Baker Street Quotes

Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.

In those days Mr. Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road.

My grandfather stood beside me and looked across the street, too. "No, Bryce," he said softly. "She's the same as she's always been; you're the one who's changed." He clapped his hand on my shoulder and whispered, "And son, from here on out, you'll never be the same again.

...Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature.

Kit: We could go to Baker Street. We are in London. Ty: To 221B Baker Street?

But there can be no grave for Sherlock Holmes and Doctor Watson...Shall they not always live in Baker Street? Are they not there this moment, as one writes? Outside, the hansoms rattle through the rain, and Moriarty plans his latest devilry. Within, the sea-coal flames upon the hearth and Holmes and Watson take their well-won case...So they still live for all that love them well; in a romantic chamber of the heart, in a nostalgic country of the mind, where it is always 1895.

A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221 1/2 B Baker Street and didn't find him." [An Invitation to Learning, January 1942]

Look, I get it. I’m a white, heterosexual man. It’s really easy for me to say, ‘Oh, wow, wasn’t the nineteenth century terrific?’ But try this. Imagine the scene: It’s pouring rain against a thick window. Outside, on Baker Street, the light from the gas lamps is so weak that it barely reaches the pavement. A fog swirls in the air, and the gas gives it a pale yellow glow. Mystery brews in every darkened corner, in every darkened room. And a man steps out into that dim, foggy world, and he can tell you the story of your life by the cut of your shirtsleeves. He can shine a light into the dimness, with only his intellect and his tobacco smoke to help him. Now. Tell me that’s not awfully romantic?

My dear fellow, you may laugh, but I give you my word that I shall be very glad to have you back safe and sound in Baker Street once more. - Holmes, to Watson.

My dear fellow,” said Sherlock Holmes as we sat on either side of the fire in his lodgings at Baker Street, “life is infinitely stranger than anything which the mind of man could invent.

Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature.

We could go to Baker Street,” Kit said, without even knowing he was going to say it. “We are in London.” Ty looked up at that, his gray eyes aglow. “To 221B Baker Street?

My wife was on a visit to her aunt's, and for a few days I was a dweller once more in my old quarters at Baker Street. 'Why,' said I, glancing up at my companion, 'that was surely the bell? Who could come tonight? Some friend of yours, perhaps?' 'Except yourself I have none,' he answered. 'I do not encourage visitors.

It is you who are unpoetical," replied the poet Syme. "If what you say of clerks is true, they can only be as prosaic as your poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!

I took in a deep breath, and smoke twisted around my head as I let it slip through my teeth. “Do you know what my favorite show was when I was a little kid?” The look again. “I would have no idea.” “Doctor Who. British sci-fi show.” “I am familiar with it. Christopher Eccleston, David Tennant, and Matt—“ “No,” I said. “The new show’s great, but I grew up on the old one. The low-budget, rubber monster show with Tom Baker and Peter Davison. I watched it on PBS all the time as a kid.” I looked out at the dark ruins of Hollywood, at the stumbling shadows dotting the streets as far as you could see. The only other living person within half a mile was standing behind me, her eyes boring into my head. “The Doctor didn’t have super-powers or weapons or anything like that. He was just a really smart guy who always tried to do the right thing. To help people, no matter what. That struck me when I was a kid. The idea that no matter how cold and callous and heartless the world seemed, there was somebody out there who just wanted to make life better. Not better for worlds or countries in some vague way. Just better for people trying to live their lives, even if they didn’t know about him.” I turned back to her and tapped my chest. “That’s what this suit’s always been about. Not scaring people like you or Gorgon do. Not some sort of pseudo-sexual roleplay or repressed emotions. I wear this thing, all these bright colors, because I want people to know someone’s trying to make their lives better. I want to give them hope.

There it was, a sign above a shop that said 221B BAKER STREET. My mouth hung open. I looked around at the ordinary street and the white-painted buildings, looking clean in the morning rain. Where were the fog, the streetlights, the gray atmosphere? The horses pulling carriages, bringing troubled clients to Watson and Holmes? I had to admit I had been impressed with Big Ben and all, but for a kid who had devoured the adventures of Sherlock Holmes, this was really something. I was on Baker Street, driving by the rooms of Holmes and Watson! I sort of wished it were all in black and white and gray, like in the movies.

