Rotate Quotes

We've searched our database for all the quotes and captions related to Rotate. Here they are! All 100 of them:

She's just one of the plethora of women you rotate through your bed." Lily looked scared out of her mind as the queen changed direction and stalked her. "I will not allow you to besmirch the Esca name with your filthy plot to steal the prince.
Therisa Peimer (Taming Flame)
Support Group featured a rotating cast of characters in various states of tumor-driven unwellness. Why did the cast rotate? A side effect of dying.
John Green (The Fault in Our Stars)
The the glow become brighter: a holographic golden sickle with a few sheaves of wheat, rotating just above Meg McCaffrey. A boy in the crowd gasped. 'She's a communist!' A girl who'd been sitting at Cabin Four's table gave him a disgusted sneer. 'No, Damien, that's my mom's symbol.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
CIRCLES OF LIFE Everything Turns, Rotates, Spins, Circles, Loops, Pulsates, Resonates, And Repeats. Circles Of life, Born from Pulses Of light, Vibrate To Breathe, While Spiraling Outwards For Infinity Through The lens Of time, And into A sea Of stars And Lucid Dreams. Poetry by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.
Adrienne Rich (The Fact of a Door Frame)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
I think forever is an incorrect concept," I answered. He smirked. "You're an incorrect concept." "I know. That's why I'm being taken out of the rotation".
John Green (The Fault in Our Stars)
Do you know what a balance wheel is?” She shook her head slightly. “There’s one in every clock or watch. It rotates back and forth without stopping. It’s what makes the ticking sound...what makes the hands move forward to mark the minutes. Without it, the watch wouldn’t work. You’re my balance wheel, Poppy.” -Harry Rutledge
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The thought of you being removed from the rotation is not funny to me.
John Green (The Fault in Our Stars)
I took an oath June. I am still bound by that oath. I will die with honor for sacrificing everything I have-everything-for my country.. And yet, Day is a legend, while I am to be executed." His voice finally breaks with all his anger and inner torment, the injustice he feels. "It makes no sense." I stand up. Behind me, guards move toward the cell door. "You're wrong," I say sadly. "It makes perfect sense." "Why?" "Because Day chose to walk in the light." I turn my back on him for the last time. The door opens; the cell's bars make way for the hall, a new rotation of prison guards, freedom. "And so did Metias.
Marie Lu (Champion (Legend, #3))
Gravity is our playmate, momentum is our friend. We are blurs of motion. We are racing, and we are both winning, because we do not race each other. We race the world, and as fast as it rotates, as fast as it revolves, we are faster.
Amy Zhang (Falling into Place)
We speak of moving mountains, but sometimes people can completely rotate the world, just so someone else can land upright on their feet.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
There are stars in the night sky that look brighter than the others, and when you look at them through a telescope you realize you are looking at twins. The two stars rotate around each other, sometimes taking nearly a hundred years to do it. They create so much gravitational pull there's no room around for anything else. You might see a blue star, for example, and realize only later that it has a white dwarf as a companion - that first one shines so bright, by the time you notice the second one, it's too late.
Jodi Picoult (My Sister’s Keeper)
I drive as fast as four tire swings hanging from a tree branch in the middle of winter. I also make love with as much speed and rotation.
Jarod Kintz (This Book is Not for Sale)
Tell me," Wittgenstein's asked a friend, "why do people always say, it was natural for man to assume that the sun went round the earth rather than that the earth was rotating?" His friend replied, "Well, obviously because it just looks as though the Sun is going round the Earth." Wittgenstein replied, "Well, what would it have looked like if it had looked as though the Earth was rotating?
Ludwig Wittgenstein
What's the woman doing there?" he asked. "Covering a scratch on the hood. She was cheaper than a new paint job." He flipped through a few more pages of barely dressed women and classic cars. "Nick used to have magazines like this when we were kids. But without the cars." He rotated a photo sideways. "Or the bathing suits.
Kelley Armstrong (Bitten (Otherworld, #1))
The "feminine" woman is forever static and childlike. She is like the ballerina in an old-fashioned music box, her unchanging features tiny and girlish, her voice tinkly, her body stuck on a pin, rotating in a spiral that will never grow.
Susan Faludi (Backlash: The Undeclared War Against Women)
For years now I've kind of operated under an informal shopping cycle. A bit like a farmer's crop rotation system. Except, instead of wheat, maize, barley, and fallow, mine pretty much goes clothes, makeup shoes, and clothes (I don't bother with fallow). Shopping is actually very similar to farming a field. You can't keep buying the same thing, you have to have a bit of variety. Otherwise you get bored and stop enjoying yourself.
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
My inner world seems largely to consist of three rotating emotions: embarrassment, rage, and tension. Sometimes I feel excited, but I think that's just positive tension.
Carrie Fisher (Postcards from the Edge)
I am one of those cogs, going round and round. I have become a functioning part of the world, rotating in the time of day called morning.
Sayaka Murata (Convenience Store Woman)
What are you doing here?” she whispered. “You’re…” He grinned. “A wanted man?” She ducked beneath the raised hands of the next couple. Rotated back. Curtsied. “Exactly,” she said as her palm found Jest’s again. “Good,” he said, his dimples showing, “I hoped you might still feel that way.
Marissa Meyer (Heartless)
He smirked. "You're an incorrect concept." "I know. That's why I'm being taken out of the rotation.
