Click By Me Quotes

We've searched our database for all the quotes and captions related to Click By Me. Here they are! All 200 of them:

I don't think you realize who you're dealing with." The man clicked his tongue, "If you were that good, you would be more than just Captain of the Guard." Chaol let out a low, breathy laugh. "I wasn't talking about me." "She's just one girl." Though his guts were twisting at the thought of her in this place, with these people, though he was considering every possible way to get himself and Celaena out of here alive, he gave the man a grin. "Then you're really in for a big surprise.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The phone rang. I picked it up. “Are you sitting down?” Curran's voice asked. “Yes.” “Good.” Click. I listened to the disconnect signal. If he wanted me to sit, then I'd stand. I got up. The chair got up with me and I ended up bent over my desk, with the chair stuck to my butt. I grabbed the edge of the chair and tried to pull it off. It remained stuck. I would murder him. Slowly. And I'd enjoy every second of it.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
Let me make two remarks. First I concentrate on the task ahead for 2016. I’m quite busy with that—thank you very much. And I’m looking with great interest in the American election campaign.’ For the second time during their press conference, the clicking sounds of the cameras was deafening.
Claudia Clark (Dear Barack: The Extraordinary Partnership of Barack Obama and Angela Merkel)
Something inside me clicks. It's like I've spent my whole life fiddling with a complicated combination only to discover I was toying with the wrong lock.
Jasmine Warga (My Heart and Other Black Holes)
He pushed me back up against the door, slamming me against the doorbell. I heard it ring out. "Coming!" I heard Holly say as she clicked across the floor to the front door. "Not quite, but she’s close." He chuckled, removing his hand and leaving me breathless and rosy cheeked.
Alice Clayton (The Unidentified Redhead (Redhead, #1))
At the same time, though, I was beginning to wonder if this was just how it was supposed to be for me, like perhaps I wasn't capable of having that many people in my life at any one time. My mom turned up, Nate walked away, one door opening as another clicked shut.
Sarah Dessen (Lock and Key)
How did you do that?” I shrug. “I click my heels three times and say, ‘There’s no place like home.’” “Uh-huh. So … you think this is your home? My barn? His tone is playful, but the look he’s giving me is dead serious. A question. “Haven’t you guessed by now?” I say, my heart hammering. “My home is you.
Cynthia Hand (Boundless (Unearthly, #3))
Enough," Curran said. An unmistakable command saturated his voice. Jim clicked his mouth shut. I crossed my arms. "I'm sorry, is this the part where I fall to my knees and shiver in fear, Your Furriness? Silly me, I didn't get the memo.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Raziel’s sixty feet tall?” “Actually, he’s only fifty-nine feet tall, but he likes to exaggerate,” said Magnus. Isabelle clicked her tongue in annoyance. “Valentine raised an angel in his cellar. I don’t see why you need all this space—” “Because Valentine is just WAY MORE AWESOME than me,
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Why do you keep coming?" she asked. "Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Then I realize from the hollow sound of her gun's click that her gun isn't loaded. Apparently she just wants to slap me around with it.
Marie Lu (Legend (Legend, #1))
Then I realize from the hollow sound of her gun's click that her gun isn't loaded. Apparently she just wants to slap me around with it. The Girl doesn't move her gun away. "How old are you?" "Fifteen." "That's better." The Girl lowers her gun a little. "Time for a few confessions.Were you responsible for the break-in at the Arcadia bank?" The ten-second place. "Yes." "Then you must be responsible for stealing sixteen thousand five hundred Notes from there as well." "You got that right." "Were you responsible for vandalizing the Department of Intra-Defense two years ago, and destroying the engines of two warfront airships?" "Yes." "Did you set fire to a series of ten F-472 fighter jets parked at the Burbank air force base right before they were to head out to the warfront?" "I'm kinda proud of that one." "Did assault a cadet standing guard at the edge of the Alta sector's quarantine zone?" "I tied him up and delivered food to some quarantined families.Bite me.
Marie Lu (Legend (Legend, #1))
I thought about my mother, and the words she said to me almost a lifetime ago. That’s when it clicked: she had asked me not to settle, to fight for the person I loved, and for the first time, I did what she expected of me. I had finally lived up to who she wanted me to be.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
Ranger clicked his penlight on. "Hang onto me if you can't see." I curled my hand into the back of his cargo pants just above his gun belt. "I'm good to go." He was still for a beat. "You could have held on to my jacket," he said. "Would you rather I do that?" "No. Not even a little.
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
We'll meet and click and sit up all night and everything will tip out of me and into him and the other way around and while we're tipping the night will fade and the world will get pink and in that pinkness he'll kiss me.
Cath Crowley (Graffiti Moon)
So, come on,” he said softly, taunting me. “What’s the plan here, Ev? How were you going to convince me?” “Oh. Well, I was um … I was going to seduce you, I guess. And see what happened. Yeah…” “How? By complaining about me buying you stuff?” “No. That was just an added bonus. You’re welcome.” He licked his lips, but I saw the smile. “Right. Come on then, show me your moves.” “My moves?” “Your seduction techniques. Come on, time’s a-wasting.” I hesitated and he clicked his tongue, impatient. “I’m only wearing a towel, baby. How hard can this be?
Kylie Scott (Lick (Stage Dive, #1))
The way you seem nervous makes me think you don't know that I'm in love with you." I looked up at him, eyes wide and hands froze. Click. "I love you, Petal. I've known it for a while now, but everything changed for me last night.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers. He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows. He reached for Dan’s hand, opened the fingers and placed the bullet into the palm. “This is the bullet you’ll use to kill me if I walk away again.” Because if I walk away again, I’ll be in so much pain I’m better off dead anyway.
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
Daemon practically knocked me over to get in one last comment. “Don't forget. There are cooler things out there than fallen angels and dead guys. Just saying.” He winked. I pictured an entire legion of females swooning. Pushing him aside, I winced and clicked the off button on the webcam page. “You like seeing yourself being recorded.” He shrugged. “That was fun. When do you do another?
Jennifer L. Armentrout (Onyx (Lux, #2))
John Loengard, the picture editor at Life, always used to tell me, ”If you want something to look interesting, don’t light all of it.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V. I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy. Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him. I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time? I texted back: How'd you get my number? Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
Amy Plum (Die for Me (Revenants, #1))
If he is anything other than a total gentleman, I’m going to gouge his eyes out.” “So you’re into it.” “Withholding judgment! When can I see you?” “Certainly not until you finish An Imperial Affliction.” I enjoyed being coy. “Then I’d better hang up and start reading.” “You’d better,” I said, and the line clicked dead without another word. Flirting was new to me, but I liked it.
John Green (The Fault in Our Stars)
And when her eyes met mine, I felt something click, like a key turning in a lock. Believe me, I'm no romantic, and while I've heard about love at first sight, I've never believed in it, and I still don't. But even so, there was something there, something recognizably real, and I couldn't look away.
Nicholas Sparks (Dear John)
It doesn’t matter how many times I have to click, as long as each click is a mindless, unambiguous choice.
Steve Krug (Don't Make Me Think: A Common Sense Approach to Web Usability)
Die human, DIE!! Die nasty polluting person!!!!' yelled Grover. I turned him so he faced me. He kept on clicking his plastic gun towards me as if I was part of the game.
Rick Riordan
Let's say I will rip your life apart. Me and my banker friends." How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
You and me will read a book and find three interesting things that we remember. But Colin finds everything intriguing. He reads a book about presidents and he remembers more of it because everything he reads clicks in his head as fugging interesting.
John Green (An Abundance of Katherines)
Maybe the reason people avoid you is because the emotions your brain sends out when you click are kind of... negative emotions? Maybe you're clicking unhappiness at people, and they're sending it back in echoes.
Leah Thomas (Because You'll Never Meet Me (Because You'll Never Meet Me, #1))
I love you, too." Click. "But I'm terrified." He lowered the camera, eyes on me. "I didn't want to fall in love with you,' I said. He took a step closer. "If it makes you feel any better, you put up a very impressive fight." He didn't put the camera down when he stepped forward again to kiss me. He just moved his hand to the side and cupped my face with the other, pressing his mouth to mine. "I'm scared, too, Sara. I'm scared I'm your rebound. I'm scared we'll cock it up somehow. I'm scared you'll tire of me. But the thing is," he said, smiling, "I don't want anyone else. You've rather ruined me for other women.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
Most of all, I think it was the novels that saved me from submission. I was young, but the first tiny, meek beginnings of my rebellion had already clicked into place.
Ayaan Hirsi Ali (Infidel)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
And the process of reading is such a private one. I once came into a room where a friend of mine was reading one of my books, and he clicked his tongue impatiently and shooed me off.
Vikram Seth (The Rivered Earth)
You need to be clever to best him. Are you clever, Rachel?” Oh God. She wants to know if I’m clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, “It’s the shiny pot that puts a hole in the sky.” Al’s mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. “Very true,” she said as she eased back into the cushions. With a soft click of his teeth, Al’s mouth shut. His eyes were cross, and he seemed peeved that I’d found a way to satisfy her without compromising myself at all.
