Canary Sayings And Quotes

We've searched our database for all the quotes and captions related to Canary Sayings And. Here they are! All 37 of them:

You could say sorry," suggested Harry bluntly. "What, and get attacked by another flock of canaries?" muttered Ron. "What did you have to imitate her for?" "She laughed at my mustache!" "So did I, it was the stupidest thing I've ever seen.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Did this mean he was about to tell her something he wouldn’t normally? Her ears perked—figuratively, since her ears were now feather-covered holes in the sides of her head. He laughed softly. “You know, you are almost enjoyable to talk to, when you do not say anything back.” She willed the water in the tub to strike him in the face. There was a loud splash. “Hey!” He sounded surprised, but not unpleasantly so. “Interesting. You are still capable of elemental powers. But stop—or I will feed you to the castle cats.” She struck him again.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
A man says something. Sometimes it turns out to be the truth, but this has nothing to do with the man who says it.
Karen Joy Fowler (Sarah Canary)
Entomologist Dr. Ovid Byron speaking to television journalist, Tina, who says, re: global warming, "Scientists of course are in disagreement about whether this is happening and whether humans have a role." He replies: "The Arctic is genuinely collapsing. Scientists used to call these things the canary in the mine. What they say now is, The canary is dead. We are at the top of Niagara Falls, Tina, in a canoe. There is an image for your viewers. We got here by drifting, but we cannot turn around for a lazy paddle back when you finally stop pissing around. We have arrived at the point of an audible roar. Does it strike you as a good time to debate the existence of the falls?
Barbara Kingsolver (Flight Behavior)
I had suddenly become aware of my hands, which meant only one thing: It was time to say my farewells and make a graceful—or at least dignified—exit. Dogger had once told me, 'Your hands know when it's time to go.' And he had been right. The hands are the canaries in one's own personal coal mine: They need to be watched carefully and obeyed. A fidget demands attention, and a full-blown not-knowing-what-to-do-with-them means 'Vamoose!
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
Mr Mowett,' called Stephen in the pause while the table was clearing to make room for the pudding, and pudding-wine—in this case Frontignan and Canary—was handing about, 'you were telling me about your publishers.'    'Yes, sir: I was about to say that they were the most hellish procrastinators—'    'Oh how dreadful,' cried Fanny. 'Do they go to—to special houses, or do they ...'    'He means they delay,' said Babbington.    'Oh.
Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them. Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise. How do you connect things? Learn their names. It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way. I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person. -When are you two going to have children? -We're our own children. In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries. I would avoid people, stop drinking. There was a beggar with a Panasonic. This is what love comes down to, things that happen and what we say about them. But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details. Hardship makes the world obscure. How else could men love themselves but in memory, knowing what they know? The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.
Don DeLillo (The Names)
A man says something. Sometimes it turns out to be the truth, but this has nothing to do with the man who says it. What we say occupies a very thin surface, like the skin over a body of water. Beneath this, through the water itself, is what we see, sometimes clearly if the water is calm, sometimes vaguely if the water is troubled, and we imagine this vision to be the truth, clear or vague. But beneath this is yet another level. This is the level of what is and this level has nothing to do with what we say or what we see.
Karen Joy Fowler
Are you worried about him that much?” “O-…..of course, he’s my friend.” “You become angered at my female friends, and yet you’re saying that I should silently consent to your male friends?” Isn’t that a twisted comparison? “Now listen, Kelpie isn’t a male friend but a fairy friend. Even if you were to blindly love a canary, no one would be jealous.” “I don’t think so. If a peacock were to open up its feathers to court you, I would shoot it dead.” She wanted to think he was joking, but his ash mauve eyes were serious.
Mizue Tani (取り換えられたプリンセス (伯爵と妖精 #6))
Would you mind getting a picture of us? "Anything for one of Miss McLachlan's fans." He looks like the cat that swallowed the canary. "I take some mighty fine pictures of Miss McLachlan, if I do say so myself.