John Green (The Fault in Our Stars)
A worshiper without knowledge is like the mill donkey it rotates but it does not leave its place. المتعبد بغير علم كحمار الطاحونة يدور ولا يبرح من مكانه
علي بن أبي طالب
The town knew about darkness. It knew about the darkness that comes on the land when rotation hides the land from the sun, and about the darkness of the human soul
Stephen King (’Salem’s Lot)
You were the one that I wanted to feel the earth rotate with.
Shinji Moon
It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now. We're on a planet that somehow knows how to rotate on its axis and follow a defined path while it hurtles through space! Our hearts beat! We can see! We have love, laughter, language, living rooms, computers, compassion, cars, fire, fingernails, flowers, music, medicine, mountains, muffins!
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Because Day chose to walk in the light.” I turn my back on him for the last time. The door opens; the cell’s bars make way for the hall, a new rotation of prison guards, freedom. “And so did Metias.
Marie Lu (Champion (Legend, #3))
The end is near," Moridin said. "The Wheel has groaned its final rotation, the clock has lost its spring, the serpent heaves its final gasps.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?
Sally Rooney (Beautiful World, Where Are You)
Then the glow grew brighter: a holographic golden sickle with a few sheaves of wheat, rotating just above Meg McCaffrey. A boy in the crowd gasped. "She's a communist!
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
While Aelin threw herself at the rungs lining the catapult’s wheeled base, and began pushing. Turning it. Away from Orynth, from the castle. Precisely as Aelin had told him Sam Cortland had done in Skull’s Bay, the catapult’s mechanisms allowed her to rotate its base.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
So plunge that fact into your conscience and allow it to rotate for a while. Until it hurts.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
The shaver was the size and shape of a brick and almost too hot to hold in his hand. It hissed like it was angry with Zam and its three rotating shaving heads, behind the flimsy looking protective screen, looked like they wanted to rip the skin from his face before chewing it up and spitting it back out with a triumphant sizzle.
Frank Lambert (Xyz)
Ka is a wheel; its one purpose is to turn. The spin of ka always brings us back to the same place, to face and reface our mistakes and defeats until we can learn from them. When we learn from the past, the wheel continues to move forward, towards growth and evolution. When we don’t, the wheel spins backward, and we are given another chance. If once more we squander the opportunity, the wheel continues its rotation towards devolution, or destruction.
Robin Furth (Stephen King's The Dark Tower: The Complete Concordance)
I realize that this is the way the world works. If I could stop the spin, stop the rotation, I would have done so long ago. I would have stopped it the first moment that Catcher's lips met mine under the moon in the amusement park. I would have held us in that eternity forever. But of course everything presses forward, even as we dig our feet against the reality of it all. One even tumbles from the next out of our control and we are dragged along, helpless.
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
They try to fight the waves, but they can’t fight the moon. They can’t fight the world’s rotation or the bathymetry of oceans or the inevitability that sometimes things just don’t work out.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
Today is an ephemeral ghost... A strange amazing day that comes only once every four years. For the rest of the time it does not "exist." In mundane terms, it marks a "leap" in time, when the calendar is adjusted to make up for extra seconds accumulated over the preceding three years due to the rotation of the earth. A day of temporal tune up! But this day holds another secret—it contains one of those truly rare moments of delightful transience and light uncertainty that only exist on the razor edge of things, along a buzzing plane of quantum probability... A day of unlocked potential. Will you or won't you? Should you or shouldn't you? Use this day to do something daring, extraordinary and unlike yourself. Take a chance and shape a different pattern in your personal cloud of probability!
Vera Nazarian (The Perpetual Calendar of Inspiration)
Life would be impossible on such a planet. It wouldn't get enough heat and light, and if it rotated there would be total darkness half of every day. There wouldn't be any native inhabitants. You couldn't expect life---which is fundamentally dependent on light---to develop under such extreme conditions of light deprivation. Half of every axial rotation spent in Darkness! No, nothing could exist under conditions like that.
Isaac Asimov (Nightfall)
In the distance I see a lighthouse. The light washes over us and continues on its rotation. This time, I don't know where the light will guide us.
Lauren DeStefano (Wither (The Chemical Garden, #1))
Did you learn the rotation of the border patrols?’ said Laurent. ‘Yes, our scouts found—’ Laurent was standing in the doorway wearing a chiton of unadorned white cotton. Damen dropped the pitcher. It shattered, shards flying outward as it slipped from his fingers and hit the stone floor. Laurent’s arms were bare. His throat was bare. His collarbone was bare, and most of his thighs, his long legs, and all of his left shoulder. Damen stared at him. ‘You’re wearing Akielon clothing,’ said Damen. ‘Everyone’s wearing Akielon clothing,’ said Laurent. Damen thought that the pitcher had shattered and he could not now take a deep draught of the wine. Laurent came forward, navigating the broken ceramic in his short cotton and sandalled feet, until he reached the seat beside Damen, where the map was laid out on the wooden table. ‘Once we know the rotation of the patrols, we’ll know when to approach,’ said Laurent. Laurent sat down. ‘We need to approach at the beginning of their rotation in order to give us the most time before they report back to the fort.’ It was even shorter sitting down. ‘Damen.’ ‘Yes. Sorry,’ said Damen. And then: ‘What were you saying?
