Crooked People Quotes

We've searched our database for all the quotes and captions related to Crooked People. Here they are! All 100 of them:

Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They don’t forget. They tell each other who to look after and who to watch out for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Don’t worry, Da. People point guns at each other all the time in Ketterdam. It’s basically a handshake.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Will’s voice dropped. “Everyone makes mistakes, Jem.” “Yes,” said Jem. “You just make more of them than most people.” “I —” “You hurt everyone,” said Jem. “Everyone whose life you touch.” “Not you,” Will whispered. “I hurt everyone but you. I never meant to hurt you.” Jem put his hands up, pressing his palms against his eyes. “Will —” “You can’t never forgive me,” Will said in disbelief, hearing the panic tinging his own voice. “I’d be —” “Alone?” Jem lowered his hand, but he was smiling now, crookedly. “And whose fault is that?
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It is a pleasant world we live in, sir, a very pleasant world. There are bad people in it, Mr. Richard, but if there were no bad people, there would be no good lawyers.
Charles Dickens (The Old Curiosity Shop)
He thumbed quickly through the ledger and said, “When people see a cripple walking down the street, leaning on his cane, what do they feel?” Wylan looked away. People always did when Kaz talked about his limp, as if he didn’t know what he was or how the world saw him. “They feel pity. Now, what do they think when they see me coming?” Wylan’s mouth quirked up at the corner. “They think they’d better cross the street.” Kaz tossed the ledger back in the safe. “You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Though Kaz’s tone was easy, Matthias heard the dark anticipation in his words. He had often wondered how people survived this city, but it was possible Ketterdam would not survive Kaz Brekker.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are. […] It’s shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with none the wiser about it. We can endure all kinds of pain. It’s shame that eats men whole.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Inej almost felt sorry for her. Dunyasha really believed she was the Lantsov heir, and maybe she was. But wasn’t that what every girl dreamed? That she’d wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What a lousy earth! He wondered how many people were destitute that same night even in his own prosperous country, how many homes were shanties, how many husbands were drunk and wives socked, and how many children were bullied, abused, or abandoned. How many families hungered for food they could not afford to buy? How many hearts were broken? How many suicides would take place that same night, how many people would go insane? How many cockroaches and landlords would triumph? How many winners were losers, successes failures, and rich men poor men? How many wise guys were stupid? How many happy endings were unhappy endings? How many honest men were liars, brave men cowards, loyal men traitors, how many sainted men were corrupt, how many people in positions of trust had sold their souls to bodyguards, how many had never had souls? How many straight-and-narrow paths were crooked paths? How many best families were worst families and how many good people were bad people? When you added them all up and then subtracted, you might be left with only the children, and perhaps with Albert Einstein and an old violinist or sculptor somewhere.
Joseph Heller (Catch-22)
It is, after all, not the tasks people do but the things they do around the edges of them that reveal who they are.
Maggie Stiefvater (All the Crooked Saints)
Curious thing, rooms. Tell you quite a lot about the people who live in them.
Agatha Christie (Crooked House)
I think people more often kill those they love, than those they hate. Possibly because only the people you love can really make life unendurable to you.
Agatha Christie (Crooked House)
Tell me, drüskelle, have you ever actually been to this part of the Barrel?” “I didn’t have much opportunity for sightseeing while I was in Hellgate,” Matthias said. “And I wouldn’t have come here anyway.” “Of course not. This many people having fun in one place might have shocked the Fjerdan right out of you.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A girl is like a young tree, she said. You must stand tall and listen to your mother standing next to you. That is the only way to grow strong and straight. But if you bend to listen to other people, you will grow crooked and weak. You will fall to the ground with the first strong wind. And then you will be like a weed, growing wild in any direction, running along the ground until someone pulls you out and throws you away.
