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Empathize with stupidity and you're halfway to thinking like an idiot
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Iain Banks
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Experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.
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Iain Banks (Consider Phlebas (Culture, #1))
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Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.
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T.S. Eliot (The Waste Land)
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I had nightmares I thought were really horrible until I woke up and remembered what reality was at the moment.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Look on the happy side, think of the good things. Hadn't it been clever? Yes, it had.
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Iain Banks (Consider Phlebas (Culture, #1))
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Don't you have a religion?" Dorolow asked Horza.
"Yes," he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. "My survival."
"So... your religion dies with you. How sad," Dorolow said, looking back from Horza to the screen. The Changer let the remark pass.
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Iain Banks (Consider Phlebas (Culture, #1))
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They sought to take the unfairness out of existence, to remove the mistakes in the transmitted message of life which gave it any point or advancement...
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Our lives are about development, mutation and the possibility of change; that is almost a definition of what life is: change... If you disable change, if you effectively stop time, if you prevent the possibility of the alteration of an individual's circumstances — and that must include at least the possibility that they alter for the worse — then you don't have life after death; you just have death.
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Iain Banks (Look to Windward / The Business / The Bridge / Consider Phlebas / The Algebraist)
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Just before the Clear Air Turbulence went back into warp and its crew sat down at the table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.
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Iain Banks (Consider Phlebas (Culture, #1))
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Us with our busy, busy little lives, finding no better way to pass our years than in competitive disdain.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines they had (at however great a remove) brought into being: the urge not to feel useless.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Horza recalled that the Culture's attitude to somebody who believed in an omnipotent God was to pity them, and to take no more notice of the substance of their faith than one would take of the ramblings of somebody claiming to be Emperor of the Universe. The nature of the belief wasn't totally irrelevant - along with the person's background and upbringing, it might tell you something about what had gone wrong with them - but you didn't take their views seriously.
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Iain Banks (Consider Phlebas (Culture, #1))
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Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that’s the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we’re hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you?
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Iain Banks (Consider Phlebas (Culture, #1))
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All of it dust now, all of their precious humanoid civilization ground to junk under glaciers or weathered away by wind and spray and rain and frozen ice - all of it. Only this pathetic maze-tomb left.
So much for their humanity, or whatever they chose to call it, thought Unaha-Closp. Only their machines remained. But would any of the others learn? Would they see this for what it was, this frozen rockball? Would they, indeed!
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Iain Banks (Consider Phlebas (Culture, #1))
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O you who turn the wheel and look to windward, 320 Consider Phlebas, who was once handsome and tall as you.
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T.S. Eliot (The Waste Land (Wisehouse Classics - Original Authoritative Edition))
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…[Changers] were a threat to identity, a challenge to the individualism even of those they were never likely to impersonate. It had nothing to do with souls or physical or spiritual possession; it was, as the Idirans well understood, the behavouristic copying of another which revolted. Individuality, the thing which most humans held more precious than anything else about themselves, was somehow cheapened by the ease with which a Changer could ignore it as a limitation and use it as a disguise.
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Iain Banks (Consider Phlebas (Culture, #1))
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Besides, it left the humans in the Culture free to take care of the things that really mattered in life, such as sports, games, romance, studying dead languages, barbarian societies and impossible problems, and climbing high mountains without the aid of a safety harness.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Special Circumstances had always been the Contact section’s moral espionage weapon, the very cutting edge of the Culture’s interfering diplomatic policy, the elite of the elite, in a society which abhorred elitism. Even before the war, its standing and its image within the Culture had been ambiguous. It was glamorous but dangerous, possessed of an aura of roguish sexiness - there was no other word for it - which implied predation, seduction and even violation…No other part of the Culture more exactly represented what the society as a whole really stood for, or was more militant in the application of he Culture’s fundamental beliefs. Yet no other part embodied less of the society’s day-to-day character.
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Iain Banks (Consider Phlebas (Culture, #1))
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He could not believe that ordinary people in the Culture really wanted the war, no matter how they had voted. They had their communist Utopia. They were soft and pampered and indulged, and the Contact section’s evangelical materialism provided their conscience-salving good works. What more could they want? The war had to be the Mind’s idea; it was part of their clinical drive to clean up the galaxy, make it run on nice, efficient lines, without waste, injustice or suffering. The fools in the Culture couldn’t see that one day the Minds would start thinking how wasteful and inefficient the humans in the Culture themselves were.
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Iain Banks (Consider Phlebas (Culture, #1))
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Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that’s the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms?
