Charles Olson Quotes

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Whatever you have to say, leave The roots on, let them Dangle And the dirt Just to make clear Where they come from.
Charles Olson
Knowledge is the harvest of attention
Charles Olson
A poem is energy transferred from where the poet got it (he will have some several causations), by way of the poem itself to, all the way over to, the reader.
Charles Olson
of rhythm is image/ of image is knowing/ of knowing there is/ a construct
Charles Olson
Is it not the play of the mind we are after? Is it not that that shows a mind is there at all?
Charles Olson
the soul is / proprioceptive
Charles Olson
this is the abstract, this is the cold doing, this is the almost impossible
Charles Olson
The original in man is that which articulates him from the very outset upon something other than himself.
Charles Olson
A poem is a ‘line’ between any two points in creation.
Charles Olson
O.K. I'm running out of appetite. Let this swirl— a bit like Crab Nebula— do for now.
Charles Olson
Wholly absorbed into my own conduits to an inner nature or subterranean lake the depths or bounds of which I more and more explore and know more of, in that sense that other than that all else closes out and I tend further to fall into the Beloved Lake and I am blinder from spending time as insistently in and on this personal preserve from which what I do do emerges more well-known than other ways and other outside places which don’t give as much and distract me from keeping my attentions as clear Charles Olson, "Additions", March 1968—2
Charles Olson
If he stays inside himself, if he is contained within his nature as he is participant in the larger force, he will be able to listen, and his hearing through himself will give him secrets objects share.
Charles Olson
What never changes is your desire to change
Charles Olson
Objectivism is the getting rid of the lyrical interference of the individual as ego, of the “subject” and his soul, that peculiar presumption by which western man has interposed himself between what he is as a creature of nature (with certain instructions to carry out) and those other creations of nature which we may, with no derogation, call objects. For a man is himself an object, whatever he may take to be his advantages, the more likely to recognize himself as such the greater his advantages, particularly at that moment that he achieves an humilitas sufficient to make him of use. It comes to this: the use of a man, by himself and thus by others, lies in how he conceives his relation to nature, that force to which he owes his somewhat small existence. If he sprawl, he shall find little to sing but himself, and shall sing, nature has such paradoxical ways, by way of artificial forms outside of himself. But if he stays inside himself, if he is contained within his nature as he is participant in the larger force, he will be able to listen, and his hearing through himself will give him secrets objects share. And by an inverse law his shapes will make their own way. It is in this sense that the projective act, which is the artist’s act in the larger field of objects, leads to dimensions larger than the man. For a man’s problems, the moment he takes speech up in all its fullness, is to give his work his seriousness, a seriousness sufficient to cause the thing he makes to try to take its place alongside the things of nature. This is not easy.
Charles Olson (Collected Prose)
This was the first of the St. Augustines. Previous memos had borne messages from Zwingli, Lévi-Strauss, Rilke, Chekhov, Tillich, William Blake, Charles Olson and a Kiowa chief named Satanta. Naturally the person responsible for these messages became known throughout the company as the Mad Memo-Writer. I never referred to him that way because it was much too obvious a name. I called him Trotsky. There was no special reason for choosing Trotsky; it just seemed to fit. I wondered if he was someone I knew. Everybody seemed to think he was probably a small grotesque man who had suffered many disappointments in life, who despised the vast impersonal structure of the network and who was employed in our forwarding department, the traditional repository for all sex offenders, mutants and vegetarians. They said he was most likely a foreigner who lived in a rooming house in Red Hook; he spent his nights reading an eight-volume treatise on abnormal psychology, in small type, and he told his grocer he had been a Talmudic scholar in the old country. This was the consensus and maybe it had a certain logic. But I found more satisfaction in believing that Trotsky was one of our top executives. He made eighty thousand dollars a year and stole paper clips from the office.
Don DeLillo (Américana)
As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £150) overlooking 'the town' sitting there like the Memphite lord of all Creation with my back -- with Dogtown over the Crown of gravelly hill It is not bad to be pissed off
Charles Olson (Maximus Poems)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies.
