Butcher Best Quotes

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If your opponent has you by fifty pounds, winning a fight against him is a dubious proposition, at best. If your opponent has you by eight thousand and fifty pounds, you’ve left the realm of combat and enrolled yourself in Road-kill 101. Or possibly in a Tom and Jerry cartoon.
Jim Butcher (Small Favor (The Dresden Files, #10))
I'm brilliant as well as skilled," he said modestly. "It's a great burden, all of that on top of my angelic good looks. But I try to soldier on as best I can.
Jim Butcher (Dead Beat (The Dresden Files, #7))
I've always felt that the best whips and chains are in the mind. With a little creativity, the physical ones are hardly necessary.
Jim Butcher (Blood Rites (The Dresden Files, #6))
Revenge is like sex, Mister Dresden. It's best when it comes on slow, quiet, until it all seems inexorable.
Jim Butcher (Grave Peril (The Dresden Files, #3))
The best thing about my faerie godmother is that the creepy just keeps on coming.
Jim Butcher (Ghost Story (The Dresden Files, #13))
I may have had good reasons. I may have had the best of intentions. But intentions aren’t enough, no matter how good they are. Intentions can lead you to a place where you’re able to make a choice. It’s the choice that counts.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Honest. It's almost always best to go with honest. It means you never have to worry about getting your story straight.
Jim Butcher (Cold Days (The Dresden Files, #14))
Murphy watched me thoughtfully for several empty seconds. Then she said, very gently, "You're a good man, Harry." I swallowed and bowed my head, made humble by the tone of her voice and the expression on her face, more than the words themselves. Not always rational," she said, smiling. "But you're the best kind of crazy.
Jim Butcher (Changes (The Dresden Files, #12))
Maybe,” he said in a slow, rural drawl, “you could explain to me why I found you in the middle of an orgy.” “Well,” I said, “if you’re going to be in an orgy, the middle is the best spot, isn’t it.
Jim Butcher (Hex Appeal)
The best consolation in misfortune or affliction of any kind will be the thought of other people who are in a still worse plight than yourself; and this is a form of consolation open to every one. But what an awful fate this means for mankind as a whole! We are like lambs in a field, disporting themselves under the eye of the butcher, who chooses out first one and then another for his prey.
Arthur Schopenhauer (On the Suffering of the World)
Every soul is special. They’re all beautiful. They’re all far more significant than anyone on this rock realizes. I think when people are at their best, they’re acting in accordance with their soul. The ones who have gone bad don’t have bad souls. They’ve just given up on keeping in touch with them.
Jim Butcher (Vignette (The Dresden Files, #5.5))
So really, it was just as well that Godmother had caught up to me, in spite of my best efforts to avoid her. I'd hate to find out that the universe really wasn't conspiring against me. It would jerk the rug out from under my persecution complex." -Harry
Jim Butcher (Grave Peril (The Dresden Files, #3))
I think we’re officially best friends now,” she says.  “Oh yeah? Do you want to go do karate in the garage?
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
I don't have anything against God. Far from it. But I don't understand Him. And I don't trust a lot of the people that go around claiming that they're working in His best interests. Faeries and vampires and whatnot -- those I can fathom. Even demons. Sometimes, even the Fallen. I can understand why they do what they do. But I don't understand God. I don't understand how he could see the way people treat one another, and not chalk up the whole human race as a bad idea
Jim Butcher
Sometimes I think that's where most of us are. Fighting off the crazy as best we can. Trying to become something better than we were. It's that second bit that's important.
Jim Butcher (Cold Days (The Dresden Files, #14))
Sometimes the best defense is a T.rex.
Jim Butcher (Peace Talks (The Dresden Files, #16))
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Oh now now he says that's all over you must forget all about that next week your solitary finishes how about that hmm? I felt like laughing in his face: How can your solitary finish? That's the best laugh yet.