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Iain M. Banks (Consider Phlebas (Culture, #1))
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That is the way with all of your kind… It is how you are made; you must all strive to claw your way over the backs of your fellow humans during the short time you are permitted in the universe, breeding when you can, so that the strongest strain survive and the weakest die. I would no more blame you for that than I would try to convert some non-sentient carnivore to vegetarianism. You are all on your own side.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Better still to have problems than to let death eradicate them all....
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Iain M. Banks (Consider Phlebas (Culture, #1))
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I don’t care how self-righteous the Culture feels, or how many people the Idirans kill. They’re on the side of life—boring, old-fashioned biological life; smelly, fallible, short-sighted, God knows, but real life. You’re ruled by your machines. You’re an evolutionary dead end.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Don’t you have a religion?” Dorolow asked Horza. “Yes,” he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. “My survival.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The swirling mist lay in the bottom of such great bowls like a broth of dreams.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The individual is the fruit of mistake; therefore only the process has validity…. So who’s to speak for him?
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Us with our busy, busy little lives, finding no better way to pass our years than in competitive disdain. And what the Idirans
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Action appealed to him most; it was the warriors' creed. When in doubt, do.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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This was what the Culture offered, this was its signal, its advertisement, its legacy: chaos from order, destruction from construction, death from life.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The Idirans themselves had evolved on their planet Idir as the top monster from a whole planetful of monsters.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The Jinmoti of Bozlen Two kill the hereditary ritual assassins of the new Yearking's immediate family by drowning them in the tears of the Continental Empathaur in its Sadness Season.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Indeed, a case could be made for holding that the Culture was its machines, that they represented it at a more fundamental level than did any single human or group of humans within the society.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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You could smash and destroy from unthinkable distances, obliterate planets from beyond their own system and provoke stars into novae from light-years off... and still have no good idea why you were really fighting.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Imagine a vast and glittering ocean seen from a great height. It stretches to the clear curved limit of every angle of horizon, the sun burning on a billion tiny wavelets. Now imagine a smooth blanket of cloud above the ocean, a shell of black velvet suspended high above the water and also extending to the horizon, but keep the sparkle of the sea despite the lack of sun. Add to the cloud many sharp and tiny lights, scattered on the base of the inky overcast like glinting eyes: singly, in pairs or in larger groups, each positioned far, far away from any other set.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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It was the Culture’s fault. It considered itself too civilized and sophisticated to hate its enemies; instead it tried to understand them and their motives, so that it could out-think them and so that, when it won, it would treat them in a way which ensured they would not become enemies again. The
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Iain M. Banks (Consider Phlebas (Culture, #1))
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They were enemies, they had both been very close to death and the other had done little or nothing to intervene, but actually to kill her would be very difficult.
Or maybe he only wanted to pretend that he would find it very difficult; maybe it would be no bother at all, and the sort of bogus camaraderie of doing the same job, though on different sides, was just that: a fake.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The Jinmoti of Bozlen Two kill the hereditary ritual assassins of the new Yearking's immediate family by drowning them in the tears of the Continental Empathaur in its Sadness Season.
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null
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Unarmed, you killed an Idiran in full battle armor and toting a laser?” Horza said skeptically. Balveda shrugged again. “Horza, I didn’t say it was easy.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Just before the Clear Air Turbulence went back into warp and its crew sat down at table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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She killed, yeah?” The woman’s voice sounded flat. She seemed to sigh. Horza drew in a breath, was about to start talking again, but Gow spoke in the same monotone. “I thought I hear she.” Suddenly she brought her gun hand up, flashing in the blue and pink of the morning sky. Horza saw what she was doing and started forward, reaching out instantly with one hand even though he knew he was too far away and too late to do anything. “Don’t!
