Charm Is Deceitful Quotes

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A lie isn’t a lie until someone believes it. It doesn’t matter how charming you are if there’s no one to charm.
Leigh Bardugo (Ninth House (Alex Stern, #1))
30Charm is deceitful and beauty is passing, But a woman who fears the LORD, she shall be praised.
Charles F. Stanley (The Charles F. Stanley Life Principles Daily Bible, NKJV)
Proverbs 31:30: “Charm is deceitful, and beauty is vain, but a woman who fears the LORD is to be praised.
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
the narcissist has learned that other people do not always do his bidding or meet his demands in the way that he expects. He has, therefore, developed formidable manipulation skills, at times deceitfully, to achieve his goals. Sometimes these skills are a highly developed ability to charm and bring others under his spell or influence.
Eleanor D. Payson (The Wizard of Oz and Other Narcissists: Coping with the One-Way Relationship in Work, Love, and Family)
He had swept her off her feet then, and was all charm and charisma but then the magic slowly diminished and finally died due to his secret betrayals over time. Thousands of little resentments had replaced the early warmth. But their hearts, although heavy with bitterness and anger at the failed expectations, had gotten used to the solace of each other’s company that often comes with years of living together, and they never stopped performing this morning ritual of their married life.
Neena H. Brar (Tied to Deceit)
It is what often happens in the establishment. Inconvenient truths are left buried. If you don't ask too may questions of a gentlemen then you won't be disappointed." "And this is what makes us British?" "It is our face to the world," Sidney replied. "Many of us are civilised, charming and perfectly genuine people. Others have developed their reserve into a form of refined deceit. It's why people find the British so intriguing, Georgie. The line between the gentleman and the assassin can be so very thin.
James Runcie (Sidney Chambers and the Perils of the Night (Grantchester #2))
Yes, yes, it ended in my corrupting them all! How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood. Oh, at first perhaps it began innocently, with a jest, coquetry, with amorous play, perhaps indeed with a germ, but that germ of falsity made its way into their hearts and pleased them. Then sensuality was soon begotten, sensuality begot jealousy, jealousy—cruelty . . . Oh, I don't know, I don't remember; but soon, very soon the first blood was shed. They marvelled and were horrified, and began to be split up and divided. They formed into unions, but it was against one another. Reproaches, upbraidings followed. They came to know shame, and shame brought them to virtue. The conception of honour sprang up, and every union began waving its flags. They began torturing animals, and the animals withdrew from them into the forests and became hostile to them. They began to struggle for separation, for isolation, for individuality, for mine and thine. They began to talk in different languages. They became acquainted with sorrow and loved sorrow; they thirsted for suffering, and said that truth could only be attained through suffering. Then science appeared. As they became wicked they began talking of brotherhood and humanitarianism, and understood those ideas. As they became criminal, they invented justice and drew up whole legal codes in order to observe it, and to ensure their being kept, set up a guillotine. They hardly remembered what they had lost, in fact refused to believe that they had ever been happy and innocent. They even laughed at the possibility o this happiness in the past, and called it a dream. They could not even imagine it in definite form and shape, but, strange and wonderful to relate, though they lost all faith in their past happiness and called it a legend, they so longed to be happy and innocent once more that they succumbed to this desire like children, made an idol of it, set up temples and worshipped their own idea, their own desire; though at the same time they fully believed that it was unattainable and could not be realised, yet they bowed down to it and adored it with tears! Nevertheless, if it could have happened that they had returned to the innocent and happy condition which they had lost, and if someone had shown it to them again and had asked them whether they wanted to go back to it, they would certainly have refused. They answered me: "We may be deceitful, wicked and unjust, we know it and weep over it, we grieve over it; we torment and punish ourselves more perhaps than that merciful Judge Who will judge us and whose Name we know not. But we have science, and by the means of it we shall find the truth and we shall arrive at it consciously. Knowledge is higher than feeling, the consciousness of life is higher than life. Science will give us wisdom, wisdom will reveal the laws, and the knowledge of the laws of happiness is higher than happiness.
Fyodor Dostoevsky (The Dream of a Ridiculous Man, and the Little Orphan)
Celebrity mentality sometimes misguides us to make wrong choices. That’s why T.V screens sometimes lie to us!
