drama about a young woman who returns to her coastal home to put to rest the haunting ghost of her sister’s tragic past. Told in the rich, lyrical style of Siddons and Conroy, The Girl Who Stayed is a woman’s story of discovery and acceptance, redefined by Tanya Anne Crosby’s dramatic storytelling, sharp characters, and well-defined plot. A must read for any woman who believes she can never go back home. Fabulous, rich and evocative!” – New York Times bestselling author Jill Barnett “Crosby tugs heartstrings in a spellbinding story of a woman trying to move beyond her past.” – New York Times bestselling

Tides have come and gone since the Beach Boys formed in 1961. But Brian Wilson, architect of the band’s signature sound, endures: He turns 73 on June 20. So crank up “California Girls” (50 years old this year) and explore the Pacific coastal stretch from

Despite the differences in their ages, I still thought of them as adventurous girls. It never occurred to me that they might be related, that is until I heard Connie refer to Rita as “Mom”?? Now at least I knew their names, but the relationship confused me.… They acted more like friends and equals, than mother and daughter. Didn’t I detect flirtation in Connie’s comments, and didn’t Rita give me the eye? As we walked through this typical small town market, they picked up many more items, “just in case we get snowed in.” I expressed my regret for not being able to help in defraying the ever-increasing cost of the groceries, but it didn’t seem to bother them. “We picked you up and it’s our treat,” Rita explained. “Come on, let’s get going before we get stuck here,” Connie said, with a sound of urgency, to her mother who was still looking around. Picking up two economy-sized bags of potato chips along with some pretzels didn’t impress me as being staples, but to be fair, she did also pick up bacon, eggs, English muffins and a container of milk. Getting back into the car, we turned north again, past where they first picked me up, and then left onto Mountain Street. I knew from the many times that I had come through Camden that Mount Battie was back up here somewhere, but after a short distance of about a mile or so, we turned left again and pulled into the driveway of a big old farmhouse connected to a barn, which looked very much like many other houses in Maine. By this time the snow was coming down in big wet flakes, accumulating fast. It wouldn’t take long before the roads would become totally impassable. I knew that this could become a worse mess than I had anticipated, especially on the back roads. The coastal towns in Maine don’t usually get as cold as the towns in the interior, thus allowing the air to hold more moisture. In turn, they are apt to get more big wet snowflakes that accumulate faster. However, the salt air also melts the snow more rapidly. I seldom had to worry about the weather, but this time I was lucky to have been picked up by these “Oh So Fine Ladies” and was glad that I decided to accept their offer to stay with them.

the girl cradling stars in her eyes.

But by the time you get far enough north to the coastal county marked in gray on the map—Washington County—you’re universally acknowledged to have arrived Downeast.

This is the time of my life I have been waiting for, for as long as before I was ever even alive to be here now in this two-seat, no-roof car with bare-chested Trip in the seat at the wheel beside me, calling me “My Amnesia Girl,” doing sixty, sixty-five, seventy down a bent-out-of-whack coastal cliff road, bump-pressed against the belt buckle of the Hitchhiker’s leather pants I have been sitting on since the last gas tank fill-up at the freeway detour off-ramp.

Anne Kihagi For Animal Enthusiasts Looking for Off-Beaten Path Discoveries, consider: Piedras Blancas Elephant Seal Rookery The Piedras Blancas Elephant Seal Rookery stretches over six miles off of California’s Highway 1. It is a part of the non-profit organization Friends of the Elephant Seal, which strives to educate the public and protect the seals. Stop at any of the viewing areas located on the highway to see over 17,000 elephant seals that use the area for birthing, breeding, and resting. The viewing areas are open year-round and are free of charge to the public. You have the best chance of glimpsing the seals between December and March when they visit the area due to inclement weather. If you are interested in learning more about the seals, Friends of the Elephant Seal has a visitor center and gift shop. It is a short, eight-mile drive away from the rookery and located within the Plaza del Cavalier in San Simon. Other area attractions include the Piedras Blancas Light Station, Hearst Castle, and the Coastal Discover Center at San Simeon Bay. Friends of the Elephant Seal also offers tours for children in third grade and higher. The group hosts school field trips, as well as organizations like Girl and Boy Scouts. Tour instructors provide students with explanation while they are viewing the seals at the rookery. People of all ages can enjoy the live action feed of the seals located on the Friends of the Elephant Seal’s website.