Kim Harrison (Pale Demon (The Hollows, #9))
we left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes -- and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came.
Hunter S. Thompson (The Rum Diary)
As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can't imagine how it was without it there, even seconds ago.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
You’ve gotta taste the light, like my friend and fellow shooter Chip Maury says. And when you see light like this, trust me, it’s like a strawberry sundae with sprinkles.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
But let me tell you, West, no matter what happens, no matter where you go, I will also always be in love with you. And  you  don’t  have  to  love  me  back.  Hell,  you  don’t  need  to   ever talk to me again. Will I be hurt? Yes. Will I want you back? Yes. But it will all still be worth it, because you have made it worth it. Because loving you has  made  it  worth  it.
L.M. Augustine (Click to Subscribe)
He clicked this tongue to the roof of this mouth, studying me for a moment, his eyes a shade darker than they had been before. "I think your favorite color is yellow," he guessed, and watched as the surprise trickled across my face. "But not a bright yellow - more of a golden yellow. The color of sunflowers. That might be your favorite flower.
Ashley Poston (The Seven Year Slip)
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
Elizabeth Chandler (Love at First Click (First Kisses, #6))
I shook my head, sweeping my lips across hers. Not good enough. “I need to hear you say it. I need to know you’re mine.” “I’ve been yours since the second we met,” she said, begging. I stared into her eyes for a few seconds, and then felt my mouth turn up into a half smile, hoping her words were true and not just spoken in the moment. I leaned down and kissed her tenderly, and then she slowly pulled me into her. My entire body felt like it was melting inside of her. “Say it again.” Part of me couldn’t believe it was all really happening. “I’m yours.” She breathed. “I don’t ever want to be apart from you again.” “Promise me,” I said, groaning with another thrust. “I love you. I’ll love you forever.” She looked straight into my eyes when she spoke, and it finally clicked that her words weren’t just an empty promise.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
I'm not interested in heaven unless my anger gets to go there too. I'm not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we don't want the earth, if that's where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.
Patricia Lockwood (Priestdaddy)
Our talks are wonderful, interplays, not duels but swift illuminations of one another. I can make his tentative thoughts click. He enlarges mine. I fire him. He makes me flow. There is always movement between us. And he is grasping. He takes hold of me like a prey.
Anaïs Nin (Henry and June: From the Unexpurgated Diary of Anaïs Nin)
Some people may opt out. Their child turns out to be whatever it is that they find impossible to face—for some, the wrong religion; for some, the wrong sexuality; for some, a drug addict. They close the door. Click. Like in mafia movies: “I have no son. He is dead to me.” I have a son and he will never be dead to me.
David Sheff (Beautiful Boy)
Click. The door swung open. "Three," James said with a slightly self-satisfied smile. "Well done," Caroline said. He smiled back at her. "I've never met a woman or a lock that didn't love me.
Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
something inside me clicked, like an engine shifting into higher gear. My thinking suddenly became faster and clearer. The anger and fear didn't go away, but I realized they weren't important. They weren't going to help me...
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
There was a click and then nothing CALL DISCONECTED flashed on the digital display. "NO! NO!" Clary hit the redial button, her fingers trembling. Simon picked up immediatly. "Sorry. Yossarian scratched me and I dropped the phone.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.
David Levithan (Nick & Norah's Infinite Playlist)
I touched the combination lock. I concentrated so hard I felt like I was dead-lifting five hundred pounds. My pulse quickening. A line of sweat trickled down my nose. Finally I felt gears turning. Metal groaned, tumblers clicked, and the bolts popped back. Carefully avoiding the handle, I pried open the door with my fingertips and extracted an unbroken vial of green liquid. Hal exhaled. Thalia kissed me on the cheek, which she probably shouldn't haven't done while I was holding a tube of deadly poison. "You are so good," she said. Did that make the risk worth? Yeah, pretty much.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Something clicked in my brain. “I remember where I’ve seen you before. You’re Curran’s...”—lover, mistress, honey-bunny—“significant other.” Dear God, what could the Beast Lord’s concubine possibly want from me?
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Somebody once told me that good friends are like Tootie Pops, if you don't bite them they won't bite you. Erin Swift
Denise Vega (Click Here: To Find Out How I Survived Seventh Grade)
...But the heart is not a computer that can be upgraded so quickly and easily with the latest version of love. Love cannot be sealed hermetically inside a tight box like any other on the store shelf; even though the word itself is in public domain, its quality is not. Love cannot promise a full customer satisfaction garanteed or a whole lifetime of dreams shared refunded, with no questions asked. Love cannot be agreed to in terms and conditions as quickly as the "Next" button being clicked. These unspoken terms and conditions grow and develop over time until it gets very messy, and no one remembers how such a mess of accusation and anger was able to overshadow their pure ecstasy of love, the spark between two people turning on a new operation system of togetherness for the first time. Love is always beta; never a golden master. If love were a computer, constant bug reports and subsequent fixes are the name of the game, and there are many unexplained breakdowns. The heart is too stubborn for explanations and too impatient for forgiveness, and there is usually no one at the tech support line. Forgive me stan, if I've crashed so often. It's just to hard to boot up to a whole new future without you. I am an empty monitor in search of a "hello.
Raymond Luczak
My real mom died when I was born—hemorrhaged to death while giving birth to me, which has never been one of my favorite memories—and Dad married Denise before I’d turned a year. Without even asking my opinion on the matter. Denise and I never really clicked.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
No, but . . . what will she eat?” “I guess I’ll have to find another source of blood. Hmm, who could it be? Let’s see . . .” I drum my fingers against the edge of the table to create suspense. It sure works on Ana, who’s looking at me gape-mouthed. “Who smells good around—” Lowe’s hand closes around mine. Our wedding bands clink together as he lifts it from the table and sets it in my lap, his grip lingering for a second. I feel hot. I shiver. Lowe clicks his tongue. “Stop playing with your food, wife,” he murmurs,
Ali Hazelwood (Bride (Bride, #1))
Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.
Veronica Roth (Divergent (Divergent, #1))
Twenty minutes into the film, she turns to me suddenly. “Hey. Question.” I click the track pad to press pause. “Hit me.” “Am I your girlfriend?” I give her my creepiest leer. “I don’t know, baby, do you want to be?” Amusement dances in her brown eyes. “Well, now I don’t.
Elle Kennedy (The Mistake (Off-Campus, #2))
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them." "Oh,sure.You killed my mother. You can imagine I'm dying to help you out." Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?" I shake my head. "Never seen him before." Thomas clicks the remote. Another photo pops up. "How about this one?" "Nope." Another photo. "How about this?" "Nope." Yet another stranger pops up on the wall. "Seen this girl before?" "Never seen her in my life." More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
Marie Lu (Legend (Legend, #1))
I’m safe inside this container called me. With a little click, the outlines of this being—me—fit right inside and are locked neatly away. Just the way I like it. I’m where I belong.
Haruki Murakami (Kafka on the Shore)
Hey Jacob!" I felt an unfamiliar surge of enthusiasm at his smile. I realized that I was pleased to see him. This knowledge surprised me. I smiled back, and something clicked silently into place, like two corresponding puzzle pieces. I'd forgotten how much I really liked Jacob Black.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
If I'm still conscious to face the consequences of my actions, then at the very least I will know that my actions were real, thay they indeed had consequences, though my lone life will amount to less than a single click of static in the symphony of the big bang. If my actions were real, then so were my memories, and if those were real, the things I've done have allowed me to see God and I0m not afraid of following my life down that eight-second black rabbit hole.
Craig Clevenger (Dermaphoria)
Big Daddy: What makes you so restless, have you got ants in your britches? Brick: Yes, sir... Big Daddy: Why? Brick: - Something - Hasn't - Happened... Big Daddy: Yeah? What is that? Brick [sadly]: - the click... Big Daddy: Did you say the click? Brick: Yes, click. Big Daddy: What click? Brick: A click that I get in my head that makes me peaceful Big Daddy: I sure in hell don't know what you're talking about, but it disturbs me. Brick: It's just a mechanical thing. Big Daddy: What is a mechanical thing? Brick: This click that I get in my head that makes me peaceful. I got to drink till I get it.
Tennessee Williams (Cat on a Hot Tin Roof)
When you see him, I want you to do something for me. " "What's that?" "Ask him if he feels like he might die if he doesn't get to touch you again." I frown. "Why would I ask him that?" I whisper. "Because there's another man who does." The phone clicks as he hangs up.
T.L. Swan (The Stopover (The Miles High Club #1))
He lets the door fall shut on its own behind him, and when I hear that awful click, it hits me even harden at that exact moment that Tyler just gave up. And I still don't rally know why.