Israelmore Ayivor (Leaders' Watchwords)
and the teaching of kindness is on her tongue. 27 She looks well to the ways of her household and does not eat the bread of idleness. 28 Her children rise up and call her blessed; her husband also, and he praises her: 29 “Many women have done excellently, but you surpass them all.” 30 Charm is deceitful, and beauty is vain, but a woman who fears the LORD is to be praised. 31 Give her of the fruit of her hands, and let her works praise her in the gates.
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
It is foolish to wish for beauty.  Sensible people never either desire it for themselves or care about it in others.  If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.  So said the teachers of our childhood; and so say we to the children of the present day.  All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face—when we know no harm of the possessor at least?  A little girl loves her bird—Why?  Because it lives and feels; because it is helpless and harmless?  A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.  If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections.  Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versâ with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. 
Anne Brontë (Agnes Grey)
The deeply irrational attitude of each sex toward women may be seen in novels, particularly in bad novels. In bad novels by men, there is the woman with whom the author is in love, who usually possesses every charm, but is somewhat helpless, and requires male protection; sometimes, however, like Shakespeare’s Cleopatra, she is an object of exasperated hatred, and is thought to be deeply and desperately wicked. In portraying the heroine, the male author does not write from observation, but merely objectifies his own emotions. In regard to his other female characters, he is more objective, and may even depend upon his notebook; but when he is in love, his passion makes a mist between him and the object of his devotion. Women novelists, also, have two kinds of women in their books. One is themselves, glamorous and kind, and object of lust to the wicked and of love to the good, sensitive, highsouled, and constantly misjudged. The other kind is represented by all other women, and is usually portrayed as petty, spiteful, cruel, and deceitful. It would seem that to judge women without bias is not easy either for men or for women.
Bertrand Russell (An Outline of Intellectual Rubbish: A Hilarious Catalogue of Organized and Individual Stupidity)
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face--when we know no harm of the possessor at least? A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versa with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised.
Anne Brontë
what is a psychopath? The short version.” “A person who is superficially charming and well-spoken; demonstrates inflated self-esteem, arrogance, and a sense of superiority; is consistently deceitful and prone to pathological lying; is cunning and manipulative, maneuvering others for his or her own personal gain; has no remorse and feels no guilt; is callous, inconsiderate, and unconcerned by the pain and suffering of others; shows shallow affect, demonstrating a limited range and depth of emotional responses and feelings; exhibits minimal fear responses and a disinclination to change behavior in response to pain or negative social stimuli; and gets bored easily, needing constant stimulation.
Paul Draker (Pyramid Lake: A Psychological Suspense Technothriller (Trevor Lennox Technothriller Series Book 1))
You’re a fiend! You enjoy torturing me, making me tell you lies, just so that you’ll leave me in peace.” This second blow was even more terrible for Swann than the first. Never had he supposed it to have been so recent an event, hidden from his eyes that had been too innocent to discern it, not in a past which he had never known, but in the course of evenings which he so well remembered, which he had lived through with Odette, of which he had supposed himself to have such an intimate, such an exhaustive knowledge, and which now assumed, retrospectively, an aspect of ugliness and deceit. In the midst of them, suddenly, a gaping chasm had opened: that moment on the island in the Bois de Boulogne. Without being intelligent, Odette had the charm of naturalness. She had recounted, she had acted the little scene with such simplicity that Swann, as he gasped for breath, could vividly see it: Odette yawning, the “rock, there,” . . . He could hear her answer—alas, how gaily—“I’ve heard that tale before!
Marcel Proust (Swann's Way (In Search of Lost Time, #1))
Charm is deceitful, and beauty is vain,         but a woman who fears the LORD is to be praised.