C.S. Pacat (Kings Rising (Captive Prince, #3))
I don't think that anyone outside Paris can understand love and murder as we do. But Emile loves Paris, and loving Paris is a murderous education. ("Anthropology: What Is Lost In Rotation")
William S. Wilson (Why I Don't Write Like Franz Kafka)
Look.” The others seemed confused. Then the glow became brighter: a holographic golden sickle with a few sheaves of wheat, rotating just above Meg McCaffrey. A boy in the crowd gasped. “She’s a communist!” A girl who’d been sitting at Cabin Four’s table gave him a disgusted sneer. “No, Damien, that’s my mom’s symbol.” Her face went slack as the truth sank in. “Uh, which means…it’s her mom’s symbol.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
A foolish man question: “what is love?” A madman answer: “Love is an omnipresent attribute of human life. Our appetite will always be unfulfilled for love. It is better for us because without it, earth will not rotate, seasons will not change, birds will not sing and life will not exit.” What do you think?
Santosh Kalwar
There is never but one pleasant side to this human life. Like the globe on which we turn, our own rapid rotation is but one day, and a part of this day cannot receive light, so that the other part will not be delivered into darkness.
Jacques-Henri Bernardin de Saint-Pierre (Paul et Virginie)
Too many people talk about the weather, and not enough people talk about agriculture. When somebody says to me, "Beautiful weather we're having,” I always reply, "Irrigation and crop rotation.
Jarod Kintz (This Book is Not for Sale)
Have faith that your child's brain is an evolving planet that rotates at its own speed. It will naturally be attracted to or repel certain subjects. Be patient. Just as there are ugly ducklings that turn into beautiful swans, there are rebellious kids and slow learners that turn into serious innovators and hardcore intellectuals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
His eyes narrowed to slits. Power passed over her, intensifying her desire for him. She moaned and rotated her hips against him. “What will you do with me now?
Lia Davis
Here powers failed my high imagination: But by now my desire and will were turned, Like a balanced wheel rotated evenly, By the Love that moves the sun and the other stars.
Dante Alighieri (Paradiso (The Divine Comedy, #3))
I love the period of rotation. Thirty hours. You can get in a full day’s work, stay up getting drunk at the saloon, and still get a full night’s sleep. I don’t know why we didn’t think of this back home.
James S.A. Corey (Cibola Burn (Expanse, #4))
When I am high I couldn’t worry about money if I tried. So I don’t. The money will come from somewhere; I am entitled; God will provide. Credit cards are disastrous, personal checks worse. Unfortunately, for manics anyway, mania is a natural extension of the economy. What with credit cards and bank accounts there is little beyond reach. So I bought twelve snakebite kits, with a sense of urgency and importance. I bought precious stones, elegant and unnecessary furniture, three watches within an hour of one another (in the Rolex rather than Timex class: champagne tastes bubble to the surface, are the surface, in mania), and totally inappropriate sirenlike clothes. During one spree in London I spent several hundred pounds on books having titles or covers that somehow caught my fancy: books on the natural history of the mole, twenty sundry Penguin books because I thought it could be nice if the penguins could form a colony. Once I think I shoplifted a blouse because I could not wait a minute longer for the woman-with-molasses feet in front of me in line. Or maybe I just thought about shoplifting, I don’t remember, I was totally confused. I imagine I must have spent far more than thirty thousand dollars during my two major manic episodes, and God only knows how much more during my frequent milder manias. But then back on lithium and rotating on the planet at the same pace as everyone else, you find your credit is decimated, your mortification complete: mania is not a luxury one can easily afford. It is devastating to have the illness and aggravating to have to pay for medications, blood tests, and psychotherapy. They, at least, are partially deductible. But money spent while manic doesn’t fit into the Internal Revenue Service concept of medical expense or business loss. So after mania, when most depressed, you’re given excellent reason to be even more so.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
As dawn leaks into the sky it edits out the stars like excess punctuation marks, deleting asterisks and periods, commas, and semi-colons, leaving only unhinged thoughts rotating and pivoting, and unsecured words.
Ann Zwinger (Downcanyon: A Naturalist Explores the Colorado River through the Grand Canyon)
If a man, before he passed from one stage to another, could know his future life in full detail, he would have nothing to live for. It is the same with the life of humanity. If it had a programme of the life which awaited it before entering a new stage, it would be the surest sign that it was not living, nor advancing, but simply rotating in the same place.
Leo Tolstoy (The Kingdom of God Is Within You)
Carmen sat up when she heard a familiar trill from her computer. It was an instant message from Bee. Beezy3: Packing. Do you have my purple sock with the heart on the ankle? Carmabelle: No. Like I'd wear your socks. Carmen looked from her computer screen down to her feet. To her dismay, her socks were two faintly different shades of purple. She rotated her foot to get a view of her anklebone. Carmabelle: Ahem. Might possibly have sock.
Ann Brashares (The Second Summer of the Sisterhood (Sisterhood, #2))
Paradise is not a garden of bliss and changeless perfection where the lions lie down like lambs (what would they eat?) and the angels and cherubim and seraphim rotate in endless idiotic circles, like clockwork, about an equally inane and ludicrous -- however roseate -- unmoved mover. That particular painted fantasy of a realm beyond time and space which Aristotle and the church fathers tried to palm off on us has met, in modern times, only neglect and indifference passing on into oblivion it so richly deserved, while the paradise of which I write and wish to praise is with us yet, the the here and now, the actual, tangible, dogmatically real earth on which we stand.
Edward Abbey (Desert Solitaire)
The stories of young men searching for their fathers are the stories of young men who through their adventures father themselves by doing for themselves what they hoped a father would do for them. ("Anthropology: What Is Lost In Rotation")
William S. Wilson (Why I Don't Write Like Franz Kafka)
No real reason for the lack of sleep, it’s a disadvantage of rotating shifts that every so often your body clock just throws up it’s hands in despair and goes to sulk behind the sofa – leaving you suffering insomnia and/or intense fatigue.
