Charmed Series Quotes

I won't be affected by your charm nor I will trap you into marriage. I've been there once, never again. - Kristine

He had married (as most young men did) because he had met a perfectly charming girl at the moment when a series of rather aimless sentimental adventures were ending in premature disgust; and she had represented peace, stability, comradeship, and the steadying sense of an unescapable duty.

Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.

The charm of fishing is that it is the pursuit of what is elusive but attainable, a perpetual series of occasions for hope.

Who is your favorite character in the series? Or...if that's too hard, why do you like each one and who drives you crazy? Puck: Well, she likes me best, of course. I'm the handsome, charming one. Ash: Yes, that's why she gave you your own book. Oh, wait. Puck: No one asked you, ice-boy.

There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code.

I myself fell in love with a wonderful women who was so charming and intelligent that I trusted that she would be my bride, but there was no way of knowing for sure, and all too soon circumstances changed and she ended up marrying someone else, all because of something she read in The Daily Punctilio.

When I hoped I feared, Since I hoped I dared; Everywhere alone As a church remain; Spectre cannot harm, Serpent cannot charm; He deposes doom, Who hath suffered him.

They were charming and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair.

Talkativeness and charm are both, as is well-known, characteristics somewhat feminine; and they often add up to guile. Certainly there was a strong streak of the female in Roosevelt, though this is not to disparage his essential masculinity. Confidence in his own charm led him into occasional perilous adventures—almost as a woman may be persuaded with a long series of glittering successes behind her, to think she is irresistible forever and can win anybody's scalp.

The secular mind and heart, however gifted and personally charming, has no place in the leadership of the church.

Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.

The sadism is part of your charm." - William Maddox

There is no urge to touch, to kiss, to embrace. But I do it just the same. It is our last charm. Love isn’t a thing, after all, but an endless series of single acts.

Susan Mebberley was a charming woman, but she was also an aunt.

Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.

The strategy worked like a charm, and in 1980 Jimmy Carter was swept away like offal by the “Reagan Revolution,” which ushered in eight years of berserk looting of the federal treasury and the economic crippling of the middle class. That was the eighties, folks. That was the feeding frenzy of the New Rich, who found themselves wallowing in excess profits as their maximum income tax rate got chopped down to 31 percent and who were welcomed like brothers in the White House at all hours of the day or night.

I verily believe that a man's way with women is in inverse ratio to his prowess among men. The weakling and the saphead have often great ability to charm the fair sex, while the fighting man who can face a thousand real dangers unafraid, sits hiding in the shadows like some frightened child.

Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.

An associate of mine named William Congreve once wrote a very sad play that begins with the line 'Music has charms to sooth a savage beast,' a sentence which here means that if you are nervous or upset, you might listen to some music to calm you down or cheer you up. For instance, as I crouch here behind the alter of the Cathedral of the Alleged Virgin, a friend of mine is playing a sonata on the pipe organ, to calm me down and so that the sounds of my typewriter will not be heard by the worshipers sitting in the pews. The mournful melody of the sonata reminds me of a tune my father used to sing when he did the dishes, and as I listen to it I can temporarily forget six or seven of my troubles.

He finds me charming and so long as I don't think about it, it's ok, but I worry, what if I forget to do it or can't be charming or try, one day, just a bit too hard so that it is altogether not charming but something else. I couldn't ask for anything more or for more generosity or, and this is perhaps the most important, exquisite tact.

I almost can’t believe I’m going to make myself vulnerable to him again. But what is love but the most

Family, she later told Morand, is nothing more than a series of “charming illusions … mirages that make you believe that the world is inhabited by other versions of yourself.

Every fairy tale has a happy ending, but I was no prince charming, however, sometimes the bad guys have the greatest romance to tell.

Lenore had to leave then, since a mouse had a question about Of Mice & Men. “Yes, of course. It’s in fantasy,” Lenore said, flying over to assist.

If you want to go, Sloane…I’ll make it happen. For you, I can switch characters. I will be Prince Charming for a night.

Oh, save me, Prince Charming, for I am pretty and cannot do a thing for myself. Bat lashes, wiggle bottom, ad nauseum.

She had a destiny, and it was wonderful, every girl’s dream. Like Sleeping Beauty, awoken from a deep sleep by a charming vampire, Lena would have her very own fairy tale.

she had attempted to poison me. Believe me when I say this woman gave me butterflies in my stomach. Though that might just be internal bleeding. Either way, she had charmed me.

Tallis had persevered through and unshakable feeling of not truly belonging... She understood the responsibility her family constraints put upon her, and while Lana knew Tallis's heart trembled and raged at the perceived indignity of it all, she had grown up into a charming, beautiful woman with shoulders that refused to bow to a world that demanded they should.