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The drone Unaha-Closp was fully repaired. It applied to join the Culture and was accepted; it served on the General Systems Vehicle Irregular Apocalypse and the Limited Systems Vehicle Profit Margin until the end of the war, then transferred to the Orbital called Erbil and a post in a transport systems factory there. It is retired now, and builds small steam-driven automata as a hobby.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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You know, Balveda, for such a sensitive species you show remarkably little empathy at times.” “Empathize with stupidity and you’re halfway to thinking like an idiot,
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Look, Horza,” Yalson said, turning to him, “when you come on board this ship you don’t have a past. It’s considered very bad manners to ask anybody where they came from or what they’ve done in their lives before they joined. Maybe we’ve all got some secrets, or we just don’t want to talk or think about some of the things we’ve done, or some of the things we’ve had done to us. But either way, don’t try to find out. Between your ears is the only place on this crate you’ll ever get any privacy, so make the most of it. If you live long enough, maybe somebody will want to tell you all about themselves—eventually, probably when they’re drunk… but by that time you may not want them to. Whatever; my advice is just to leave it for the moment.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Don’t!” he had time to shout, but the gun was already in the woman’s mouth and an instant later, as Horza started to duck and his eyes closed instinctively, the back of Gow’s helmet blew out in a single pulse of unseen light, throwing a sudden red cloud over the mossy wall behind. Horza sat down on his haunches, hands closed round the gun barrel in front of him, eyes staring out at the distant jungle. What a mess, he thought, what a fucking, obscene, stupid mess. He hadn’t been thinking of what Gow had just done to herself, but he looked round at the red stain on the angled wall and the collapsed shape of Gow’s suit, and thought it again.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Jase, which deep down was a hopeless romantic, thought her laughter sounded like the tinkling of mountain streams,
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The Mind rescued from the tunnels of the Command System could remember nothing from the period between its warp into the tunnels and its eventual repair and refit aboard the GSV No More Mr. Nice Guy,
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Iain M. Banks (Consider Phlebas (Culture, #1))
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He looked for the Culture ship, then told himself not to be stupid; it was probably still several trillion kilometers away. That was how divorced from human scale modern warfare had become. You could smash and destroy from unthinkable distances, obliterate planets from beyond their own system and provoke stars into novae from light-years off…and still have no good idea why you were really fighting.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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dark length glistening in the lights
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Iain M. Banks (Consider Phlebas (Culture, #1))
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He had to treat him as the maniac he obviously was. The fact that his insanity was dressed in religious trappings meant nothing.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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In the end, they were rational. They listened to common sense before their own emotions. The only thing they believed without proof was that there was a purpose to life, that there was something which was translated in most languages as “God,” and that that God wanted a better existence for His creations.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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It was like flying upside-down over a planet made of metal; and of all the sights the galaxy held which were the result of conscious effort, it was one bested for what the Culture would call gawp value only by a big Ring, or a Sphere.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Horza recalled that the Culture’s attitude to somebody who believed in an omnipotent God was to pity them, and to take no more notice of the substance of their faith than one would take of the ramblings of somebody claiming to be Emperor of the Universe. The nature of the belief wasn’t totally irrelevant—along with the person’s background and upbringing, it might tell you something about what had gone wrong with them—but you didn’t take their views seriously.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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the Culture had placed its bets—long before the Idiran war had been envisaged—on the machine rather than the human brain. This was because the Culture saw itself as being a self-consciously rational society; and machines, even sentient ones, were more capable of achieving this desired state as well as more efficient at using it once they had. That was good enough for the Culture.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Don’t you have a religion?” Dorolow asked Horza. “Yes,” he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. “My survival.” “So… your religion dies with you. How sad,” Dorolow said, looking back from Horza to the screen. The Changer let the remark pass.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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the whole galaxy will become a battleground
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Iain M. Banks (Consider Phlebas (Culture, #1))
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bob-nodded toward the open module door. “After you.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Empathize with stupidity and you’re halfway to thinking like an idiot,” muttered
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Behind it, still expanding, still radiating, still slowly dissolving in the system to which it had given its name, the unnumbered twinkling fragments of the Orbital called Vavatch blew out toward the stars, drifting on a stellar wind that rang and swirled with the fury of the world’s destruction.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Pity they didn’t devote a little more ingenuity to staying alive rather than conducting mass slaughter as efficiently as possible,” Fal said, and made a little snorting noise. Jase felt pleasure at the girl’s words (if not the snort), but at the same time detected in them a tinge of that mixture of contempt and patronizing smugness the Culture found it so difficult not to exhibit when surveying the mistakes of less advanced societies, even though the source civilizations of its own mongrel past had been no less fallible. Still, the underlying point held; experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The ship left the construction bay of the factory craft with most of its fitting-out still to be done. Accelerating hard, its course a four-dimensional spiral through a blizzard of stars where it knew that only danger waited, it powered into hyperspace on spent engines from an overhauled craft of one class, watched its birthplace disappear astern with battle-damaged sensors from a second, and tested outdated weapon units cannibalized from yet another. Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship. Gradually,
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Iain M. Banks (Consider Phlebas (Culture, #1))
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had nightmares I thought were really horrible until I woke up and remembered what reality was like at the moment,
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines they had (at however great a remove) brought into being: the urge not to feel useless. The Culture’s sole justification for the relatively unworried, hedonistic life its population enjoyed was its good works; the
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Neeporlax presented something of a contrast.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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A federated disgust, a galaxy of scorn. Us with our busy, busy little lives, finding no better way to pass our years than in competitive disdain.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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bipedal, oxygen-breathing carboniform
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Iain M. Banks (Consider Phlebas (Culture, #1))
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genuinely annoyed that the woman could use even something so obviously a testament to the power of intelligence and hard work as an argument for her own system of irrational belief.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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We are such pathetic, fleshy things, so short lived, swarming and confused.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Still, the underlying point held; experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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just one more species, which would grow and expand and then, finding the plateau phase all non-suicidal species eventually arrived at, settle down.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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I am dragging myself to my death. Somehow even when I get to the end, where I can crawl no more, I keep going. I remember thinking that earlier, but what was I thinking of? Do I die when I get to the train’s control area, and continue my journey on the other side, in death? Is that what I was thinking of?