Tom Reynolds (Blood, Sweat and Tea)
[Patricia Greenfield] concluded that “every medium develops some cognitive skills at the expense of others.” Our growing use of the Net and other screen-based technologies has led to the “widespread and sophisticated development of visual-spatial skills.” We can, for example, rotate objects in our minds better than we used to be able to. But our “new strengths in visual-spatial intelligence” go hand in hand with a weakening of our capacities for the kind of “deep processing” that underpins “mindful knowledge acquisition, inductive analysis, critical thinking, imagination, and reflection.
Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
There are so many impatient people in the world. It seems everyone wants something right this second. We don't want to wait in lines, we get fidgety when our food takes too long to cook, and we have no tolerance whatsoever for anyone who holds us up from doing anything we want to do the moment we want to do it. I'm bothered right now that I'm having to wait till the end of this sentence to see what word I end up on. On, who knew? It's particularly hard to wait for things that are days or weeks or even months away. Calendars mock you, clocks pester you, and the rotation of the earth seems to slow by at least forty percent. I suppose, however, that if you were preparing to take over the world and you needed one final piece to fall into place, but that piece had to be slowly dragged over the dirt so it didn't die, that would be really hard to wait for. I'd feel sorry for whoever that happened to, but then again they were trying to take over the world and all. So please, no sympathy for Azure.
Obert Skye (Leven Thumps and the Wrath of Ezra (Leven Thumps, #4))
I knew the earth was rotating, and I with it, and Saint-Martin-des-Champs and all Paris with me, and that together we were rotating beneath the Pendulum, whose own plane never changed direction, because up there, along the infinite extrapolation of its wire beyond the choir ceiling, up toward the most distant galaxies, lay the Only Fixed Point in the universe, eternally unmoving.
Umberto Eco (Foucault’s Pendulum)
I am like a machine being driven to excessive rotations: the bearings are incandescing and, in a minute, melted metal will begin to drip and everything will turn to nothing. Quick: get cold water, logic. I am pouring it over myself by the bucketload but the logic sizzles on the hot bearings and dissipates elusive white steam into the air.
Yevgeny Zamyatin
Consequently, citizen legislators, rotating back to their communities after a short period of public service—considered an indispensable and routine characteristic and design of representative government at the time of the founding, and for a century thereafter—have been replaced with a professional ruling class led by governing masterminds. For the most part, they are isolated from the communities from which they hail and are consumed with the daily jockeying for position and power within their ranks. Moreover, they both pander to and lord over their constituents.
Mark R. Levin (The Liberty Amendments: Restoring the American Republic)
Also worthy of mention is a clique among the suicidal for whom the meaning of their act is a darker thing. Frustrated as perpetrators of an all-inclusive extermination, they would kill themselves only because killing it all is closed off to them. They hate having been delivered into a world only to be told, by and by, “This way to the abattoir, Ladies and Gentlemen.” They despise the conspiracy of Lies for Life almost as much as they despise themselves for being a party to it. If they could unmake the world by pushing a button, they would do so without a second thought. There is no satisfaction in a lonesome suicide. The phenomenon of “suicide euphoria” aside, there is only fear, bitterness, or depression beforehand, then the troublesomeness of the method, and nothingness afterward. But to push that button, to depopulate this earth and arrest its rotation as well—what satisfaction, as of a job prettily done. This would be for the good of all, for even those who know nothing about the conspiracy against the human race are among its injured parties.
Thomas Ligotti (The Conspiracy Against the Human Race)
Why should people in one part of the globe have developed collectivist cultures, while others went individualist? The United States is the individualism poster child for at least two reasons. First there's immigration. Currently, 12 percent of Americans are immigrants, another 12 percent are children of immigrants, and everyone else except for the 0.9 percent pure Native Americans descend from people who emigrated within the last five hundred years. And who were the immigrants? Those in the settled world who were cranks, malcontents, restless, heretical, black sheep, hyperactive, hypomanic, misanthropic, itchy, unconventional, yearning to be rich, yearning to be out of their damn boring repressive little hamlet, yearning. Couple that with the second reason - for the majority of its colonial and independent history, America has had a moving frontier luring those whose extreme prickly optimism made merely booking passage to the New World insufficiently novel - and you've got America the individualistic. Why has East Asia provided textbook examples of collectivism? The key is how culture is shaped by the way people traditionally made a living, which in turn is shaped by ecology. And in East Asia it's all about rice. Rice, which was domesticated there roughly ten thousand years ago, requires massive amounts of communal work. Not just backbreaking planting and harvesting, which are done in rotation because the entire village is needed to harvest each family's rice. The United States was not without labor-intensive agriculture historically. But rather than solving that with collectivism, it solved it withe slavery.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Knowing you, I became mindless. Having wasted previous wishes, I'm riddled with regrets Feeling you, I became hopeless. Adrift in chasms, I surrender to a caress. Loving you, I became love. My universe became love. Planets rotate on love's axes and apples fall to be near their beloveds. No longer a rationalist, I assert my existence with love. I love, therefore I exist, therefore I love.
Kamand Kojouri
Certainly it’s all in bloom, certainly we’ll go. For aren’t you and I gods? . . . I sense in my blood the rotation of unexplorable universes. . . . Listen—I want to run all my life, screaming at the top of my lungs. Let all of life be an unfettered howl. Like the crowd greeting the gladiator. Don’t stop to think, don’t interrupt the scream, exhale, release life’s rapture. Everything is blooming. Everything is flying. Everything is screaming, choking on its screams. Laughter. Running. Let-down hair. That is all there is to life.