He walked up to her and they began dancing. She was dressed like Cinderella and he looked just like Prince Charming. As they danced, he whispered to her, "I believe in fairy tale endings.

Lumos (noun; lu-mos): 1. A spell to create light, also known as the Wand-Lighting Charm. (Origin: the Harry Potter series) 2. A nonprofit working to end the institutionalization of children. It

You can con God and get away with it, Granny said, if you do so with charm and wit. If you live your life with imagination and verve, God will play along just to see what outrageously entertaining thing you’ll do next. He’ll also cut you some slack if you’re astonishingly stupid in an amusing fashion. Granny claimed that this explains why uncountable millions of breathtakingly stupid people get along just fine in

I knew Reed was charming, but his one-liners are impressive. And he makes every conversation feel like an enemies-to-lovers movie where the characters are brimming with sexual tension and ready to rip each other’s clothes off.

Yet attentiveness to detail is an even more critical foundation of professionalism than is any grand vision. First, it is through practice in the small that professionals gain proficiency and trust for practice in the large. Second, the smallest bit of sloppy construction, of the door that does not close tightly or the slightly crooked tile on the floor, or even the messy desk, completely dispels the charm of the larger whole. That is what clean code is about.

There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code. But you might also snap your fingers and grin if you had been trying hard to remember something, and had suddenly succeeded.

What pretty oracles nature yields us on this text, in the face and behaviour of children, babes, and even brutes! That divided and rebel mind, that distrust of a sentiment because our arithmetic has computed the strength and means opposed to our purpose, these have not. Their mind being whole, their eye is as yet unconquered, and when we look in their faces, we are disconcerted. Infancy conforms to nobody: all conform to it, so that one babe commonly makes four or five out of the adults who prattle and play to it. So God has armed youth and puberty and manhood no less with its own piquancy and charm, and made it enviable and gracious and its claims not to be put by, if it will stand by itself. Do not think the youth has no force, because he cannot speak to you and me.

When I first met him (Michael) at the beginning of the year and found out that I would have to be his lab partner in bio and the year-long series of projects in AP English, I seriously considered taking night school classes and getting a GED just to avoid him.

People with an entertaining rigid structure are brought up in environments in which the parents are uncomfortable with expressing feelings. This is not to say that the parents do not care, but they do not express feelings like affection, warmth, and caring or feel comfortable with expressing such feelings (Keleman). The experience within the family is not one of intimacy and true interchange of feeling. To contend with the situation, the child may learn to draw out the parents by being cute, entertaining, or charming. Although being charming is something most children do naturally to some extent, the difference in the case of people with an entertaining rigid structure is that this becomes the primary mode of relating. Furthermore, the entertaining rigid structure pattern is reinforced as the parents respond primarily to the child's charm, rather than to their own feelings. Therefore, such children effectively learn that they will not get the reaction they crave without using that behavior. At the same time, these children are also developing or have developed a discomfort with intimacy that is similar to that of their parents. As a result, people with an entertaining rigid structure as adults act out this pattern in which they are energized or emotionally fed by being able to cause another person to be attracted to them, but they become anxious if the person becomes too close or expresses "real" feeling. Love is what they are really craving, and they think they are getting it, but are not. In other words, they have mistaken the energy of attraction for love.

Coverts do have a grandiose sense of self, are preoccupied with fantasies of power, require excessive admiration, but they hide these attributes so people will like and trust them. They know if they are obvious about their self-absorbed traits, people won’t like them. They believe they are “special” and entitled, but they know it would turn people off to let that be known. They know they must appear humble to be liked and revered. They know how to play people, how to charm them. They are master manipulators. They don’t have empathy but have learned how to act empathetically. They will look you in the eyes, making you feel special and heard, make sounds and give looks that tell you they care, but they really don’t. They mirror your emotions, so it seems like they have empathy. They have observed and learned how to appear to care. They thrive upon the attention of others. People who think or act as if they are amazing are their energy supply. They have people around them who adore them, respect them, revere them, see them as special and almost perfect, and in some cases seem to worship them.

I’ll wash. Looks like brute strength is required.” Matilda wasn’t about to argue. Might as well put those ridiculous muscles to good use. “I doubt I could write them into submission somehow.” “No,” Tanner agreed, heading to the sink and flicking on the taps, intent on filling the industrial size sink and agitating the water as he squirted in some detergent. “You could, however, write about how I heroically and uncomplainingly scrubbed pots for hours while being witty and charming all at the service of some of the city’s less fortunate.” “You want me to add in how woodland animals came in from the alley to befriend you?