Estelle Maskame (Did I Mention I Need You? (DIMILY, #2))
I owe a debt to you," his low voice hissed at Shion's ear. "Four years ago, you saved my life. I'm paying back that debt. That's all." "Then you've paid enough. Too much, even." Shion gripped Nezumi's wrist to pry it away from his collar. But Nezumi's taut muscles showed no signs of relaxing. "Let go." "Make me, little boy." "I'll bite your nose off." Shion clicked his teeth. There was a split second of hesitation. Shion didn't miss it. He slid a hand around the back of Nezumi's neck. "Biting noses off is my specialty." "Huh? Wait a second, that's dirty―" "I forgot to mention, over these past four years, I've also learned how to fight.
Atsuko Asano (No.6, Vol. 1)
I haven’t had time,” I said, exasperated. “As soon as I remembered, I came straight here.” Ryan turned to face me before clicking on the results. I didn’t like the way he was suddenly looking very suspiciously at me. “You were really upset…” he prompted, but I didn’t know what he wanted me to say. “Your point?” “My point is, when you freaked out you came straight to me for help. That is the most girlfriendy thing ever. I don’t know why you won’t just accept what you are.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
My marriage to Jamie had been for me like the turning of a great key, each small turn setting in the intricate fall of tumblers within me. Bree had been able to turn that key as well, edging closer to the unlocking of the door of myself. But the final turn of the lock was frozen--until I had walked into the print shop in Edinburgh, and the mechanism had sprung free with a final, decisive click.
Diana Gabaldon (Voyager (Outlander, #3))
You have ten minutes,” he told me. “Ten minutes to think about what you did wrong and how bad you feel right now. Are you ready?” He’d actually clicked a button on his watch and timed me, and for those ten minutes I brooded and sulked and wallowed in humiliation. I remembered the errors I’d made on the field and corrected them in my head. I imagined punching every player on the opposing team square in the mouth. And then Dad told me my time was up. “There. It’s over now,” he said. “Now you look forward and figure out how you’re going to get better.
Elle Kennedy (The Score (Off-Campus, #3))
when I took that first deep breath and saw the clear summer sky, and heard my sister and Little Jimmy and Nora and even Sally and JT cheering for me, I swear I heard the lions roar.     Click
Kristin Levine (The Lions of Little Rock)
I usually carried with me six loaded plates, which allowed me only six exposures, so that clicking the shutter even once was a serious business that had to be carefully thought out beforehand.
Roald Dahl (Boy: Tales of Childhood)
In the years that followed, the goal went from taking huge risks to create new industries and grand new ideas, to chasing easier money by entertaining consumers and pumping out simple apps and advertisements. “The best minds of my generation are thinking about how to make people click ads,” Jeff Hammerbacher, an early Facebook engineer, told me. “That sucks.” Silicon Valley began to look an awful lot like Hollywood.
Ashlee Vance (Elon Musk: Inventing the Future)
I click on the deaths and read the names carefully, memorising them. Because here’s the simple truth—if I hadn’t taken the ship off Phydus, people like ***** and ******* would still be alive. And while I could say that a shorter life with feelings is better than a longer life without, the dead can’t tell me their side. [p.88]
Beth Revis (A Million Suns (Across the Universe, #2))
Nothing important should ever be more than two clicks away
Steve Krug (Don't Make Me Think, Revisited: A Common Sense Approach to Web Usability)
I’ve always felt like I never really clicked anywhere. Like, I always need to make a bigger effort to show everyone that I deserved to be there. And here you are. Making me feel like you’d close the gap to get to me. Like I don’t need to convince you.
Elena Armas (The Long Game (Green Oak, #1))
But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
Believe me when I say: 'Out of all those around, she’s the best locksmith in town.' Her stethoscope ears know when the dials of your heart click into place. She’s been cutting keys for years. You don’t stand a chance with that flimsy case. Alas, no matter how you lock your heart— bolt, fixture, and key— she’s got nimble fingers that pick locks for free. Padlocks and deadbolts are all in vain. Why do you even bother with that chain? She’s way too smart. Along with ours, she’ll have your heart. And you will see that the best locksmith in town is she.
Kamand Kojouri
Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.
Katherine Dunn (Geek Love)
I thought you'd be better at this." "Why?" Bridget shrugged. "'Cause your dad's a cop." "Right," Matt said, shifting his body so he wasn't blocking the light. "Why wouldn't he teach me Breaking and Entering 101?" Bridget stifled a yawn. "Might be helpful now." "Patience, grasshopper." Matt inserted a second metal prong into the lock. "I know a few tricks." Bridget heard a soft click, and Matt raised his eyebrows in an unspoken "I told you so" before twisting the handle. The door swung open. "Slick, MacGyver," Bridget whispered, patting him on the head. "Remind me to give you a cookie.
Gretchen McNeil (Possess)
But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing "catches," and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I 'want'.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.
Sarah Dessen (Keeping the Moon)
I wished I was old. I was tired of being so young, so stupidly knowing, so stupidly forgetful. I was tired of having to be anything at all. I felt like the Internet, full of every kind of information but none of it mattering more than any of it, and all of its little links like thin white roots on a broken plant dug out of the soil, lying drying on its side. And whenever I tried to access myself, whenever I'd try to click on me, try to go any deeper than a single fast-loading page on Facebook or MySpace, it was as if I knew that one morning I'd wake up and try to log on to find that not even that version of I existed any more, because the servers all over the world were all down. And that's how rootless. And that's how fragile.
Ali Smith (Girl Meets Boy)
You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.” “Bob, you’re going to give me an ulcer.” “This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—” “Should I be writing this down?
Nora Roberts (Vision in White (Bride Quartet, #1))
I heard the click of a shutter followed by Max's deep voice. "The way you seem nervous makes me think you don't know that I'm in love with you.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
The best minds of my generation are thinking about how to make people click ads,” Jeff Hammerbacher, an early Facebook engineer, told me. “That sucks.
Ashlee Vance (Elon Musk: Inventing the Future)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
Convince me, he says. He drops the napkin and retrieves his book. I don't watch him as he heads for the door, so I flinch when he whispers in my ear. By the way, I know about the kiss. Then the door clicks shut behind him.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
When digital watches were invented years later they reminded me of five-minute checks. They murdered time in the same way -slowly- chopping off pieces of it and lobbing them into the dustbin with a little click to let you know time was gone. Click, swish, "Checks," swish, click: another five minutes of life down the drain. And spent in this place.
Susanna Kaysen (Girl, Interrupted)
I regret not telling her how much she meant to me, how much I'd miss her, how devastated I'd be to see her go. If I could have one more second more with her, I would spend it whispering how much I love her into her ear and hugging her, just hugging her, and not letting go until she finally slipped away into nothing.
L.M. Augustine (Click to Subscribe)
Then, one day, it clicks. The pain you had turns into peace as you accept that everything had to happen exactly as it did for you to be exactly who you are now. You hold no blame, bitterness, or resentment toward the experience, person, or yourself. Instead, you see it as the catalyst that led to your change and development. The very storm that shook so much in you also worked to clear your path.
Morgan Richard Olivier (The Tears That Taught Me)
I slid down in the seat and began to weep. I wept for her, for me, but mostly because the siren call of my first big story with a yellow border around it was more powerful than the call of fatherhood.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
My father says--used to say-- that there is power in self-sacrifice. I turn the gun in my hands and press it into Tobias's palm. He pushes the barrel into my forehead. My tears have stopped and the air feels cold as it touches my cheeks. I reach out and rest my hand on his chest so I can feel his heartbeat. At least his heartbeat is still him. THe bullet clicks into the chamber. Maybe it will be easy to let him shoot me as it was in the fear landscape, as it is in my dreams. Maybe it will be a bang, and the lights will lift, and I will find myself in another world. I stand still and wait. Can I be forgiven for all I've done to get here? I don't know. I don't know. Please. THE SHOT DOESN'T come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palm, and my own heart lifts. He is divergent. He can fight this stimulation. Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor. He grabs my shoulders--- too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in a crueler way. "Tris," he says, and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him...
Veronica Roth (Divergent (Divergent, #1))
Because I feel it. I feel the clicks and the turns and the creaking of a million keys unlocking a million doors in my mind. It's like I'm finally allowing myself to see what I really think, how I really feel, like I'm discovering my own secrets for the first time.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
You should really, like, dump her and date me instead,' May heard herself saying, all confidence. 'I'm not as irritating. I mean, I'm irritating, but I'm not as bad as she is. And you know me better. Wouldn't that be funny? I mean, we've already hooked up, so we're good.' We broke up,' Pete said quickly. His voice was so bright that May could hear the smile coming through. For a moment she was confused. Who, you and me?' No. Nell and i.' Oh . . .' The meter in her brain clicked once or twice, signaling May that she'd probably said enough. I have to go,' she said suddenly. 'Okay? I think that's great. Cool. Okay. Gotta go now. Hey, Pete, I love you!
Maureen Johnson (The Key to the Golden Firebird)
that was when it happened. A click of her jaw, like a pit bull’s or cobra’s unlocking
Megan Abbott (Give Me Your Hand)
Take me back to the night we met... Click.