Vladimir Nabokov
The problem isn't that I'm uncomfortable with it, the problem is that I want it!" I yelled. It was official; I'd lost it. Oh well, I wasn't known for having a long fuse. "Are you happy? Jesus. You say something like that and then expect me to just be whatever about it. That's like teasing someone with a giant red velvet cake and then putting it in one of those glass rotating desert thingies." I wasn't my most eloquent at the moment. "Does this mean I'm the cake?" "Shut up, it was a metaphor." "So you want me?" So much it hurt. "Yes," I whispered. "Right now?" "Yes." "Oh." Now he was the one who sounded nervous. "It's just... a surprise." "I told you I would entertain the idea." "I know. I just didn't think you'd be so enthusiastic so soon." "Hunter, I'm a virgin. Not a nun." He didn't talk for a moment. "That was the sexiest thing you've ever said. God, why do you do this to me?
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
Is it not the singularity of life that terrifies us? Is not the decisive difference between comedy and tragedy that tragedy denies us another chance? Shakespeare over and over demonstrates life’s singularity — the irrevocability of our decisions, hasty and even mad though they be. How solemn and huge and deeply pathetic our life does loom in its once-and doneness, how inexorably linear, even though our rotating, revolving planet offers us the cycles of the day and of the year to suggest that existence is intrinsically cyclical, a playful spin, and that there will always be, tomorrow morning or the next, another chance.
John Updike (Self-Consciousness)
He was visited on a lunar basis by these great unspecific waves of horniness, whereby all women within a certain age group and figure envelope became immediately and impossibly desirable. He emerged from these spells with eyeballs still oscillating and a wish that his neck could rotate through the full 360 degrees.
Thomas Pynchon (V.)
I told him that when we first met... I felt like a butterfly trapped in a net. But... I told him that the more time I spent with him, the more I began to realize how much he means to me I told him that since it seems to be my destiny to dodge raindrops... I was grateful to be dodging them with him. So, I promised him that it would always be his name on my mind when I start my rotation... and when I go to bed each evening... and every quiet moment in between. It will be his name... savored on my lips... stretched across my heart... worshipped by my body... and branded in my mind... until death do us part... and forever after that.
Amy A. Bartol (Under Different Stars (Kricket, #1))
Soon she is lost in another dimension where images prevail and silence rules.  A large, black eye flutters open, staring at Kate from deep within the oceanic darkness of its mysterious pupil.  Falling into the center of this cyclopean abyss, she comes face to face with something completely unexpected.  A tiny infant, seemingly asleep, is suspended in a cocoon of rotating beads of white light above a luminous white stone altar.
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
The kitchen was the bivouac of an insurgent army. Every surface had been colonised by objects that had nothing to do with cooking: a rotating globe, illustrations ripped from anatomy textbooks, toy Ambassador taxis from India, an obsolete desktop computer, a shelf of floppy disks, miscellaneous handwritten missives stuffed into folders. Making a cup of coffee was a philosophical manoeuvre. You had to take a position. You had to ask yourself, what is coffee? Why is it consumed? How far would I go for a cup?
Jeet Thayil (The Book of Chocolate Saints)
Alf pondered his next move. On the one hand, the savages seemed to be responding reasonably well to “How.” On the other hand they really weren’t making much progress. At least they’re not eating us, he thought. Ten seconds went by, then twenty, as Alf looked at the older savage, and the older savage looked at Alf. Finally, out of sheer nervousness, and unable to think of what else to do, Alf raised his right hand again. But this time, just as Alf began to speak, the savage rotated his spear from the vertical to the horizontal, pointing it toward Alf’s chest. Alf stopped in mid “How,” staring at the sharp pink spear tip, inches from his heart. And the savage spoke. Poking his spear tip against Alf’s chest, he said: “Can we move this conversation along, old chap? I’m getting frightfully tired of “How.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
But we must not forget that all things in the world are connected with one another and depend on one another, and that we ourselves and all our thoughts are also a part of nature. It is utterly beyond our power to measure the changes of things by time. Quite the contrary, time is an abstraction, at which we arrive by means of the change of things; made because we are not restricted to any one definite measure, all being interconnected. A motion is termed uniform in which equal increments of space described correspond to equal increments of space described by some motion with which we form a comparison, as the rotation of the earth. A motion may, with respect to another motion, be uniform. But the question whether a motion is in itself uniform, is senseless. With just as little justice, also, may we speak of an “absolute time” --- of a time independent of change. This absolute time can be measured by comparison with no motion; it has therefore neither a practical nor a scientific value; and no one is justified in saying that he knows aught about it. It is an idle metaphysical conception.
Ernst Mach (Science of Mechanics)
Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
Thomas Pynchon (Mason & Dixon)
Without asking, he moved behind her and brushed her hair over her shoulder. Drawing the necklace around her neck, he fastened the clasp. The amber felt cool against her sweltering skin. Lifting it, she rotated the pendant, watching as it caught the light. "It's lovely." Before she could change her mind, she dug into her pocket and shoved the rest of the coins into his hand.
Amber Argyle (Witch Song (Witch Song, #1))
We now know that our galaxy is only one of some hundred thousand million that can be seen using modern telescopes, each galaxy itself containing some hundred thousand million stars. We live in a galaxy that is about one hundred thousand light-years across and is slowly rotating; the stars in its spiral arms orbit around its center about once every hundred million years. Our sun is just an ordinary, average-sized, yellow star, near the outer edge of one of the spiral arms.