Too damn long.’ He put his coat on an empty chair, settled a slim attaché case on top of it, and placed a narrow-brimmed gray hat on top of the attaché case. He seated himself across the table from me and dug his lucky charm out of his pocket. I watched him set it spinning. ‘Too goddamned long, Matt,’ he told the coin.

Dor. So you think, Lysidas, that all the wit and beauty are to be found in serious poems, and that comic pieces are trifles which deserve no praise? Ur. I certainly do not think so. Tragedy no doubt is very fine when it is well written; but comedy has also its charms, and I believe that one is no less difficult than the other.

We talk of literature as if it were a mere matter of rule and measurement, a series of processes long since brought to mechanical perfection: but it would be less incorrect to say that it all lies in the future; tried by the outdoor standard, there is as yet no literature, but only glimpses and guideboards; no writer has yet succeeded in sustaining, through more than some single occasional sentence, that fresh and perfect charm. If by the training of a lifetime one could succeed in producing one continuous page of perfect cadence, it would be a life well spent, and such a literary artist would fall short of Nature’s standard in quantity only, not in quality.

this early Swann in whom I can distinguish the charming mistakes of my childhood, and who, incidentally, is less like his successor than he is like the other people I knew at that time, as though one’s life were a series of galleries in which all the portraits of any one period had a marked family likeness, the same (so to speak) tonality

you may not want to visit Series Eight, a bleak and stony world, or Series Six, where the worlds are covered in ice. And don’t be fooled by Series Eleven, as it’s not a Series at all, but just one world. But you may like Series Five, with its islands and mermaids. And if you’re looking for a good cup of hot chocolate, Series Nine is the place for you.

An eminent philosopher among my friends, who can dignify even your ugly furniture by lifting it into the serene light of science, has shown me this pregnant little fact. Your pier-glass or extensive surface of polished steel made to be rubbed by a housemaid, will be minutely and multitudinously scratched in all directions; but place now against it a lighted candle as a centre of illumination, and lo! the scratches will seem to arrange themselves in a fine series of concentric circles round that little sun. It is demonstrable that the scratches are going everywhere impartially and it is only your candle which produces the flattering illusion of a concentric arrangement, its light falling with an exclusive optical selection. These things are a parable. The scratches are events, and the candle is the egoism of any person now absent— of Miss Vincy, for example. Rosamond had a Providence of her own who had kindly made her more charming than other girls, and who seemed to have arranged Fred's illness and Mr. Wrench's mistake in order to bring her and Lydgate within effective proximity. It

O where will you go when the blinding flash Scatters the seed of a million suns? And what will you do in the rain of ash? I'll draw the blinds and pull down the sash, And hide from the sight of so many noons. But how will it be when the blinding flash Disturbs your body's close-knit mesh Bringing to light your lovely bones? What will you wear in the rain of ash? I will go bare without my flesh, My vertebrae will click like stones. Ah. But where will you dance when the blinding flash Settles the city in a holy hush? I will dance alone among the ruins. Ah. And what will you say to the rain of ash? I will be charming. My subtle speech Will weave close turns and counter-turns- No. What will you say to the rain of ash? Nothing, after the blinding flash - Terminal Colloquy

Aspire to the knowledge which is in the family, and feel the sweet charms which the love of study instils into peoples hearts. Far from being a submissive slave to the laws of men, wed yourself to Philosophy, sister, which elevates us above the whole human race, and invests reason with sovereign sway, subjecting to her laws the animal part, of which the gross appetite places us on a level with brutes.

Charming ladies, as I doubt not you know, the understanding of mortals consisteth not only in having in memory things past and taking cognizance of things present; but in knowing, by means of the one and the other of these, to forecast things future is reputed by men of mark to consist the greatest wisdom. To-morrow, as you know, it will be fifteen days since we departed Florence, to take some diversion for the preservation of our health and of our lives, eschewing the woes and dolours and miseries which, since this pestilential season began, are continually to be seen about our city. This, to my judgment, we have well and honourably done; for that, an I have known to see aright, albeit merry stories and belike incentive to concupiscence have been told here and we have continually eaten and drunken well and danced and sung and made music, all things apt to incite weak minds to things less seemly, I have noted no act, no word, in fine nothing blameworthy, either on your part or on that of us men; nay, meseemeth I have seen and felt here a continual decency, an unbroken concord and a constant fraternal familiarity; the which, at once for your honour and service and for mine own, is, certes, most pleasing to me. Lest, however, for overlong usance aught should grow thereof that might issue in tediousness, and that none may avail to cavil at our overlong tarriance,

The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.