Do you remember," he said, "one of Holmes's little scores over Watson about the number of steps up to the Baker Street lodging? Poor old Watson had been up and down them a thousand times, but he had never thought of counting them, whereas Holmes had counted them as a matter of course, and knew that there were seventeen. And that was supposed to be the difference between observation and non-observation. Watson was crushed again, and Holmes appeared to him more amazing than ever. Now, it always seemed to me that in that matter Holmes was the ass, and Watson the sensible person. What on earth is the point of keeping in your head an unnecessary fact like that? If you really want to know at any time the number of steps to your lodging, you can ring up your landlady and ask her.

I stooped under the rude lintel, and there he sat upon a stone outside, his gray eyes dancing with amusement as they fell upon my astonished features. He was thin and worn, but clear and alert, his keen face bronzed by the sun and roughened by the wind. In his tweed suit and cloth cap he looked like any other tourist upon the moor, and he had contrived, with that catlike love of personal cleanliness which was one of his characteristics, that his chin should be as smooth and his linen as perfect as if he were in Baker Street.

Nobody likes a clever dick, but it didn’t take Columbo, Jessica Fletcher and the entire occupancy of 221b Baker Street to work out the patient was probably “feeling unwell” because of the litres of blood cascading unnoticed out of her vagina. 

I'm not a detective from Baker Street or an old lady who solves crimes while she's knitting in an easy chair. I'm just a book girl. So I can't make a deduction, only take a flight of fancy--er, forget I said that. I meant, I can only take a guess.

His eyes shone, and his cheek was flushed with the exhilaration of the master workman who sees his work lie ready before him. A very different Holmes, this active, alert man, from the introspective and pallid dreamer of Baker Street. I felt, as I looked upon that supple, figure, alive with nervous energy, that it was indeed a strenuous day that awaited us.

And as they drifter up their minds sang with the ecstatic knowledge that either what they were doing was completely and utterly and totally impossible or that physics had a lot of catching up to do. Physics shook its head and, looking the other way, concentrated on keeping the cards going along the Euston Road and out over towards the Westway flyover, on keeping the street lights lit and on making sure that when somebody on Baker Street dropped a cheeseburger it went splat on the ground.

Sherlock Holmes is a literary figment. He lives in Neverland, so he always gets to be right. But if he tried to ply his trade as a “consulting detective” in the real world, he would be a dangerously incompetent boob—more like The Pink Panther’s Inspector Clouseau than the genius who lives with his friend Watson at 221b Baker Street.

Don’t put anything in writing you wouldn’t want the world to read when you’re dead.

You see, I Observe--- Oliver Holmes

who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature.

One night--it was on the twentieth of March, 1888--I was returning from a journey to a patient(for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door...I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problems.

the history that makes the books is written by the victors. The poor never were and never will be victorious in any version of history, and change comes so slowly that individual contributions are always lost in the great gradual tide.

Other, dryer customers came and went, having just stepped out of their conveyances or popped down the street from their houses in the town. They left their umbrellas dripping at the door, and looked at her with that particular combination of sympathy and amusement that the soaked seem always to elicit in the dry.

Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread;

My dear fellow,” said Sherlock Holmes as we sat on either side of the fire in his lodgings at Baker Street, “life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outré results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.

The things we truly love stay with us always, locked in our hearts as long as life remains.”  -Josephine Baker

Whoever said Sticks and stones may break your bones, but words will never hurt you was an idiot.

One night--it was on the twentieth of March, 1888--I was returning from a journey to a patient (for I had now returned to civil practice), when my way led me through Baker Street.

221B, Baker Street,

We were fairly accustomed to receive weird telegrams at Baker Street,

society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from

It's the Baker Street division of the detective police force... There's more work to be got out of one of those little beggars than out of a dozen of the force,' Holmes remarked. 'The mere sight of an official-looking person seals men's lips. These youngsters, however, go everywhere and hear everything. They are as sharp as needles, too; all they want is organization.

My dear fellow,” said Sherlock Holmes, as we sat on either side of the fire in his lodgings at Baker Street, “life is infinitely stranger than anything which the mind of man could invent.

