Messy House Quotes

We've searched our database for all the quotes and captions related to Messy House. Here they are! All 100 of them:

A messy house is a must - it separates your true friends from other friends. Real friends are there to visit you not your house!
Jennifer Wilson
People truly engaged in life have messy houses.
Ottessa Moshfegh (Eileen)
I am an artist, my hair is rarely tamed & sometimes I sleep till noon, My house is messy and I speak to the moon. I care less about the materials that I share with my world and more about the passion inside myself. Im an artist, what more can you expect? i am full of soul, love and all the rest.
Nikki Rowe
Those people with perfect houses are simply obsessed with death. A house that is so well maintained, furnished with good-looking furniture of high quality, decorated tastefully, everything in its place, becomes a living tomb. People truly engaged in life have messy houses.
Ottessa Moshfegh (Eileen)
Messy love is better than none, I guess. I am no authority on sane living.
Margaret Atwood (Morning in the Burned House: Poems)
Daughter, that's life: messy, confusing, heartbreaking, but wonderful.
P.C. Cast (Revealed (House of Night, #11))
A mother needs to be in the home even when the kids aren’t. A messy house sends a coded message to children: “I’m not loveable. Otherwise Mother would dust.
Stephen Colbert (I Am America (And So Can You!))
I don't know what I was thinking, coming out here. There are no silver bullets in life, there's just the long, messy climb out of the pit you've dug youself.
Jodi Picoult (House Rules)
The woman who opens the door has a blue stain on her shirt and dark hair wound into a messy knot and the most beautiful eyes I have ever seen. They're pale, like a lioness's, nearly golden, but they also look like they've done their fair share of crying, and we all know that a sky with clouds in it is much more interesting than one that doesn't have any.
Jodi Picoult (House Rules)
There are no silver bullets in life; there's just the long, messy climb out of the pit you've dug yourself.
Jodi Picoult (House Rules)
Here is the thing about my grief: It’s like a very messy room in a house where the electricity has gone out.
Monica Hesse (Girl in the Blue Coat)
She stands on the cliffs, near the old crumbling stone house. There's nothing left in the house but an upturned table, a ladle, and a clay bowl. She stands for more than an hour, goose-bumped and shivering. At these times, she won't confide in me. She runs her hands over her body, as if checking that it's still there, her heart pulsing and beating. The limbs are smooth and strong, thin and sinewy, her hair long and black and messy and gleaming despite her age. You wouldn't know it to look at her, that she's lived long enough to look for what's across the water. Eighty years later, and she is still fifteen.
Jodi Lynn Anderson (Tiger Lily)
People truly engaged with life have messy houses.
Ottessa Moshfegh
Lazier?” Lust supplied. “He is, trust me. All he does is lounge about with his books. His House is one giant, messy library. Not an orgy or sinful tableau to be found in the whole of his circle. I can’t tell you the last time he engaged in debauchery. I bet he hasn’t even stroked his own cock in a decade. Fucking insulting to demons everywhere.
Kerri Maniscalco (Kingdom of the Feared (Kingdom of the Wicked, #3))
If you were married to yourself could you stay with yourself? My house would be frightening and wild.
Yrsa Daley-Ward (bone)
Messy love is better than none, I guess. I'm no authority on sane living. Which is all true and no hep at all, because this form of love is like the pain of childbirth: so intense it's hard to remember afterwards, or what kind of screams and grimaces it pushed you into.
Margaret Atwood (Morning in the Burned House: Poems)
And don't think that has anything to do with this." He points to his eye. "I'm aware in the moments I lack emotion. You and Garrick don't need to share little oh no glances. I already feel it. It's like sliding over a frozen lake while a shrinking part of me screams that I'm supposed to be swimming in those pieces I've bartered away, and those feelings are right beneath the surface, but fuck is skating faster and a hell of a lot less messy. This shit?" He swings his finger back toward the house. "It's messy and painful and infuriating, and if I could choose to give this portion of myself away, so help me, Malek, I would. I get it now. It's not just the power that's addicting; it's the freedom to not feel this." "Xaden," I whisper, all but bleeding out by the time he finishes. [...] "Don't barter it away." I beg as he stares at the sea and the words spill out of me faster and faster as his eyes harden and he resurrects the defences it took me a year to break past. "The pain. The mess. Give it to me. I'll hold it. I know that sounds ludicrous, but I'll find a way." I lace our fingers. "I will hold everything you don't want to feel because I love every part of you." "You already hold my soul and now you want my pain? Getting greedy, Violence." He brings my hand to his mouth and brushes a kiss over my knuckles before letting go.
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
Daughter, that's life: messy, confusing, heartbreaking, but wonderful. All any of us can do is to try to be ur best, and to learn from our mistakes, as well as our victories
P.C. Cast (Revealed (House of Night, #11))
JOY CHOSE YOU Joy does not arrive with a fanfare on a red carpet strewn with the flowers of a perfect life joy sneaks in as you pour a cup of coffee watching the sun hit your favourite tree just right and you usher joy away because you are not ready for her your house is not as it should be for such a distinguished guest but joy, you see cares nothing for your messy home or your bank balance or your waistline joy is supposed to slither through the cracks of your imperfect life that’s how joy works you cannot truly invite her you can only be ready when she appears and hug her with meaning because in this very moment joy chose you.
Donna Ashworth (Wild Hope: Healing Words to Find Light on Dark Days)
A relationship is like a house. You continue letting everyone in, it will eventually get messy.
Derrick Jaxn
Messy love is better than none. I guess. I'm no authority on sane living.
Margaret Atwood (Morning in the Burned House: Poems)
A monk’s day begins with cleaning. We sweep the temple grounds and gardens and polish the main temple hall. We don’t do this because it’s dirty or messy. We do it to eliminate the suffering in our hearts.