Bél. What is the meaning of this Eh? and what is there surprising in what I say? One is handsome enough, I imagine, to be able to say that it is not one heart only which is subject to our empire; and Dorante, Damis, Cléonte, and Lycidas may show that we have some charms. Ar. These gentlemen love you? Bél. Yes, with all their might. Ar. They have told you so? Bél. No one has taken that liberty; they have so well known to reverence me up to this day, that they never breathed a word of their love. But to offer me their hearts and to devote themselves to my services, dumb interpreters have sufficiently done their office. Ar. We hardly ever see Damis come into the house.

what is a psychopath? The short version.” “A person who is superficially charming and well-spoken; demonstrates inflated self-esteem, arrogance, and a sense of superiority; is consistently deceitful and prone to pathological lying; is cunning and manipulative, maneuvering others for his or her own personal gain; has no remorse and feels no guilt; is callous, inconsiderate, and unconcerned by the pain and suffering of others; shows shallow affect, demonstrating a limited range and depth of emotional responses and feelings; exhibits minimal fear responses and a disinclination to change behavior in response to pain or negative social stimuli; and gets bored easily, needing constant stimulation.

Crucially, some people with different, equally disquieting gifts could see these aspects of others. In the poetic fragment known as the Ljóðatal, the ‘List of Spells’, Odin boasts of his magical ability with a series of individual charms, and in one of them we see the true viciousness of his power: I know a tenth [spell]: if I see sorceresses playing up in the air, I can so contrive it that they go astray from the home of their shapes [heimhama] from the home of their minds [heimhuga]. The spell is directed against the independent spirits of witches, sent out from their bodies on their mistresses’ errands. Odin’s charm is terrible in its severance of their very souls, cut away to dissipate forever.

This is one of the great charms of Poirot’s investigations, for they reveal a world where manners and morals are quite different from today. There are no overt and unnecessary sex scenes, no alcoholic, haunted detectives in Poirot’s world. He lives in a simpler, some would say more human, era: a lost England, seen through the admiring eyes of this foreigner, this little Belgian detective. For me, that makes the stories all the more appealing, for although the days he lives in seem far away, they are all the more enchanting because of it." "In those first days after the series had begun on ITV, I realised for the first time that Poirot touches people’s hearts in a way that I had never anticipated when I started to play him. I cannot put my finger on precisely how he does it, but somehow he makes those who watch him feel secure. People see him and feel better. I don’t know exactly why that is, but there is something about him. My performance had touched that nerve." "The more Poirot welcomes his fellow characters, the more the audience sympathise with him, and the more he extends his gentle control over everything around him, as if wrapping it all in his own personal glow. I believe he is unique in fictional detectives in that respect, because he carefully welcomes everyone – be they reader, viewer, or participant character – into his drama. He then quietly explains what it all means and, in doing so, he becomes what one critic called ‘our dearest friend’.

I fell in love with the girl who fell in line for one serving of strawberries," he admitted. A series of thoughts swirl around Miguel’s head of the girl waiting in line with one medium-sized tub of strawberries. The image of it. He asked: “Was it her persistence of wanting the fruit? Was it the youthfulness of the fruit? Was it the mystery of wondering how she’d eat them—on the grass outside or at home or in the car? Why? Was it wanting to know if she felt stupid herself for waiting in such a long line? Or wanting to know if she at any point felt like abandoning the line? Was it the simplicity of someone who knows what they want? The pleasantness of going to the market and not being seduced by other treats? Was it her patience?” Charm is so dissatisfying.

I wanted to say something back to him, and I knew deep down that he was right, though I didn't have the words yet. Until that disease chose me, I had lived a charmed life of grace and ease, while Matsu had always to work hard for what he desired. He has always known where beauty comes from. Later on, when the disease spread over the left side of my face, I tried to accept the burden placed on me, to tell myself that real beauty comes from deep within. But I'm afraid sometimes I reverted back to my spoiled ways. But, Stephen-san, can you imagine what it was like to watch your own face slowly transformed into a monster? Have you ever awakened in the morning from a series of nightmares, fearing what you might have turned into during the night? I will not lie to you and tell you that it was easy. There were times when I thought I could actually feel my skin shrinking, pulling against my bones and muscles, slowly suffocating me. Matsu comforted me as much as he could by having me work on the house, or in the garden, but no matter how much pleasure I found in them, they were still cold and inanimate. I longed for my past life. Matsu always knew that the peace of mine I needed could only be found within myself.