Dylan Page (Torment: Part Two (The Bleeding Hearts, #2))
You and I are not held to the same standards, Andrew. People will forgive a slip, a weakness, a minor personal folly — when it comes from a man. They may click their tongues at you, even gossip about your behavior…but at worst, it will only reflect on you. “If I misstep, it goes far beyond me. Errors on my part are proof that women are unsuited to professional work.
Marie Brennan (In the Labyrinth of Drakes (The Memoirs of Lady Trent, #4))
It’s like the P-38 is an old skeleton key I’m trying to fit into an old padlock and when I make that connection I’ll hear a click and a door will open and I’ll walk through and be saved.
Matthew Quick (Forgive Me, Leonard Peacock)
Now that we’ve settled that,” Rhys drawled from behind me, “can we please eat? I’m famished.” Amren opened her mouth with a wry smile, but he added, “Do not say what you were going to say, Amren.” Rhys gave Cassian a sharp look. Both of them were still bruised—but healing fast. “Unless you want to have it out on the roof.” Amren clicked her tongue and instead jerked her chin at me. “I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.” “She saved his sorry ass is more like it,” Mor said, filling her glass of wine. “Poor little Rhys got himself in a bind.” I held out my own glass for Mor to fill. “He does need unusual amounts of coddling.” Azriel choked on his wine, and I met his gaze—warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You mean you want me to throw rocks at a bunch of monkeys in a tree in order to compete for food and prove that I, man, am the superior species? Chica,” he said, clicking his tongue, “I’ve been waiting for an opportunity like this my whole life.
Jessica Khoury (Kalahari (Corpus, #3))
Hickory clicked something to Dickory in their native tongue; Dickory clicked back. Hickory responded, and Dickory replied, it seemed a bit forcefully. And then, God help me, Hickory actually sighed.
John Scalzi (Zoe's Tale (Old Man's War, #4))
My memory is coming back. It is curious how it comes. Each day, a rush of pieces, loosely connected, unimportant bits, snake through me. They click, click, click into my brain, like links being snapped together. And then they are done. A small chain of memories that fill in one tiny part of my life. They come out of nowhere, and most are not important.
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
I looked him over for a second and suddenly it clicked. "Still want me to be mean to you?" His eyes widened. "Yeah?" "Well, come on then." A minute later I had an oversized T-shirt that worked as a dress, a belt to shove my weapons into and a too-large leather jacket to toss over it all. I slammed out into the hall, leaving the guy tied to the desk chair by his underwear. Judging by his expression, he'd just leaned a valuable lesson about screwing with strange women.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
The ragged edge of his voice knocks the wind out of me. I fight the impulse to rein in my shock, and then it all clicks, the bits of Charlie I’ve been collecting like puzzle pieces becoming a full picture. Not the Darcy trope. Not the self-important, dour academic I met for one very unpleasant lunch. A man who craves complete honesty, the realist who doesn’t always understand when he’s not seeing realism. Charlie, who wants to understand the world but has learned not to trust it.
Emily Henry (Book Lovers)
In the old days – or so I’ve heard – you could go round someone’s place and rifle through their record collection, take a look at their bookcases. Now you have to scroll through their iTunes or click on their Kindle.
Mark Edwards (Because She Loves Me)
How are you awake? I demand. He lifts his head,and I click the bullet into its chamber, raising an eyebrow at him. "The Dauntless leaders...they evaluated my records and removed me from the simulation," he says. "Because they figured out that you already have murderous tendencies and wouldn't mind killing a few hundred people while conscious," I say. "Makes sense." "I'm not...murderous!" "I never knew a Candor who was such a liar." I tap the gun against his skull. "Where are the computers that control the simulations,Peter?" "You won't shoot me." "People tend to overestimate my character," I say quietly. "They think that because I'm small,or a girl, or a Stiff, I can't possibly be cruel. But they're wrong.
Veronica Roth (Divergent (Divergent, #1))
I heard all three bolts click home. Even if I screamed, they’d never let me back inside. That’s the protocol when you’re in the field. No matter how loudly you yell, they never let you in. Not if they want to live, anyway.
Mira Grant (Feed (Newsflesh, #1))
Marked.” My face was on fire, my limbs shaking. “All of you. I will take all of you out with my own bare hands!” There was laughter building in Bram’s voice as he responded. “As cute as I’m sure that would be, your attempt…if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.” I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down. “There are some very bad men out to get you, Miss Dearly.” “You have got to be kidding me.” “By the way, you have quite the vocabulary, for a princess.” He still sounded amused. This statement was random enough to get my attention. “Princess?” I asked, confused. “You know, a princess. A New Victorian girl.” My lips parted to fire off another question before it clicked. “You’re a Punk.” “Born and bred.” “Fantastic.
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
She smiles up at me and I feel something shift in my chest. Hard to describe. Maybe like a lock clicking into place.
Beth O'Leary (The Flatshare)
We laughed and something inside me clicked into place. It was as if the mix of colors on the canvas was finally perfect for the picture I wanted so desperately to create.
Mia Sheridan (Finding Eden)
The gate clicks behind me. The tulips along the border are redder than ever, opening, no longer wine cups by chalices; thrusting themselves up, to what end? They are, after all, empty.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
We need to mask your scent.” If stranger words had come out of his mouth, she hadn’t heard them. But then it clicked. “The thing can smell me.” And it did get a good whiff at the house
Aimee Duffy (Once Upon A Twist)
I’m Xaden Riorson, the Duke of Tyrrendor.” Xaden inclines his head. “He’s probably expecting me.” Blue Sash blinks, then looks in my direction. “And you are?” Well, shit. My mouth opens— “My consort,” Xaden replies casually. “Violet Sorrengail.” What the actual fuck? My jaw snaps shut so hard my teeth click. I want our bond back and I want it back right now. He can’t just announce things like that without at least a discussion. “Are congratulations or commiserations in order?” Tairn lifts his head.
Rebecca Yarros (Onyx Storm (The Empyrean #3))
Our eyes met and I forgot the audience staring at me. His lips parted slightly, eyes widened fractionally. I wanted to run to him. Was it the surrounding darkness or the chill in the air, or maybe the presence of others? Something … Something clicked, and I understood that no one wanted me the way he wanted me. To have and to hold, for better or worse, in sickness and in health, until death. So I went to him. That is the story: I went to him.
M. Pierce (After Dark (Night Owl #3))
Mr Wisdom,' said the girl who had led him into the presence. 'Ah,' said Howard Saxby, and there was a pause of perhaps three minutes, during which his needles clicked busily. 'Wisdom, did she say?' 'Yes. I wrote "Cocktail Time"' 'You couldn't have done better,' said Mr Saxby cordially. 'How's your wife, Mr Wisdom?' Cosmo said he had no wife. 'Surely?' "I'm a bachelor.' Then Wordsworth was wrong. He said you were married to immortal verse. Excuse me a moment,' murmured Mr Saxby, applying himself to the sock again. 'I'm just turning the heel. Do you knit?' 'No.' 'Sleep does. It knits the ravelled sleave of care.' (After a period of engrossed knitting, Cosmo coughs loudly to draw attention to his presence.) 'Goodness, you made me jump!' he (Saxby) said. 'Who are you?' 'My name, as I have already told you, is Wisdom' 'How did you get in?' asked Mr Saxby with a show of interest. 'I was shown in.' 'And stayed in. I see, Tennyson was right. Knowledge comes, but Wisdom lingers. Take a chair.' 'I have.' 'Take another,' said Mr Saxby hospitably.
P.G. Wodehouse
I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that- I love life. But it is hard, and I have so much- so very much to learn.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Stun me. I mean it. Draw the gun and shoot. I want you to do it, Kendra. Show me what it feels like. I'm looking for more. Show me something I don't know. Stun me to my DNA. Come on, do it. Click the switch. Aim and fire. I want the volts the weapon holds. Do it. Shoot it. Now.
Don DeLillo (Cosmopolis)
Foot speed was a profoundly different way of moving through the world than my normal modes of travel. Miles weren’t things that blazed dully past. They were long, intimate straggles of weeds and clumps of dirt, blades of grass and flowers that bent in the wind, trees that lumbered and screeched. They were the sound of my breath and my feet hitting the trail one step at a time and the click of my ski pole. The PCT had taught me what a mile was. I was humble before each and every one.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I looked at my hands. I was holding onto the steering wheel so tightly, all my knuckles where shiny points of white, and my blinker was on, CLICK-click CLICK-click CLICK-click, so certain, so plain, so clear, and yet for all its mechanical conviction, blinking me in the wrong direction.