Shoukei Matsumoto (A Monk's Guide to a Clean House and Mind)
I will say this about houses. Those perfect, neat colonials I'd passed earlier that evening on my way through X-ville are the death masks of normal people. Nobody is really so orderly, so perfect. To have a house like that says more about what's wrong with you than any decrepit dump. Those people with perfect houses are simply obsessed with death. A house that is so well maintained, furnished with good-looking furniture of high quality, decorated tastefully, everything in its place, becomes a living tomb. People truly engaged in life have messy houses.
Ottessa Moshfegh (Eileen)
Organization means having a place for everything in your home and having a system for getting it there. “Tidiness” and “messiness” describe how quickly things go back to their place. A tidy person typically returns things to their home immediately whereas a messy person does not.
K.C. Davis (How to Keep House While Drowning)
My shoes were all muddy, so before I walked in my friend's house I sprinkled grass clippings all over my feet and said, “Excuse the mess—I just stepped in real estate.” While the value of my words wasn’t like 2007 prices, it was still worth enough for him to let me in without making me take off my shoes.
Jarod Kintz (This Book Title is Invisible)
Unless you’re a recovering alcoholic or Mormon or have liver problems, you should always have booze in the house. We were once invited to an acquaintance’s place for brunch and they offered us green tea and salad and it was a fucking nightmare.
Jennifer McCartney (The Joy of Leaving Your Sh*t All Over the Place: The Art of Being Messy)
f you had slept in the same house or field with Jesus, awakened with him, eaten with him and helped him, what would you have observed? One thing we always think of is that Jesus gave himself almost entirely to what we would consider interruptions. Most of the teaching, healing and wonders we see in his life were responsive...seemingly unplanned. He trusted that what the Father allowed to cross his path was exactly that...from the Father. Jesus always seemed willing for things to get messy
Marcia Lebhar
The trousers were miles too long, even when Peter cuffed the legs. The socks bagged in the ankles, and the shirt and sweater were equally large. But when Peter finally managed to get the collars to lie right and glanced at the reflection he'd carved out of the dust on James's mirror, a shock went through him. This was the face which had haunted him all his life, the one he had looked in the eye on the day he left the Darling house for the last time. The hair, messy and short, enthusiastically curling without the weight of his old braid to drag it down. The stubborn chin. The clear, sharp, sullen eyes full of everything he had never been allowed to be. Peter ran his hands over himself slowly, breathing tentatively, feeling the weight of his chest under his shirt. He had given this body up. He had thought it belonged to Wendy, to the girl he wasn't. He had let his family make him believe that the only way he would ever be a boy was to be born again in a different shape, leaving everything of his body and history behind. He breathed out and settled in the feeling of being himself, of being something whole.
Austin Chant (Peter Darling)
Why is Nana's house so messy?', she asked after an incongruous moment. Vicky smiled. Ah, well you see, your Nana is a very special lady. She's really quite magical, you know. And when she looks at the world, she sees it in a very special way, like it's a party bag or a toy shop, and she likes to keep bits of it, and she feels sad when she throws things away.
Lisa Jewell (The House We Grew Up In)
When someone is walking beside us, we have more courage to walk into the unknown and to risk the dark and messy places in our journey.
Henry Kimsey-House (Co-Active Leadership: Five Ways to Lead)
No matter how messy your house may be, tidying deals with physical objects. No matter how much stuff you may own, the amount is always finite.
Marie Kondō
From a raging fire that threatened to turn Hazel’s world to ash, the longing instead dampened to a small flame, a flickering candle visible only in the corner of her eyes. You can’t speak to him now, but he’s there if you need him, the candle said. He’s just there, only just out of view. That was the real way she survived losing Jack: by pretending that she hadn’t lost him at all, and that at any moment she might walk up to the big house and see him smiling up at her over tea, see the way his canine teeth extended past the others and overlapped, see his messy hair, which had always contained a hidden pocket of sawdust.
Dana Schwartz (Immortality: A Love Story (The Anatomy Duology #2))
He's my messy handwriting written by a messy me in my messy house, that I saved for my messy journal, he convinced me to have, and I can't help but love him because he gave me a messy friend I love more than myself.
Anagha Karanam
And don't think that has anything to do with this." He points to his eye. "I'm aware in the moments I lack emotion. You and Garrick don't need to share little oh no glances. I already feel it. It's like sliding over a frozen lake while a shrinking part of me screams that I'm supposed to be swimming in those pieces I've bartered away, and those feelings are right beneath the surface, but fuck is skating faster and a hell of a lot less messy. This shit?" He swings his finger back toward the house. "It's messy and painful and infuriating, and if I could choose to give this portion of myself away, so help me, Malek, I would. I get it now. It's not just the power that's addicting; it's the freedom to not feel this." "Xaden," I whisper, all but bleeding out by the time he finishes. [...] "Don't barter it away." I beg as he stares at the sea and the words spill out of me faster and faster as his eyes harden and he resurrects the defences it took me a year to break past. "The pain. The mess. Give it to me. I'll hold it. I know that sounds ludicrous, but I'll find a way." I lace our fingers. "I will hold everything you don't want to feel because I love every part of you." "You already hold my soul and now you want my pain? Getting greedy, Violence." He brings my hand to his mouth and brushes a kiss over my knuckles before letting go.
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
It didn’t look like a house they’d just moved into. There were LEGO robots on the stairs and two cats sleeping on the sofa in the living room. The coffee table was stacked with magazines, and a little kid’s winter coat was spread on the floor. The whole house smelled like fresh-baked chocolate-chip cookies. There was jazz music coming from the kitchen. It seemed like a messy, happy kind of home—the kind of place that had been lived in forever.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
A house that is so well maintained, furnished with good-looking furniture of high quality, decorated tastefully, everything in its place, becomes a living tomb. People truly engaged in life have messy houses. I knew this implicitly at age twenty-four. Of course at twenty-four I was also obsessed with death.