(You look the same.) (I’m not using it yet.) (Don’t you think a test run would be a good idea?) She nodded. (Probably.) Her eyelids closed as she concentrated on a mental image of the person she wished to impersonate. Her desire was to appear exactly as the immortal leader, Pallador. Calling on the powers of the dragon’s blood, she willed its enchantment alive. It was Ian’s astounded whisper that told her the charm was working. “Whoa!” Opening her eyes she fully expected to see Ian staring at the shining gems on the dragon’s blood. Instead, he was staring at her with a look that was more or less disgusted. (That’s really you?) he asked, looking her up and down as though she had turned into some sort of lizard creature. (Yes, why? What’s wrong with me?) Her gaze dropped to check for herself. All she observed was her tawny dress pulled in at the waist by Edgar’s hideous, glowing belt. She glanced at one arm and then the other, both sleeved in the same billowed silk. Her fingers flailed, still the same short, slender digits. (Oh crud,) she breathed. (It’s not working.) (Oh, it’s working alright,) Ian disagreed. Eena glanced up to find him grinning with real amusement. (You’re a dead ringer for the guy. Ghost robe, bug eyes, bony fingers, in need of a serious haircut. Exactly like him.) (Really?) (Really.) (Cool,) she breathed and then added, (That’s not very nice how you described him.) (It’s accurate.)

know that taking a long walk was his preferred way to have a serious conversation. It turned out that he wanted me to write a biography of him. I had recently published one on Benjamin Franklin and was writing one about Albert Einstein, and my initial reaction was to wonder, half jokingly, whether he saw himself as the natural successor in that sequence. Because I assumed that he was still in the middle of an oscillating career that had many more ups and downs left, I demurred. Not now, I said. Maybe in a decade or two, when you retire. I had known him since 1984, when he came to Manhattan to have lunch with Time’s editors and extol his new Macintosh. He was petulant even then, attacking a Time correspondent for having wounded him with a story that was too revealing. But talking to him afterward, I found myself rather captivated, as so many others have been over the years, by his engaging intensity. We stayed in touch, even after he was ousted from Apple. When he had something to pitch, such as a NeXT computer or Pixar movie, the beam of his charm would suddenly refocus on me, and he would take me to a sushi restaurant in Lower Manhattan to tell me that whatever he was touting was the best thing he had ever produced. I liked him. When he was restored to the throne at Apple, we put him on the cover of Time, and soon thereafter he began offering me his ideas for a series we were doing on the most influential people of the century. He had launched his “Think Different” campaign, featuring iconic photos of some of the same people we were considering, and he found the endeavor of assessing historic influence fascinating. After I had deflected his suggestion that I write a biography of him, I heard from him every now and then. At one point I emailed to ask if it was true, as my daughter had told me, that the Apple logo was an homage to Alan Turing, the British computer pioneer who broke the German wartime codes and then committed suicide by biting into a cyanide-laced apple. He replied that he wished he had thought of that, but hadn’t. That started an exchange about the early history of Apple, and I found myself gathering string on the subject, just in case I ever decided to do such a book. When my Einstein biography came out, he came to a book event in Palo Alto and

It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.

you'll wonder again, later, why so many psychologists remain so vocal about having more and better training than anyone else in the field when every psychologist you've ever met but one will also have lacked these identification skills entirely when it seems nearly every psychologist you meet has no real ability to detect deception. You will wonder, later, why the assessment training appears to have been reserved for the CIA and the FBI is it because we as a society don't want to imagine that any other professionals will need the skills? And what about attorneys? What about training programs for guardian ad litems or anyone involved in approving care for all the already traumatized and marginalized children? You'll have met enough of those children after they grow up to know that when a small girl experiences repeated rapes in a series of households throughout her childhood, then that little girl is pretty likely to have some sort of "dysfunction" when she grows up. And you won't have any tolerance for the people who point their fingers at her and demand that she be as capable as they are it is, after all, a free country. We all get the same opportunities. You'll want to scream at all those equality people that you can't ignore the rights of this nation's children you can't ignore them and then get pissed when any raped and beaten little girls and boys grow up to be traumatized and perhaps hurtful or addicted adults. No more pointing fingers only a few random traumatized people stand up later as some miraculous example of perfectly acceptable societal success and if every judgmental person imagines that I would be like that I would be the one to break through the barriers then all those judgmental people need to go back in time and prove it, prove to everyone that life is a choice and we all get equal chances. You'll want anyone who talks about equal chances to go back and be born addicted to drugs in complete poverty and then to be dropped into a foster system that's designed for good but exploited by people who lack a conscience by people who rape and molest and whip and beat tiny little six year olds and then you will want all those people to come out of all that still talking about equal chances and their personal tremendous success. Thank you, dear God, for writing my name on the palm of your hand. You will be angry and yet you still won't understand the concept of evil. You'll learn enough to know that it's not politically correct to call anyone evil, especially when many terrible acts might actually stem from a physiological deficit I would never use the word evil, it's not professional but you will certainly come to understand that many of the very worst crimes are committed by people who lack the capacity to feel remorse for what they've done on any level. But when you gain that understanding, you still will not have learned that these individuals are more likable than most people that they aren't cool and distant that they aren't just a select few creepy murderers or high-profile con artists you won't know how to look for a lack of conscience in noncriminal and quite normal looking populations no clinical professors will have warned you about people who exude charm and talk excessively about protecting the family or protecting the community or protecting our way of life and you won't know that these types would ever stick around to raise kids you will have falsely believed that if they can't form real attachments, they won't bother with raising children and besides most of them will end up in prison you will not know that your assumptions are completely erroneous you won't understand that many who lack a conscience keep their kids close and tight for their own purposes.