Stephen Hawking (The Theory Of Everything: The Origin and Fate of the Universe)
Mr. O'Donnell was at the library counter, performing the sort of grim rituals librarians perform with index cards and stumpy pencils and those rubber stamps with columns of rotating numbers. "Ms. Auerbach! What will it be today? Camus? Cervantes?" "Actually I'm looking for a book of poetry by Emily Dickinson" He paused somberly, toying with the twirled tip of his mustache. No matter how seriously librarians are engaged in their work, they are always glad to be interrupted when the theme is books. It makes no difference to them how simple the search is or how behind on time either of you might be running - they consider all queries scrupulously. They love to have their knowledge tested. They lie in wait, they will not be rushed.
Hilary Thayer Hamann (Anthropology of an American Girl)
A particularly significant example of brain against body, or measures against matter, is urban man’s total slavery to clocks. A clock is a convenient device for arranging to meet a friend, or for helping people to do things together, although things of this kind happened long before they were invented. Clocks should not be smashed; they should simply be kept in their place. And they are very much out of place when we try to adapt our biological rhythms of eating, sleeping, evacuation, working, and relaxing to their uniform circular rotation. Our slavery to these mechanical drill masters has gone so far and our whole culture is so involved with it that reform is a forlorn hope; without them civilization would collapse entirely. A less brainy culture would learn to synchronize its body rhythms rather than its clocks.
Alan W. Watts (The Wisdom of Insecurity)
I push against the tree and run away, stumbling, the unreal night playing with me, gravity pulling from below, behind, above, making me fall. And I run through a world that is rotating, conscious of the earth's spin, of our planet twirling as it careens through nothingness, of the stars spiraling above, of the uncertainty of everything, even ground, even sky. Mumtaz never calls out, although a thousand and one voices scream in my mind, sing, whisper, taunt me with madness.
Mohsin Hamid (Moth Smoke)
I myself have dreamed up a structure intermediate between Dyson spheres and planets. Build a ring 93 million miles in radius - one Earth orbit - around the sun. If we have the mass of Jupiter to work with, and if we make it a thousand miles wide, we get a thickness of about a thousand feet for the base. And it has advantages. The Ringworld will be much sturdier than a Dyson sphere. We can spin it on its axis for gravity. A rotation speed of 770 m/s will give us a gravity of one Earth normal. We wouldn't even need to roof it over. Place walls one thousand miles high at each edge, facing the sun. Very little air will leak over the edges. Lord knows the thing is roomy enough. With three million times the surface area of the Earth, it will be some time before anyone complains of the crowding.
Larry Niven
Currently where you are is on a huge globe with a relatively thin crust of stone, containing fire in its bowels, rotating on its own slightly tilted axis at 1,000 miles per hour in an easterly direction while simultaneously traveling in orbit around an enormous ball of burning hydrogen, 93,000,000 miles away at 66,000 miles per hour. That’s 66,000 miles per hour, or nineteen miles per second, which is much faster that you’ve maybe ever imagined, and means that you will be traveling nearly 60,000,000 miles this coming year. Beauty is, you don’t have to imagine it, you can feel it instead. And if you want to know what it’s like, simply stop. Be still, and in that stillness, whatever you are feeling in your belly: that’s it. this is what it feels like to go 66,000 miles per hour while spinning at one thousand.
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.
Akwaeke Emezi (The Death of Vivek Oji)
What we thought of as personality was no more than the passing shape of one of the waves in front of me. Or, slowing it down to more human speed, the shape of a sand dune. Form in response to stimulus. Wind, gravity, upbringing. Gene blueprinting. All subject to erosion and change. The only way to beat that was to go on stack forever. Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
Life While-You-Wait. Performance without rehearsal. Body without alterations. Head without premeditation. I know nothing of the role I play. I only know it’s mine. I can’t exchange it. I have to guess on the spot just what this play’s all about. Ill-prepared for the privilege of living, I can barely keep up with the pace that the action demands. I improvise, although I loathe improvisation. I trip at every step over my own ignorance. I can’t conceal my hayseed manners. My instincts are for happy histrionics. Stage fright makes excuses for me, which humiliate me more. Extenuating circumstances strike me as cruel. Words and impulses you can’t take back, stars you’ll never get counted, your character like a raincoat you button on the run — the pitiful results of all this unexpectedness. If only I could just rehearse one Wednesday in advance, or repeat a single Thursday that has passed! But here comes Friday with a script I haven’t seen. Is it fair, I ask (my voice a little hoarse, since I couldn’t even clear my throat offstage). You’d be wrong to think that it’s just a slapdash quiz taken in makeshift accommodations. Oh no. I’m standing on the set and I see how strong it is. The props are surprisingly precise. The machine rotating the stage has been around even longer. The farthest galaxies have been turned on. Oh no, there’s no question, this must be the premiere. And whatever I do will become forever what I’ve done.