Ottessa Moshfegh (Eileen)
It is a fact of life that oversimplified accounts of the development of science are often necessary in its teaching. Most scientific progress is a messy, complex and slow process; only with the hindsight of an overall understanding of a phenomenon can a story be told pedagogically rather than chronologically. This necessitates the distilling of certain events and personalities from the melee: those who are deemed to have made the most important contributions. It is inevitable therefore that the many smaller or less important advances scattered randomly across hundreds of years of scientific history tend to be swept up like autumn leaves into neat piles, on top of which sit larger-than-life personalities credited with taking a discipline forward in a single jump. Sometimes this is perfectly valid, and one cannot deny the genius of an Aristotle, a Newton, a Darwin or an Einstein. But it often leaves behind forgotten geniuses and unsung heroes.
Jim Al-Khalili (The House of Wisdom: How Arabic Science Saved Ancient Knowledge and Gave Us the Renaissance)
Prior to the HD diagnosis, instances of hoarding have also been referred to as Collyer Brothers syndrome, chronic disorganization, pack rat syndrome, messy house syndrome, pathological collecting, clutter addiction, Diogenes syndrome, squalor syndrome, senile recluse syndrome, and syllogomania (stockpiling rubbish). Some of these terms remain in use.
Scott Herring (The Hoarders: Material Deviance in Modern American Culture)
Maybe the truth is always messy that way.
Alix E. Harrow (Starling House)
A house is spotless, but a home is messy filled with people who live there.
Amber the vamplover twister
There are no silver bullets in life, there's just the long, messy climb out of the pit you've dug yourself.
Jodi Picoult (House Rules)
When someone is walking beside us, we have more courage to walk into the unknown and to risk the dark and messy places in our journey.
Karen Kimsey-House (Co-Active Leadership: Five Ways to Lead)
In conclusion: being messy is not a moral failing, tidy is simply a preference, organization is functional, and you deserve to function.
K.C. Davis (How to Keep House While Drowning: A Gentle Approach to Cleaning and Organising)
room with you. Everything feels sexy to me now. Everything feels new. Four kids and a messy house and a thousand other things we women deal with had weighed me down. And now I feel lighter. All thanks to you. I guess this is just my way of saying thank you for our time together. I think I needed it. I know I should feel terrible about it all. And I suppose I do. But still, Ken, thank you.
Taylor Jenkins Reid (Evidence of the Affair)
As a nine-year-old, I was sorry for everything. "Sonie, you left the refrigerator open!" "Sorry." "Sonya, why is your coat on the couch?" "Sorry." "Sonya, did you get grape jelly on the white pantsuit I paid good money for?" "Sorry, sorry, sorry..." A litany of apologies for my ever clumsy, messy, forgetful self, who spilled evidence of such all over the house. "Sorry" was my way of gathering up the spill.
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
Create your own permission slip for joy. Write three words: Accept. Adapt. Depend. Carry this permission slip with you. Tell your friends you’re working on becoming more content, more joyful. Take a nap. Live with a messy house for a time. Order takeout. File an extension on your taxes. Stare out the window. Linger in the company of a friend. Breathe in the fullness of life. Use those words to fight back with joy.
Margaret Feinberg (Fight Back With Joy: Celebrate More. Regret Less. Stare Down Your Greatest Fears.)
Sometimes bad shit happens, and you have to protect the people you love,” Leon said. “It would be nice if you can do that and keep your hands clean but life doesn’t work that way. Life is messy, and sometimes you must do what needs to be done to keep your family safe. It doesn’t make you a bad person.” I’d have to thank Kurt. “One day some other Prime will threaten our House, and when that day comes, I’ll hill him.” What? “I’ll do it quiet and clean, and nobody will ever know.” Leon smiled. “I’m going to be a dark horse, House Baylor’s secret. I’ll be the best assassin. A legend. They’ll never see me coming.” I would kill Kurt. I would strangle him with my bare hands.
Ilona Andrews (Wildfire (Hidden Legacy, #3))
know what yer thinking: how can I not know if all day, every day I’m hearing every thought of the two men who run my house? That’s the thing, tho. Noise is noise. It’s crash and clatter and it usually adds up to one big mash of sound and thought and picture and half the time it’s impossible to make any sense of it at all. Men’s minds are messy places and Noise is like the active, breathing face of that mess. It’s what’s true and what’s believed and what’s imagined and what’s fantasized and it says one thing and a completely opposite thing at the same time and even tho the truth is definitely in there, how can you tell what’s true and what’s not when yer getting everything? The Noise is a man unfiltered, and without a filter, a man is just chaos walking.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
In two weeks, our house will be empty. And then the stagers will descend with the trucks full of no one’s furniture and art and try to make it look like a different family lived there, an imaginary family with no photographs or mail or food in their refrigerator. In real life, we were sometimes messy. We didn’t always do the dishes. We left pots soaking. We let the papers pile up, and left too many pairs of shoes by the door, and didn’t vacuum as much as we should have. We were not always happy, but we were always us.
Stephanie Perkins (Summer Days and Summer Nights: Twelve Love Stories)
Social expectations about what men and women do play out in the housework realm. For example, a single man who lives alone and is a slob is commonplace. Anna Quindlen's statement that most men live like “bears with furniture”24 is an affectionate testimony to this. People aren’t surprised when single men are slobs, yet few blame a messy house on a husband once men get married. A woman who lives alone and keeps her apartment like a pigsty is more likely to be viewed in a critical way by both men and women. In fact, women do even more housework when they marry and men do even less.