Westsylvania. Flat ground had never looked so good. Some of those wagons later took a wrong turn and clomped across a charming covered bridge. Thank the good Lord Almighty, those drivers thought. Nice bridge like that, there must be a town ahead. And there was – Five Rocks. It offered one of everything

Legacy series: Captivated, Charmed, and Enchanted,

Believe in love, Believe in yourself, and Believe we make our own destiny.

Living in West Texas is sort of like living in Hell, but without the favorable climate and charming people.

Mr. Black had taught her anything, besides how to stalk someone, it was that there was no Prince Charming waiting to rescue her from her mundane life and fairy-tales were for the weak-minded.

At least, not until she met Patrick Casey, who proved that the charm of the Irish was not just a cliche.

The war with Mexico fiercely divided the American people. While the majority supported the war, a loud minority despised it, and their rancor filled the newspapers and the debates in the houses of Congress. A newly elected congressional representative from Illinois, Abraham Lincoln, declared: ‘The war with Mexico was unnecessarily and unconstitutionally commenced by the president.’ Lincoln challenged Polk on the issue that American blood had been shed on American soil and implied that the American troops were the aggressors. He charged that Polk desired ‘military glory … that serpent’s eye which charms to destroy … I more than suspect that Polk is deeply conscious of being in the wrong and that he feels the blood of this war, like the blood of Abel, is crying to Heaven against him.’ However, like many critics of the war, Lincoln voted for an appropriations bill to support military operations. An Illinois newspaper responded to Lincoln’s fulminations by branding him a ‘second Benedict Arnold,’ and Lincoln was defeated for reelection. Comparing Lincoln to Arnold was perhaps the most vicious charge that could then be made against an American. General Arnold has been a trusted favorite of George Washington during the American Revolutionary War. In August 1780 he had turned traitor and attempted to turn over the American army’s position at West Point to the British in exchange for money and a brigadier’s commission in the British army. His act of treachery was discovered but he was able to escape to safety behind British lines. Henry Clay, a former senator from Kentucky and unsuccessful candidate for president, often called the ‘Great Pacificator’ or the ‘Great Compromiser’ for his efforts to hold the Union together, spoke out forcefully: ‘The Mexican war,’ he said, ‘is one of unnecessary and offensive aggression … Mexico is defending her firesides, her castles, and her altars, not we.’ Representative

he smiled easily, drawing out a blush from Jaidyn. Yeah, Julieta figured he had that effect on most women. He was all boyish charm but with an edge that was hard to ignore.

it really so in your souls? Are you now henceforth dead to the world, and dead to sin, and quickened into the life of Christ? If you are so, then the text will bear to you a third and practical meaning, for it will not merely be true that your old man is condemned to die and a new nature is bestowed, but in your common actions you will try to show this by newness of actual conduct. Evils which tempted you at one time will be unable to beguile you now because you are dead to them: the charms of the painted face of the world will no longer attract your attention, for your eyes are blind to such deceitful beauties. You have obtained a new life which can only be satisfied by new delights, which can only be motivated by new purposes and constrained by new principles suitable to its own nature. This

When men give up saying what is charming,” Oscar answered, “they give up thinking what is charming. I hope I’ll never do that.

Richard Diamond was also seen on TV (1957–60), but the role as played by David Janssen bore little resemblance to the Powell original. The most notable gimmick of the TV series was the addition of a secretary, Sam, who was seen only as a pair of gorgeous legs (which belonged to Mary Tyler Moore). The radio show was charming, though peppered with moments of genuine silliness. A solid run is available on tape. Powell, though at ease with the microphone, did tend to fluff.

What do all my taxes pay for if monsters with daggers for teeth can land atop my castle and charm my little ones into giving away my shirts? Not to mention leave a stink behind them that took three rounds of scrubbing to get out of the stones!