Patrick McCabe (The Butcher Boy)
My office is in a building in midtown Chicago. It's an older building, and not in the best of shape, especially since there was that problem with the elevator last year. I don't care what anyone says, that wasn't my fault. when a giant scorpion the size of an Irish wolfhound is tearing its way through the roof of your elevator car, you get real willing to take desperate measures.
Jim Butcher (Grave Peril (The Dresden Files, #3))
You're a punk?' 'What?' 'What do they call people from the eighties?' I asked. 'Oh,' she laughed. It was a beautiful laugh. 'I'm my mother, actually. I mean, these are her clothes from High School. I guess I should tell people I'm Cyndi Lauper though, or something, because dressing up as your mother is pretty lame.' 'I almost dressed up as my mother,' I said, 'but I was worried what my therapist would say.' She laughed again, and I realized that she thought I was joking. It was probably for the best, since telling her the second half of my mom costume - a giant fake butcher knife through the head - would probably freak her out.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
The best that can be said about Victorian hospitals is that they were a slight improvement over their Georgian predecessors. That’s hardly a ringing endorsement when one considers that a hospital’s “Chief Bug-Catcher”—whose job it was to rid the mattresses of lice—was paid more than its surgeons.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
Spear and magic helmet,” I said in my best Elmer Fudd voice. “Be vewy, vewy quiet. We’re hunting vampires.
Jim Butcher (Blood Rites (The Dresden Files, #6))
And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
I don’t have anything against God. Far from it. But I don’t understand Him. And I don’t trust a lot of the people that go around claiming that they’re working in His best interests.
Jim Butcher (Grave Peril (The Dresden Files, #3))
….So much crueller than any British colony, they say, so much more brutal towards the local Africans, so much more manipulative after begrudgingly granting independence. But the history of British colonialism in Africa, from Sierra Leone to Zimbabwe, Kenya to Botswana and else-where, is not fundamentally different from what Belgium did in the Congo. You can argue about degree, but both systems were predicated on the same assumption: that white outsiders knew best and Africans were to be treated not as partners, but as underlings. What the British did in Kenya to suppress the pro-independence mau-mau uprising in the 1950s, using murder, torture and mass imprisonment, was no more excusable than the mass arrests and political assassinations committed by Belgium when it was trying to cling on to the Congo. And the outside world's tolerance of a dictator in the Congo like Mobutu, whose corruption and venality were overlooked for strategic expedience, was no different from what happened in Zimbabwe, where the dictator Robert Mugabe was allowed to run his country and its people into the ground because Western powers gullibly accepted the way he presented himself as the only leader able to guarantee stability and an end to civil strife. Those sniffy British colonial types might not like to admit it, but the Congo represents the quintessence of the entire continent’s colonial experience. It might be extreme and it might be shocking, but what happened in the Congo is nothing but colonialism in its purest, basest form.
Tim Butcher (Blood River: A Journey to Africa’s Broken Heart)
I used to be a butcher. She used to come into my store. Every week I would set apart the best piece of meat for her. And look how it turned out - I ended up with the best piece of meat of them all.
Brandon Stanton (Humans of New York)
One of my best friends in Johannesburg took great pleasure in arguing that crossing the Congo today would be more dangerous than when Stanley did it in the 1870s. ‘At least the natives back then didn’t have Kalashnikovs,’ he smirked.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
REST IS THE BEST WEAPON..BATTLES WON AND LOST" ((page 209 )) JACKAL CHALLENGING BOURNE : " Paris, Jason Bourne! Paris if you dare! Or shall it be a minor university in Maine. Dr,Webb? ((page 276))... JACKALS WARNING, IN PRINTED WORDS IN A BLACK BUTCHER'S PENCIL ((at an country restaurant Epernon, Paris )) "The trees of Tannenbaum will burn and children will be the kindling. Sleep well Jason Bourne
Robert Ludlum
The Butcher of Babylon featured in over 500 porn films between 1974 and 1982, and was best known for his motto: Come for the butcher, stay for the meat.