Joshua Coleman (The Lazy Husband: How to Get Men to Do More Parenting and Housework)
Perfectionism is often context-specific. You might feel pressure to present perfectly in social situations, or you might have job-based perfectionism. In short, even if your house is messy or you haven’t been promoted in the last six months, you still might be struggling with perfectionist tendencies.
Liz Fosslien (Big Feelings: How to Be Okay When Things Are Not Okay)
It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.
G.J. Paterson (Bird of Paradise)
The house was once magical, once filled with love and joy and plans for the future. It was entirely too big for the young newlyweds who purchased it, both eager to fill the spare bedrooms with babies, to fill the expansive kitchen with little footprints and messy high chairs, to fill the walls with memories captured in sepia-tone photographs.
Kandi Steiner (What He Doesn't Know (What He Doesn't Know Duet, #1))
when you look at very messy space, it’s easy to feel overwhelmed. Take a few minutes to speak some compassionate words to yourself and take a deep breath. Although it looks like a lot, there are actually only five things in any room: (1) trash, (2) dishes, (3) laundry, (4) things that have a place and are not in their place, and (5) things that do not have a place.
K.C. Davis (How to Keep House While Drowning)
So walk across the street, or drive across town, or fly across the country, but don’t let really intimate loving friendships become the last item on a long to-do list. Good friendships are like breakfast. You think you’re too busy to eat breakfast, but then you find yourself exhausted and cranky halfway through the day, and discover that your attempt to save time totally backfired. In the same way, you can try to go it alone because you don’t have time or because your house is too messy to have people over, or because making new friends is like the very worst parts of dating. But halfway through a hard day or a hard week, you’ll realize in a flash that you’re breathtakingly lonely, and that the Christmas cards aren’t much company.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
Jack Thornton expected Jacob to be a math savant when that's not always part of Asperger's in spite of what Hollywood seems to think. Instead, he's been frustrated by a student whose handwriting is messy, who transposes numbers when doing calculations and who is far too literal to understand some of the theoretical concepts of math like imaginary numbers and matrices.
Jodi Picoult (House Rules)
Get Inspired: Most of us are trying to live an authentic life. Deep down, we want to take off our game face and be real and imperfect. There is a line from Leonard Cohen’s song “Anthem” that serves as a reminder to me when I get into that place where I’m trying to control everything and make it perfect.6 The line is, “There is a crack in everything. That’s how the light gets in.” So many of us run around spackling all of the cracks, trying to make everything look just right. This line helps me remember the beauty of the cracks (and the messy house and the imperfect manuscript and the too-tight jeans). It reminds me that our imperfections are not inadequacies; they are reminders that we’re all in this together. Imperfectly, but together.
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
Let’s imagine a cluttered room. It does not get messy all by itself. You, the person who lives in it, makes the mess. There is a saying that “a messy room equals a messy mind.” I look at it this way. When a room becomes cluttered, the cause is more than just physical. Visible mess helps distract us from the true source of the disorder. The act of cluttering is really an instinctive reflex that draws our attention away from the heart of an issue. If you can’t feel relaxed in a clean and tidy room, try confronting your feeling of anxiety. It may shed light on what is really bothering you. When your room is clean and uncluttered, you have no choice but to examine your inner state. You can see any issues you have been avoiding and are forced to deal with them. From the moment you start tidying, you will be compelled to reset your life. As a result, your life will start to change. That’s why the task of putting your house in order should be done quickly. It allows you to confront the issues that are really important. Tidying is just a tool, not the final destination. The true goal should be to establish the lifestyle you want most once your house has been put in order. Storage
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Lots of decisions are moral decisions, but cleaning your car regularly is not one of them. You can be a fully functioning, fully successful, happy, kind, generous adult and never be very good at cleaning your dishes in a timely manner or have an organized home. How you relate to care tasks—whether you are clean or dirty, messy or tidy, organized or unorganized—has absolutely no bearing on whether you are a good enough person.
K.C. Davis (How to Keep House While Drowning)
Truth? Sometimes I question every last thing I’m doing. Truth? Right now, those questions swirl every damn day. Is this also true for you? Still, we keep moving forward, you and I. We try new things. We doggedly keep on doing the old things because though they may not have worked in the past it doesn’t feel like crazy to continue, it feels like the space of trusting some wild sort of knowing. We love, good and hard. We show up for life. In the midst of depression, insanely messy houses, and bank accounts sliding closer and closer to that fine red line, and panic attacks, and kids who won’t listen but who damn well know how to question and love. And we make stuff. My god, the way we keep on making stuff. Because we can and we have to. Because it’s the only damn thing that feels right when everything else feels a hundred kinds of wrong. We create. Defiant and determined and true. Weary hearts brought to blazing life if only for those wild moments we dance with the muse.
Jeanette LeBlanc
I love you,” he starts with the phrase he loves to repeat at least a hundred times a day. “I love you so much, and I know it’s soon, but fuck, Ollie, I just really love you. When I’m gone, all I can think about is cuddling you on the couch, or falling asleep with you in my arms, or you walking around the house in the morning wearing nothing but my T-shirt with your sleepy smile, your curls trying to escape from your messy bun. When I get off the plane, you’re the first person I want to see. And when I’m home…I want you to be home too. I want us to be home together.
Becka Mack (Consider Me (Playing For Keeps, #1))
In the twenty-first century, the visions of J.C. Nichols and Walt Disney have come full circle and joined. “Neighborhoods” are increasingly “developments,” corporate theme parks. But corporations aren’t interested in the messy ebb and flow of humanity. They want stability and predictable rates of return. And although racial discrimination is no longer a stated policy for real estate brokers and developers, racial and social homogeneity are still firmly embedded in America’s collective idea of stability; that’s what our new landlords are thinking even if they are not saying it.