You married me for my brains? I can’t believe it.” He grinned. “Well, among other things.” “My charming personality?” He chuckled. “Not exactly. You have the nicest looking legs ever.” “What?” “Hey! I can’t help it. I guess I’m just a leg man. Personality comes in second. Brains are third.” “Brains are third?” she said in mock disappointment. “So why did you marry me?” “Hmmm.” Amelia tapped his lips. “Your sweet kisses were the main reason. The rest of you came as a package deal.” “The rest of me?” he said incredulously. “Well, at least I’m a good kisser. I can live with that.

Oh, it was wicked of me to make him the troublesome thing I was. He should stay always what he was, the happy-go-lucky cheerful optimist. Had I robbed him of his greatest asset, besides his good looks and charm?

She didn’t pull her hand away when he reached out with one of his. He placed a light kiss on it and then flashed one of those charming smiles meant to make any female forgive him anything. In the recesses of her brain, there wasn’t forgiveness… only an unsettling dose of doubt.

Coney Island called the Harvard Inn. The young man can be charming, but one evening as he takes a shine to a beautiful patron, he prefers to be crass. “Honey,” Capone whispers to a dark-haired woman sitting at a table with another man, “you have a nice ass and I mean that

When you start out working with or for these people, they seem like the dream boss, coworker, or partner. You feel incredibly lucky to be working with them. They compliment you and make you feel valued and needed. They are often described as charismatic people, the boss or employee everyone likes. CN bosses are easy to work with, and many victims feel relieved to have a boss like them after experiencing difficult employers in the past. However, they are often chameleons who mirror the people they are around, so everyone feels like they are seen by them and understood. They win people’s trust quickly. They are charming, but not in a creepy-player kind of way. They seem like the real deal. Easygoing, smart, not a big ego, endearing—these are words I have heard to describe this type of person. As in romantic relationships, a CN boss will take you through the three stages. They will love bomb you in the beginning. It will feel easy, exciting, fun. They might make grandiose promises of your future with the company, your financial success, and your involvement in projects you love. You will feel excited and so lucky to have gotten this opportunity, telling your friends and family all the glowing stories of this new boss. Sometimes this person becomes a trusted friend.

Covert narcissists will often have careers that are impressive. They can be pastors, spiritual leaders, therapists, and heads of non-profit organizations. They can be politicians who are charming, look you right in the eye, and really seem to care.

Hey, I might’ve blown two classes. But you know what they say: The third time’s the charm!

And we recall that at a parallel moment (the moment of greatest power in his performance), the contractor “let himself go in good earnest” and produced that memorable series of flourishes and tongue clickings. He didn’t lose himself, or forget about his audience, or surrender to a feeling; sensing victory, he unleashed a higher-level arsenal of charming tricks. (He acted at his audience, rather than upon them.)

Meaning is chased through the text from sign to sign, always vanishing as we seem to reach it; and if we stop at a particular place, saying now we have it, now the meaning lies before us, then this is our decision, which may have a political justification, but which is in no way dictated by the text. Thus the ambiguous noun ‘différence’ must be taken here in both its senses – as difference and deferral: and this too is recorded in that mysterious misspelling. The effect of such cryptic ideas is to introduce not a critical reading of a text, but a series of spells, by which meaning is first imprisoned, and then extinguished. The goal is to deconstruct what the author has constructed, to read the ‘text’ against itself, by showing that the endeavour to mean one thing generates the opposite reading. The ‘text’ subverts itself before our eyes, meaning anything and therefore nothing. Whether the result is a ‘free play of meanings’, whether we can say, with some of Derrida’s disciples, that every interpretation is a misinterpretation, are matters that are hotly and comically disputed in the camp of deconstruction. But for our purpose, these disputes can be set aside. What matters is the source of the ‘will to believe’ that leads people to adhere so frantically to these doctrines that cannot survive translation from the peculiar language which announces them. Deconstruction is neither a method nor an argument. It should be understood on the model of magic incantation. Incantations are not arguments, and avoid completed thoughts and finished sentences. They depend on crucial terms, which derive their effect from repetition, and from their appearance in long lists of cryptic syllables. Their purpose is not to describe what is there, but to summon what is not there: to charm the god into the idol, so as to reveal himself in the here and now. Incantations can do their work only if key words and phrases acquire a mystical penumbra. The meaning of these symbols stretches deep in another dimension, and can never be coaxed into a plain statement. Incantations resist the definition of their terms. Their purpose is not to reveal the mystery but to preserve it – to enfold it (as Derrida might say) within the sacred symbol, within the ‘sign’. The sacred word is not defined, but inserted into a mystical ballet. The aim is not to acquire a meaning, but to ensure that the question of meaning is gradually forgotten and the word itself, in all its mesmerising nothingness, occupies the foreground of our attention.