Wisława Szymborska (Map: Collected and Last Poems)
People,” Wax said, “are like cords, Steris. We snake out, striking this way and that, always looking for something new. That’s human nature, to discover what is hidden. There’s so much we can do, so many places we can go.” He shifted in his seat, changing his center of gravity, which caused the sphere to rotate upward on its tether. “But if there aren’t any boundaries,” he said, “we’d get tangled up. Imagine a thousand of these cords, zipping through the room. The law is there to keep us from ruining everyone else’s ability to explore. Without law, there’s no freedom. That’s why I am what I am.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
It seems to me that sometimes the worst parents make the best grandparents. I'm not sure why. Maybe because there is enough of a generational separation that they don't see their grandchildren as an extension of themselves, so their relationship isn't tainted by any self-loathing. And of course, just growing older seems to soften and relax people. Since so many people these days don't seem to start their families until around age forty, I predict there will be less child beating, but more slipped disks from lifting babies out of cribs. Even the father of advanced age who's not inclined to spare the rod is likely to suffer more than his victim: The first punch he throws might well be the last straw for his rotator cuff, reducing his disciplinary options to mere verbal abuse and napping. I'm excited about the next generation!
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
What would happen," Zeitoun asked the captain, "if you and I went below the deck, and just went to our bedrooms and went to sleep?" The captain gave him a quizzical look and answered that the ship would most certainly hit something -- would run aground or into a reef. In any event, disaster. "So without a captain, the ship cannot navigate." "Yes," the captain said, "What's your point?" Zeitoun smiled. "Look above you, at the stars and moon. How do the stars keep their place in the sky, how does the moon rotate around the earth, the earth around the sun? Who's navigating?" The captain smiled at Zeitoun. He'd been led into a trap. "Without someone guiding us," Zeitoun finished, "wouldn't the stars and moon fall to earth, wouldn't the oceans overrun the land? Any vessel, any carrier of humans, needs a captain, yes?" The captain was taken with the beauty of the metaphor, and let his silence imply surrender.
Dave Eggers (Zeitoun)
Amanda bit her lip. "You're not... trying to be funny or something, are you?" "I'm not trying to be anything!" I said. "All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward." I rotated my body as best I could. "All the way, please." I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens. Gail pressed her lips together. "Stop it!" she said. "Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?" "I can't," I whispered. "Can't what?" "Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back. "Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything.
Lauren Myracle (Eleven (The Winnie Years, #2))
Property is no longer about power, personality and command. It's not about vulgar display or tasteful display. Because it no longer has weight or shape. The only thing that matters is the price you pay. Yourself, Eric, think. What did you buy for your one hundred and four million dollars? Not dozens of rooms, incomparable views, private elevators. Not the rotating bedroom and computerized bed. Not the swimming pool or the shark. Was it air rights? The regulating sensors and software? Not the mirrors that tell you how you feel when you look at yourself in the morning. You paid the money for the number itself. One hundred and four million. This is what you bought. And it's worth it. The number justifies itself.
Don DeLillo (Cosmopolis)
Doesn't the Federal Farm bill help out all these poor farmers? No. It used to, but ever since its inception just after the Depression, the Federal Farm Bill has slowly been altered by agribusiness lobbyists. It is now largely corporate welfare ... It is this, rather than any improved efficiency or productiveness, that has allowed corporations to take over farming in the United States, leaving fewer than a third of our farms still run by families. But those family-owned farms are the ones more likely to use sustainable techniques, protect the surrounding environment, maintain green spaces, use crop rotations and management for pest and weed controls, and apply fewer chemicals. In other words, they're doing exactly what 80 percent of U.S. consumers say we would prefer to support, while our tax dollars do the opposite.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster. I explored it all. Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed. The AIs claimed to have worked it out, then announced they couldn't explain it to us. Gödel was right after all: no system can fully understand itself. Not even the synthesists had been able to rotate it down. The load-bearing beams just couldn't take the strain. All of them, I began to realize, had missed the point. All those theories, all those drugdreams and experiments and models trying to prove what consciousness was: none to explain what it was good for. None needed: obviously, consciousness makes us what we are. It lets us see the beauty and the ugliness. It elevates us into the exalted realm of the spiritual. Oh, a few outsiders—Dawkins, Keogh, the occasional writer of hackwork fiction who barely achieved obscurity—wondered briefly at the why of it: why not soft computers, and no more? Why should nonsentient systems be inherently inferior? But they never really raised their voices above the crowd. The value of what we are was too trivially self-evident to ever call into serious question. Yet the questions persisted, in the minds of the laureates, in the angst of every horny fifteen-year-old on the planet. Am I nothing but sparking chemistry? Am I a magnet in the ether? I am more than my eyes, my ears, my tongue; I am the little thing behind those things, the thing looking out from inside. But who looks out from its eyes? What does it reduce to? Who am I? Who am I? Who am I? What a stupid fucking question. I could have answered it in a second, if Sarasti hadn't forced me to understand it first.
Peter Watts (Blindsight (Firefall, #1))
What can it matter to you? You just drift along. You don't give a good godamm about the universal consequences that can flow from our most trifling acts, our most unforeseen thoughts . . . It's no skin off your ass . . . You're caulked . . . hermetically sealed . . . Nothing means anything to you . . . Am I right? Nothing. Eat! Drink! Sleep! Up there as cozy as you please . . . All warm and comfy on my couch . . . You've got everything you want . . . You wallow in well-being . . . the earth rolls on . . . How? Why? A staggering miracle . . . how it moves . . . the profound mystery of it . . . toward an infinite unforeseeable goal . . . in the sky all scintillating with comets . . . all unknown . . . from one rotation to the next . . . Each second is the culmination and also the prelude of an eternity of other miracles . . . of impenetrable wonders, thousands of them, Ferdinand! Millions! billions of trillions of years! . . . And you? What are you doing in the midst of this cosmologonic whirl? this vast sidereal wonder? Just tell me that! You eat! You fill your belly! You sleep! You don't give a damn . . . That's right! Salad! Swiss cheese! Sapience! Turnips! Everything! You wallow in your own muck! You'll loll around, befouled! Glutted! Satisfied! You don't ask for anything more! You pass through the stars . . . as if they were raindrops in May! . . . God, you amaze me, Ferdinand! Do you really think this can go on forever? . . ." I didn't say a word . . . I had no set opinion about the stars or the moon, but I had one about him, the bastard. And the stinker knew it.