Tanner Colby (Some of My Best Friends Are Black: The Strange Story of Integration in America)
After he's gone Greer sits for a long time. She rests her head on her knees and weeps - not because she loved Blake and not because she's lost him. But because she did not care of herself. She knew Blake's nature the moment she met him, just as she knew the philandering fiancé. She knew them and she knew herself. Greer thinks of the story of the scorpion and the frog, and she knows she cannot blame these men for her messy life, they only did what she always knew they would do. No, this is not about crushed hopes and broken dreams. This is about trusting her own heart. Hope doesn't even enter into it.
Menna Van Praag (The House at the End of Hope Street)
I didn't do well at school. I cleaned houses and offices for a living. Some people looked down on me. Yet, Essie never did. She had her demands, liked her carpets cleaned a certain way, and hated the smell of grapefruit in her bathroom. But she treated me with respect, like I was a human being. If she asked me a question, she listened to my answer and considered it. Even a small gap in a door can let in a lot of light. And it made me feel special. I'm proud to be one of the few people she let into her life. The other people were you. Our relationships with her weren't smooth. Maybe Essie could have treated people better. Maybe they could have treated her better too...
Phaedra Patrick (The Messy Lives of Book People)
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
The doorbell rings again, and I thank God for small miracles. "Hold again," I say as I hold against my shoulder. I walk over, smiling because I know that Nicole must be going out of her mind. "Did you for--" "Hello, Officer Covey." Eli grins as he leans against the doorframe. "I was hoping you were home. We didn't get a chance to finish our conversation." Not even thinking, I close the door and stand there. Holy shit. What the hell? "Heather?" Nicole's voice is a buzzing in my ear. Or is that my suddenly frantic pulse? "Hmm?" I can't speak. Eli Walsh is at my freaking house. "Is that whole I think it is?" I rise onto my tiptoes and peek out the peephole. Sure enough, he's right there, smiling as if he has not a care in the world. "Yup." "Are you fucking kidding?" Nicole screams. "Holy shit, Nic. What the hell do I do?" My heart continues to race, and I'm completely freaking out. Nicole chuckles and then proceeds to yell again. "Open the goddamn door!" I look in the mirror and groan. I have on shorts and an oversized sweatshirt, which now has a beautiful pizza stain on the front. My hair is in a messy bun, I'm not wearing any makeup, and I have my glasses on instead of my contacts. I can't believe this. Eli knocks again. "Heather, I can hear you on the other side." My hand presses against the wood and I close my eyes, "What do you want, Eli?" "Heather! Open the fucking door right now!" Nicole's voice raises in my ear. "Shut up!" I yell at my jackass best friend. "I didn't say anything," Eli answers.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Sometimes our need clouds our ability to develop perspective. Being needy is kind of like losing your keys. You become desperate and search everywhere. You search in places you know damn well what you are looking for could never be. The more frantic you become in trying to find them the less rational you are in your search. The less rational you become the more likely you'll be searching in a way that actually makes finding what you want more difficult. You go back again and again to where you want them to be, knowing that there is no way in hell that they are there. There is a lot of wasted effort. You lose perspective of your real goal, let's say it's go to the grocery store, and instead of getting what you need -nourishment, you frantically chase your tail growing more and more confused and angry and desperate. You are mad at your keys, you are mad at your coat pockets for not doing their job. You are irrational. You could just grab the spare set, run to the grocery store and get what you need, have a sandwich, calm down and search at your leisure. But you don't. Where ARE your keys?! Your desperation is skewing your judgement. But you need to face it, YOUR keys are not in HIS pocket. You know your keys are not there. You have checked several times. They are not there. He is not responsible for your keys. You are. He doesn't want to be responsible for your keys. Here's the secret: YOU don't want to be responsible for your keys. If you did you would be searching for them in places they actually have a chance of being. Straight boys don't have your keys. You have tried this before. They may have acted like they did because they wanted you to get them somewhere or you may have hoped they did because you didn't want to go alone but straight boys don't have your keys. Straight boys will never have your keys. Where do you really want to go? It sounds like not far. If going somewhere was of importance you would have hung your keys on the nail by the door. Sometimes it's pretty comfortable at home. Lonely but familiar. Messy enough to lose your keys in but not messy enough to actually bother to clean house and let things go. Not so messy that you can't forget about really going somewhere and sit down awhile and think about taking a trip with that cute guy from work. Just a little while longer, you tell yourself. His girlfriend can sit in the backseat as long as she stays quiet. It will be fun. Just what you need. And really isn't it much safer to sit there and think about taking a trip than accepting all the responsibility of planning one and servicing the car so that it's ready and capable? Having a relationship consists of exposing yourself to someone else over and over, doing the work and sometimes failing. It entails being wrong in front of someone else and being right for someone too. Even if you do find a relationship that other guy doesn't want to be your chauffeur. He wants to take turns riding together. He may occasionally drive but you'll have to do some too. You will have to do some solo driving to keep up your end of the relationship. Boyfriends aren't meant to take you where you want to go. Sometimes they want to take a left when you want to go right. Being in a relationship is embarking on an uncertain adventure. It's not a commitment to a destination it is just a commitment to going together. Maybe it's time to stop telling yourself that you are a starcrossed traveler and admit you're an armchair adventurer. You don't really want to go anywhere or you would venture out. If you really wanted to know where your keys were you'd search in the most likely spot, down underneath the cushion of that chair you've gotten so comfortable in.