In many cases where one is content to lead a secluded life it is not necessary to say much of one's past, but as a rule something must be said. People have the habit of inquiring—if they are no more than butchers and bakers. By degrees one must account for this and that fact, and it was so here. .

Vetinari,” said Mr. Potts of the Bakers’ Guild. “He does have all street-theater players and mime artists thrown into the scorpion pit,” said Mr. Boggis of the Thieves’ Guild. “True. But let’s not forget that he has his bad points too. The man is capricious.

Lastly, it should be noted that the nostalgia which the reading public maintains for my former Baker Street address does not exist in me. I no longer crave the bustle of London streets, nor do I miss navigating the tangled mires created by the criminally disposed.

If all else perish, there will remain8 a story-teller’s world from Singapore to the Marquesas that is exclusively and forever Maugham, a world of veranda and prahu which we enter, as we do that of Conan Doyle’s Baker Street, with a sense of happy and eternal homecoming.

He said, "We’ll get the knitting club onto it." "I beg your pardon?" "We've got a dozen vampires with not enough to do, who can go out at night. They can eavesdrop on conversations, get talking to people in pubs late at night. Think of them as your Baker Street irregulars.

It was a wild, tempestuous night, towards the close of November. Holmes and I sat together in silence all the evening, he engaged with a powerful lens deciphering the remains of the original inscription upon a palimpsest, I deep in a recent treatise upon surgery. Outside the wind howled down Baker Street, while the rain beat fiercely against the windows. It was strange there, in the very depths of the town, with ten miles of man’s handiwork on every side of us, to feel the iron grip of Nature, and to be conscious that to the huge elemental forces all London was no more than the molehills that dot the fields. I walked to the window, and looked out on the deserted street. The occasional lamps gleamed on the expanse of muddy road and shining pavement. A single cab was splashing its way from the Oxford Street end.

During World War II, a secret apartment in London was maintained by the office of the Special Operations Executive. Within it, operatives created false documents and designed elaborate disguises for use by British undercover agents. The apartment was located at number 64 Baker Street.

As Baker Street knew all too well, Virginia harbored a rebellious streak and a forceful belief in her own abilities. "She did not submit easily to discipline," as [Colonel Maurice] Buckmaster once put it, and "had the habit of making up her own mind without regard to others' point of view.

Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.

When Arthur Conan Doyle created the iconic Sherlock Holmes in 1887, he had no idea that his readers would come to think that the investigating detective really existed. But that is what happened: thousands of readers wrote to Sherlock Holmes at 221b Baker Street, asking him to solve an astonishing array of cases. Doyle also received letters full of riddles and unsolved crimes, as everybody believed that someone capable of solving the most difficult fictional crimes would also have the intelligence to solve them in real life. And they were not far from the truth, because Doyle did solve many real cases in the course of his life.

In those days Mr. Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won’t tell you how cheap and good they were,

Outside the wind howled down Baker Street, while the rain beat fiercely against the windows. It was strange there, in the very depths of the town, with ten miles of man's handiwork on every side of us, to feel the iron grip of Nature, and to be conscious that to the huge elemental forces all London was no more than the molehills that dot the fields.

A minister is simply a sent one. You might only be sent across the street, but it does not matter. To God, whether it is to one or the masses, it is the same—it is love incarnate.

I reached this one, said my friend, by sitting upon five pillows and consuming an ounce of shag. I think, Watson, that if we drive to Baker-street we shall just be in time for breakfast.

I sometimes wonder if I’m built from old videotape. I feel archaic, worn from overuse and increasingly obscure. One day I’ll get caught up in the grinding wheels of my own life and unravel.

Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.

They were properly mad in the Shakespearean sense, talking sense when you least expected it. In North London, where councillors once voted to change the name of the area to Nirvana, it is not unusual to walk the streets and be suddenly confronted by sage words from the chalkfaced, blue-lipped, or eyebrowless. From across the street or from the other end of a tube carriage they will use their schizophrenic talent for seeing connections in the random (for discerning the whole world in a grain of sand, for deriving narrative from nothing) to riddle you, to rhyme you, to strip you down, to tell you who you are and where you’re going (usually Baker Street—the great majority of modernday seers travel the Metropolitan Line) and why. But as a city we are not appreciative of these people. Our gut instinct is that they intend to embarrass us, that they’re out to shame us somehow as they lurch down the train aisle, bulbous-eyed and with carbuncled nose, preparing to ask us, inevitably, what we are looking at. What the fuck we are looking at. As a kind of preemptive defense mechanism, Londoners have learned not to look, never to look, to avoid eyes at all times so that the dreaded question “What you looking at?” and its pitiful, gutless, useless answer —“Nothing”—might be avoided.