Amy Tan (The Joy Luck Club)
Help me,” said Jesper. “We need to barricade the entrance.” The man behind the desk wore gray scholar’s robes. His nostrils were flared so wide in effrontery that Jesper feared being sucked up one of them. “Young man—” Jesper pointed his gun at the scholar’s chest. “Move.” “Jesper!” his father said. “Don’t worry, Da. People point guns at each other all the time in Ketterdam. It’s basically a handshake.” “Is that true?” his father asked as the scholar grudgingly moved aside and they shoved the heavy desk in front of the door. “Absolutely,” said Wylan. “Certainly not,” said the scholar. Jesper waved them on. “Depends on the neighborhood. Let’s go.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
How much do you love me?' and "Who's in charge?" ....these two questions of LOVE and CONTROL undo us ALL, trip us up and cause war, grief, and suffering. People follow different paths, straight or crooked, according to their temperament, depending on which they consider best, or most appropriate -- and all reach You, just as rivers enter the ocean.
Elizabeth Gilbert (Eat, Pray, Love)
Profit should never come at the cost of human blood. Any government that places profit before people is pure evil.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Hobbies are for people who don’t read books,
Lissa Evans (Crooked Heart)
People were more than crooked type and swastika-stamped documents. No number of bullet points and biography facts could pin the soul behind the eyes.
Ryan Graudin (Wolf by Wolf (Wolf by Wolf, #1))
Inej's mother had told her that gifted wire walkers were descended from the People of the Air, that they'd once had wings, and that in the right light, those wings could still be glimpsed on the humans to whom they showed favor.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But why should we have to be useful and for what reason? Who divided the world into useless and useful, and by what right? Does a thistle have no right to life, or a Mouse that eats the grain in a warehouse? What about Bees and Drones, weeds and roses? Whose intellect can have had the audacity to judge who is better, and who worse? A large tree, crooked and full of holes, survives for centuries without being cut down, because nothing could possibly be made out of it. This example should raise the spirits of people like us. Everyone knows the profit to be reaped from the useful, but nobody knows the benefit to be gained from the useless.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I've always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus?
John Green (The Fault in Our Stars)
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
John Green (The Fault in Our Stars)
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
And in that line now was a whiskered old man, with a linen cap and a crooked nose, who waited in a place called the Stardust Band Shell to share his part of the secret of heaven: that each affects the other and the other affects the next, and the world is full of stories, but the stories are all one.
Mitch Albom (The Five People You Meet in Heaven)
If the right people had been in charge of Nixon's funeral, his casket would have been launched into one of those open-sewage canals that empty into the ocean just south of Los Angeles. He was a swine of a man and a jabbering dupe of a president. Nixon was so crooked that he needed servants to help him screw his pants on every morning. Even his funeral was illegal. He was queer in the deepest way. His body should have been burned in a trash bin.
Hunter S. Thompson (Where Were You When the Fun Stopped)
But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We cheated, you and me, and someone noticed. I noticed you; someone else noticed me. It hurts us. That's not so bad. So many people cheat. Everywhere on every level. Everyone's cheated. I'm just saying that you don't need to see yourself as a cheater. Because that's not who you are. You're someone who cheated. There's a difference, and you should try to get that difference, or that's who you'll grow up to be.
Anne Lamott (Crooked Little Heart)
I DECLARE God is going before me making crooked places straight. He has already lined up the right people, the right opportunities and solutions to problems I haven’t had. No person, no sickness, no disappointment, can stop His plan. What he promised will come to pass.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)
Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they tried. He tried. Maybe they could try again.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Sometimes scientific discoveries are like that […]. Once people know something is possible, the pace of new findings increases. (Wylan)
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She was so mean that she even killed her own name, and now people just pointed to her.
Maggie Stiefvater (All the Crooked Saints)
Move.” “Jesper!” his father said. “Don’t worry, Da. People point guns at each other all the time in Ketterdam. It’s basically a handshake.” “Is that true?” his father asked as the scholar grudgingly moved aside and they shoved the heavy desk in front of the door. “Absolutely,” said Wylan. “Certainly not,” said the scholar. Jesper waved them on. “Depends on the neighborhood. Let’s go.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
In countries where all the crooked politicians wear pin-striped suits, the best people are bare-assed.
Paul Theroux
Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Believe me, I know people who have doting Grandmas. Jessica's Grandma Pearl spent four years knitting her a blanket. Four years! And she's got arthritis. I wonder what Grandma Pearl would think if she knew Jessica lost her virginity to Michael Greenberg under the blanket she spent four years knitting with her crooked fingers.