Mark Z. Danielewski (House of Leaves)
Angel clicked on a few more pictures on the screen, and Alex made small talk about the place. Then he finally walked away. He stopped just before walking out. “Did Valerie say anything else to Sarah?” Angel glanced back at him. “About what?” “You know about that guy she’s seeing.” Angel turned his attention back to the computer. “No, not really.” Alex frowned. He wasn’t one of those guys, so he wasn’t about to keep asking. If Angel knew anything, he’d tell him. He’d just have to wait until the rehearsal dinner. He started back out when Angel spoke up. “I’m not sure, because she didn’t actually tell me, but I overheard Sarah on the phone last night. It sounded like Valerie was telling her about him.” “Yeah, what did you hear?” Angel looked up trying to remember. Something seemed to come to him but he hesitated. “I don’t think you wanna hear it, Alex. I know I wouldn’t.” Alex squeezed the doorway with his hand. What the hell could he have heard? “Tell me.” Angel shook his head and looked back at the monitor. “Only reason I caught my attentions was because I overheard Sarah ask her something about wearing lingerie.” Alex felt the hair on the back of his neck rise and his gut tightened. He banged his fist against the doorway. He didn’t need to hear any more. Angel had been right that’s the last thing he needed right now. He charged back out of the office, infuriated with himself. Why the fuck had he asked?
Elizabeth Reyes (Always Been Mine (The Moreno Brothers, #2))
And again. I kept clicking until the photograph was demolished, until it was no more than a mosaic of gray tiles, adding up to nothing. Nothing. Because wasn’t that how I felt that day? If you zoom close—if you really get close to someone, if you really get close to yourself—then you lose the other person, you lose yourself entirely. You get so close you can’t see anything anymore. Your mind becomes all these abstract fragments. English becomes math.
David Levithan (Every You, Every Me)
weren’t things that blazed dully past. They were long, intimate straggles of weeds and clumps of dirt, blades of grass and flowers that bent in the wind, trees that lumbered and screeched. They were the sound of my breath and my feet hitting the trail one step at a time and the click of my ski pole. The PCT had taught me what a mile was. I was humble before each and every one.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Snape raised his eyebrows and his tone was sardonic as he asked, “Are you intending to let him kill you?” “Certainly not. You must kill me.” There was a long silence, broken only by an odd clicking noise. Fawkes the phoenix was gnawing a bit of cuttlebone. “Would you like me to do it now?” asked Snape, his voice heavy with irony. “Or would you like a few moments to compose an epitaph?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.
Janet Fitch (White Oleander)
You are a clever little monster,' said the Doctor, tossing off another cognac and placing the glass upon the table with a click. 'A diabolically clever little monster.' 'That is what I hoped you would realize, Doctor,' said Steerpike. 'But haven't all ambitious people soemthing of the monstrous about them? You, sir, for instance, if you will forgive me, are a little bit monstrous.' 'But, my poor youth, said Prunesquallor, beginning to pace the room, 'there is not the minutest molecule of ambition in my anatomy, monstrous though it may appear to you, ha, ha, ha!
Mervyn Peake (Titus Groan (Gormenghast, #1))
Never in my life had I been so happy. Nothing could go wrong, everything was happening my way, all the doors were clicking open one by one, and life couldn't have been more radiant: it was shining right at me, and when I turned my bike left or right, or tried to move away from its light, it followed me as limelight follows an actor onstage. I craved him but I could just as easily live without him, and either way was fine.
André Aciman (Call Me by Your Name)
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?” I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.” “I swore an oath to Tamlin—” “I had no other choice! You think I’m going to trust you after everything you said to me at the manor?” “I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?” I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard. “Don’t you understand what Rhys is?” “I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.” Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
When digital watches were invented years later they reminded me of five-minute checks. They murdered time in the same way—slowly—chopping off pieces of it and lobbing them into the dustbin with a little click to let you know time was gone. Click, swish, “Checks,” swish, click: another five minutes of life down the drain. And spent in this place.
Susanna Kaysen (Girl, Interrupted)
The moment I saw you, something inside me—something I thought died a long time ago—clicked. I didn’t realize it then, but I do now. You’re it for me. The first, the last, the only person I want to touch or taste. The only one I want to kill for. The one I’d die for.
Celia Aaron (Dark Protector)
Outside, I clicked the padlock back in place, sealing the butterflies within. It seemed remarkable that they'd survived in there for so long in such fruitless and insubstantial conditions. But as I walked back up the drive to the front of the house, I thought about Jake and me, and I realized that was just what happens. The butterflies didn't have a choice, after all. That's what things do. Even in the toughest of circumstances, they keep living.
Alex North (The Whisper Man)
I used to think that if only I could make everything perfect, then I could relax and have fun. If I could just eliminate all mistakes, my life would settle into place - click! - and my mind would rest. If I'm being truthful, I have to acknowledge that on some unchangeable, deep-down level, there's still a part of me that thinks that. I'm still a first grader at a spelling bee, thinking that what matters more than anything is that I get every word right. But by now, I've built up a crowd of selves who can set that little girl at ease. It's okay, they tell her. Mistakes will happen - they have happened - and it's not the end of the world. They get her to loosen up a little bit. They help her see that doing things wrong is part of doing life right. They show her that joy is bigger than fear. It can even be funny when things go haywire.
Mary Laura Philpott (I Miss You When I Blink: Essays)
I’M NOT INTERESTED in heaven unless my anger gets to go there too. I’m not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we don’t want the earth, if that’s where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.
Patricia Lockwood (Priestdaddy: A Memoir)
I know this doesn't exactly make me unique, but I love the internet. I love it. I think the way I feel about the internet is the way some people feel about the ocean. It's so huge and unknowable, but also totally predictable. You type a line of symbols and click enter, and everything you want to happen, happens. Not like real life, where all the wanting in the world can't make something exist
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
I live in a country built on celebritizing its citizens’ grief and amplifying stories of violence and assault for political gain, click counts, or television ratings. Let me be emphatically clear: They. Don’t. Care. About. Us. People who live through sexual assault are a crash on the side of the road, and the American media is nothing more than cars slowing down just long enough to take a peek.
Amber Tamblyn (Any Man)
You led me into archives and private collections, libraries and museums, ancient ruins and family vaults. I excelled at the chase—I had a better-than-average memory and an eye for detail, and a mind that clicked obediently along like a series of bright brass gears. But it was like hunting in a hall of mirrors; I caught glimpses of bright armor or pale hair, but when I reached out, I touched nothing but glass.
Alix E. Harrow (The Everlasting)
The long evening had made its way into the barrack through the windows, creating mysteries everywhere, erasing the seam between one thing and another, lengthening out the floors and either thinning the air or putting some refinement on my ear enabling me to hear for the first time the clicking of a cheap clock from the kitchen.
Flann O'Brien (The Third Policeman)
Okay, Croaker. What the hell happened?” “I don't know. The falling sickness?” “Give him some of his own soup,” somebody suggested. “Serve him right.” A tin cup appeared. We forced its contents down his throat. His eye clicked open. “What are you trying to do? Poison me? Feh! What was that? Boiled sewage?” “Your soup,” I told him.
Glen Cook (The Black Company (The Chronicles of the Black Company, #1))
It seemed like I had completed a task, overcome an obstacle. I thought about my mother, and the words she said to me almost a lifetime ago. That’s when it clicked: she had asked me not to settle, to fight for the person I loved, and for the first time, I did what she expected of me. I had finally lived up to who she wanted me to be.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Amber was designed for life. She was designed for color and movement. She was not a girl born for the click of the camera’s lens. No device could capture her, the way she was, the way she was meant to be. She was not born to be still or stationary. Without her color she was broken, a faulty image that could never be fixed. Without her voice she was nothing. Amber was gone. At that moment it was all clear to me. Everything to come was just a formality.
Matthew Crow (In Bloom)
Quin reached out, spun her back to him, and pulled her into his arms, held her tight, so tight that she could hardly breathe. "I need you," he said, low and fierce, into her hair. "Oh, God, Olivia, how did I ever live without you?" She reached up, pulled his face down to hers. "I'm yours, for good or ill." There was a little click as the door to the ballroom closed, but Olivia paid no mind. "You're the missing piece of me," Quin said. "You make me feel.
Eloisa James (The Duke Is Mine (Fairy Tales, #3))
I met Cat for the first time when I was six. Back then she was still infested with a life-threatening case of cooties and I was familiar enough with the virus to know to keep a safe distance away from her, but even so, I remember finding myself thinking that she was kind of cool, even if being with her could put me at risk for the disease as well.
L.M. Augustine (Click to Subscribe)
How are you holding up?" "I'm good.And still untouched," she added. "Are you alone in that bed?" "Except for the six members of the all-girl Swedish volleyball team.Helga's got a hell of a spike.Aren't you going to ask what I'm wearing?" "Black Speedos,sweat,and a big smile." "How'd you guess?So,what are you wearing?" Slowly,she ran a tongue around her teeth. "Oh,just this little..very little..white lace teddy." "And stiletto heels." "Naturally.With a pair of sheer hose.They have little pink roses around the tops. It matches the one I'm tucking between my breasts right now. I should add I've just gotten out of the tub.I'm still a little..wet." "Jesus.You're too good at this.I'm hanging up." Her response was a long, throaty laugh."I'm going to love driving the Jag.let me know when to expect the shipment." When the phone clicked in her ear,she laughed again,turned, and found herself nearly face to face wth Kate. "how long have you been standing there?" "Long enough to be confused.Were you just having [hone sex with Josh? Our Josh?" Carelessly,Margo brushed her hair behind her ear. "It was more foreplay really.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Life lessons.... You have faced me head on and still I was reluctant to learn, I looked sideways anyway but in your eyes. I refused to see , ignored the lessons .. all too much. Guess what? Now I have no choice but to open my eyes. My very survival depends on it. I have to learn to depend on me. Finally it has clicked . I am my own knight in shining armour. ' Standing up for me!
Virginia Toole
Tell me now or I’ll blow your brains out,” I say in a low, threatening tone and press the head of my handgun to the bottom of his throat. He doesn’t even blink. “No,” he says calmly and presses his forehead to mine, stealing a kiss and staring into my eyes, pleading silently for me to stop. “If you’re going to kill me, then do it. It’s not as easy as you’d think⁠—” Click. His eyes widen and I whisper softly against his lips, “Boom.” He smacks the empty gun out of my hand and glares at me. Horror spreads over his features. “Did you know it was empty? Fuck, Bunny, you make me so goddamn crazy.” He grips my jaw hard, hand trembling.
K.M. Moronova (Leave Me Behind)
Then you told me how you had tricked the boggart into thinking you a long-lost relative of his last master---a feat which had required extensive research into local lore---then bribed him with exotic seashells, for you remembered some obscure story about a boggart whose secret fantasy was to travel the world, boggarts being bound to their crumbling ruins, while I half listened in astonishment. I say half, because I was mostly just watching you, observing the way your mind clicks and whirrs like some fantastical clock. Truly, I have never met anyone with a better understanding of our nature, and that anyone includes the Folk. I suppose that's partly why--- Ah, but you really would kill me if I desecrated your scientific vessel with the end of that sentence.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Yeah. Yeah, sure.” I was having trouble breathing, too, but it wasn’t because of the house. The way Alex spoke so approvingly of me…that had made something click. I realized who she reminded me of—her restless energy, her petite size and choppy haircut, her flannel shirt and jeans and boots, her disregard for what other people thought of her, even her laugh—on those rare occasions she laughed. She reminded me weirdly of my mom. I decided not to dwell on that. Pretty soon I’d be psychoanalyzing myself more than Otis the goat.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
I took it upon myself to add your presents to the communal trove.' I lifted my brows. 'Everyone gave you their gifts?' 'He's the only one who can be trusted not to snoop,' Mor explained. I looked toward Azriel. 'Even him,' Amren said. Azriel gave me a guilty cringe. 'Spymaster, remember?' 'We started doing it two centuries ago,' Mor went on. 'After Rhys caught Amren literally shaking a box to figure out what was inside.' Amren clicked her tongue as I laughed. 'What they didn't see was Cassian down here ten minutes earlier, sniffing each box.' Cassian threw her a lazy smile. 'I wasn't the one who got caught.' I turned to Rhys. 'And somehow you're the most trustworthy one?' Rhys looked outright offended. 'I am a High Lord, Feyre darling. Unwavering honour is built into my bones.' Mor and I snorted.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
turn to my left and see a young couple walking along the sidewalk.  Seattle’s Alki Beach is pretty much deserted, aside from a few die-hards, or early morning insomniacs, like me.  The young couple are walking away from me, hand in hand, smiling at each other, and I point my lens at them and click.  I zoom in on their sneaker-clad feet and locked hands and shoot some more, my photographer’s eye appreciating their intimate moment on the beach. I inhale the salty air and stare out at the sound once again as a red-sailed boat gently glides out on the water. The early morning sunshine is
Kristen Proby (Come Away with Me (With Me in Seattle, #1))
Monroe is about sixty miles outside of New York City. It’s home to approximately eight thousand people. It’s a small community where most everyone knows one another. There’s nothing but strip malls and second-tier grocery chains you never see elsewhere. If you click on the “Attractions” tab on TripAdvisor’s Monroe page, it brings up a message that says, “I’m sorry, you must have clicked here by mistake. No one could possibly be planning a trip to Monroe to see its ‘Attractions.’ I have a feeling about why you’d want to go to Monroe. Here, let me redirect you to a suicide-prevention site.
Aziz Ansari (Modern Romance: An Investigation)
Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water
Mike McGee
If this policeman began to suspect me, he could call the immigration people. Then one of them would click a button on their computer and mark a check box on my file and I would be deported. I would be dead, but no one would have fired any bullets. I realized, this is why the police do not carry guns. In a civilized country, they kill you with a click. The killing is done far away, at the heart of the kingdom in a building full of computers and coffee cups.
Chris Cleave (Little Bee)
--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937
Daniil Kharms
Oh, this was getting better and better. Beau was making a valiant effort to remain stoic, but his face betrayed the long-suffering look of someone who had to listen to something patently idiotic. "What happened next?" an older female voice asked. "We got up to leave, and the girl wanted to come with us, and the first black guy, he, like, got up and he was all, 'You're not leaving!' and we were all like, 'Yes we are,' and then I threw some chicken at them so they'd know we meant business, and the white kid who was with them, he picked up Chad and threw him through the window." Drunk knights in shining armor, protecting the hapless female from the clutches of scary black guys. Give me a break. "Then what happened?" the older female asked. "Then they left and went up the street. And Chad was like, 'We can't let them get away with this shit,' so we followed them. And I said, 'Hey! What do you think you're doing with that throwing people through windows and shit.' And the white guy said, 'You must like going through windows.' And I told him 'Fuck you' in a polite voice and he threw me through the window." Beau clicked the recorder off. "It's good that he used his polite voice," I said. "Otherwise no telling what would've happened.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man—the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognize each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine. And then you run into Nick Dunne on Seventh Avenue as you’re buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering. (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it’s so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.
Gillian Flynn (Gone Girl)
I think we should kill her…What? She’s ruined my entire day. Made me fight with my wife and now you tell me she’s a spy sent to put us all under the jail. What part of ‘kill your enemies before they kill you’ did you sleep through? Your dad was an assassin, same as my mom. Don’t puss on me now, boy. You know what they’d do if they were here. Hell, your own mother would tear her up, spit her out in pieces, and not blink. (Sway) He’s right. None of you have any reason to help me. Why should you care? (She clicked the vid wall and a picture of a teenage girl was there.) That’s my baby sister, Tempest Elanari Gerran. Her birthday was day before yesterday. She turned sixteen in jail with my mother. I may be out of line, but I’ll bet when you guys turned sixteen, you had a celebration for it with presents and friends wishing you well. You won’t just be killing me. You’ll be killing them, too. Tempest is a prime sexual age and a virgin. Any idea what’s the first thing her new owner will do to her when she’s sold? I don’t want her to ever know the horror that was my sixteenth birthday. (Alix)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
I turned before my vision blurred, but he was immediately there to help me into the opulent carriage. He watched me take my seat through the open door, his face a mask of calm. “Ready?” No, no, I wasn’t ready, not after last night, not after all these months. But I nodded. If Rhysand came back, if this Amarantha person was indeed such a threat that I would only be another body for Tamlin to defend … I needed to go. He shut the door, sealing me inside with a click that sounded through me. He leaned through the open window to caress my cheek—and I could have sworn that I felt my heart crack. The footman snapped the whip. Tamlin
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of the captains had brought the beast to him, from an island beyond the sunrise. 'Have you ever seen her like?' he asked of me. And to him I said, 'Each night in the alleys of Braavos I see a thousand like him,' and the Sealord laughed, and that day I was named the first sword." Arya screwed up her face. "I don't understand." Syrio clicked his teeth together. "The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said 'her', and that is what the others saw. Are you hearing?" Arya thought about it. "You saw what was there." "Just so. Opening your eyes is all that is needing. the heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth." "Just so," said Arya, grinning.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
She was gone then in a flurry of bonnet ribbons and clicking slippers. I turned, paying no attention to where I went, wishing the city would swallow me, conscious now of the hunger rising to overtake reason. I was almost loath to put an end to it. I needed to let the lust, the excitement blot out all consciousness, and I thought of the kill over and over and over, walking slowly up this street and down the next, moving inexorably towards it, saying, It's a string which is pulling me through the labyrinth.
Anne Rice
If you want to work your stinking job and pay into a pension plan for the rest of your days then fine; if you want to visit the supermarket once a week and feel great about yourself for finding the best offers on low fat microwave meals then fine; if you want to click around them computers all night, chatting to your Aunt Sally in Honolulu then fine; if you want to drink in moderation so you don’t end up shitting the bed then fine; if you want to continue the cycle of obedient drones then fine; if you want to resent how average your life has turned out in return for a salary that buys you nothing more than permanent misery then fine. All fine and dandy. Go right ahead. Just leave me the fuck out of it.
Rupert Dreyfus (Prezident Scumbag! A Sick Bastard Novella)
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize? let me get under your skin. i want to know what your fears taste like. i want to consume.