Mark Jackman (Shadow of the Badger (Old Liston Tales #1))
That kind of subtle manipulation always works best amidst a flurry of distractions. Washington’s been doing it like that for decades.
Jim Butcher (Cold Days)
People butcher history all the time,
Rebecca Skloot (The Best American Science and Nature Writing 2015 (The Best American Series))
You’re my friend. Maybe someday my best friend.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
You’re all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Sometimes I think that’s where most of us are,” I said. “Fighting off the crazy as best we can. Trying to become something better than we were. It’s that second bit that’s important.
Jim Butcher (Cold Days (The Dresden Files, #14))
he doesn’t believe in using surgically altered . . . uh . . .” My face heated up. Murphy was probably my best friend, but she was still a girl, and a gentleman just doesn’t say some words in front of a lady. I held the phone with my shoulder and made a cupping motion in front of my chest with both hands. “You know.” “Boobs?” Murphy said brightly. “Jugs? Hooters? Ya-yas?” “I guess.” She continued as if I hadn’t said anything. “Melons? Torpedoes? Tits? Gazongas? Knockers? Ta-tas?” “Hell’s bells, Murph!
Jim Butcher (Blood Rites (The Dresden Files, #6))
She deserved a man who could offer her the best of everything, not a lifetime of butcher's leftovers got on the cheap and a drop of condensed milk in her tea when they couldn't stretch to sugar. Jimmy was working hard to become that man, and as soon as he did, by God, he was going to marry her and never let her go.
Kate Morton (The Secret Keeper)
Home, like love, hate, war, and peace, is one of those words that is so important that it doesn't need more than one syllable. Home is part of the fabric of who humans are. Doesn't matter if you're a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even if only in principle-there has to be a zero point from which you can make comparisons to everything else. Home tends to be it. That can be a good thing, to help you stay oriented in avery confusing world. If you don't know where you feet are planted, you've got no way to know here you're heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That's also part of being human. But there's a deeper meaning to home. Something simpler, more primal. It's where you eat the best food because other predators can't take it from you very easily there. It's where you can your mate are the most intimate. Its where your raise your children, safe against a world that can be horrible things to them. It's where you sleep, safe. It's where you relax. It's where you dream. Home is where you embrace the present and plan the future. It's where the books are. And more than anything else, it's where you build the world that you want.
Jim Butcher (Peace Talks (The Dresden Files, #16))
The best way to keep yourself from doing something grossly self-destructive and stupid is to avoid the temptation to do it. For example, it is far easier to fend off inappropriate amorous desires if one runs screaming from the room every time a pretty girl comes in.
Jim Butcher (Proven Guilty (The Dresden Files, #8))
The best magic comes from the inside.
Jim Butcher (Storm Front (The Dresden Files, #1))
Maybe," he said in a slow, rural drawl, "You could explain to me why I found you in the middle of an orgy." "Well," I said. "If you're going to be in an orgy, the middle is the best spot, isn't it.
Jim Butcher (Brief Cases (The Dresden Files, #15.1))
I wish you would have stayed, Blackbird. I would have taken you back into the kitchen. We could have made something together.”  “You were busy. I was…intruding.”  “I would have made time for you. You’re…” I swallow before I can say more than I should. “You’re my friend. Maybe someday my best friend.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Harry,” Bob said. “Stars and skies, you’re all right!” He hesitated for a second, and then said, “And looking grim. Even dressed in boxers with yellow duckies on them.” I glanced down, and did my best to picture a vampire wearing boxers with yellow duckies. Or a wizard wearing yellow duckies, for that matter.
Jim Butcher (Grave Peril (The Dresden Files, #3))
I wanted to stop talking about the whole thing. I wanted to talk about the hide and the old days and hacking at the ice and whose turn it was to toss the marble and all that, that was what I wanted to talk about. They were the best days, you could see through them days, as clear as polished glass. But Joe didn't want to.