Louis-Ferdinand Céline (Death on the Installment Plan)
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
Dolly Alderton (Everything I Know About Love: A Memoir)
As a boy I slept in a meadow one night. It was summer and the sky was very clear. Before I fell asleep I saw Orion on the horizon, standing above the woods. Then I woke up in the middle of the night—and suddenly Orion was standing high above me. I have never forgotten that. I had learned that the earth is a planet and rotates; but I had learned it as one learns something from books and does not quite realize. But now, for the first time I felt that it really was like that. I felt that the earth was silently flying through the immensities of space. I felt it so strongly that I almost believed I had to hold onto something in order not to be hurled off. Probably it happened because, emerging from a deep sleep and bereft for a moment of memory and habit, I looked into the huge, displaced sky. Suddenly the earth was no longer firm—and since then it has never become wholly firm again—” He
Erich Maria Remarque (Arch of Triumph)
You're innocent, Casaubon. You ran away instead of throwing stones, you got your degree, you didn't shoot anybody. Yet a few years ago I felt you, too, were blackmailing me. Nothing personal, just generational cycles. And then last year, when I saw the Pendulum, I understood everything." "Everything?" "Almost everything. You see, Casaubon, even the Pendulum is a false prophet. You look at it, you think it's the only fixed point in the cosmos. but if you detach it from the ceiling of the Conservatoire and hang it in a brothel, it works just the same. And there are other pendulums: there's one in New York, in the UN building, there's one in the science museum in San Francisco, and God knows how many others. Wherever you put it, Foucault's Pendulum swings from a motionless point while the earth rotates beneath it. Every point of the universe is a fixed point: all you have to do is hang the Pendulum from it." "God is everywhere." "In a sense, yes. That's why the Pendulum disturbs me. It promises the infinite, but where to put the infinite is left to me. So it isn't enough to worship the Pendulum; you still have to make a decision, you have to find the best point for it. And yet..." "And yet?" "And yet... You're not taking me seriously by any chance, are you, Casaubon? No, I can rest easy; we're not the type to take things seriously.... Well, as I was saying, the feeling you have is that you've spent a lifetime hanging the Pendulum in many paces, and it's never worked, but there, in the Conservatoire, it works.... Do you think there are special places in the universe? On the ceiling of this room, for example? No, nobody would believe that. You need atmosphere. I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe, to recognize it, we have to believe in it. Well, let's go see Signor Garamond." "To hang the Pendulum?" "Ah, human folly! Now we have to be serious. If you are going to be paid, the boss must see you, touch you, sniff you, and say you'll do. Come, let the boss touch you; the boss's touch heals scrofula.
Umberto Eco (Foucault’s Pendulum)
My second crush, don't know, who you are, by thinking of you, my day pass. The things, the things, the things changed, forgot the first, second begins. The second crush, my second crush, don't know who you are, but, by thinking of you, my day pass. Who you are, i don't know, but seeing you shed tears. My feelings drop, water stops, in my eyes. The things, the things, the things changed. I fall in love, are you goddess or what. As i came near you, my heart beat rise. Want to stop my legs, but they attracts. Like your tears attract the sand, when they are falling on land. My heart, my heart, my heart beat rise, you came, you came, you are closer to my eyes. I see tears fallen on the ground, my love rotating around you round and round. Now, you are the first, you are the last, that i told you my sweet heart. When i see you first time, it was my last time, to fall in love, my dear valentine. The second crush, my second crush, don't know who you are, but, by thinking of you, my day pass. The things, the things, the things changed. Now, crush end, time spend, love start, now, you are my life part.:-)
Abhishek Singh Sikarwar
Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Let us not, however, exaggerate our power. Whatever man does, the great lines of creation persist; the supreme mass does not depend on man. He has power over the detail, not over the whole. And it is right that this should be so. The Whole is providential. Its laws pass over our head. What we do goes no farther than the surface. Man clothes or unclothes the earth; clearing a forest is like taking off a garment. But to slow down the rotation of the globe on its axis, to accelerate the course of the globe on its orbit, to add or subtract a fathom on he earth's daily journey of 718,000 leagues around the sun, to modify the precession of the equinoxes, to eliminate one drop of rain--never! What is on high remains on high. Man can change the climate, but not the seasons Just try and make the moon revolve anywhere but in the ecliptic! Dreamers, some of them illustrious, have dreamed of restoring perpetual spring to the earth. The extreme seasons, summer and winter, are produced by the excess of the inclination of the earth's axis over the place of the ecliptic of which we have just spoken. In order to eliminate the seasons it would be necessary only to straighten this axis. Nothing could be simpler. Just plant a stake on the Pole and drive it in to the center of the globe; attach a chain to it; find a base outside the earth; have 10 billion teams, each of 10 billion horses, and get them to pull. THe axis will straighten up, ad you will have your spring. As you can see, an easy task. We must look elsewhere for Eden. Spring is good; but freedom and justice are beter. Eden is moral, not material. To be free and just depends on ourselves.
Victor Hugo (The Toilers of the Sea)
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)