Could I but end my days in this charming isle, without evermore stirring from it, or seeing a single inhabitant of the continent, who could remind me of all those calamities which have for so many years united to overwhelm me!…

I’d always wondered if I would ever encounter that kind of love. If I’d ever be so lucky to know what it was like to willingly give everything I had to one person. I’d always thought it was a long shot. Me? In love, better yet, willing to settle down? Yeah, right. Gemma Michaels had other plans, though. The night we spent together at the park was the promise of what was to come; we just didn’t know it then. “I wanted to bring you back to the place where I began to fall in love with you,” I’d said. My lips twitched as tears began to swell at the corners of Gemma’s eyes. “You bastard,” she said with a laugh. “Remember how I said you lack charm? I was wrong. You can be pretty charming when you want to be.” “Only when it comes to you, love.” “Okay, no need to overdo it, bigshot. You’ve already got me.” When we got older, Molly asked my dad why he’d ultimately decided to stay following Mom’s affair. His answer had been simple. “No one is without fault, Molly. Giving up on the person that matters most to you because they acted out of fear is not love—you fight for love, dear. Because things worth caring about, the things that make your heart race, those are the things worth fighting for.” I didn’t get it then. But now, as I looked into Gemma’s eyes, I finally understood what he’d meant.

the world of selling second-hand books is not quite an idyll of sitting in an armchair by a roaring fire with your slipper-clad feet up, smoking a pipe and reading Gibbon’s Decline and Fall while a stream of charming customers engages you in intelligent conversation, before parting with fistfuls of cash.

God, I have a weakness for Crew like this—half naked and charming. But it’s fine. I’m on vacation. He’s just my Italy.

In her reflective moments, Vera often wondered about the future of the newspaper and her job. Not just the Shady Hollow Herald, but newspapers everywhere. So many creatures did not even bother reading papers, especially young ones. But Vera loved the paper.

The next morning, Vera was awoken by a tapping, as of someone gently rapping on her chamber door.

Vera would rather be drawn and quartered than take ballroom dancing lessons, but she tried to appear excited.

Absolutely no food or drink in the archives. That’s rule number two.” “Oh.” Vera sighed. Then she asked, “What’s rule number one?” “Rule number one is whatever I say it is.

She didn’t really care for oatmeal but knew it was good for her, and after all, a creature can’t live on coffee alone.

She was a woman fighting a woman’s fight for her beloved, and her thoughts were all upon velvet-nosed Prince Charming and the five days left in which he must be rescued or disappear forever.

The Night Stalker. Earlier on in this chapter I said that television was too homogenized to cough up anything that was really charmingly awful; ABC-TV’s The Night Stalker series is the exception that proves the rule. It’s not the movie that I’m talking about, remember. The film of The Night Stalker was one of the best movies ever made for TV. It was based on an abysmal horror novel, The Kolchak Tapes, by Jeff Rice—the novel was issued as a paperback after the unpublished manuscript landed on producer Dan Curtis’s desk and became the basis of the film.

If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters. Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair. I'm sorry to tell you this, but that is how the story goes.

Jesuit, Joseph de Guibert, a French Jesuit, offers a charming analogy first made in the Middle Ages. A spirituality is like a bridge. Every bridge does pretty much the same thing—gets you from one place to another, sometimes over perilous ground, or a river, or great heights. But they do so in different ways. They might be built of rope, wood, bricks, stone or steel; as arches, cantilevers, or suspension bridges. “Hence,” writes Father de Guibert, “there will be a series of different types, with each one having its advantages and disadvantages. Each type is adaptable to given terrains and contours and not to others; yet each one in its own way achieves the common purpose—to provide a passage by means of an organic, balanced combination of materials and shapes.

cardboard box. On top of the dryer. On my LB. Lazing around the living room,

Words are powerful magic. With a well chosen phrase, you can put someone down, bring them to their knees, or drop them at Death's doorstep. Ultimately, you decide to create something good in the world or destroy someone forever." Madam Saboulia, Professor of Incantations Bonaventure's Academy of Magic

God and get away with it, Granny said, if you do so with charm and wit. If you live your life with imagination and verve, God will play along just to see what outrageously entertaining thing

The Ultimate Minimalist Wallets For Men: Functionality Meets Style? More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance. The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me. Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality. Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose. Here Is That The List Of Comfortable Wallets For Men Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it. 1- Stripe Point Bi-Fold Wallet (Paul Smith) "Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent. Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders. 2- Zippy Wallet Vertical (Louis Vuitton) "Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men. With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved. 3- Grange (porter) "Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas. The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use. 4- Bellroy Note Sleeve The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too! This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.

If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters. Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming, and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair.