Cafe Life Quotes

We've searched our database for all the quotes and captions related to Cafe Life. Here they are! All 100 of them:

He stood at the window of the empty cafe and watched the activites in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
I hate solitude, but I'm afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It's already hard enough to tell the truth to oneself.
Iris Murdoch (Under the Net)
It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
It was the same Dimitri from long ago, the fierce one who was willing to risk his life for what was right. I almost wished he'd go back to being annoying, distant Dimitri, the one who told me to stay away. Seeing him now brought back too many memories -not to mention the attraction I thought I'd smashed. Now, with that passion all over him, he seemed sexier than ever. He'd worn that same intensity when we'd fought together. Even when we'd had sex. This was the way Dimitri was supposed to be: powerful and in charge.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
What was this power, this insidious threat, this invisible gun to her head that controlled her life . . . this terror of being called names? She had stayed a virgin so she wouldn't be called a tramp or a slut; had married so she wouldn't be called an old maid; faked orgasms so she wouldn't be called frigid; had children so she wouldn't be called barren; had not been a feminist because she didn't want to be called queer and a man hater; never nagged or raised her voice so she wouldn't be called a bitch . . . She had done all that and yet, still, this stranger had dragged her into the gutter with the names that men call women when they are angry.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
I spent the next fifteen minutes convincing a crying werewolf that I wasn’t going to hurt her. My life was getting too strange, even for me.
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
And so taking the long way home through the market I slow my pace down. It doesn't come naturally. My legs are programmed to trot briskly and my arms to pump up and down like pistons, but I force myself to stroll past the stalls and pavement cafes. To enjoy just being somewhere, rather than rushing from somewhere, to somewhere. Inhaling deep lungfuls of air, instead of my usual shallow breaths. I take a moment to just stop and look around me. And smile to myself. For the first time in a long time, I can, quite literally, smell the coffee.
Alexandra Potter (The Two Lives of Miss Charlotte Merryweather)
God designed each one of us for His purpose-and God doesn't make junk.
Judy Baer (The Whitney Chronicles: The Whitney Chronicles, Book 1 (Life, Faith & Getting It Right #1) (Steeple Hill Cafe))
Why is it that we spend so much of our time preparing for when we can do what we want, instead of just doing what we want right now?
John P. Strelecky (The Why Cafe)
Time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.
Fredrik Backman (A Man Called Ove)
We did all the tourist crap, but I just wanted to sit in a cafe and watch people
Sara Shepard (Ruthless (Pretty Little Liars, #10))
Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.
Simone de Beauvoir (The Second Sex)
The commonplace becomes exceptional when God is involved.
Judy Baer (Norah's Ark: Love Me, Love My Dog #2 (Life, Faith & Getting It Right #14) (Steeple Hill Cafe))
Henry's recollections of the past, in contrast to Proust, are done while in movement. He may remember his first wife while making love to a whore, or he may remember his very first love while walking the streets, traveling to see a friend; and life does not stop while he remembers. Analysis in movement. No static vivisection. Henry's daily and continuous flow of life, his sexual activity, his talks with everyone, his cafe life, his conversations with people in the street, which I once considered an interruption to writing, I now believe to be a quality which distinguishes him from other writers. He never writes in cold blood: he is always writing in white heat. It is what I do with the journal, carrying it everywhere, writing on cafe tables while waiting for a friend, on the train, on the bus, in waiting rooms at the station, while my hair is washed, at the Sorbonne when the lectures get tedious, on journeys, trips, almost while people are talking. It is while cooking, gardening, walking, or love-making that I remember my childhood, and not while reading Freud's 'Preface to a Little Girl's Journal.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
If you can put this book down, it means you need more coffee and less sleep. After all, sleep is for the weak which is why I get 8 hours every night and 2 hours during the day and drink de-cafe.
Leviak B. Kelly (Religion: The Ultimate STD: Living a Spiritual Life without Dogmatics or Cultural Destruction)
Far out in the uncharted backwaters of the unfashionable end of the Western spiral arm of the galaxy lies a small unregarded yellow sun. Orbiting this, at a distance of roughly ninety million miles is an utterly insignificant little blue-green planet, whose ape descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has, or had, a problem, which was this. Most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small, green pieces of paper, which is odd, because on the whole, it wasn't the small, green pieces of paper which were unhappy. And so the problem remained, and lots of the people were mean, and most of them were miserable, even the ones with digital watches. Many were increasingly of the opinion that they'd all made a big mistake coming down from the trees in the first place, and some said that even the trees had been a bad move, and that no-one should ever have left the oceans. And then one day, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl, sitting on her own in a small cafe in Rickmansworth suddenly realised what it was that had been going wrong all this time and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no-one would have to get nalied to anything. Sadly, however, before she could get to a phone to tell anyone, the Earth was unexpectedly demolished to make way for a new hyperspace bypass and so the idea was lost forever.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Evelyn stared into the empty ice cream carton and wondered where the smiling girl in the school pictures had gone.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Books enveloped the room floor to ceiling like wallpaper.
Judy Baer (Million Dollar Dilemma: Love Me, Love My Dog #1 (Life, Faith & Getting It Right #7) (Steeple Hill Cafe))
No, my advocates, my angels with sadist eyes, this is the beginning of my life, or the end. So I lean affirmation across the cafe table, and surrender my fifty years away with an easy smile. But the surety of my love is not dismayed by any eventuality which prudence or pity can conjure up, and in the end all that we can do is to sit at the table over which our hands cross, listening to tunes from the wurlitzer, with love huge and simple between us, and nothing more to be said.
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
I guess that's the lesson in all of this-not to be eighty years old, looking back on your life, wondering if you made the right choice or how your life might have been different if you'd done one thing and not another.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
Love reduces the complexity of living. It amazes me that when Henry walks towards the cafe table where I wait for him, or opens the gate to our house, the sight of him is sufficient to exult me. No letter from anyone, even in praise of my book, can stir me as much as a note from him.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that i expected all your life to be delirious, intoxicated." Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm. It is amusing that, when Henry, Fred, and I talked together, we fell back into a deep naturalness. Perhaps none of us is a sensational character. Or perhaps we have no need of condiments. Henry is, in reality, mild not temperamental; gentle not eager for scenes. We may all write about sadism, masochism, the grand quignol, bubu de montparnasse (in which the highest proof of love is for a pimp to embrace his woman's syphilis as fervently as herself, a noblesse-oblige of the apache world), cocteau, drugs, insane asylums, house of the dead, because we love strong colors; and yet when we sit in the cafe de la place clichy, we talk about henry's last pages, and a chapter which was too long, and richard's madness. "One of his greatest worries," said Henry, "was to have introduced us. He thinks you are wonderful and that you may be in danger from the 'gangster author.
Anaïs Nin
What I crave more than anything today is to sit at an outdoor cafe on a cool autumn day. I just want to feel that end-of-the-year breeze as I sip a cup of green tea and take my time with a piece of pumpkin pie. I would slump in my chair and allow my mind to roam wherever it chose. Nothing else in the world epitomizes absolute freedom to me more than that thought. I could be alone or with a friend I know so well that we wouldn't have to speak. Sometimes I wake up in the morning thinking about pumpkin pie.
Damien Echols (Life After Death)
The simple act of sitting here sipping this cappuccino is its own testament to my commitment to living the writer’s life. Which is to say: doing nothing but doing it exceedingly well.
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
Today is Thursday, Vallejo is dying, but come, girl, get your raincoat, let's look for life in some cafe behind tear-streaked windows, perhaps the fin de siecle isn't really finished, maybe there's a piano playing it somewhere
Derek Walcott (Collected Poems, 1948-1984)
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more. She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom. No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Just as an astronomer, alone in an observatory, watches night after night through a telescope the myriads of stars, their mysterious movements, their changeful medley, their extinction and their flaming-up anew, so did Jacob Mendel, seated at his table in the Cafe Gluck, look through his spectacles into the universe of books, a universe that lies above the world of our everyday life, and, like the stellar universe, is full of changing cycles.
Stefan Zweig (Selected Stories)
It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones. There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her.
William Gibson (Pattern Recognition (Blue Ant, #1))
Now that I think about it, our story had another beginning. That moment, right there in the cafe. Annie was free of her past pain and I was free to live my life as I desired. That's when I realized our story had no ending, only beginnings.
J.M. Sevilla (Beginnings)
You are a story worthy of being told, A person made to be loved, With a life meant to be lived.
Nadia Hasan (From the Cafe and Beyond: A Collection of Poems and Other Writings)
लाइफ को लेकर प्लान बड़े नहीं, सिम्पल होने चाहिए। प्लान बहुत बड़े हो जाएँ तो लाइफ के लिए ही जगह नहीं बचती।
Divya Prakash Dubey (मुसाफिर Cafe)
I'd hate to be a balding man named Harry Harrison.
Judy Baer (The Whitney Chronicles: The Whitney Chronicles, Book 1 (Life, Faith & Getting It Right #1) (Steeple Hill Cafe))
Life served up only a small portion of firsts in a lifetime, and it was up to the person to not take it for granted. There were no do-overs with firsts.
T.I. Lowe (Lulu's Cafe)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
At times one wanders, doubting the facts, even when one has discovered the secrets of the good life. To be sure, my solution is not the ideal. But when you don't like your own life, when you know that you must change lives, you don't have any choice, do you? What can one do to become another?Impossible. One would have to cease being anyone, forget oneself for someone else, at least once.But how? Don't bear down too hard on me. I am like that old beggar who wouldn't let go of my hand one day on a cafe terrace: Oh, sir,he said, its not just that I am no good, but you lose track of the light.Yes, we have lost track of the light, the mornings, the holy innocence of those who forgive themselves.
Albert Camus (The Fall)
I wanted to be her north star. I wanted to be her map. I wanted to drink coffee with her in the cafes in the morning and do things, as you do, as she did, instead of just philosophizing about them and deconstructing their endless Russian-doll layers of meaning. I was alone before I met her. I wanted to disappear with her, and fold her into my life. I wanted to be her compass. I wanted to be her last speaker, her interpreter, her language. I wanted to be her translator, Zed, but none of the languages we knew were the same.
Emily St. John Mandel (Last Night in Montreal)
That's why I named my bakery Flour. It's a reminder that in baking, as in life, simple things are best.
Joanne Chang (Flour: Spectacular Recipes from Boston's Flour Bakery + Cafe)
A trip to the market in the morning to buy bread, an afternoon spent reading in a cafe—nothing was routine; a strange place helped you find the poetry in everyday life.
Brian Morton (Starting Out in the Evening)
(Reaching for the Bible on the end table.) There's an answer for every occasion in here. Like a map for life.
Max Lucado (Miracle at the Higher Grounds Cafe)
Why are you here? Do you fear death? Are you fulfilled?
John P. Strelecky (The Cafe on the Edge of the World: A Story About the Meaning of Life)
People sometimes complain that Berliners just sit around all day in cafes, smoking and talking about art. Is that supposed to be a bad thing?
Joe Jackson
The development of an informal public life depends people finding and enjoying one another outside the cash nexus.
Ray Oldenburg (The Great Good Place: Cafes, Coffee Shops, Bookstores, Bars, Hair Salons, and Other Hangouts at the Heart of a Community)
As soon as I put my uniform on, the rest of my life solidified around me like a plaster cast. From that moment on, my friends were anyone who could put up with the disgrace; my occupation, any job from which I was not given the sack; my playground, any cafe or restaurant from which I was not barred or any street corner from which the police did not move me on.
Quentin Crisp (The Naked Civil Servant)
If black people occupied the same heaven as white people, what was the point of eating in different cafes here on earth? If black people and white people walked in heaven together, did that mean we were smarter or more stupid than God because on earth we shunned each other?
Robert McCammon (Boy's Life)
Either peace or happiness, let it enfold you. When I was a young man I felt these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing. I was hard as granite, I leered at the sun. I trusted no man and especially no woman... I challenged everything, was continually being evicted, jailed, in and out of fights, in and out of my mind... Peace and happiness to me were signs of inferiority, tenants of the weak, an addled mind. But as I went on...it gradually began to occur to me that I wasn't different from the others, I was the same... Everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was empty... Cautiously, I allowed myself to feel good at times. I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark. The less I needed the better I felt... I re-formulated. I don't know when, date, time, all that but the change occured. Something in me relaxed, smoothed out. I no longer had to prove that I was a man, I didn’t have to prove anything. I began to see things: coffee cups lined up behind a counter in a cafe. Or a dog walking along a sidewalk. Or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful. Then...it was gone. I began to feel good, I began to feel good in the worst situations and there were plenty of those... I welcomed shots of peace, tattered shards of happiness... And finally I discovered real feelings of others, unheralded, like lately, like this morning, as I was leaving for the track, I saw my wife in bed, just the shape of her head there...so still, I ached for her life, just being there under the covers. I kissed her in the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive. Feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and empty of people, I saw the mailman, honked, he waved back at me.
Charles Bukowski
Oh no, honey. Lots of women go through it early. Why, there was this woman over in Georgia who was only thirty-six-years-old and one day she got in her car and drove right up the stairs to the county courthouse, rolled down her window, and tossed her mother's head that she had just chopped off in her kitchen at a State policeman and hollered, "Here! This is what you wanted," and drove right back down the courthouse stairs. Now that's what an early menopause will do for you if you're not careful.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Some people won't dog-ear the pages. Others won't place the book facedown, pages splayed. Some won't dare make a mark in the margin. Get over it. Books exist to impart their worlds to you, not to be beautiful objects to save for some other day. We implore you to fold, crack, and scribble on your books whenever the desire takes you. Underline the good bits, exclaim "YES!" and "NO!" in the margins. Invite others to inscribe and date the frontispiece. Draw pictures, jot down phone numbers and Web addresses, make journal entries, draft letters to friends or world leaders. Scribble down ideas for a novel of your own, sketch bridges you want to build, dresses you want to design. Stick postcards and pressed flowers between the pages. When next you open the book, you'll be able to find the bits that made you think, laugh, and cry the first time around. And you'll remember that you picked up that coffee stain in the cafe where you also picked up that handsome waiter. Favorite books should be naked, faded, torn, their pages spilling out. Love them like a friend, or at least a favorite toy. Let them wrinkle and age along with you.
Ella Berthoud & Susan Elderkin
I relied on alcohol only on the days of these excursions—a shot of vodka before I went out and walked past all the little bistros and cafes and shops I’d frequented when I was out there, pretending to live a life.
Ottessa Moshfegh (My Year of Rest and Relaxation)
You know, there was a time when I was willing to give up most of my life because I didn’t like it very much,” I finally said. “What do you mean?” “I used to sit at work on Monday mornings and wish I could fast forward the clock to quitting time on Friday. I was willing to give up five days of my life each week, just to get to the days I did like.
John P. Strelecky (Return to The Why Cafe (The Why Café #2))
I felt that the magical people must be in the hidden back roads and dusty cubby holes of life; on highways, in hostels, and in shabby, smoky cafes. These enchanting people are in trees, around fires and under hand-knit hats and street lamps reflecting gold on rain soaked pavement. They dance while others dangle; they vibrantly sing the songs that get jumbled and stuck in the subconscious of others who only wish to catch tune. They are the rare ones whose uncommon experiences touch your heart through just a wink of their eye, the stories stitched in the holes of their shoes, invoking a longing for the unknown, taking others to a place of missing what they've never even had -- they do not settle, they do not compromise.
Jackie Haze (Borderless)
The continent has embraced a spiritual death long before the demographic one. In those seventeen European countries that have fallen into the "lowest-low fertility," where are the children? In a way, you're looking at them: the guy sipping espresso at a sidewalk cafe listening to his iPod, the eternal adolescent charges of the paternalistic state. The government makes the grown-up decisions and we spend our pocket money on our record collection...the long-term cost of welfare is the infantilization of the population. The populations of wealthy democratic societies expect to have total choice over their satellite TV package, yet think it perfectly normal to allow the state to make all the choices in respect of their health care. It's a curious inversion of citizenship to demand control over peripheral leisure activities but to contract out the big life-changing stuff to the government. And it's hard to come up with a wake-up call for a society as dedicated as latter-day Europe to the belief that life is about sleeping in.
Mark Steyn (America Alone: The End of the World as We Know It)
What counts as social infrastructure? I define it capaciously. Public institutions such as libraries, schools, playgrounds, parks, athletic fields, and swimming pools are vital parts of the social infrastructure. So too are sidewalks, courtyards, community gardens, and other green spaces that invite people into the public realm. Community organizations, including churches and civic associations, act as social infrastructures when they have an established physical space where people can assemble, as do regularly scheduled markets for food, furniture, clothing, art, and other consumer goods. Commercial establishments can also be important parts of the social infrastructure, particularly when they operate as what the sociologist Ray Oldenburg called "third spaces," places (like cafes, diners, barbershops, and bookstores) where people are welcome to congregate and linger regardless of what they've purchased.
Eric Klinenberg (Palaces for the People: How Social Infrastructure Can Help Fight Inequality, Polarization, and the Decline of Civic Life)
Around us, the city twinkled, the stars themselves seeming to hang lower, pulsing with ruby and amethyst and pearl. Above, the full moon set the marble of the buildings and bridges glowing as if they were all lit from within. Music played, strings and gentle drums, and on either side of the Sidra, golden lights bobbed over riverside walkways dotted with cafes and shops, all open for the night, already packed. Life- so full of life. I could nearly taste it crackling on my tongue.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rome by her very nature has a particular intoxication that wipes out memory. She's not so much a city as a wild beast hidden in some secret part of you. There can be no half measures with her, either she's the love of your life or you have to leave her, because that's what the tender beast demands, to be loved. …If she's loved she'll give herself to you whichever way you want her, all you need to do is go with the flow and you'll be within reach of the happiness you deserve. You will have summer evenings glittering with lights, vibrant spring mornings, cafe tablecloths ruffled by the wind like girls’ skirts, keen winters, and endless autumns…Every now and again, someone did get the hell out.
Gianfranco Calligarich (Last Summer in the City)
There are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. The Portrait of a Lady, by Henry James
Livia Day (The Blackmail Blend (Cafe La Femme, #1.5))
समंदर जितना बेचैन होता है हम उसके पास पहुँचकर उतना ही शांत हो जाते हैं। यही ज़िन्दगी का हाल है - पूरा बेचैन हुए बिना जैसे शांति मिल ही नहीं सकती।
Divya Prakash Dubey (मुसाफिर Cafe)
Life isn’t fair, is it?’ ‘No, and the sooner that’s an accepted universal fact, the happier everyone would be,
Milly Johnson (Afternoon Tea at the Sunflower Cafe)
Why is it we spend so much of our time preparing for when we can do what we want, instead of just doing those things now?
John P. Strelecky (The Cafe on the Edge of the World: A Story About the Meaning of Life)
The mixture of cafe au lait and impatience was producing an exquisite vibration.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The world wasn't perfect. Life wasn't perfect.
Alison Kent (The Second Chance Cafe (Hope Springs #1))
I know I found his lips and let him caress me without realizing that I, too, was crying and didn't know why. That dawn, and all the ones that followed in the two weeks I spent with Julian, we made love to one another on the floor, never saying a word. Later, sitting in a cafe or strolling through the streets, I would look into his eyes and know, without any need to question him, that he still loved Penelope. I remember that during those days I learned to hate that seventeen-year-old girl (for Penelope was always seventeen to me) whom I had never met and who now haunted my dreams. I invented excuses for cabling Cabestany to prolong my stay. I no longer cared whether I lost my job or the grey existence I had left behind in Barcelona. I have often asked myself whether my life was so empty when I arrived in Paris that I fell into Julian's arms - like Irene Marceau's girls, who, despite themselves, craved for affection.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
You know that frustrating feeling of losing the page in your book? You didn't want to go too far ahead and spoil the surprise, and you didn't want to go too far back, so you kind of stagnated and started from a page that didn't seem quite right, but you read it a few times just to convince yourself... That was how I felt about my life. A little lost, I guess you could say.
Rebecca Raisin (The Bookshop on the Corner (The Bookshop, #1; The Gingerbread Cafe, #2.5))
It’s funny, when you’re a child you think time will never go by, but when you hit about twenty, time passes like you’re on the fast train to Memphis. I guess life just slips up on everybody.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Fuck hope and all the tiny little towns, one-horse towns, the one-stoplight towns, three-bars country-music jukebox-magic parquet-towns, pressure-cooker pot-roast frozen-peas bad-coffee married-heterosexual towns, crying-kids-in-the-Oldsmobile-beat-your-kid-in the-Thriftway-aisles towns, one-bank one-service-station Greyhound-Bus-stop-at-the-Pepsi-Cafe towns, two-television towns, Miracle Mile towns, Viv's Double Wide Beauty Salon towns, schizophrenic-mother towns, buy-yourself-a-handgun towns, sister-suicide towns, only-Injun's-a-dead-Injun towns, Catholic-Protestant-Mormon-Baptist religious-right five-churches Republican-trickle-down-to-poverty family-values sexual-abuse pro-life creation-theory NRA towns, nervous-mother rodeo-clown-father those little-town-blues towns.
Tom Spanbauer (In the City of Shy Hunters)
What would be the point of safety measures? What’s the point of a man balancing on a wire if there’s no risk of his life coming to a premature end? Where’s the danger in that? Where’s the spectacle?
Mark Capell (Cafe Insomniac)
I don't know why I'm always surprised when God does these things. He is so lavish in His love; it takes my breath away. It really does. Just when we think something has ended, He always shows us a new beginning.
Kathryn Springer (Front Porch Princess: Pritchett Series #1 (Life, Faith & Getting It Right #11) (Steeple Hill Cafe))
He stood at the window of the empty cafe and watched the activities in the square and he said that it was good the God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
He stood at the window of the empty cafe and watched the activities in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they’d have no heart to start at all.
Cormac McCarthy (All The Pretty Horses (The Border Trilogy, #1))
Ella's supersonic voice followed her all the way to Bleecker Street and then dissolved amid the noisy profusion of shops, cafes, and restaurants and the crush of people that made the West Village of Manhattan unique in the world. In a single block you could buy fertility statues from Tanzania, rare Amazonian orchids, a pawned brass tuba, Krispy Kreme doughnuts, or the best, most expensive cup of coffee you ever tasted. It was the doughnuts, incidentally, that attracted Gaia.
Francine Pascal (Sam (Fearless, #2))
Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ... Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.
Naguib Mahfouz
Then, on impulse, I scroll back through my previous Instagram posts, looking at the photos of London cafes, sights, drinks, and smiling faces (mostly strangers). The whole thing is like a feel-good movie, and what's wrong with that? Loads of people use colored filters or whatever on Instagram. Well, my filter is the “this is how I'd like it to be” filter. It's not that I lie. I was in those places, even if I couldn't afford a hot chocolate. It's just I don't dwell on any of the not-so-great stuff in my life, like the commute or the prices or having to keep all my stuff in a hammock. Let alone vanilla-whey-coated eggs and abnoxious lechy flatmates. And the point is, it's something to aspire to, something to hope for. One day my life will match my Instagram posts. One day.
Sophie Kinsella (My Not So Perfect Life)
Everything with Chloe is more fun. Donuts and shopping and traveling on the candy plane—it’s all better when she’s around. Errand-running and laundry and hours spent at a flea market. I’ll take it. Because I know that every day I spend with Chloe is the best day of my life.
Jana Aston (Trust (Cafe, #3))
Most people are lucky enough to have a few electrifying kissing experiences in their lifetimes, which make you believe in God, the reality of soul mates, or at least the power of sexual chemistry [Cram,Cusi, "‘One Life to Live’ and 14 Beautiful Boys to Kiss," Cafe, January 14, 2015].
Cusi Cram
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.
Fredrik Backman (A Man Called Ove)
You know that frustrating feeling of losing the page in your book? You didn’t want to go too far forward and spoil the surprise, and you didn’t want to go too far back, so you kind of stagnated and started from a page that didn’t seem quite right, but you read it a few times just to convince yourself…that was how I felt about my life.
Rebecca Raisin (The Bookshop on the Corner (The Bookshop, #1; The Gingerbread Cafe, #2.5))
Exactly. We’re all limited by our current experiences and knowledge. The important word there is current. More than ever before in human history, we have access to information, people, cultures, and experiences from all over the world. “As we try to find what will fulfill our PFE, our limits today aren’t really about accessibility. They’re about the limitations we impose on ourselves.
John P. Strelecky (The Cafe on the Edge of the World: A Story About the Meaning of Life)
I need someone who knows to enjoy life. Someone who'll get high with me at the Pere - Lechaise cemetery. Someone who'll lose their breath running trough the Louvre. Someone who'll go to coffee with a good book ( Fyodor Dostoyevsky, L. Tolstoy, Voltaire, A. Camus, Oscar Wilde, Gustave Flaubert ). During the weekends to the cafe de Flore, and after that lunch at Ritz. Someone who'll get lost in Paris in the middle of the night. Someone who'll lay beside Seine, drink wine and listen to Florence and Machine, Banks, Borns, Hurts, Bjork, Tom Odelle... Someone who can sit in front of S.Dali's paintings for hours and not talk. Someone who wants to live. Someone who wants to travel and see the world. Someone who'll look at the stars for hours, talk about life, someone who is not afraid of death.
SV
Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.
Yrsa Daley-Ward (Bone)
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
Mostly though, I just want to not care what every single person thinks of me all the time. And I want to not have so many people’s opinions whirring around my brain and I want to share my life with someone and not get bored. And I’m so scared that isn’t possible because that is a lot of boxes to empty and sort. And sometimes I just want to have a shower and put on a clean pair of jeans and eat a sandwich in a cafe and feel like a normal fucking person.
Emma Jane Unsworth (Adults)
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul." Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life." Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor." Gary found himself laughing with her. "I can believe that." "Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it. "So,what are you going to do about me?" Gary ventured painfully. Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort. I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies. I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back. Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
Christine Feehan (Dark Magic (Dark, #4))
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
I inhale slowly, soaking it all in. I step forward and backward, my neck twisting and turning, memorizing every corner. I feel an instant connection to this place. Something about being here grabs me and infatuates me. I begin taking mental pictures of the narrow alleys decorated with rows of artists and vendors. I start imagining myself dining at the sidewalk cafes, sitting there with Chad during the summer, spring, winter, and fall. I get this strong desire to take off my shoes and walk barefooted on the cobblestones as if I have found my new home.
Corey M.P. (High)
Charlie will never sit here again. She will never write again. She will never have another thought again. He thinks of her lips, how they will never curl into a smile, or spread with laughter. Her eyes, how they will never sparkle with life. Her feet, how they will never walk the pathways of the Sorbonne campus. HE thinks of that cafe in Paris where they will never drink coffee together, that empty table set for two, those two empty chairs, the conversations they will never share, the moments together they will never remember for the rest of their lives.
Andrew Fukuda (This Light Between Us)
I feel more like I am in the Middle East than in any recognizable part of Europe. There really are wild dogs everywhere, and they cry all night long. There is a least a miserable, bohemian glamour to the life here. There are a ton of outdoor cafes with people smoking and drinking rakia. Gypsies leading dancing bears around on leashes, attractive people, glue-sniffing teenage gangs - contradictions everywhere. My email is hard-wired into a big, gaping hole in the apartment wall and ants and little spiders keep crawling out. I am trying to keep an open mind.
Annie Ward (The Making of June)
When I needed more pills, I ventured out to the Rite Aid three blocks away. That was always a painful passage. Walking up First Avenue, everything made me cringe. I was like a baby being born—the air hurt, the light hurt, the details of the world seemed garish and hostile. I relied on alcohol only on the days of these excursions—a shot of vodka before I went out and walked past all the little bistros and cafes and shops I’d frequented when I was out there, pretending to live a life. Otherwise I tried to limit myself to a one-block radius around my apartment.
Ottessa Moshfegh (My Year of Rest and Relaxation)
It would take me all night to tell about Old Bull Lee; let's just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called "the facts of life," which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on.... there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers.... He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience....
Jack Kerouac
No matter how often you come back to Paris, if you go away that first time, you leave behind the life you might have led there, the man you might have been, the essays you might have written at the cafe tables, the manifestos you might have signed, the mastery you might have obtained over the French language and Paris taxi drivers. You might have risen high in French politics, romanced Ines de la Fressange from the top of a ladder, hatched a plan to fill in the Arc de Triomphe with a split level shopping mall, been run down in the Boulevard Saint-Germain by Françoise Sagan, buried in Père Lachaise and Natalie might have been your daughter. I can't imagine a more satisfactory life.
Clive James
You’re an idiot,” Preston says. “Excuse me?” “You’re an idiot, sir?” he tries again. “Just tell me how much she likes Dave, Preston. I don’t have time for this girly bullshit.” Jesus fuck, am I going to have to resort to getting girl advice from my gay assistant? What the hell has my life come to? Sandra has turned everything upside down. “She doesn’t like Dave. She likes you. She’s had a crush on you forever and I’m totally breaking girl code telling you any of this.” “Then why the hell is she spending the weekend with Dave?” I ask, ignoring his girl code. “But you know Sandy’s a nice girl. She doesn’t know what to make of a guy who fucks her in his office but never asks her to dinner,” Preston continues. Apparently girl code is over. “Women are complex creatures, Gabe. They think it means something when a man takes his sweet-ass time asking her on a date. They think it means you’re just interested in the sex.” He narrows his eyes at me. “Obviously that’s not the case here, as based on the way you look at that girl it’s clear you’re already half in love with her.” I really am getting girl advice from my gay assistant “Since you know everything, care to tell me where she went with Dave?” “Marissa’s wedding.” “Who the hell is Marissa?” “Hello? She works here? In sales?” I shrug. Still no idea who he’s talking about. “You know, if you’d taken me up on my suggestion about briefing you on company gossip during Whisper Wednesdays you wouldn’t be so behind right now.” I’m going to kill him before this conversation is over
Jana Aston (Fling (Cafe, #2.5))
Here, one wants to create the Paris of the Far West. Evening traffic on Hollywood Boulevard attempts to mimic Parisian boulevard life. However, life on the Boulevard is extinct before midnight, and the seats in front of the cafes, where in Paris one can watch street life in a leisurely manner, are missing. . . . At night the illuminated portraits of movie stars stare down from lampposts upon crowds dressed in fake European elegance – a declaration that America yearns to be something other than American here. . . . Yet, in spite of the artists, writers and aspiring film stars, the sensibility of a real Montmartre, Soho, or even Greenwich Village, cannot be felt here. The automobile mitigates against such a feeling, and so do the new houses. Hollywood lacks the patina of age.75
Mike Davis (City of Quartz: Excavating the Future in Los Angeles (The Essential Mike Davis))
As I stand here before you, looking into your gorgeous blue eyes, I see all of the reasons I fell in love with you. I find myself a bit lost for the right words to say... but I know this... that above all, as I stand here, your wedding ring in my hand, that this moment in time makes me remember how very complete you make my life... It’s in every smile, all the laughter, every touch, every tear you've wiped from my face and everything you mean to me. Right now I remember how blessed I really am, how I can't ever be thankful enough, that I have you in my life. As I stand with you I remember every joy we've shared and every hard time we made it through together, and because of this I know that together we will enjoy and hold close to each other in all the moments there are to come.
Ashlee North (Caitlin and the Cafe Man)
Prabhakar was waiting for me at the bus station, smiling happily through the rain. He led me through the people gathered at the bus station, past shops selling cheap household items and eating places where pakoras were being fried in bubbling oil. The brands and consumerism of urban India had disappeared, and although I felt an acute sense of displacement, I was oddly comforted by the rough utilitarianism of the place, which reminded me of the India I had grown up in. There were no cafes where I could hide my loneliness behind a cup of coffee and an open laptop, no shopping aisles where I could wander, picking out items that momentarily created an image of a better life. There was no escape here except through human relationships, and for that I was utterly dependent on Prabhakar speeding through the rain on his motorcycle.
Siddhartha Deb (The Beautiful and the Damned: A Portrait of the New India)
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop of women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? I never once bought Rosie flowers—too hard for her to explain at home—and I never once wondered whether her ankles looked exactly the way they were supposed to. I wanted her, all mine, and I believed she wanted me. Till the day Holly was born, nothing in my life has ever been so simple.
Tana French (Faithful Place (Dublin Murder Squad, #3))
For Delta blueman Robert Johnson and his contemporaries, the train was the eternal metaphor for the travelling life, and it still holds true today. There is no travel like it. Train lines carve through all facets of a nation. While buses stick to major highways and planes reduce the unfolding of lives to a bird's eye view, trains putter through the domains of the rich and the poor, the desperate and the idle, rural and urban, isolated and cluttered. Through train windows you see realities rarely visible in the landscaped tourist areas. Those frames hold the untended jungle of a nation's truth. Despite my shredded emotions, there was still no feeling like dragging all your worldly possessions onto a carriage, alone and anonymous, to set off into the unknown; where any and all varieties of adventures await, where you might meet a new best friend, where the love of your life could be hiding in a dingy cafe. The clatter of the tracks is the sound of liberation.
Patrick O'Neil (Sideways Travels with Kafka, Hunter S. and Kerouac)
And in many other cities which for him were all identical - hotel, taxi. a hall in a cafe or club. These cities, these regular rows of blurry lamps marching past and suddenly advancing and encircling a stone horse in a square, were as much a habitual and unnecessary integument as the wooden pieces and the black and white board, and he accepted this external life as something inevitable but completely uninteresting. Similarly, in his way of dressing and in the manner of his everyday life, he was prompted by extremely dim motives, stopping to think about nothing, rarely changing his linens, automatically winding his watch at night, shaving with the same safety blade until it ceased to cut altogether, and feeding haphazardly and plainly. From some kind of melancholy inertia he continued to order at dinner the same mineral water, which effervesced slightly in the sinuses and evoked a tickling sensation in the corner of his eyes, like tears for the vanished Valentinov. Only rarely did he notice his own existence, when for example lack of breath - the revenge of a heavy body - forced him to halt with open mouth on a staircase, or when he had a toothache, or when at a late hour during his chess cogitations an outstretched hand shaking a matchbox failed to evoke in it the rattle of matches, and the cigarette that seemed to have been thrust unnoticed into his mouth by someone else suddenly grew and asserted itself, solid, soulless, and static, and his whole life became concentrated in the single desire to smoke, although goodness knows how many cigarettes had already been unconsciously consumed, In general, life around him was so opaque and demanded so little effort of him that it sometimes seemed someone - a mysterious, invisible manager - continued to take him from tournament to tournament; but occasionally there were odd moments, such quietness all around, and when you looked out into the corridor - shoes, shoes, shoes, standing at all the door, and in your ears the roar of loneliness.
Vladimir Nabokov (The Luzhin Defense)
DICK’S DESIRE Dick's eyes- Soft, cold, and blue- Meet Devonshire's- Dark, sexy, and yearning. Turning away- Dick grabs two packets of sugar- While Devonshire's eyes- Are still upon him- Pondering his every move. Is Dick a playboy, A ladies' man, A mans' man, Or a killer? Does his sex long for, Something hard- Or something soft? Does he need cream in his coffee- The screaming splash of a man, Or the sweet flow of a woman? Finishing up at the bar- Dick turns to leave- Meets Devonshire's gaze again- Hot, thirsty, and longing- But full of trepidation. Following the flow of etiquette- Dick shoots out of the cafe, Past Devonshire, And into a world of dashed hopes, And regrets. But Devonshire- No longer of two worlds- Rises in pursuit- Goes after Dick, And taps him on the shoulder. Dick gives a turn, Raises his shoulders, And smiles with interest- Taking Devonshire's hand, And asking his name. Devonshire answers- Desire. Dick invites Devonshire to dinner, Where he eats everything, Swallowing Dick's life stories, And devouring his misgivings. For dessert, Devonshire takes Dick home, Into his bed, Against his flesh, And gives Dick all of him- His deepest desires, The love in his eyes, And the fire in his soul.
Giorge Leedy (Uninhibited From Lust To Love)
Reading Group Guide Questions Discussion questions for The Three Pines Mysteries, by Louise Penny 1. How important is the use of humor in this book? 2. Which Three Pines villager would you most like to have cafe au lait with at the bistro? 3. Why is Ruth a villager? 4. Louise Penny says her books are about murder, but at their heart they’re about other things. What else is this book about? What are some other themes? 5. Agent Nichol is an extremely controversial character in the books. What do you think of her? What purpose does she serve? Discussion questions for Still Life 1. At the beginning of Still Life, we are told that “violent death still surprised” Chief Inspector Armand Gamache. Why is that odd for a homicide detective, and how does it influence his work? What are his strengths and his weaknesses? 2. The village of Three Pines is not on any map, and when Gamache and Agent Nicole first arrive there, they see “the inevitable paradox. An old stone mill sat beside a pond, the mid-morning sun warming its fieldstones. Around it the maples and birches and wild cherry trees held their fragile leaves, like thousands of happy hands waving to them on arrival. And police cars. The snakes in Eden.” Can you find other echoes of Paradise in Three Pines, and what role do snakes—real or metaphorical—play there? 3. There are three main couples in the book: Clara and Peter, Olivier and Gabri, and
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
Jean Lorrain (Monsieur De Phocas)