Whether a man bows down to God or Mammon or to Cthulhu in his dark house at R’lyeh is no affair of mine . . . until he sheds one drop of blood not his own in his deity’s name. Then God have mercy upon him, for I shall not.

WE met next day as he had arranged, and inspected the rooms at No. 221B, [5] Baker Street, of which he had spoken at our meeting. They consisted of a couple of comfortable bed-rooms and a single large airy sitting-room, cheerfully furnished, and illuminated by two broad windows. So desirable in every way were the apartments, and so moderate did the terms seem when divided between us, that the bargain was concluded upon the spot, and we at once entered into possession.

I’m one of few children on the train who can read. Mam taught me all my letters years ago, in Ireland, then taught me how to spell. When we got to New York, she’d make me read to her, anything with words on it—crates and bottles I found in the street.

Larry Speakes estimated that Baker spent as much as 50 percent of his time with reporters and editors, probably an exaggeration but a revealing one. The media, at least the part of it that really mattered, was still small enough that it could be managed; aside from ABC, CBS, and NBC, there were the wire services, The New York Times, The Washington Post, The Wall Street Journal, and the weekly newsmagazines Time, Newsweek, and U.S. News & World Report. Baker, as chief of staff, became an expert in their care and feeding.

after a quarter of an hour the bug-eyed Marie-Louise had sensed her mater’s approval and settled I would be her Prince Charming. She asked this: “Mr. Frobisher, are you well acquainted with Sherlock Holmes of Baker Street?” Well, thought I, the day might not be a complete wreck. A girl with a taste for irony must conceal some depths. But Marie-Louise was serious! A congenital dunce. No, I replied, I didn’t know Mr. Holmes personally, but he and David Copperfield could be seen playing billiards at my club every Wednesday.

Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!

Stop thief! Stop thief!’ There is a magic in the sound. The tradesman leaves his counter, and the car-man his waggon; the butcher throws down his tray; the baker his basket; the milkman his pail; the errand-boy his parcels; the school-boy his marbles; the paviour his pickaxe; the child his battledore. Away they run, pell-mell, helter-skelter, slap-dash: tearing, yelling, screaming, knocking down the passengers as they turn the corners, rousing up the dogs, and astonishing the fowls: and streets, squares, and courts, re-echo with the sound.

To Trump, talking with Murdoch was more important than just about anything. No one played a more central role in Trump’s media world than the Australian-born impresario of conservative journalism who owned Fox News, Fox Business, The Wall Street Journal, the New York Post, and other

Sophie’s brain darted to silly things like, Accio cache! Allons-y! Use the force! Bibbidy-Bobbidy-Boo! My preciousssssssssssssssssss. But then she remembered how when she was little and had moved to the “older kids’ school,” her parents gave her a code phrase to say if she ever wanted to be picked up and didn’t want anyone to know she’d called her parents. Her dad was a huge Sherlock Holmes fan, so he’d chosen “221B Baker Street.” She remembered complaining that no one could work those words into normal conversation, and her dad had just said, “But you’ll never forget them.

Ahead of us, a man was pulling a cart of cabbages out into the street. I grabbed three chunks of amethyst in one hand and slammed my other palm into the cart. It burst in to wood splinters, cabbage leaves flying up into the air and raining over the crowd, cabbage heads rolling into the street.

But we’re not outnumbered!” a voice called out from behind the soldiers. Lampton and his soldiers turned toward the voice and they saw it wasn’t alone. Slowly emerging from behind the Charming Palace and from the streets surrounding the capital were hundreds and hundreds of civilians. The men and women carried pots and pans, pitchforks and hoes, rolling pins and knives, scissors and shears, mops and buckets. They were bakers and farmers, locksmiths and seamstresses, teachers and butchers, maids and butlers—and they all had come to stand proudly with the soldiers of their kingdom. “What’s going on?” Xanthous asked the civilians. “We’ve come to join the fight!” a farmer declared, and all the men and women of his party cheered. “This is our home, too!” a seamstress yelled. “We won’t let our kingdom fall into the hands of anyone else but our king and queen,” a butcher shouted.

Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.

You carried your infant daughter in one arm, and walked with me, a child six years of age, tired, trudging beside you. You left that nightmare behind. And you left behind other things, too. The elm trees that lined your street. The familiar scent of autumn. The baker's smile when he handed you the fresh bread, the song of the peddlers in the street, the sound of strangers around you talking, haggling, buying, singing, speaking, fighting in a language you understood. Your friends. Your career. Your home. Your dreams. Your family. Your memories. Pots, pans, the fine silver spoons and forks. Photographs. Heirlooms. Your favorite dresses. Your father's grave. The colorful wares of the markets at the new year. Streets you knew by name. Cab drivers who recited poetry. The halls of your old university. You left whatever you couldn't fit into a single suitcase behind you and closed the door of your home for the last time, the dishes washed, the beds made, the curtains drawn, thinking, "Perhaps, perhaps we will come back," and you shut the door, and left, without knowing if you'd ever find home again.

You reasoned it out beautifully,” I exclaimed in unfeigned admiration. “It is so long a chain, and yet every link rings true.” “It saved me from ennui,” he answered, yawning. “Alas! I already feel it closing in upon me. My life is spent in one long effort to escape from the commonplaces of existence. These little problems help me to do so.” “And you are a benefactor of the race,” said I. He shrugged his shoulders. “Well, perhaps, after all, it is of some little use,” he remarked. “ ‘L’homme c’est rien—l’oeuvre c’est tout,’ as Gustave Flaubert wrote to George Sand.” ADVENTURE  III.  A CASE OF IDENTITY “My dear fellow,” said Sherlock Holmes as we sat on either side of the fire in his lodgings at Baker Street, “life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outr� results, it

There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You

The same opportunity served me for noticing that Mr. Pumblechook appeared to conduct his business by looking across the street at the saddler, who appeared to transact his business by keeping his eye on the coach-maker, who appeared to get on in life by putting his hands in his pockets and contemplating the baker, who in his turn folded his arms and stared at the grocer, who stood at his door and yawned at the chemist. the watchmaker, always poring over a little desk with a magnifying glass at his eye, and always inspected by a group in smock-frocks seemed to be about the only person in the High Street whose trade engaged his attention.

The Molinas' entourage of bakers stream through Sugar's doors with trays brimming with lavender-colored surpresas de uva, brigadeiros, and bem-casados under protective plastic films, which they load into the back of the van. And then they bring out a full tray of empadinhas! Even from my spot across the street, I see the dough flaky and golden like Grandma's recipe. The thing is, everyone knows that only Salt makes empadinhas on our street. That's the deal our families made generations ago, when our great-grandmothers drew the battle lines: Ramires only prepare savory foods. Molinas only prepare sweets. Sugar crossed the line baking empadinhas, and they know it. Those shameless, dishonest, garbage snakes!

At night she runs her fingertips over her father’s model: the bell tower, the display windows. She imagines Jules Verne’s characters walking along the streets, chatting in shops; a half-inch-tall baker slides speck-sized loaves in and out of his ovens; three minuscule burglars hatch plans as they drive slowly past the jeweler’s; little grumbling cars throng the rue de Mirbel, wipers sliding back and forth. Behind a fourth-floor window on the rue des Patriarches, a miniature version of her father sits at a miniature workbench in their miniature apartment, just as he does in real life, sanding away at some infinitesimal piece of wood; across the room is a miniature girl, skinny, quick-witted, an open book in her lap; inside her chest pulses something huge, something full of longing, something unafraid.

Ele se divertia silenciosamente com a reação indignada das pessoas diante das poucas linhas de um poema. Como é pequena a alma humana. Então não percebem que Maldoror , como ele nasceu perverso? Chocam-se com à maldade circunscrita à imaginação de um poeta obscuro, no entanto não se comovem com a crueldade que veem estampada na cidade quando passeiam, alegres, pelas ruelas imundas. O que dirão se souberem que estão na mesma sala com um ser muito mais cruel que qualquer criação dos livros? provavelmente se recusarão a acreditar desviando os olhos como fazem ao tropeçar nos negros e mendigos sujos que encontram no caminho. Se a paisagem é terrível fecha-se a janela, para ele é diferente, ele se alimenta dessa miséria cotidiana: a desgraça alheia é sempre um bálsamo espesso para sua solidão. O inferno alheio é o seu paraíso. Ele acha graça nos sermões dos padres que sempre sobrepõem o bem ao mal, como se ambos não fossem as duas faces da mesma pataca. Para ele o bem é o mal a crueldade afinal não passa de um ponto de vista.