Taylor Rhodes (calloused: a field journal)
Next question.” He swipes the screen of his phone, but he’s not looking at it; he’s staring at me. Trying to intimidate me. Trying to see who’ll blink first. “Did you leave DC because (A) you couldn’t find any hotties to make out with? Or (B) your East Coast boyfriend is an ankle buster and you’d heard about legendary West Coast D, so you had to find out for yourself if the rumors were true?” he says with a smirk. “Idiot,” Grace mumbles, shaking her head. I may not understand some of his phrasing, but I get the gist. I feel myself blushing. But I manage to recover quickly and get a jab in. “Why are you so interested in my love life?” “I’m not. Why are you evading the question? You do that a lot, by the way.” “Do what?” “Evade questions.” “What business is that of yours?” I say, secretly irritated that he’s figured me out... Porter scoffs. “Seeing how this is your first day on the job, and may very well be your last, considering the turnover rate for this position? And seeing how I have seniority over you? I’d say, yeah, it’s pretty much my business.” “Are you threatening me?” I ask. He clicks off his phone and raises a brow. “Huh?” “That sounded like a threat,” I say. “Whoa, you need to chill. That was not . . .” He can’t even say it. He’s flustered now, tucking his hair behind his ear. “Grace . . .” Grace holds up a hand. “Leave me out of this mess. I have no idea what I’m even witnessing here. Both of you have lost the plot.
Jenn Bennett (Alex, Approximately)
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation. Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams. Like the spaces between our fingers, in the spaces between I, love, and you, we wait. The in-betweens have always been my favorite.
Marlen Komar (Ugly People Beautiful Hearts)
Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.
Tahereh Mafi (Restore Me (Shatter Me, #4))
Let me sleep," he said, and shut the door; it clicked in her face and she felt animal terror - this was what she feared most in life: the clicking shut of a man's door in her face. Instantly, she raised her hand to knock, discovered the rock... she banged on the door with the rock, but not loudly, just enough to let him know how desperate she was to get back in, but not enough to bother him if he didn't want to answer. He didn't. No sound, no movement of the door. Nothing but the void. "Tony?" she gasped, pressing her ear to the door. Silence. "Okay," she said numbly; clutching her rock she walked unsteadily across the porch toward her own living quarters. The rock vanished. Her hand felt nothing. "Damn," she said, not knowing how to react. Where had it gone? Into air. But then it must have been an illusion, she realized. He put me in a hypnotic state and made me believe. I should have known it wasn't really true. A million stars burst into wheels of light, blistering, cold light, that drenched her. It came from behind and she felt the great weight of it crash into her. "Tony," she said, and fell into the waiting void. She thought nothing; she felt nothing. She saw only, saw the void as it absorbed her, waiting below and beneath her as she plummeted down the many miles. On her hands and knees she died. Alone on the porch. Still clutching for what did not exist.
Philip K. Dick (A Maze of Death)
She threw her hands in the air. “You know, I actually felt guilty. Just a little guilty. And now I remember why I shouldn’t have. I hate sitting around, locked in my room, bored out of my senses. I hate all these guards and nonsense; I hate you telling me to hold back when Brullo sings Cain’s praises and I’m just there, boring and unnoticed in the middle. I hate being told what I can’t do. And I hate you most of all!” He tapped his foot on the ground. “Are you finished?” There was no kindness in Chaol’s face, and she clicked her tongue as she left, her fists aching to bash his teeth down his throat.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
Kelley Armstrong (The Rising (Darkness Rising, #3))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.
John Green (Turtles All the Way Down)
When we were fighting the other night, everything just suddenly clicked. When you asked me if you make me happy. That's all that matters right? I've never been happier. You're it for me, Keira." He put his other hand on my cheek. "And I thought that I'd be scared of making the next step with you too. But I'm not. The only thing I'm scared of is losing you. And when we make this official, that's it. You're the one. And I want to make that step. I'm in love with you. I'm so in love with you, Keira." Oh my God. I put my hand over my mouth. "I don't want another roommate ever again. I want to fall asleep every night with you by my side. And I only want to wake up next to you." "Rory..." "And I know I'd be happiest with you by my side for the rest of my life. Keira, I want you to be my roommate forever." He got down on one knee and pulled a box out of his pocket. I wiped away the tears that had started to fall from my eyes.
Ivy Smoak (Playing a Player (Sweet Cravings, #1))
You are the king of all the fears that ruled my life, a man of ferocity and passion and balls to the wall determination and endless, boyish enthusiasm. You crack the soul of life open in your palms and drink your fill. A man like that needs a queen by his side,” I murmured, repeating my excuse for our breakup back to him in a way that had his eyes clicking to life like flashlights. “And I’m that queen. I will match your ferocity. I will exceed your passion and challenge your balls to the wall determination. I will see your boyish enthusiasm and raise you my newborn love for life. I will stand beside my biker King and be his rough-and-tumble Queen, even if it takes me the next ten years to convince you to take me back.
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
I’m surprised to see you here.” “You shouldn’t be,” Neal said. He lifted his chin and looked directly in her eyes. For the second time in five minutes. For the second time ever. “I’m here because I knew you’d be here. Because I hoped you would be.” Georgie felt like a snake was unwinding itself in the back of her neck and along her shoulders. She swayed a little, and her mouth clicked open. “Oh.” Neal looked away, and Georgie took in three gallons of air. He was shaking his head. “I’m... sorry,” he said. “I wanted to see you. But then I got angry. I didn’t know what to – you’ve been ignoring me.” “I haven’t been ignoring you,” she said. “You stopped coming back to talk to me.” “I thought I was bothering you.” “You weren’t bothering me,” he said, facing her again. “Why would you think that?” “Because you never come talk to me.” “I never had to come talk to you.” Neal looked bewildered. “You always came to me.” “I...” Georgie finished her drink so she could put down the cup. Neal took it from her. He set the cup and his bottle on a desk behind him. “I thought I was bothering you,” she said. “I thought you were just humoring me.” “I thought you got tired of me,” he said. She brought her hands up to her forehead. “Maybe we should stop thinking.
Rainbow Rowell (Landline)
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
Tana French (In the Woods (Dublin Murder Squad #1))
The click of the seat belt securing into the buckle is the only sound to break the awkward silence. I feel his warm breath on my neck as he reaches and I take a deep nervous inhale. His scent fills my nose, it is clean and warm, just like in the coffee shop. The smell of his skin is delicious. I try to stop these thoughts, but they are invading my brain in a way that has never happened to me before. Not even with...Rick. I try push him back out of my mind at this moment because I feel a sense of guilt. Rick and I are frozen. That’s the only way I can describe us. He is faithful, he is steady, he is nice, but he is not like this man in front of me: new, mysterious, and unpredictable. Rick and I are in a state of comfort, but like much of my life, I am becoming more and more discontent with comfort.
Nina G. Jones (Strapped (Strapped, #1))
She inhaled the steam rising from the coffee without touching it. “I’m very picky about my coffee.” “White chocolate peppermint latte, half skim, half soy, no whip, extra white chocolate sauce on the bottom and a drizzle on top.” Her gaze shot up, watching me over the rim of the cup with a hint of incredulity. “How’d you know?” I shrugged. “Maybe we like the same drinks.” Or maybe Wendy had told me the other day when she balanced three cups of coffee in the elevator. Liya clamped her mouth shut but covered the warm cup with her petite hands. Her glossy red nails clicked against the sturdy paper cup, drowning out the muted sounds of others in the hallway beyond the open door. “It’s okay,” I assured her. “I don’t think you did anything to the coffee.” “I mean it’s okay to smile because someone brought you your picky-ass latte.” She took a sip. “We’re not friends, you know?” “No one forgets being told they’re not friends,” I said teasingly, knowing full well she didn’t want to be friends but yet, here we were. A smile crept across her lips, even though she tried hard to stop it.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
In the skids, the tumbles, the spins, there was, truly, as Saint-Exupéry had said, only one thing you could let yourself think about: What do I do next? Sometimes at Edwards they used to play the tapes of pilots going into the final dive, the one that killed them, and the man would be tumbling, going end over end in a fifteen-ton length of pipe, with all aerodynamics long gone, and not one prayer left, and he knew it, and he would be screaming into the microphone, but not for Mother or for God or the nameless spirit of Ahor, but for one last hopeless crumb of information about the loop: “I’ve tried A! I’ve tried B! I’ve tried C! I’ve tried D! Tell me what else I can try!” And then that truly spooky click on the machine. What do I do next? (In this moment when the Halusian Gulp is opening?) And everybody around the table would look at one another and nod ever so slightly, and the unspoken message was: Too bad! There was a man with the right stuff. There was no national mourning in such cases, of course. Nobody outside of Edwards knew the man’s name. If he were well liked, he might get one of those dusty stretches of road named for him on the base. He was probably a junior officer doing all this for four or five thousand a year.