Tim Janes
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
To be honest? I'd thought myself above them. What a nasty little counter-culture snob I was. There they were, doing their fucking best, trying to have a life, trying to bring up their children decently, struggling to make the payments on the little house, wondering where their youth had gone, where love had gone, what was to become of them and all I could do was be a snotty, judgmental cow. But it was no good. I couldn't be like them. I'd seen too much, done too much that was outside anything they knew. I wasn't better than them, but I was different. We had no point of contact other than work. Even then, they disapproved of my attitude, my ways of dealing with the clients. Many's the time I'd ground my teeth as Andrea or Fran had taken the piss out of some hapless, useless, illiterate get they were assigned to; being funny at the expense of their stupidity, their complete inability to deal with straight society. Sure, I knew it was partly a defence mechanism; they did it because it was laugh or scream, and we were always told it wasn't good to let the clients get too close. But all too often - not always, but enough times to make me seethe with irritation - there was an ingrained, self-serving elitism in there too. Who'd see it better than me? They sealed themselves up in their white-collar world like chrysalides and waited for some kind of reward for being good girls and boys, for playing the game, being a bit of a cut above the messy rest - a reward that didn't exist, would never come and that they would only realise was a lie when it was far too late. Now I would be one of the Others, the clients, the ones who stood outside in the cold and, shivering, looked in at the lighted windows of reason and middle-class respectability. I would be another colossal fuck-up, another dinner party story. But my sin was all the greater because I'd wilfully defected from the right side to the hopelessly, eternally wrong side. I was not only a screw-up, I was a traitor.
Joolz Denby (Wild Thing)
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
Bear Grylls (Mud, Sweat and Tears)
Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole. What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house? I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want. Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process. These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust. If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art. ... (6:06:57) ... When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay. If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
In her enthralling debut, Circle of Chalk, Christina McClelland tackles the complicated and sometimes controversial subject of IVF with compassion and honesty. McClelland doesn’t shy away from the messiness but rather invites the reader into the decades’ long journey. The story twists and turns until the very last page. Elizabeth Musser, author of The Swan House, When I Close My Eyes, The Promised Land
Elizabeth Musser
I am a boy mom, but I am raising two very different boys. So what does #lifewithboys mean in my house? Mud. Blood. ER visits and black eyes. “He threw a rock at me!” but also, “Let’s play a math game on the computer!” Holes in the knees of brand-new pants. Dirty cleats and stinky jock-straps. Marathon games of Monopoly, chess, and Sudoku. Reading Harry Potter five times. Yelling “No throwing baseballs in the house!” Science camp by day and soccer practice by night. Messy hair and dirty fingernails. Overdue library books. Tears. Fears. And love. We may have holes in the walls and holes in our pants, but I wouldn’t trade this life. It’s exhaustingly beautiful and never boring. Someday, my youngest child may have a boy just like him, and when he throws a baseball through the living room window, I’ll tell my son that it’s okay. He’s just a little boy.
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
mine. I was exhausted all of the time, and I said to this friend: “I feel like I’m just surviving at this point. I’m not thriving.” Once I was in the Carriage Square house and embracing the laughter and messiness of my kids and not cleaning all day long, I realized that it was up to me to flip that switch from surviving to thriving. It was just a mental shift, a readjustment in my way of thinking—like seeing my kids’ fingerprints as kind of cute instead of a miserable mess.
Chip Gaines (The Magnolia Story)
tidy things up not because it’s bad that it’s messy but because it has reached the end of that cycle of functionality and I need to reset it so it can have another twenty-four hours of it serving me.
K.C. Davis (How to Keep House While Drowning)
Chores → care tasks Chores are obligations. Care tasks are kindness to self. Cleaning → resetting the space Cleaning is endless. Resetting the space has a goal. It’s so messy in here! → this space has reached the end of its functional cycle It’s so messy in here feels like failure. This space has reached the end of its functional cycle is morally neutral. Good enough is good enough → good enough is perfect Good enough is good enough sounds like settling for less. Good enough is perfect means having boundaries and reasonable expectations. Shortcut:
K.C. Davis (How to Keep House While Drowning)
This house is like my life: messy, a bit broken, but full of possibility. And both have suffered a lot of neglect. Oh. And we are both hot as hell.
Holly Roberds (Chasing Goldie (The Lost Girls, #2))
I’m wondering if you’re feeling that you’ve earned our trust and we should count on you to make good choices, even when you’re at a house where things get out of hand,” or “We know how busy you are—are you feeling like it’s not a big deal if your room is messy, given that you’re staying on top of everything else?
Lisa Damour (The Emotional Lives of Teenagers: Raising Connected, Capable, and Compassionate Adolescents)
It’s a messy, forgiving, rambunctious house, filled with love and mischief. There have been so many good times here, and perhaps you already know the truth that good times beget other good times. And so there are plenty more to come. This house wants to be yours.
Maddie Dawson (Matchmaking for Beginners)
When you accept who you are and what you want, you’re less likely to be triggered by someone else’s opinion of you or perception of your ideas. When we broaden our scope of love, we’re not excluding people for what they do or how they act (unless they are abusive). We love them because we want to be loving people. If you like a clean house, you keep it clean whether you have guests or not—it makes it a more pleasant place for you to live. The same is true when you create a loving environment in your heart. You do it for yourself, no matter who receives or returns it. You don’t mess your house up if someone messy comes in. You don’t fill your heart with hate because someone hateful enters your radius. You want to live in a house of love.
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
...when you're reading article after article where the author is complaining about their kids, their spouses, their messy houses, and their demanding bosses, you start to see your own life through that lens. You get annoyed when your toddler spills their snack, instead of chuckling and realizing that's what toddlers do. You get mad when your spouse leaves their toothbrush out, instead of realizing that it was because they were in a rush to get to work after they fed the kids breakfast that morning. You start to think that if you had a nicer house, your life would be magically more organized. ...