Stephen King (Pet Sematary)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.
Stephen King (Pet Sematary)
As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £ 150) overlooking 'the town' sitting there like the Memphite lord of all Creation ... It is not bad to be pissed off
Charles Olson
Lafitte turned up in yet another tangle of major, historic proportions during the 1960s. Around the time of the JFK assassination, Lafitte worked for the Reily Coffee Company and then as a chef for the World Trade Mart, both in New Orleans. William B. Reily, an avid anti-Communist, owned the Reily Coffee Company and was closely connected to McCarthyite and rabid anti-Communist Edward Scannell Butler, who were both close to CIA assistant director Charles Cabell, CIA SRS chief Paul Gaynor, and Agency ARTICHOKE official Morse Allen. Readers may recall that alleged JFK assassin Lee Harvey Oswald also worked as a maintenance man for the Reily Coffee Company in the summer of 1963.
H.P. Albarelli Jr. (A Terrible Mistake: The Murder of Frank Olson and the CIA's Secret Cold War Experiments)
Sow an act, reap a habit. Sow a habit, reap a character. Sow a character, reap a destiny.” —Charles Reade
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
Relatively few Frenchmen, with the notable exceptions of General Charles de Gaulle and his followers, made any attempt to flee the country and continue resisting from outside.
Lynne Olson (A Question of Honor: The Kosciuszko Squadron: Forgotten Heroes of World War II)
Christians believe that God speaks through history; and only by knowing that history can we hope to interpret momentous events like the Japanese persecutions and the fall of the Asian churches. Yet Christians have systematically forgotten or ignored so very much of their history that it is scarcely surprising that they encounter only a deafening silence. Losing the ancient churches is one thing, but losing their memory and experience so utterly is a disaster scarcely less damaging. To break the silence, we need to recover those memories, to restore that history. To borrow the title of one of Charles Olson’s great poems: the chain of memory is resurrection.
Philip Jenkins (The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia—and How It Died)
As Charles Olson said, "Form is never more than an extension of content," and a work that attempts to dismantle the objective-subjective dichotomy must, if it is to be effective, demonstrate a way of writing that blurs the line between "objective" or scholarly writing and "subjective" or creative writing.
Dan McCoy (The Love of Destiny: the Sacred and the Profane in Germanic Polytheism)
I come back to the geography of it, the land falling off to the left where my father shot his scabby golf and the rest of us played baseball into the summer darkness until no flies could be seen and we came home to our various piazzas where the women buzzed To the left the land fell to the city, to the right, it fell to the sea I was so young my first memory is of a tent spread to feed lobsters to Rexall conventioneers, and my father, a man for kicks, came out of the tent roaring with a bread-knife in his teeth to take care of the druggist they’d told him had made a pass at my mother, she laughing, so sure, as round as her face, Hines pink and apple, under one of those frame hats women then This, is no bare incoming of novel abstract form, this is no welter or the forms of those events, this, Greeks, is the stopping of the battle It is the imposing of all those antecedent predecessions, the precessions of me, the generation of those facts which are my words, it is coming from all that I no longer am, yet am, the slow westward motion of more than I am There is no strict personal order for my inheritance. No Greek will be able to discriminate my body. An American is a complex of occasions, themselves a geometry of spatial nature. I have this sense, that I am one with my skin Plus this—plus this: that forever the geography which leans in on me I compell backwards I compell Gloucester to yield, to change Polis is this
Charles Olson's (Maximus Poems)
I come back to the geography of it, the land falling off to the left where my father shot his scabby golf and the rest of us played baseball into the summer darkness until no flies could be seen and we came home to our various piazzas where the women buzzed (…) No Greek will be able to discriminate my body. An American is a complex of occasions, themselves a geometry of spatial nature. I have this sense, that I am one with my skin Plus this—plus this: that forever the geography which leans in on me I compell backwards I compell Gloucester to yield, to change Polis is this
Charles Olson's (Maximus Poems)