But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye-streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was! In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too. “Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.” “Would it apply to any kind of dinner on this day?” asked Scrooge. “To any kindly given. To a poor one most.” “Why to a poor one most?” asked Scrooge. “Because it needs it most.” “Spirit,” said Scrooge, after a moments thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these peoples opportunities of innocent enjoyment.” “I!” cried the Spirit. “You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?” “I!” cried the Spirit. “You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.” “I seek!” exclaimed the Spirit. “Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge. “There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry* and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.

MY OWN BUSINESS . . . M. O. B. MOB assumes the right of every individual to possess his inner space, to do what interests him with people he wants to see. In some areas this right was more respected a hundred years ago than it is in the permissive society. 'Which is it this time, Holmes? Cocaine or morphine?' asks a disapproving Watson. But Holmes won’t have fink hounds sniffing through his Baker Street digs. If he accepts an American assignment 8 narks won’t beat his door in with sledge hammers, rush in waving their guns “WHATZAT YOU’RE SMOKING?” jerk the pipe out of his mouth and strip him naked. We will make the MOB stand on criminals and crim­inal communes clear. A criminal is someone who commits crimes against property and crimes against persons. We feel that criminals are not minding their own business. Someone who steals your typewriter, starts barroom fights, kicks an old bum to death, is not minding his own business at all. The Thuggees of India, the Mafia, the Ku Klux Klan are examples of criminal communes. Strangling someone and stealing his money, throwing acid in his face, lynching beating and burn­ ing people to death is not minding one’s own business. On one side we have MOBS dedicated to minding their own business without interference. On the other side we have the enemies of MOB dedicated to interference. Equipped with new techniques of computerized thought control the enemies of MOB could inflict a permanent defeat. MOB want to know just where everybody stands. Wouldn’t advise you to try sitting on that fence. It’s electric. Your enemies then are the enemies of MOB. You can do more to destroy these enemies with tape recorders and video cameras than you can with machine guns. Video tape puts any number of machine guns into your hands. However, it is difficult to convince a revolutionary that this weapon is actually more potent than gelignite or guns. What do revolu­tionaries want? Vengeance, or a real change? Both perhaps. It is difficult for those who have suffered outrageous brutal­ity and oppression to forget about vengeance, which is why I postulated the wholesome catharsis of MA, the Mass Assassination of enemy word and image. And this brings us to a basic question that every revolutionary must ask himself. Can I live without enemies? Can any human being live without enemies? No human being has ever done so yet. If the present revolutionary movement is to amount to more than a change of management, presenting the same old good-guy, bad-guy movie, a basic change of conscious­ ness must take place.

He found himself thinking of something Barry Grieg had once said to him about a rhythm guitar player from L.A., a guy named Jory Baker who was always on time, never missed a practice session, or fucked up an audition. Not the kind of guitar player that caught your eye, no showboat like Angus Young or Eddie Van Halen, but competent. Once, Barry had said, Jory Baker had been the driving wheel of a group called Sparx, a group everybody seemed to think that year's Most Likely to Succeed. They had a sound something like early Creedence: hard solid guitar rock and roll. Jory Baker had done most of the writing and all of the vocals. Then a car accident, broken bones, lots of dope in the hospital. He had come out, as the John Prine song says, with a steel plate in his head and a monkey on his back. He progressed from Demerol to heroin. Got busted a couple of times. After a while he was just another street-druggie with fumble fingers, spare-changing down at the Greyhound station and hanging out on the strip. Then, somehow, over a period of eighteen months, he had gotten clean, and stayed clean. A lot of him was gone. He was no longer the driving wheel of any group, Most Likely to Succeed or otherwise, but he was always on time, never missed a practice session, or fucked up an audition. He didn't talk much, but the needle highway on his left arm had disappeared. And Barry Grieg had said: 'He's come out the other side.' That was all. No one can tell what goes on in between the person you were and the person you become. No one can chart that blue and lonely section of hell. There are no maps of the change. You just . . . come out the other side. Or you don't.