Georgia Cates
Sam, Sam, quite contrary, bought a budgie, wanted a canary. Sam, Sam, quite contrary, kissed Suzannah, meant to kiss Marry. Sam, Sam, quite contrary, dressed as a pirate, playing a fairy. Sam Sam quite contrary, ate dark chocolate, says he likes diary. Sam, Sam, quite contarary, shaved his head, to make it hairy.
Chrissie Gittins (Now You See Me, Now You....)
Are you saying people aren’t interested in the truth?” “Listen, what’s true to a lot of people is that they need the money for the rent by the end of the week. Look at Mr. Ron and his friends. What’s the truth mean to them? They live under a bridge!” She held up a piece of lined paper, crammed edge to edge with the careful looped handwriting of someone for whom holding a pen was not a familiar activity. “This is a report of the annual meeting of the Ankh-Morpork Caged Birds Society,” she said. “They’re just ordinary people who breed canaries and things as a hobby. Their chairman lives next door to me, which is why he gave me this. This stuff is important to him! My goodness, but it’s dull. It’s all about Best of Breed and some changes in the rules about parrots which they argued about for two hours. But the people who were arguing were people who mostly spend their day mincing meat or sawing wood and basically leading little lives that are controlled by other people, do you see? They’ve got no say in who runs the city but they can damn well see to it that cockatoos aren’t lumped in with parrots. It’s not their fault. It’s just how things are. Why are you sitting there with your mouth open like that?
Terry Pratchett (The Truth)
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Love? Yes. Gideon chuckled. Why did you say yes like that? Oh, I thought you were asking me a question. I see. Then he truly did see what she meant, and his heart flipped over in his chest. Darling? Gideon smiled at the warmth the endearment flooded him with. Yes, Neliss? Oh, nothing. Just fulfilling my end of the deal. The deal? Yes. You made me a deal. You lost me, he sighed. Legna lifted her head, propped an elbow up against the pillow of his chest, and settled her chin in her palm so she could look down at him. “You said that I would get something very special if I called you that.” “Did I?” he asked, his eyes brightening with speculation as he thought back on it. “Actually, I think you have that confused with the deal about saying my name.” “I like your name,” she said with a smile. “I always thought mine was awful snobbish. But yours has me beat hands down.” “My name is one of the finest and oldest names in all of our history.” “That’s only because you have lived to be such an older tosser.” “Tosser?” “British vernacular, luv.” “What are you, my dialect coach all of a sudden? Is this your idea of postcoital pillow talk?” Legna giggled, apologizing with a clinging kiss on his lips. It clearly calmed him, making him smile in a very cat-versus-canary way. “Is there something you would prefer I say?” she asked compliantly. “That yes a few sentences back was great. Short, sweet, to the point.” “Yes,” she agreed. “Yes?” he asked, arching a brow. “Oh, yes,” she assured him, her own brows doing a little lecherous dance. “Mmm, yes,” he murmured as her mouth lowered to his. Yes. Yes. Yes. Legna? Yes? Do not talk with your mouth full. No? No.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
: “It’s all chemicals, says the biochemistry text. Chlorophylls keep the leaves green while thy are green, carotenoids – as in butter, corn, canary feathers – turn them yellow when the chlorophyll goes. Tannin adds the browns, the bronzes; something called anthocyanin turns leaves red if the sap of the plant is acidic, blue or purple if it is alkaline. Color is a substance, says the chemist.” – John Jerome, Stone Work: Reflections on Serious Play & Other Aspects of Country Life, p. 140.
John Jerome
With the exception of the fog he seemed to control everything. Yet he was angry. I knew that he was angry by this token. When I read what he wrote about women I thought, not of what he was saying, but of himself. When an arguer argues dispassionately he thinks only of the argument; and the reader cannot help thinking of the argument too. If he had written dispassionately about women, had used indisputable proofs to establish his argument and had shown no trace of wishing that the result should be one thing rather than another, one would not have been angry either. One would have accepted the fact, as one accepts the fact that a pea is green or a canary yellow. So be it, I should have said. But I had been angry because he was angry. Yet it seemed absurd, I thought, turning over the evening paper, that a man with all this power should be angry. Or is anger, I wondered, somehow, the familiar, the attendant sprite on power? Rich people, for example, are often angry because they suspect that the poor want to seize their wealth. The professors, or patriarchs, as it might be more accurate to call them, might be angry for that reason partly, but partly for one that lies a little less obviously on the surface. Possibly they were not “angry” at all; often, indeed, they were admiring, devoted, exemplary in the relations of private life. Possibly when the professor insisted a little too emphatically upon the inferiority of women, he was concerned not with their inferiority, but with his own superiority. That was what he was protecting rather hot-headedly and with too much emphasis, because it was a jewel to him of the rarest price. Life for both sexes—and I looked at them, shouldering their way along the pavement—is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion as we are, it calls for confidence in oneself. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority—it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney—for there is no end to the pathetic devices of the human imagination—over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the chief sources of his power.