Simone Elkeles (How to Ruin a Summer Vacation (How to Ruin, #1))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
These stories were very old, as old as people, and they had survived because they were very powerful indeed. They were the tales that echoed in the head long after the books that contained them were cast aside. They were both an escape from reality and an alternative reality themselves. They were so old, and so strange, that they had found a kind of existence independent of the pages they occupied. The world of the old tales existed parallel to ours, but sometimes the walls separating the two became so thing and brittle that the two worlds started to blend into each other. That was when the trouble started. That was when the bad things came. That was when the Crooked Man began to appear to David.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Do you know the Suli have no words to say ‘I’m sorry’?” “What do you say when you step on someone’s foot?” “I don’t step on people’s feet.” “You know what I mean.” “We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There’s no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don’t say we’re sorry. We promise to make amends.” “I will.” “Mati en sheva yelu. This action will have no echo. It means we won’t repeat the same mistakes, that we won’t continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Maybe Larry was wrong about the word friend, maybe he'd been shoved away from everybody for so long all he was was a sponge for the wrongs other people did.
Tom Franklin (Crooked Letter, Crooked Letter)
We're living in a funny world kid, a peculiar civilization. The police are playing crooks in it, and the crooks are doing police duty. The politicians are preachers, and the preachers are politicians. The tax collectors collect for themselves. The Bad People want us to have more dough, and the good people are fighting to keep it from us. It's not good for us, know what I mean? If we had all we wanted to eat, we'd eat too much. We'd have inflation in the toilet paper industry. That's the way I understand it. That's about the size of some of the arguments I've heard.
Jim Thompson (The Killer Inside Me)
…time has a way of leading a person along a crooked path. Sometimes the path is hard to hold to and people fall off along the way. They curse the road for its steep grades and muddy ruts and settle themselves in hinterlands of thorn and sorrow, never knowing or dreaming that the road meant all along to lead them home. Some call that road a tragedy and lose themselves along it. Others, those that see it home, call it an adventure.
A.S. Peterson (The Fiddler's Gun (Fin's Revolution, #1))
And yet, his eyes kept drifting to the walkway beside the canal, his impatience growing. He was better than this. Waiting was the part of the criminal life so many people got wrong. They wanted to act instead of hold fast and gather information. They wanted to know instantly without having to learn. Sometimes the trick to getting the best of a situation was just to wait. If you didn’t like the weather, you didn’t rush into the storm—you waited until it changed. You found a way to keep from getting wet.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
People are like sweet, sweet chords - we love them when they're playing all together nicely, like in the pretty number I'm going to spin next, but it would be a crying shame to forget what a lovely little noise a D major makes strummed on a single guitar.
Maggie Stiefvater (All the Crooked Saints)
I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people's dream died there. It was a beautiful dream...
Black Elk
I need you to save the others.” “What others?” she asked desperately. “The other drüskelle. Swear to me you’ll at least try to help them, to make them see.” “We’ll go together, Matthias. We’ll be spies. Genya will tailor us and we’ll go to Fjerda together. I’ll wear all the ugly knitted vests you want.” “Go home to Ravka, Nina. Be free, as you were meant to be. Be a warrior, as you always have been. Just save some mercy for my people. There has to be a Fjerda worth saving. Promise me.” “I promise.” The words were more sob than sound.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The two most dangerous things in the world are rich people and crazy people. The Roanokes are rich like pharoahs and crazier'n a snake-fucking baby.
Warren Ellis (Crooked Little Vein)
Remember to delight yourself first, then others can be truly delighted." This was my mantra when I published my first book in 1990, and still holds true. When we focus on the song of our soul and heart, then others will be touched similarly. Sometimes people wonder or worry whether people will like or approve of their creative expression. It's none of your business. It's your business to stay present and focused for the work of your deepest dreams. It might look crooked or strange, or be very odd-but if it delights you, then it is yours, and will find it's way into other hearts.
S.A.R.K.
Don't be offended, but you seem to be one of those people who just attract accidents like a magnet. So . . . try not to fall into the ocean or get run over or anything, all right?" He smiled crookedly. The helplessness had faded as he spoke. I glared at him. "I'll see what I can do," I snapped as I jumped out into the rain. I slammed the door behind me with excessive force. He was still smiling as he drove away.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
People have a greater tolerance for evil than for violence. If crooked gamboling, thieving and robing are covered over folks will tolerate it longer than out right violence, even when the violence may be cleansing.