They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.

This necessitated each village be self-supporting and self-sustaining. And, if you looked at 1100’s Europe, you would see that the types of jobs and professions the villagers took on reflected this fact. You had the butcher, the farmer, the blacksmith, the clothier, the knight, the baker, the goldsmith and of course the all-important grog maker. Everybody had a job or a task that carried their weight in the village. What you did NOT have was the professional activist, the social worker, the starving artist, the trophy wife, the socialite or the village welfare bum. Everybody had a job and everybody’s job provided vital and required services and products to the village. Now, the reason we understand this is because a village is a small enough entity for us to wrap our brains around. We see the little village with the little cows and the village people walking in the muddy streets. But ask yourself this question: How is a country any different than a village?

We can never know everything,” Holmes said, “but I fear that everything knows us.

There are stranger seas, you see, than the seven on which we sail. There are greater oceans than the five we have named. There are seas of infinity and oceans of eternity, and their salt is the bitterest brine that creation can contain. The dreams you know are but phantoms . . . ghosts with no more substance than rhyme or reason . . . but there are dreams of the flesh, Mr. Holmes. I have done nothing of which I need to be ashamed, and yet . . . I cannot help but dream.

To surrender to callousness or despair in the face of such sorrow was to be revealed as its accomplice.

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.” —H. P. Lovecraft, “The Call of Cthulhu

This morning, outside Nordic Fisheries a couple of delivery guys are unloading lobsters and crabs by the case, pausing in between loads to sip coffee from Styrofoam cups. Across the street, on Penn Avenue, the green grocers are busy stacking crates of vegetables and fruits, arranging them into a still life to showcase their most beautiful produce: heads of red romaine, their tender spines heavy with the weight of lush, purple-tinged leaves; a basket of delicate mâche, dark green, almost black, and smelling like a hothouse garden; sugar pumpkins of burnished gold; new Brussels sprouts, their tender petals open like flowers. At this hour the world belongs to those noble souls who devote their lives to food. Cook, grocer, butcher, baker, sunrises are ours. It's a time to gather your materials, to prepare your mise en place, to breathe uninterrupted before the day begins.

I wanted something for myself, a cake that was complicated and beautiful, a cake that would take up time I didn't have with enough tricky steps to keep my mind completely off of the matters at hand. I thought about a chocolate layer cake with burnt orange icing and the orange in the icing made me consider a Grand Marnier cake instead. Finally, in a complete non sequitur, I settled on a charlotte. I would make a scarlet empress. I closed my eyes and imagined myself making a jelly roll, the soft sheet of sponge cake laid across my counter. I spread the cake with a seedless raspberry preserve and then I rolled it up with even ends. I was nearly asleep. My parents were floating away from me. I took a knife and started slicing off the roll, but I didn't let it end. No matter how many rounds I cut, there was more there for me, an endless supply of delicate spirals of cake. It was the baker's equivalent to counting sheep, lulling myself to sleep through spongy discs of jam. There were enough slices of jelly roll for me to shingle the roof, to cover the house, to lay a walkway out to the street. In my dreams I made the house a cake, and inside the cake our lives were warm and sweet and infinitely protected.

You are the only person who can ever truly determine your worth. No one else has that power unless you give it to them.

Beloved are all right," she murmured gruffly, "Wouldn't want to go burning 'em." "Not even in the service of truth?" "That's not serving truth!" Mosca thought back to what she'd already said to Kohlrabi, and tried to make sense of her scattered thoughts. "I mean...if I told people what to believe, they'd stop thinking. And then they'd be easier to lie to. And...what if I was wrong?" "So...if you may not decide what is true, and the men of letters may not, who may?" "Nobody. Everybody." Mosca looked up at the windows where the jubilant people of Mandelion swung their bells. "Clamoring Hour - that's the only way. Everybody able to stand up and shout what they think, all at once. An' not just the men of letters, an' the lords in their full-bottomed wigs, but the street sellers, an' the porters, an' the bakers. An' not just the clever men, but the muddle-headed, an' the madmen, an' the criminals, an' the children in their infant gowns, an' the really, really stupid. All of 'em. Even the wicked, Mr. Clent. Even the Birdcatchers.