Virginia Woolf (A Room of One's Own)
No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
Jane Austen (Northanger Abbey)
The cook whistled in the kitchen. She heard the click of the typewriter. It was her life, and, bending her head over the hall table, she bowed beneath the influence, felt blessed and purified, saying to herself, as she took the pad with the telephone message on it, how moments like this are buds on the tree of life, flowers of darkness they are, she thought (as if some lovely rose had blossomed for her eyes only); not for a moment did she believe in God; but all the more, she thought, taking up the pad, must one repay in daily life to servants, yes, to dogs and canaries, above all to Richard her husband, who was the foundation of it—of the gay sounds, of the green lights, of the cook even whistling, for Mrs. Walker was Irish and whistled all day long—one must pay back from this secret deposit of exquisite moments, she thought, lifting the pad, while Lucy stood by her, trying to explain how
Virginia Woolf (Mrs. Dalloway)
Did you come here alone, Kitten?' 'No, Maria is with me. She is my maid, and oh, I never knew how much she liked me until to-day, for she never seemed to like me at all! But- but she came to me when Sherry had gone away, and she said a piece out of the Bible, about Ruth and Naomi, in the most touching way, and she is in the hall now, with my baggage, for I could not carry anything besides my clock and the canary, and those I had to bring!' Ferdy surveyed these two necessary adjuncts to a lady's baggage rather doubtfully. 'Dare say you're right,' he said. 'Very handsome timepiece.' 'Gil gave it to me for a wedding present,' Hero explained, her tears beginning to flow again. 'I have your bracelet too, and how could I bear to leave Gil's dear little canary? It is named after him! And Sherry- Sherry does not love it as I do, and perhaps he might give it away.' 'Quite right to bring it,' said Ferdy firmly. 'Company for you.
Georgette Heyer (Friday's Child)
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
At such moments I would stand up and go to the bay window, where Lemon the canary was slowly aging in his cage, and I would peek through the curtains over the middle or right-hand panes at Çukurcuma Hill. On wet days you could see the light of the streetlamps reflected on the cobblestones. Without taking their eyes off the screen, Aunt Nesibe and Tarık Bey would be prompted to say: “Has he eaten his food?” “Shall we change his water?” “He’s not very happy today.
Orhan Pamuk (The Museum of Innocence)
Virtually every man has enemies. Sometimes they’re business enemies. More often they’re personal enemies, people who hate him, people who will look down their noses and say it’s too bad when they hear he’s bumped off, but who will be tickled to death just the same; but it takes a peculiar psychological build-up to perpetrate a murder. A man must have a certain innate ferocity, a certain lack of consideration, and, usually, a lack of imagination.” “Why a lack of imagination?” “I don’t know,” he said, “except that it’s nearly always true. I think imaginative people sympathize with the sufferings of others because they’re able to visualize those sufferings more keenly in their own minds. An unimaginative person, on the other hand, can’t visualize himself in the shoes of another. Therefore, he sees life only from his own selfish angle. Killers are frequently cunning, but they’re rarely original. They’re selfish, and usually determined. Of course, I’m not talking now about a murder which is the result of some sudden overpowering emotion.