Karissa Tunis (Parenting While Working from Home: A Monthly Guide to Help Parents Balance Their Careers, Connect with Their Kids, and Establish Their Inner Strength)
On an early morning scouting trip in the foothills north of Los Angeles, two van-loads of crew people fan out over an area that the production designer wants to make into a guerrilla army encampment. I stay close to the vans, keeping an overview of the area and waiting for the director to emerge. It’s a warm sunny day. Most of the crew is wearing shorts and running shoes. The director is another story. He climbs out of his van wearing a location-specific hunter-outdoorsman khaki outfit complete with an impressive pair of lug-sole hiking boots and walks off in the general direction the crew has taken, thumbing through some script notes. A few seconds later he steps squarely into a pile of dog-doo that everyone else has successfully navigated. I watch, transfixed, as he leaps back in horror and freezes. He does not spot me as he quickly looks around to see if anyone has noticed his predicament. No one else has. He hurriedly examines the bottom of his now-disgusting hiking boot. I take a deep breath and step from beside the van, pretending I am deeply involved in a conversation on my walkie-talkie. As I walk toward him, I pull a little folding penknife from my pocket and flip the blade open. I hand it to him without a word as I pass and continue on toward the location, still pretending to be talking into the radio. I round the corner of a building and find a vantage point. The director is hopping up and down on one foot, hurriedly scraping the bottom of his boot with the tiny knife. He finishes the messy job, pulls himself together, and strides purposefully around the building and toward a clearing where the crew has gathered, waiting for his comments. I quickly take my place as the director approaches. He walks briskly past me and without looking, hands the little knife back to me with the dog-doo-covered blade still open. He continues on to the front of the group and with complete authority runs through his ideas for the scene. Over the next few months of filming, neither of us ever mentions the incident.
David McGiffert (Best Seat in the House - An Assistant Director Behind the Scenes of Feature Films)
Hunt asked, “You really have to moderate petty fights like that?” Ruhn ran a hand down the hilt of the Starsword. “Why not?” “You’re a prince.” “I don’t understand why you make that sound like an insult,” Ruhn growled. Hunt said, “Why not do … bigger shit?” Bryce answered for him. “Because his daddy is scared of him.” Ruhn shot her a warning look. “He outranks me power-wise and title-wise.” “And yet he made sure to get you under his thumb as early as possible—as if you were some sort of animal to be tamed.” She said the words mildly, but Ruhn tensed. “It was going well,” Ruhn said tightly, “until you came along.” Hunt braced himself for the brewing storm. Bryce said, “He was alive the last time a Starborn Prince appeared, you know. You ever ask what happened to him? Why he died before he made the Drop?” Ruhn paled. “Don’t be stupid. That was an accident during his Ordeal.” Hunt kept his face neutral, but Bryce just leaned back in her chair. “If you say so.” “You still believe this shit you tried to sell me as a kid?” She crossed her arms. “I wanted your eyes open to what he really is before it was too late for you, too.” Ruhn blinked, but straightened, shaking his head as he rose from the table. “Trust me, Bryce, I’ve known for a while what he is. I had to fucking live with him.” Ruhn nodded toward the messy table. “If I hear anything new about the Horn or this synthetic healing magic, I’ll let you know.” He met Hunt’s stare and added, “Be careful.” Hunt gave him a half smile that told the prince he knew exactly what that be careful was about. And didn’t give a shit.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
So walk across the street, or drive across town, or fly across the country, but don’t let really intimate loving friendships become the last item on a long to-do list. Good friendships are like breakfast. You think you’re too busy to eat breakfast, but then you find yourself exhausted and cranky halfway through the day, and discover that your attempt to save time totally backfired. In the same way, you can try to go it alone because you don’t have time or because your house is too messy to have people over, or because making new friends is like the very worst parts of dating. But halfway through a hard day or a hard week, you’ll realize in a flash that you’re breathtakingly lonely, and that the Christmas cards aren’t much company. Get up, make a phone call, buy a cheap ticket, open your front door. Because there really is nothing like good friends, like the sounds of their laughter and the tones of their voices and the things they teach us in the quietest, smallest moments.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
Grief can be like a very messy room in our house. It's best to enter slowly and pick up one item at a time. If we try to face and take in the entire room at once, we can become overwhelmed and paralyzed by the magnitude and intensity of our feelings and by all the rich 'stuff' that's there.
Claire B. Willis
This was what she imagined love should be. Messy and convoluted and silent and loud, but when shit hit the fan, when the house was on fire, you still danced.
J.H. Markert (Mister Lullaby)
The house was two stories in height. It was of buff brick, with white trim about the windows and the doorway. It was not large, but it occupied an extremely advantageous position. It sat on a corner plot, so that it faced both ways at once, without obstruction. Moreover, the ground-plot itself extended beyond the house, if not lavishly at least amply, so that it touched none of its neighbors. There was room left for strips of sod in the front, and for a garden in the back. It was not, of course, strictly presentable yet. There were several small messy piles of broken, discarded bricks left out before it, the sod was not in place, and the window glass was smirched with streaks of paint. But something almost reverent came into the man’s face as he looked at it. His lips parted slightly and his eyes softened. He hadn’t known there could be such a beautiful house. It was the most beautiful house he had ever seen. It was his.
Cornell Woolrich (Waltz into Darkness)
We can’t wear more than one coat at a time. Why do we own thirty coats for five people?’’ Mulling it over, I concluded, “My house isn’t too small. It’s my excess stuff that made it shrink.
Annie Eklöv (Help! My Room Exploded: How to Simplify Your Home to Reduce ADHD Symptoms)
Which areas of the house cause you the most difficulties due to clutter and messiness? Write down the names of these rooms or areas. For each room, answer the following questions: What is your biggest problem with this room? What can you never find in this room? Have you tried to organize this room before? What were the results? What could you do differently this time to feel more successful? Do you have a lot of things you don’t need in this room, or do they just need to be grouped with similar items and stored more efficiently? Now that you know what needs to be fixed, it is time to create goals and deadlines for each room. If you could wave a magic wand and make this room exactly the way you wanted it to be, what would it look like? Would you have fewer items in the room? Would you add another piece of furniture for storage? The ideas you come up with are now your goals for the room. Next, decide on the steps and deadlines for each room. For example, one of your goals for your home office is to get rid of some of your books. Your goal, steps, and deadlines would look like this: Goal: Decrease the number of books in the home office.
Stephanie Sarkis (10 Simple Solutions to Adult ADD: How to Overcome Chronic Distraction and Accomplish Your Goals (The New Harbinger Ten Simple Solutions Series))
I wonder if he practices making awkward and nerdy look sort of cool. Like he fills his house with furniture that is the wrong scale for his tall body and buys plaid shirts in bulk and tells his barber to leave crazy, too-long pieces of hair mixed in with the regularly cut hair so everything always looks messy. Then he runs his hands through his hair and puts on his plaid shirts and uses mirrors to watch himself sit in uncomfortable furniture until comfortable furniture looks like it's the one with the problem.
Mary Ann Rivers (Snowfall)
George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling. At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.
Aimee Bender (The Particular Sadness of Lemon Cake)
We don’t do this because it’s dirty or messy. We do it to eliminate the gloom in our hearts.
Shoukei Matsumoto (A Monk's Guide to a Clean House and Mind)
Not that is was her job, but she took a few minutes to tidy up while she waited for Aimee. She knew how depressing it could be to wake up in a messy house, how it could make you feel like the new day was already old.
Tom Perrotta (The Leftovers)
First things first: A clean house simply looks better than a messy house. A room where everything has its place is nicer than a room filled with chaotic stacks and clutter. If you want your house to look nicer and have a better ambiance, the first and simplest thing you can do is to clean.
Katie Sawyer (Cleaning and Organization Hacks: Discover Simple and Powerful Hacks for Housecleaning, Staying Organized & Clearing Clutter Today)
We are, to varying degrees, foolish, weak, and often just plain inexplicable — and always will be. As Kant put it: “Out of the crooked timber of humanity no straight thing was ever made.” People with a crooked timber mentality tend to see life as full of ironies. Intellectual life is ironic because really smart people often do the dumbest things precisely because they are carried away by their own brilliance. Politics is ironic because powerful people make themselves vulnerable because they think they can achieve more than they can. Marriage is ironic because you are trying to build a pure relationship out of people who are ramshackle and messy. There’s an awesome incongruity between the purity you glimpse in the love and the fact that he leaves used tissues around the house and it drives you crazy.
Anonymous
After we become Christians, we have let him, so to speak, into our house. But there are all sorts of messes in our house, and while we might maintain the front room for “company”, the problem with our Lord is that he is never content just to stay in the front room. He wants nothing less than all of us, every closet, every messy room, and even our cluttered junk drawers. He is always poking around, letting us know that we are not right yet, and that there is yet another mess for us to begin cleaning up.
Patrick Davis (Because You Asked)
Anxious to defend his adopted city—especially his side of town, the less fashionable west end—Eli considered giving Veronica a condensed lecture on the history of Asheville, North Carolina. 1880: the Western North Carolina Railroad completed a line from Salisbury to Asheville, which later enabled George Washington Vanderbilt to construct the Biltmore Estate, the largest private residence in America. Over time, that 179,000 square foot house transitioned into a multi- million dollar company. Which lured in tourists. Who created thousands of jobs. Which caused the sprawl flashing by Eli’s window at fifty-five miles per hour. But Eli refrained from being the Local Know-It-All, remembering all the times he’d traveled to new cities and some cabbie wanted to play docent, wanted to tell him about the real Cleveland or the hidden Miami. Instead, he let the air conditioner chase away the remnants of his jet lag and thought about Almario “Go Go” Gato. He waited for Veronica to say something about the Blue Ridge Mountains, which stood alongside the highway, hovering over the valley below like stoic parents waiting for their kids to clean up their messy bedrooms. Eli gave her points for her silence. And for ditching the phone, even if she kept glancing anxiously toward the glove compartment every time it buzzed. The car rode smooth, hardly a bump. For a resident of Los Angeles, she drove cautiously, obeying all traffic laws. Eli had a perfect driving record. Well, almost perfect. There was that time he drove the Durham Bulls’ chartered Greyhound into the right field fence during the seventh inning stretch. But that was history. Almost ancient.
Max Everhart
Often times we are what we attract and if you don’t want messiness keep a clean house. Love,
Alexandra Elle Smith (Words from a Wanderer (Notes and Love Poems Book 1))
the messy papers, she spied a note that stopped her cold. It was written in baby talk in bright red crayon. Ya, ya, da, da, if you’re good enough, I’ll save you, it said. Next to the note was a crinkly map leading somewhere underground. Tracy knew she shouldn’t stay here another minute alone. She needed backup. She’d call in a second, but first Tracy grabbed the map and scoured it. The map seemed to point to the basement of this house. My God! thought Tracy, trembling, could Albert be down there now? Is that where he’s holding
Julian Starr (Invitation to Die (The Killing Game #1))
youngest child entered first grade. During the next few years, she joined Romance Writers of America, learned a few things about writing a book, and decided the process was way more fun than analyzing financial statements. Melinda’s debut novel, She Can Run, was nominated for Best First Novel by the International Thriller Writers. Melinda’s bestselling books have garnered three Daphne du Maurier Award nominations and a Golden Leaf Award. When she isn’t writing, she is an avid martial artist: she holds a second-degree black belt in Kenpo karate and teaches women’s self-defense. She lives in a messy house with her husband, two teenagers, a couple
Melinda Leigh (Tracks of Her Tears (Rogue Winter, #1))