Louis L'Amour (The Daybreakers (The Sacketts, #6))
Kaz settled his hands over his cane, his back to the city. “We all want different things from this day. Freedom, redemption—” “Cold hard cash?” suggested Jesper. “Plenty of that. There are lots of people looking to stand in our way. Van Eck. The Merchant Council. Pekka Rollins and his goons, a few different countries, and most of this Saintsforsaken town.” “Is this supposed to be encouraging?” asked Nina. “They don’t know who we are. Not really. They don’t know what we’ve done, what we’ve managed together.” Kaz rapped his cane on the ground. “So let’s go show them they picked the wrong damn fight.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Most people live their lives laying prostrate before a false god, waiting for a cue to rise. There are no cues, only decisions. Shall I have dessert? Shall I have the best of the wine? Shall I love the person next to me? They can all be brought to your table. Rise, I say, rise and look within to the truth, to the light, and tell it your decision.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
Jesper was used to people shooting at him. He would have been a little insulted if they'd stopped shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Buildings are not very good at remembering the people who once occupied them.
Maggie Stiefvater (All the Crooked Saints)
...you'd be surprised how many people violate this simple principle every day of their lives and try to fit square pegs into round holes, ignoring the clear reality that Things Are As They Are. We will let a selection from the writings of Chuang-tse illustrate: Hui-tse said to Chuang-tse, "I have a large tree which no carpenter can cut into lumber. Its branches and trunk are crooked and tough, covered with bumps and depressions. No builder would turn his head to look at it. Your teachings are the same - useless, without value. Therefore, no one pays attention to them." ... "You complain that your tree is not valuable as lumber. But you could make use of the shade it provides, rest under its sheltering branches, and stroll beneath it, admiring its character and appearance. Since it would not be endangered by an axe, what could threaten its existence? It is useless to you only because you want to make it into something else and do not use it in its proper way.
Benjamin Hoff (The Tao of Pooh)
Because this is just what a nightmare is. Walking about among people you know, looking in their faces- and suddenly the faces change- and it's not someone you know any longer- it's a stranger- a cruel stranger.
Agatha Christie (Crooked House)
And the stars: the sky gets crowded at night, and it is a bit like watching a clock, seeing the constellations slide across the sky. It’s comforting to know that they’ll show up, however bad the day has been, however crook things get. That used to help in France. It put things into perspective—the stars had been around since before there were people. They just kept shining, no matter what was going on. I think of the light here like that, like a splinter of a star that’s fallen to earth: it just shines, no matter what is happening. Summer, winter, storm, fine weather. People can rely on it.
M.L. Stedman (The Light Between Oceans)
Your brother Jaime keeps losing battles. He gave Sansa an angry look, as if it were her fault. He’s been taken by the Starks and we’ve lost Riverrun and now her stupid brother is calling himself a king. The dwarf smiled crookedly. “All sorts of people are calling themselves kings these days.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Sometimes, when a question is about a secret, people will ask a different but related question, hoping to get an answer that will work for both questions
Maggie Stiefvater (All the Crooked Saints)
Maybe that was what millions could do-- nail a satisfied smirk to one's face.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
Van Eck’s going to pull something,” Kaz had said back on Black Veil, “and it’s going to be messy, because he has less than twelve hours to plan it.” “Good,” said Jesper. “Bad,” said Kaz. “The more complicated a plan is, the more people he has to involve, the more people talk, the more ways it can go wrong.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Love in the high desert is a strange thing. There is something about the climate—the remoteness, the severity of the seasons, the dryness of the air, the extreme beauty—that makes people feel more deeply. Perhaps without trees or cities to dampen the enormity of the feelings, they spread out hugely. Perhaps the hard-packed dust of the San Luis Valley amplifies them, like a shout into a canyon.
Maggie Stiefvater (All the Crooked Saints)
Just before you went into the ICU, I started to feel this ache in my hip.” “No,” I said. Panic rolled in, pulled me under. He nodded. “So I went in for a PET scan.” He stopped. He yanked the cigarette out of his mouth and clenched his teeth. Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but A Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile. He flashed his crooked smile, then said, “I lit up like a Christmas tree, Hazel Grace. The lining of my chest, my left hip, my liver, everywhere.
John Green (The Fault in Our Stars)
Waiting was the part of the criminal life so many people got wrong. They wanted to act instead of hold fast and gather information. They wanted to know instantly without having to learn. Sometimes the trick to getting the best of a situation was just to wait. If you didn't like the weather, you didn't rush into the storm - you waited until it changed. You found a way to keep from getting wet.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people’s dream died there. It was a beautiful dream . . . the nation’s hoop is broken and scattered.
Black Elk (Black Elk Speaks)
I have walked by stalls in the market-place where books, dog-eared and faded from their purple, have burst with a white hosanna. I have seen people crowned with a double crown, holding in either hand the crook and flail, the power and the glory. I have understood how the scar be­comes a star, I have felt the flake of fire fall, miraculous and pentecostal. My yesterdays walk with me. They keep step, they are grey faces that peer over my shoulder.
William Golding (Free Fall)
All you hear these days is that everything’s going to hell in a handcart, how everybody’s a pedophile or a crook, and it’s not true. You forget that the world is full of ordinary decent people like yourselves, Good Samaritans who’ll stop and help a soul in need.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I was wrong. I knew I was wrong, and yet I persisted. If that is possible of any explanation it is this: From the day I left my father my lines had been cast, or I cast them myself, among crooked people. I had not spent one hour in the company of an honest person. I had lived in an atmosphere of larceny, theft, crime. I thought in terms of theft. Houses were built to be burglarized, citizens were to be robbed, police to be avoided and hated, stool pigeons to be chastised, and thieves to be cultivated and protected. That was my code; the code of my companions. That was the atmosphere I breathed. 'If you live with wolves, you will learn to howl.
Jack Black (You Can't Win)
You think that drinking with a serial killer takes you into the midnight currents of the culture? I say bullshit. There's been twelve TV documentaries, three movies and eight books about me. I'm more popular than any of these designed-by-pedophile pop moppets littering the music television and the gossip columns. I've killed more people than Paris Hilton has desemenated, I was famous before she was here and I'll be famous after she's gone. I am the mainstream. I am, in fact, the only true rock star of the modern age. Every newspaper in America never fails to report on my comeback tours, and I get excellent reviews.
Warren Ellis (Crooked Little Vein)
Do you train Fabrikators at the Little Palace?” asked Wylan. Jesper scowled. Why did he have to go and start that? “Of course. There’s a school on the palace grounds.” “What if a student were older?” said Wylan, still pushing. “A Grisha can be taught at any age,” said Genya. “Alina Starkov didn’t discover her power until she was seventeen years old, and she… she was one of the most powerful Grisha who ever lived.” Genya pushed at Wylan’s left nostril. “It’s easier when you’re younger, but so is everything. Children learn languages more easily. They learn mathematics more easily.” “And they’re unafraid,” said Wylan quietly. “It’s other people who teach them their limits.” Wylan’s eyes met Jesper’s over Genya’s shoulder, and as if he was challenging both Jesper and himself.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I think they know we're talking about them," I say. "So? They already know I hate them." "They do? How?" Christina fakes a smile at them and waves. I look down, my cheeks warm. I shouldn't be gossiping anyway. Gossiping is self-indulgent. Will hooks a foot around one of Al's legs and yanks back,knocking Al to the ground. Al scrambles to his feet. "Because I've told them," she says, through the gritted teeth of her smile. Her teeth are straight on top and crooked on the bottom.She looks at me. "We try to be pretty honest about our feelings in Candor. Plenty of people have told me that they don't like me.And plenty of people haven't. Who cares?" "We just...weren't supposed to hurt people," I say. "I like to think I'm helping them by hating them," she says. "I'm reminding them that they aren't God's gift to humankind.
Veronica Roth (Divergent (Divergent, #1))
Lines formed at Ruby Pier- just as a line formed someplace else; five people, waiting, in five chosen memories, for a little girl named Amy or Annie to grow and to love and to age and to die, and to finally have her questions answered- why she lived and what she lived for. And in that line now was a whiskered old man, with a linen cap and a crooked nose, who waited in a place called the Stardust Band Shell to share his part of the secret of heaven: that each affects the other and the other affects the next, and the world is full of stories, but the stories are all one.
Mitch Albom (The Five People You Meet in Heaven)
Autumn is always a time of Fear and Greed and Hoarding for the winter coming on. Debt collectors are active on old people and fleece the weak and helpless. They want to lay in enough cash to weather the known horrors of January and February. There is always a rash of kidnapping and abductions of schoolchildren in the football months. Preteens of both sexes are traditionally seized and grabbed off the streets by gangs of organized perverts who traditionally give them as Christmas gifts to each other to be personal sex slaves and playthings. Most of these things are obviously Wrong and Evil and Ugly — but at least they are Traditional. They will happen. Your driveway will ice over, your furnace will blow up, and you will be rammed in traffic by an uninsured driver in a stolen car. But what the hell? That's why we have Insurance, eh? And the Inevitability of these nightmares is what makes them so reassuring. Life will go on, for good or ill. But some things are forever, right? The structure may be a little Crooked, but the foundations are still strong and unshakable.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
But some people, I suspect, remain morally immature. They continue to be aware that murder is wrong, but they do not feel it. I don’t think, in my experience, that any murderer has really felt remorse … And that, perhaps, is the mark of Cain. Murderers are set apart, they are ‘different’—murder is wrong—but not for them—for them it is necessary—the victim has ‘asked for it,’ it was ‘the only way.
Agatha Christie (Crooked House)
And which devil do you prefer? Dante's?" "No. Much too terrifying. Too medieval for my taste." "Mephistopheles?" "Not him, either. He's too pleased with himself. Too much a trickster, like a crooked lawyer ... Anyway, I never trust people who smile a lot." "What about the one in The Karamazovs?" "Petty. A civil servant with dirty nails. I suppose the devil I prefer is Milton's fallen angel.
Arturo Pérez-Reverte (The Club Dumas)
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
Rachel Hawkins (Demonglass (Hex Hall, #2))
They’d been told they would be meeting with only two members of the Triumvirate, but three people stood by the pool. Jesper knew the one-eyed girl in the red-and-blue kefta must be Genya Safin, and that meant the shockingly gorgeous girl with the thick fall of ebony hair was Zoya Nazyalensky. They were accompanied by a fox-faced man in his twenties wearing a teal frock coat, brown leather gloves, and an impressive set of Zemeni revolvers slung around his hips. If these people were what Ravka had to offer, maybe Jesper should consider a visit.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
So I added in all the pains I'd learned. Cooking blunders I'd had to eat anyways. Equipment and property constantly breaking down, needing repairs and attention. Tax insanity, and rushing around trying to hack a path through a jungle of numbers. Late bills. Unpleasant jobs that gave you horribly aching feet. Odd looks from people who didn't know you, when something less than utterly normal happened. The occasional night when the loneliness ached so badly that it made you weep. The occasional gathering during with you wanted to escape to your empty apartment so badly that you were willing to go out of the bathroom window. Muscle pulls and aches you never had when you were younger, the annoyance as the price of gas kept going up to some ridiculous degree, the irritation with unruly neighbors, brainless media personalities, and various politicians who all seemed to fall on a spectrum somewhere between the extremes of "crook" and "moron." You know. Life.
Jim Butcher (White Night (The Dresden Files, #9))
That night marks my life's dark center, the moment when growing up ended and the long downward slope toward death began. The wonder to me now is that I thought myself worth saving...I reached out and clung for life with my good left hand like a claw, grasping at moving legs to raise myself from the dirt. Desperate to save myself in a river of people saving themselves. And if they chanced to look down and see me struggling underneath them, they saw that even the crooked girl believed her own life was precious. That is what it means to be a beast in the kingdom.