Erle Stanley Gardner (The Case of the Lame Canary (Perry Mason #11))
The meanness that first bothered me, though, when I encountered it a decade ago, long before I was married, was in a short story in Pigeon Feathers in which a young husband returns with hamburgers and eats them happily with his family in front of the fire, and thinks lovingly of his wife’s Joyceanly “smackwarm” thighs, and then, in the next paragraph, says as narrator (the “you” directed at the narrator’s wife), “In the morning, to my relief, you are ugly.… The skin between your breasts is a sad yellow.” And a little later, “Seven years have worn this woman.” This hit me as inexcusably brutal when I read it. I couldn’t imagine Updike’s real, nonfictional wife reading that paragraph and not being made very unhappy. You never know, though; the internal mechanics of marriages are shielded from us, and maybe in the months after that story came out the two of them enjoyed a wry private joke whenever they went to a party and she wore a dress with a high neckline and they noticed some interlocutor’s gaze drop to her breasts and they saw together the little knowing look cross his unpleasantly salacious features as he thought to himself, Ho ho: high neckline to cover up all that canary-yellow, eh? Updike knows that people are going to assume that the fictional wife of an Updike-like male character corresponds closely with Updike’s own real-life wife — after all, Updike himself angered Nabokov by suggesting that Ada was Vera. How can Updike have the whatever, the disempathy, I used frequently to ask myself, and ask myself right now, to put in print that his wife appeared ugly to him that morning, especially in so vivid a way? It just oughtn’t to be done! It makes us readers imagine her speculating as she read it: “Which morning was he thinking that? He sat at the kitchen table eating breakfast and thinking I was ugly and worn! And I had no idea.
Nicholson Baker (U and I)
if you’re looking to see what the government of Kiribati finally decides to do, when do they wave the flag and say the last good-bye, I’m afraid I can’t help you. But look around, follow the news, Google it, bear witness. The very least we could do for the canary is acknowledge its demise.
J. Maarten Troost (Headhunters on My Doorstep: A True Treasure Island Ghost Story)
Elias’s view of reality was distorted and that he actually believed he could talk his way out of the whole affair. He was trying to sell the court as he had sold FMC and Kerr-McGee. When the video stopped Elias’s testimony quickly deteriorated into the theater of the absurd. He rambled without prompting, his thoughts frequently disjointed and defiant. He maintained that the tank left AEI empty, and any statements attributed to him to the contrary were “fantasy.” He said the material trucked to Evergreen from AEI was actually Kerr-McGee material he had previously trucked to AEI to turn into fertilizer and not the cadmium-bearing FMC material. He blamed the workers for their own injuries. He called OSHA overzealous and said they found no violations. He blamed Bill Brugger for the Tesco American litigation. At every opportunity he elevated himself and his efforts to get AEI and Evergreen working, saying it took “fortitude.
Robert Dugoni (The Cyanide Canary: A True Story of Injustice)
That time we hung out with our giddy newness at the Mexican restaurant by the bookstore with the best reading series in the city and the glassy eyes zooming in on each other Seeing only the wonder like canary yellow on a canary when our sky wraps up in Earth's shadow This is my yellow heart This is my gauzy two-people-gazing-across-the-night-into-each-other instrumental situation Who owns the attraction passing between bodies We say neurons "fire" because a frame of mind needs the border of poetry Something fuzzy buzzing Your face glows coastal leaves me feelin fine as the powdery shoreline at low tide
Tommy Pico
Fred — George — wait a moment.” The twins turned. Harry pulled open his trunk and drew out his Triwizard winnings. “Take it,” he said, and he thrust the sack into George’s hands. “What?” said Fred, looking flabbergasted. “Take it,” Harry repeated firmly. “I don’t want it.” “You’re mental,” said George, trying to push it back at Harry. “No, I’m not,” said Harry. “You take it, and get inventing. It’s for the joke shop.” “He is mental,” Fred said in an almost awed voice. “Listen,” said Harry firmly. “If you don’t take it, I’m throwing it down the drain. I don’t want it and I don’t need it. But I could do with a few laughs. We could all do with a few laughs. I’ve got a feeling we’re going to need them more than usual before long.” “Harry,” said George weakly, weighing the money bag in his hands, “there’s got to be a thousand Galleons in here.” “Yeah,” said Harry, grinning. “Think how many Canary Creams that is.” The twins stared at him. “Just don’t tell your mum where you got it . . . although she might not be so keen for you to join the Ministry anymore, come to think of it. . . .” “Harry,” Fred began, but Harry pulled out his wand. “Look,” he said flatly, “take it, or I’ll hex you. I know some good ones now. Just do me one favor, okay? Buy Ron some different dress robes and say they’re from you.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Women in tech are the canary in the coal mine. Normally when the canary in the coal mine starts dying you know the environment is toxic and you should get the hell out. Instead, the tech industry is looking at the canary, wondering why it can’t breathe, saying “Lean in, canary. Lean in!