In my mind ran the immortal line of James Thurber, that phrase at once so intensely comic and so pregnant with suggestions of unnameable terror: "Now we go up to the garrick and become warbs." We were going up to the garrick all right, and warbs suddenly seemed the least terrifying of the things we might become.

May every loving heart hear its song returned across the lake.

Mr. Evans beamed. "Could I get you a drink?" he said. The words were ordinary; the phrase was one that Maureen had heard and often welcomed at endless dozens of parties. But Mr. Evans managed to invest it with such a delightful Edwardian gallantry that you almost thought he had said, "May I bring an ice to you in the conservatory?

Even Asmodeus, that limping devil who looked through rooftops at men's most secret actions, could not have told which of these thoughts masked an undercurrent of joy -- the joy of the man who know that he has killed wisely and well.

But she did have a sulky bursting prowling sort of energy, because she was in that state so many young girls go through―a state of sexual obsession that can be like a sort of trance. When I was fifteen, still living in Baker Street with my father, I spent some months in that state, so that now I can't walk through that area without remembering, half amused, half embarrassed, an emotional condition which was so strong it had the power to absorb into it pavements, houses, shop windows. What was interesting about June was this: surely nature should have arranged matters so that the men she met must be aware of what afflicted her. Not at all. That first evening Maryrose and I involuntarily exchanged glances and nearly laughed out loud from recognition and amused pity. We did not, because we also understood that the so obvious fact was not obvious to the men and we wanted to protect her from their laughter. All the women in the place were aware of June. I remember sitting one morning on the verandah with Mrs. Lattimer, the pretty red-haired woman who flirted with young Stanley Lett, and June came into sight prowling blindly under the gum-trees by the railway lines. It was like watching a sleepwalker. She would take half a dozen steps, staring across the valley at the piled blue mountains, lift her hands to her hair, so that her body, tightly outlined in bright red cotton, showed every straining line and the sweat patches dark under the armpits―then drop her arms, her fists clenched at her sides. She would stand motionless, then walk on again, pause, seem to dream, kick at the cinders with the toe of high white sandal, and so on, slowly, till she was out of sight beyond the sun-glittering gum-trees. Mrs. Lattimore let out a deep rich sigh, laughed her weak indulgent laugh, and said: 'My God, I wouldn't be a girl again for a million pounds. My God, to go through all that again, not for a million million.' And Maryrose and I agreed. Yet, although to us every appearance of this girl was so powerfully embarrassing, the men did not see it and we took care not to betray her. There is a female chivalry, woman for woman, as strong as any other kind of loyalty. Or perhaps it was we didn't want brought home to us the deficiencies of imagination of our own men.

Because if you walk in a city you’re jostled by hundreds of indifferent people with indifferent eyes that look at you as if you weren’t there at all. You begin to feel you must be invisible. Hundreds and thousands of eyes, and not one pair really seeing you or caring who you are. I’d rather walk down Beilford High Street and know that everybody was saying, ‘There goes the mad painter!’ It’s better to be mad than invisible.” She

The working press -- a strange expression that; it calls up a picture of a horde of other pressmen lolling about Hollywood on sumptuous divans, smother by bevies of attendant odalisques, and thinking scornfully of their colleagues of the WORKING press -- the working press took kindly to the reception for the Baker Street Irregulars.

When you get to be my age you realize people have two sides. One side they want to pretend they are, and the other which is who they really are.

Some days I just did not want to be an adult. Give me a coloring book and some Pez candy. I’ll let someone else make the decisions for a while.

Richard [Baker] had done his homework. From the beginning, he pointed out, the Buddhist practice of begging was based on an ancient notion of accumulating merit—not unlike the Roman Catholic indulgence scams. By giving food and money to the monks, wealthy patrons essentially accumulated merit badges, which were redeemable in the next life. Richard wondered if the tradition of begging—on the streets or in board rooms—wasn't corrupt. "Don't we want to avoid the idea of merit?

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the memory of Sir Arthur Conan Doyle, who created the best and wisest man we ever knew.