Barbara Kingsolver (The Poisonwood Bible)
What do you say when you step on someone's foot?" "I don't step on people's feet." "You know what I mean." "We say nothing. We know the slight was not deliberate. We live in tight quarters, traveling together. There's no time to constantly be apologizing for existing. But when someone does wrong, when we make mistakes, we don't say we're sorry. We promise to make amends." "I will." "Mati en sheva yelu. This action will have no echo. It means we won't repeat the same mistakes, that we won't continue to do harm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
and they'll all be convinced that, even if our Buzzy maybe has got a few faults, he's on the side of the plain people, and against all the tight old political machines, and they'll rouse the country for him as the Great Liberator (and meanwhile Big Business will just wink and sit tight!) and then, by God, this crook—oh, I don't know whether he's more of a crook or an hysterical religious fanatic—along with Sarason and Haik and Prang and Macgoblin—these five men will be able to set up a régime that'll remind you of Henry Morgan the pirate capturing a merchant ship.
Sinclair Lewis (It Can't Happen Here)
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed. The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience. The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches. Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.” The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Miracles and happiness are a lot like each other in many ways. It is difficult to predict what will trigger a miracle. Some people go their entire lives full of persistent darkness and never feel the need to seek out a miracle. Others find they can exist with darkness only for a single night before they go hunting for a miracle to remove it. Some need only one miracle; others might have two or three or four or five over the course of their lives. Happiness is the same way. One can never tell what will make one person happy and leave another untouched. Often even the person involved will be surprised by what makes them happy. And it turns out that owls find both miracles and happiness irresistible.
Maggie Stiefvater (All the Crooked Saints)
I walked far down a dirt side road and into a farmer's field - some sort of cereal that was chest high and corn green and rustled as its blades inflicted small paper burns on my skin as I walked through them. And in that field, when the appointed hour, minute, and second of the darkness came, I lay myself down on the ground, surrounded by the tall pithy grain stalks and the faint sound of insects, and held my breath, there experiencing a mood that I have never really been able to shake completely - a mood of darkness and inevitability and facination - a mood that surely must have been held by most young people since the dawn of time as they have crooked their necks, stared at the heavens, and watched their sky go out.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
Van Eck keeps the seal in a safe?” said Jesper with a laugh. “It’s almost like hewants us to take it. Kaz is better at making friends with combination locks than with people.” “You’ve never seen a safe like this,” Wylan said. “He had it installed after the DeKappel was stolen. It has a seven-digit combination that he resets every day, and the locks are built with false tumblers to confuse safecrackers.” Kaz shrugged. “Then we go around it. I’ll take expediency over finesse.” Wylan shook his head. “The safe walls are made of a unique alloy reinforced with Grisha steel.” “An explosion?” suggested Jesper. Kaz raised a brow. “I suspect Van Eck will notice that.” “A very small explosion?” Nina snorted. “You just want to blow something up.” “Actually…” said Wylan. He cocked his head to one side, as if he were listening to a distant song. “Come morning, there would be no hiding we’d been there, but if we can get the refugees out of the harbor before my father discovers the theft … I’m not exactly sure where I can get the materials, but it just might work.…” “Inej,” Jesper whispered. She leaned forward, peering at Wylan. “Is that scheming face?” “Possibly.” Wylan seemed to snap back to reality. “It is not. But … but I do think I have an idea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
History is a funny little creature. Do you remember visiting your old Aunt that autumn when the trees shone so very yellow, and how she owned a striped and unsocial cat, quite old and fat and wounded about the ears and whiskers, with a crooked, broken tail? That cat would not come to you no matter how you coaxed and called; it had its own business, thank you, and no time for you. But as the evening wore on, it would come and show some affection or favor to your Aunt, or your Father, or the old end-table with the stack of green coasters on it. You couldn’t predict who that cat might decide to love, or who it might decide to bite. You couldn’t tell what it thought or felt, or how old it might really be, or whether it would one day, miraculously, decide to let you put one hand, very briefly, on its dusty head. History is like that. Of course, unlike your Aunt’s cat, history is going on all around you, all the time, and is often quite lively. Sometimes it rests in a sunbeam for a peaceful century or two, but on the whole, history is always plotting, and it bites very hard. It stalks around the world, fickle and dissatisfied and often angry. It demands to be fed just a little earlier each day, until you find yourself carving meat from the bone as fast as you can, faster than you thought possible, just to satisfy it. Some people have a kind of marvelous talent for calming it and enticing it onto their laps. To some it will never even spare a glance.
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
David James Duncan (The River Why)
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.
Homer (The Iliad)