Kate Heddleston
You can’t keep them small forever,” Charlie used to say when Dennis was learning to drive. “You’ve got to let them go sometime and trust that they know enough to stay out of trouble.
Laura Barrow (Call the Canaries Home)
Thank God,” he breathes. “That's all I needed.” As I'm about to say something smart back to the jerk who so easily got me to admit how weak I am, I'm surprised by the feel of his powerful hand on my jaw, followed by his soft, pillowy lips back on mine like they never left.
Jescie Hall (The Canary Cowards)
was astonishing, to say the least. He seems
Jescie Hall (The Canary Cowards)
or the lack thereof—also serves as a warning, the canary in the coal mine. If despite all your efforts, the other party won’t say “No,” you’re dealing with people who are indecisive or confused or who have a hidden agenda. In cases like that you have to end the negotiation and walk away. Think of it like this: No “No” means no go.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
No”—or the lack thereof—also serves as a warning, the canary in the coal mine. If despite all your efforts, the other party won’t say “No,” you’re dealing with people who are indecisive or confused or who have a hidden agenda. In cases like that you have to end the negotiation and walk away.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Then I got the idea of the portable diathermy machine. I rented one, took it on the bus going home that night. There sat all the tired commuters with their wrist radios, talking to their wives, saying, 'Now I'm at Forty-third, now I'm at Forty-fourth, here I am at Forty-ninth, now turning at Sixty-first.' One husband cursing, 'Well, get out of that bar, damn it, and get home and get dinner started, I'm at Seventieth!' And the transit-system radio playing 'Tales from the Vienna Woods,' a canary singing words about a first-rate wheat cereal. Then—I switched on my diathermy! Static! Interference! All wives cut off from husbands grousing about a hard day at the office. All husbands cut off from wives who had just seen their children break a window! The 'Vienna Woods' chopped down, the canary mangled! Silence! A terrible, unexpected silence. The bus inhabitants faced with having to converse with each other. Panic! Sheer, animal panic!" "The police seized you?" "The bus had to stop. After all, the music was being scrambled, husbands and wives were out of touch with reality. Pandemonium, riot, and chaos. Squirrels chattering in cages! A trouble unit arrived, triangulated on me instantly, had me reprimanded, fined, and home, minus my diathermy machine, in jig time.
Ray Bradbury
I sometimes wondered what the use of any of the arts was. The best thing I could come up with was what I call the canary in the coal mine theory of the arts. This theory says that artists are useful to society because they are so sensitive. They are super-sensitive. They keel over like canaries in poison coal mines long before more robust types realize that there is any danger whatsoever.
Kurt Vonnegut Jr.
The rock on which the Nature Cure system was wrecked and converted into a spurious system called Naturopathy, was or is, eclecticism—or, small I say, collectivism. Such is the power of education to bias the mind that few seem able to comprehend how it is possible for a disease to be removed without a little medicine or a little treatment of some kind. “It may be little, infinitesimal, the thirtieth dilution, or a ten-millionth part of a drop of the tincture of a shadow, or the weakest decoction of catnip or canary seed; still it must be something unnatural, or nature cannot be assisted!” And if medicine or treatment of any kind or strength is employed as an auxiliary, notwithstanding, Nature is regarded as the true curative power, the little charming, mysterious influence of the drug or treatment will gradually increase its hold upon the imagination and, in the end, expel the natural part of the practice as surely as weeds will crowd out the flowers from an uncultivated field.
Herbert M. Shelton (Human Life Its Philosophy and Laws: An Exposition of the Principles and Practices of Orthopathy)