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Repetition. Matter and life, and the materials that could take change—that could evolve—forever repeating: life’s food talking back to it.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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… A sky like chipped ice, a wind to cut you to the body core. Too cold for snow, for most of the journey, but once for eleven days and nights it came, a blizzard over the field of ice we walked on, howling like an animal, with a bite like steel. The crystals of ice flowed like a single torrent over the hard and frozen land. You could not look into it or breathe; even trying to stand was near impossible. We made a hole, shallow and cold, and lay in it until the skies cleared.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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She felt herself as the speck she was: a mote, a tiny struggling imperfect chip of life, lost in the surrounding waste of light and space.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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(providing, of course, that it didn’t turn out to be some horrible, previously undiscovered sentient killer-moss… He told himself to stop being silly).
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Better than nothing, though. Better still to have problems than to let death eradicate them all….
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Iain M. Banks (Consider Phlebas (Culture, #1))
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THERE IS DEATH HERE.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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There’d been a little accident (life a succession of same; evolution dependent on garbling; all progress a function of getting things wrong)….
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Iain M. Banks (Consider Phlebas (Culture, #1))
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We are a mongrel race, our past a history of tangles, our sources obscure, our rowdy upbringing full of greedy, short-sighted empires and cruel, wasteful diasporas. Our ancestors were the lost-and-found of the galaxy, continually breeding and breeding and milling and killing, their societies and civilizations forever falling apart and reforming…. There had to be something wrong with us, something mutant in the system, something
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Iain M. Banks (Consider Phlebas (Culture, #1))
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We are self-altering, we meddle with the code of life itself, re-spelling the Word which is the Way, the incantation of being.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Contest is formative; battle is a testing, war a part of life and the evolutionary process. In its extremity, we find ourselves."
"Usually in the shit.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Fal laughed, gazing up at the red and white flowers curled round the trelliswork overhead. Jase, which deep down was a hopeless romantic, thought her laughter sounded like the tinkling of mountain streams, and always recorded her laughs for itself, even when they were snorts or guffaws, even when she was being rude and it was a dirty laugh. Jase knew a machine, even a sentient one, could not die of shame, but it also knew that it would do just that if Fal ever guessed any of this.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Empathize with stupidity and you’re halfway to thinking like an idiot,
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Iain M. Banks (Consider Phlebas)
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You have to be positive. Contest is formative; battle is a testing, war a part of life and the evolutionary process. In its extremity, we find ourselves.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Horza sat down on what was either an over-designed seat or a rather unimaginative piece of sculpture.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Who are we? Who we are. Just what we’re taken as being. What we know and what we do. No less or more. Information being passed on. Patterns, galaxies, stellar systems, planets, all evolve; matter in the raw changes, progresses in a way. Life is a faster force, reordering, finding new niches, starting to shape; intelligence—consciousness—an order quicker, another new plane.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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It was the Culture’s fault. It considered itself too civilized and sophisticated to hate its enemies; instead it tried to understand them and their motives, so that it could out-think them and so that, when it won, it would treat them in a way which ensured they would not become enemies again.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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No wonder that they despise us. Poor sick mutations that we are, petty and obscene, servants of the machine-devils that we worship. Not even sure of our own identity: just who is Culture? Where exactly does it begin and end?
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Iain M. Banks (Consider Phlebas (Culture, #1))
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Listen for somebody trying to talk to you....
(Silence)
This from that very pit of night, naked in the wasteland, the ice-wind moaning his only covering, alone in the freezing darkness under a sky of chill obsidian:)
Whoever tried to talk to me? When did I ever listen? When was I ever other than just myself, caring only for myself?
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Iain M. Banks (Consider Phlebas (Culture, #1))
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It meant something to climb, to haul this sack of bones and flesh all this way, and then look, then think, then be. She could have taken a flyer here any time when she'd been recovering, but she hadn't, even though Jase had suggested it. That was too easy. Being here wouldn't have meant anything.
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Iain M. Banks (Consider Phlebas (Culture, #1))
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The war had to be the Minds’ idea; it was part of their clinical drive to clean up the galaxy, make it run on nice, efficient lines, without waste, injustice or suffering. The fools in the Culture couldn’t see that one day the Minds would start thinking how wasteful and inefficient the humans in the Culture themselves were.
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Iain M. Banks (Consider Phlebas (Culture, #1))