Anonymous (ESV Global Study Bible)
He arched a mocking eyebrow. “Do you plan to stay and watch me dress?” Her blush intensified as she stumbled off the bed. “You’re a devil.” She planted her feet on the floor and struggled to do up her dress. While she fiddled, he wrenched the shirt over his head. Hearing a frustrated hiss, he bit back a smile and the impulse to tell her she was adorable. He stepped up to her. “Let me help.” To his surprise, she presented her back and swept the curtain of hair aside to reveal the graceful line of nape and shoulders. For a forbidden moment, he didn’t move, but inhaled until her flowery scent flooded his senses. “What on earth are you doing?” she asked, turning her head to give him a glimpse of her profile. Her features weren’t delicate. There was too much character in her nose and defiance in her chin. But he dared anyone who saw her ever to forget her. “Considering artistic matters,” he said gently. He set to doing up her gown. Much against his deepest inclinations. Her lips tightened. “Oh?” “You know, I’d never cast you as Cinderella.” He fastened the top hook and lowered his hands to her slim hips. He tempted fate—and self-control—but he couldn’t resist stringing out the physical contact. “You’re more queen than ingénue.” “Well, you’re no Prince Charming.” She wriggled free and faced him. To his regret, her dress once more covered her to the collarbones. “Tch, tch, no need to take your bad temper out on me.” And received a killing glance for his trouble. “It’s a cursed ill wind that landed you on my doorstep,” she muttered, just loudly enough for him to hear. His lips twitched. She wasn’t much good at deception — an appealing quality in a wife. She kept forgetting that she was meant to be a humble housemaid. Humility, like deceit, wasn’t easy for this imperious creature. Any man who took her on would never have the docile wife touted as ideal. But then, Lyle had never settled for the general run of things. If he married Charlotte Warren—and every moment inclined him more toward the outlandish idea—there would be fireworks. Luckily he loved fireworks. “On
Anna Campbell (Stranded with the Scottish Earl)
it really so in your souls? Are you now henceforth dead to the world, and dead to sin, and quickened into the life of Christ? If you are so, then the text will bear to you a third and practical meaning, for it will not merely be true that your old man is condemned to die and a new nature is bestowed, but in your common actions you will try to show this by newness of actual conduct. Evils which tempted you at one time will be unable to beguile you now because you are dead to them: the charms of the painted face of the world will no longer attract your attention, for your eyes are blind to such deceitful beauties. You have obtained a new life which can only be satisfied by new delights, which can only be motivated by new purposes and constrained by new principles suitable to its own nature. This
Charles Haddon Spurgeon (Christ's Glorious Achievements: Set Forth In Seven Sermons (Spurgeon’s Shilling Series))
Charm is deceitful, and beauty empty; The woman who is wise is the one to praise.
Proverbs
Charm may be deceitful, but it’s the best weapon to have in your arsenal.
Jami Albright (Running with a Sweet Talker (Brides on the Run, #2))
31:30 Charm is deceitful, and beauty is vain; but a woman who fears the Lord, she shall be praised.
Brad Haven (Daily Devotions: Walking Daily in the New Testament and Proverbs: In just minutes per day - read through the New Testament and the book of Proverbs - easy to read format - modern english)
He had known he was different from a very young age. He always seemed to know just how to get what he wanted. Other people, even his loving parents, meant nothing to him. They were just pawns, rubes, to be played as he saw fit. And he had always known the precise way to manipulate people to achieve his own ends. It was his genius. He could bully or charm with equal facility, and didn’t have a preference either way. He could construct elaborate webs of lies and deceit more effortlessly than other boys his age could construct buildings out of Legos.
Douglas E. Richards (BrainWeb)
Charm is deceitful and beauty is vain, but a woman who fears the Lord is to be praised.
Anonymous
For Nietzsche, woman was God's second mistake. But what then is the first? I don't know, even if I believed in the God of Abraham and Abrahamic religions, it would be a bit diffucult for me to answer it. However, based on the religious scriptures, one can assume that God was a bit disappointed with his masterpiece -- Adam, realised that life in Paradise seems a bit incomplete, uninteresting for him, he cannot find the meaning of his life, therefore God decided to correct his mistake by creating Eve to be Adam's love. As a result, with the help of Eve, eating fruit from the forbidden tree in Paradise, both of them had to abandon there. However, God couldn't do anything, because he had already made his second mistake -- he created such a charming and deceitful being for Adam's mind. Perhaps, this is just the creation myth of Abrahamic religions, nevertheless, I am convinced that the woman is a charming and deceitful being for male mind.
Elmar Hussein
Almost inconceivable is the power of a visible communion of numbers to give intensity to those feelings of the heart which usually retire into privacy, or only open themselves to the confidence of friendship. The faith in the validity of such emotions becomes irrefragable from its diffusion; we feel ourselves strong among so many associates, and all hearts and minds flow together in one great and irresistible stream. On this very account the privilege of influencing an assembled crowd is exposed to most dangerous abuses. As one may disinterestedly animate them, for the noblest and best of purposes, so another may entangle them in the deceitful meshes of sophistry, and dazzle them by the glare of a false magnanimity, whose vainglorious crimes may be painted as virtues and even as sacrifices. Beneath the delightful charms of oratory and poetry, the poison steals imperceptibly into ear and heart.
August Wilhelm von Schlegel (Lectures on Dramatic Art and Literature)