Tom Wolfe (The Right Stuff)
Mattilon’s law firm in the Paris directory. He wrote it out, brought it to an operator and said he would pay in cash. He was told to go to booth number seven and wait for the ring. He entered it quickly, the soft cloth brim of his hat falling over his forehead above the tortoiseshell glasses. Any enclosure, whether a toilet stall or a glass booth, was preferable to being out in the open. He felt his pulse accelerating; it seemed to explode when the bell rang. “Saint-Pierre, Nelli, et Mattilon,” said the female voice in Paris. “Monsieur Mattilon, please—s’il vous plaît.” “Votre …?” The woman stopped, undoubtedly recognizing an American’s abysmal attempt at French. “Who may I say is calling, please?” “His friend from New York. He’ll know. I’m a client.” René did know. After several clicks his strained voice came on the line. “Joel?” he whispered. “I don’t believe it!” “Don’t,” said Converse. “It’s not true—not what they say about Geneva or Bonn, not even what you said. I had nothing to do with those killings, and Paris was an accident. I had every reason to think—I did think—that man was reaching for a gun.” “Why didn’t you stay where you were, then, my friend?” “Because they wanted to stop me from going on. It’s what I honestly believed, and I couldn’t let them do that. Let me talk.… At the George Cinq you asked me questions and I gave you evasive answers and I think you saw through me. But you were kind and went along. You have nothing to be sorry about, take my word for it—my very sane word. Bertholdier came to me that evening in my room; we talked and he panicked. Six days ago I saw him again here in Bonn—only, this time it was different.
Robert Ludlum (The Aquitaine Progression)
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you. Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed: Go lick your wounds and leave me be. The paper vanished. It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned. I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. I wrote back, Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain. Lie. He'd licked away my tears when I'd been a moment away from shattering. He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking. Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now. I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking. I clenched my knees together and wrote back, Good night. A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest. I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture. I could have sworn laughter rumbled down the hall.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
I'm profoundly attracted to classical Zen literature, I have the gall to lecture on it and the literature of Mahayana Buddhism one night a week at college, but my life itself couldn't very conceivably be less Zenful than it is, and what little I've been able to apprehend - I pick that verb with care - of the Zen experience has been a by-result of following my own rather natural path of extreme Zenlessness. Largely because Seymour himself literally begged me to do so, and I never knew him to be wrong in these matters.) Happily for me, and probably for everybody, I don't believe it's really necessary to bring Zen into this. The method of marble-shooting that Seymour, by sheer intuition, was recommending to me can be related, I'd say, legitimately and un-Easternly, to the fine art of snapping a cigarette end into a small wastebasket from across a room. An art, I believe, of which most male smokers are true masters only when either they don't care a hoot whether or not the butt goes into the basket or the room has been cleared of eyewitnesses, including, quite so to speak, the cigarette snapper himself. I'm going to try hard not to chew on that illustration, delectable as I find it, but I do think it proper to append - to revert momentarily to curb marbles - that after Seymour himself shot a marble, he would be all smiles when he heard a responsive click of glass striking glass, but it never appeared to be clear to him whose winning click it was. And it's also a fact that someone almost invariably had to pick up the marble he'd won and hand it to him.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
Aryn Kyle (The God of Animals)
Rowan didn’t speak as she turned on her heel and strode to the door. Didn’t speak as she opened it, exited, and shut it behind her with a gentle click. Then he swiveled in his chair and leveled Sean with a dark glare. “What the hell just happened?” “That’s called a strikeout,” Sean said with a grin. “I’ve never seen you crash and burn like that, my friend.” “I know. Embarrassing is what it is. I mean, really.” Rowan tangled his fingers through his hair. “You got a better response than I did.” “Please, I got nothing, same as you.” Rowan offered him a sheepish smile. “I know. But I felt the heat pulsing off you the moment she stepped into the office. Then I saw the fantasies you were weaving about her and decided to throw you a bone. So you want her, huh?” Sean lost his grin but managed to shrug. “Doesn’t matter. Unless you picked up on her weaving fantasies about me?” A sigh. “Sorry. Her mind was a blank slate to me. I didn’t pick up on a single thought, emotion, or desire. It’s like she operates on a completely different frequency than the rest of the world.” She probably did, with all those wires and chips in her head. “Still,” Rowan continued, “we can call Bill and tell him you’re the one who should be—” “Nope.” The word burned his tongue, and he hated himself for saying it, but he didn’t take it back. Success was too important. “I don’t exactly inspire trust in the women I date. The opposite, in fact. Something about me makes people distrust every word and action.” His affiliation with the shadows, with darkness, most likely. They must have sensed it on some level. “You’re better at romancing and I’m better at killing.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
But now be so kind as to tell me: what does a baby smell like when he smells the way you think he ought to smell? Well?’ ‘He smells good,’ said the wet nurse. ‘What do you mean, “good”?’ Terrier bellowed at her. ‘Lots of things smell good. A bouquet of lavender smells good. Stewed meat smells good. The gardens of Arabia smell good. But what does a baby smell like, is what I want to know?’ The wet nurse hesitated. She knew very well how babies smell, she knew precisely – after all she had fed, tended, cradled and kissed dozens of them … She could find them at night with her nose. Why, right at that moment she bore that baby smell clearly in her nose. But never until now had she described it in words. ‘Well?’ barked Terrier, clicking his fingernails impatiently. ‘Well it’s – ’ the wet nurse began, ‘it’s not all that easy to say, because … because they don’t smell the same all over, although they smell good all over, Father, you know what I mean? Their feet for instance, they smell like a smooth warm stone – or no, more like curds … or like butter, like fresh butter, that’s it exactly. They smell like fresh butter. And their bodies smell like … like a pancake that’s been soaked in milk. And their heads, up on top, at the back of the head, where the hair makes a cowlick, there, see where I mean, Father, there where you’ve got nothing left …’ And she tapped the bald spot on the head of the monk who, struck speechless for a moment by this flood of detailed inanity, had obediently bent his head down. ‘There, right there, is where they smell best of all. It smells like caramel, it smells so sweet, so wonderful, Father, you have no idea! Once you’ve smelled them there, you love them whether they’re your own or somebody else’s. And that’s how little children have to smell – and no other way. And if they don’t smell like that, it they don’t have any smell at all up there, even less than cold air does, like that little bastard there, then … you can explain it however you like, Father, but I’ – and she crossed her arms resolutely beneath her bosom and cast a look of disgust towards the basket at her feet as if it contained toads – ‘I, Jeanne Bussie, will not take that thing back!
Patrick Süskind (Perfume: The Story of a Murderer)
I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike. But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs. And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water. If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
Donna Tartt (The Secret History)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Through the fall, the president’s anger seemed difficult to contain. He threatened North Korea with “fire and fury,” then followed up with a threat to “totally destroy” the country. When neo-Nazis and white supremacists held a rally in Charlottesville, Virginia, and one of them killed a protester and injured a score of others, he made a brutally offensive statement condemning violence “on many sides … on many sides”—as if there was moral equivalence between those who were fomenting racial hatred and violence and those who were opposing it. He retweeted anti-Muslim propaganda that had been posted by a convicted criminal leader of a British far-right organization. Then as now, the president’s heedless bullying and intolerance of variance—intolerance of any perception not his own—has been nurturing a strain of insanity in public dialogue that has been long in development, a pathology that became only more virulent when it migrated to the internet. A person such as the president can on impulse and with minimal effort inject any sort of falsehood into public conversation through digital media and call his own lie a correction of “fake news.” There are so many news outlets now, and the competition for clicks is so intense, that any sufficiently outrageous statement made online by anyone with even the faintest patina of authority, and sometimes even without it, will be talked about, shared, and reported on, regardless of whether it has a basis in fact. How do you progress as a culture if you set out to destroy any common agreement as to what constitutes a fact? You can’t have conversations. You can’t have debates. You can’t come to conclusions. At the same time, calling out the transgressor has a way of giving more oxygen to the lie. Now it’s a news story, and the lie is being mentioned not just in some website that publishes unattributable gossip but in every reputable newspaper in the country. I have not been looking to start a personal fight with the president. When somebody insults your wife, your instinctive reaction is to want to lash out in response. When you are the acting director, or deputy director, of the FBI, and the person doing the insulting is the chief executive of the United States, your options have guardrails. I read the president’s tweets, but I had an organization to run. A country to help protect. I had to remain independent, neutral, professional, positive, on target. I had to compartmentalize my emotions. Crises taught me how to compartmentalize. Example: the Boston Marathon bombing—watching the video evidence, reviewing videos again and again of people dying, people being mutilated and maimed. I had the primal human response that anyone would have. But I know how to build walls around that response and had to build them then in order to stay focused on finding the bombers. Compared to experiences like that one, getting tweeted about by Donald Trump does not count as a crisis. I do not even know how to think about the fact that the person with time on his hands to tweet about me and my wife is the president of the United States.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
J.B. West (Upstairs at the White House: My Life with the First Ladies)
Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))