Patrick McCabe (The Butcher Boy)
But there’s a deeper meaning to home. Something simpler, more primal. It’s where you eat the best food because other predators can’t take it from you very easily there. It’s where you and your mate are the most intimate. It’s where you raise your children, safe against a world that can do horrible things to them. It’s where you sleep, safe. It’s where you relax. It’s where you dream. Home is where you embrace the present and plan the future. It’s where the books are. And more than anything else, it’s where you build that world that you want.
Jim Butcher (Peace Talks (The Dresden Files, #16))
I have eaten good food in unprepossessing locales, but I doubt the disparity between the crude, shabby atmosphere of that nameless cement-block dispensary of protein and redemption and the quality of the lunch laid on by the butcher of Zegota will ever be matched.
Bill Bryson (The Best American Travel Writing 2016 (The Best American Series))
In 1884, the American physician William Pancoast injected sperm from his “best-looking” student into an anesthetized woman—without her knowledge—whose husband had been deemed infertile. Nine months later, she gave birth to a healthy baby. Pancoast eventually told her husband what he had done, but the two men decided to spare the woman the truth. Pancoast’s experiment remained a secret for twenty-five years.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
And in what business is there not humbug? “There’s cheating in all trades but ours,” is the prompt reply from the boot-maker with his brown paper soles, the grocer with his floury sugar and chicoried coffee, the butcher with his mysterious sausages and queer veal, the dry goods man with his “damaged goods wet at the great fire” and his “selling at a ruinous loss,” the stock-broker with his brazen assurance that your company is bankrupt and your stock not worth a cent (if he wants to buy it,) the horse jockey with his black arts and spavined brutes, the milkman with his tin aquaria, the land agent with his nice new maps and beautiful descriptions of distant scenery, the newspaper man with his “immense circulation,” the publisher with his “Great American Novel,” the city auctioneer with his “Pictures by the Old Masters”—all and every one protest each his own innocence, and warn you against the deceits of the rest. My inexperienced friend, take it for granted that they all tell the truth—about each other! and then transact your business to the best of your ability on your own judgment.
P.T. Barnum (The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All Ages)
Oh, I should add, I’m not looting the city, but the people I heal often bring me gifts. I’ve got a statue of a dog made of gold with bright ruby eyes that dates back two thousand years. I’ve got the best television set that Arucu Corporation made last year. And I’ve got a piece of slightly used butcher paper with a crayon drawing of something that might be me or might be a spider, I’m not sure which, with the words “THAK YOU DRRON GRAGON” written on it. And various other treasures.
Bard Bloom (Mating Flight: A Non-Romance of Dragons)
The very best wizards don’t need much more than chalk, table salt, and a wooden spoon to pull off some remarkable stuff.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Lay off her Ben," yelled Jake. Cally registered that he was defending her. “She’s doing her best!” “Her best? That’ll look good on our tombstones. RIP Bond Team—Cally did her best!
A.J. Butcher (The Frankenstein Factory (Spy High, #1))
You're all the best things to me, Sloane. No matter how many bruises are in your heart or on your skin.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Well,” Antillus Raucus said. “There it is.” “Brilliant last words,” Phrygius said beside him. “We’ll put them on your memorium. Right next to, ‘He died stating the obvious.’ ” “Ah,” Lord Placida said. “It begins.” “See?” Phrygius said. “Sandos knows how to go out with style.” “You want to go out with style, I’ll strangle you with your best silk tunic,” growled Antillus.
Jim Butcher (First Lord's Fury (Codex Alera, #6))
Shirt off.” Neil stared at her. “Why?” “I can’t check track marks through cotton, Neil.” “I don’t do drugs.” “Good on you,” Abby said. “Keep it that way. Now take it off.” […] “I want to make this as painless as possible, but I can’t help you if you can’t help me. Tell me why you won’t take off your shirt.” Neil looked for a delicate way to say it. The best he managed was, “I’m not okay.” She put a finger to his chin and turned his face back toward her. “Neil, I work for the Foxes. None of you are okay. Chances are I’ve seen a lot worse than whatever it is you’re trying to hide from me.” Neil’s smile was humorless. “I hope not. “Trust me,” Abby said. “I’m not going to judge you. I’m here to help, remember? I’m your nurse now. That door is closed, and it comes with a lock. What happens in here stays in here.” […] “You can’t ask me about them,” he said at last. “I won’t talk to you about it. Okay?” “Okay,” Abby agreed easily. “But know that when you want to, I’m here, and so is Betsy.” Neil wasn’t going to tell that psychiatrist a thing, but he nodded. Abby dropped her hand and Neil pulled his shirt over his head before he could lose his nerve. Abby thought she was ready. Neil knew she wouldn’t be, and he was right. Her mouth parted on a silent breath and her expression went blank. She wasn’t fast enough to hide her flinch, and Neil saw her shoulders go rigid with tension. He stared at her face as she stared at him, watching her gaze sweep over the brutal marks of a hideous childhood. It started at the base of his throat, a looping scar curving down over his collarbone. A pucker with jagged edges was a finger-width away, courtesy of a bullet that hit him right on the edge of his Kevlar vest. A shapeless patch of pale skin from his left shoulder to his navel marked where he’d jumped out of a moving car and torn himself raw on the asphalt. Faded scars crisscrossed here and there from his life on the run, either from stupid accidents, desperate escapes, or conflicts with local lowlifes. Along his abdomen were larger overlapping lines from confrontations with his father’s people while on the run. His father wasn’t called the butcher for nothing; his weapon of choice was a cleaver. All of his men were well-versed in knife-fighting, and more than one of them had tried to stick Neil like a pig. And there on his right shoulder was the perfect outline of half a hot iron. Neil didn’t remember what he’s said or done to irritate his father so much.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Hell's bells," I snarled, taking an involuntary step back. "Right here? Now? You could have given me a couple of minutes to get clear, dammit." "And what fun would that be?" Maeve asked, pushing out her lower lip in a pout. "I am who I am, too. I love violence. I love treachery. I love your pain - and the best part, the part I love most, is that I am doing it for your own good." Her eyes gleamed white all the way around her irises. "This is me being one of the good guys.
Jim Butcher (Cold Days (The Dresden Files, #14))
He was aware that younger lads and even more tragically, some older lads, felt that the height of modern romance was sending a picture of your tackle to a lady, but he found the idea horrific. Bar anything else, he’d never considered that to be an attractive bit of kit. It looked like something you’d find in a butcher’s bin. If that made the top five list of your best features, then you needed to take a night class or learn to juggle or something, because you were not much of a catch.
Caimh McDonnell (Bloody Christmas (Dublin Trilogy publication order, #4.5; Dublin Trilogy chronological order, #5.5))
That color doesn’t remind me of eggplant, for what it’s worth. It reminds me of blackberries. The best berry, if you ask me. It reminds me of irises. They have the best scent of any flower. It reminds me of night, just before dawn. The best time of day.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
You're right about all those worries that are circling around in your head. Maybe all of them are true. But maybe it shouldn't matte, because everyone messes up. We all let each other down once in a while. And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
You’re right about all those worries that are circling around in your head. Maybe all of them are true. But maybe it shouldn’t matter, because everyone messes up. We all let each other down once in a while. And sometimes the best things come out of the fire.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Buy the best you can afford • Extra-virgin Olive Oil, pressed in the last calendar year • Whole chunks of Parmigiano-Reggiano from Italy • Chocolate and Cocoa Powder Buy whole and prepare yourself • Pick and chop fresh herbs (and always use Italian or flat-leaf parsley). • Juice lemons and limes • Peel, chop, and pound garlic • Grind spices • Soak, rinse, filet, and chop salt-packed anchovies • Make chicken stock when you can (see for a recipe). Or buy fresh or frozen stock from your butcher, rather than the boxed or canned stuff
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
A koan is like a riddle that’s supposed to help you toward enlightenment in Zen Buddhism. For my answer, I wrote about this guy Banzan. He was walking through the market on day when he overheard someone ask a butcher for his best piece of meat. The butcher answered, “Everything in my shop is the best. You cannot find a piece of meat that is not the best.” Upon hearing this, Banzan realized that there is no best and no worst, that those judgments have no real meaning because there is only was is, and poof, he reached enlightenment.
John Green (Looking for Alaska)
There are people who love you, Faith. Or who one day will. Even if you can't see them beside you, right here, right now, they're out there. But if you let the dark get into your eyes, you might never find them. So it's best to keep a little light with you, along the way.
Jim Butcher (Restoration of Faith (The Dresden Files, #0.2))
In 1884, the American physician William Pancoast injected sperm from his “best-looking” student into an anesthetized woman—without her knowledge—whose husband had been deemed infertile. Nine months later, she gave birth to a healthy baby. Pancoast eventually told her husband what he had done, but the two men decided to spare the woman the truth. Pancoast’s experiment remained a secret for twenty-five years. After his death in 1909, the donor—a man ironically named Dr. Addison Davis Hard—confessed to the underhanded deed in a letter to Medical World.)
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
I had expected him to try to talk me out of it. Or at least to berate me for being an idiot. He didn’t do either. There was a calm acceptance of terrible things that was part and parcel of Sanya’s personality. No matter how bad things got, I didn’t think anything would ever truly faze him. He simply accepted the bad things that happened and soldiered on as best he could.
Jim Butcher (Changes (The Dresden Files, #12))
THE BUTCHER AND THE DIETITIAN A good friend of mine recently forwarded me a YouTube video entitled The Butcher vs. the Dietitian, a two-minute cartoon that effectively and succinctly highlighted the major difference between a broker and a legal fiduciary. The video made the glaringly obvious point that when you walk into a butcher shop, you are always encouraged to buy meat. Ask a butcher what’s for dinner, and the answer is always “Meat!” But a dietitian, on the other hand, will advise you to eat what’s best for your health. She has no interest in selling you meat if fish is better for you. Brokers are butchers, while fiduciaries are dietitians. They have no “dog in the race” to sell you a specific product or fund. This simple distinction gives you a position of power! Insiders know the difference.
Anthony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom))
And they spoke of their Antigonie, who they called Go, as if she were a friend. Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching. The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone. The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.
Lauren Groff (Fates and Furies)
A behavior has occurred that is good, bad, or ambiguous. How have cultural factors stretching back to the origins of humans contributed to that behavior? And rustling cattle on a moonless night; or setting aside tending your cassava garden to raid your Amazonian neighbours; or building fortifications; or butchering every man, woman, and child in a village is irrelevant to that question. That's because all these study subjects are pastoralists, agriculturalists, or horticulturalists, lifestyles that emerged only in the last ten thousand to fourteen thousand years, after the domestication of plants and animals. In the context of hominin history stretching back hundreds of thousands of years, being a camel herder or farmer is nearly as newfangled as being a lobbyist advocating for legal rights for robots. For most of history, humans have been hunter-gatherers, a whole different kettle of fish.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
In the court of Nero, a person of learning, of unquestioned merit, and of unsuspected loyalty, was put to death for no other reason, than that he had a pedantic countenance which displeased the emperor. This very monster of mankind appeared in the beginning of his reign to be a person of virtue. Many of the greatest tyrants on the records of history have begun their reigns in the fairest manner. But the truth is, this unnatural power corrupts both the heart and the understanding. And to prevent the least hope of amendment, a king is ever surrounded by a crowd of infamous flatterers, who find their account in keeping him from the least light of reason, till all ideas of rectitude and justice are utterly erased from his mind. When Alexander had in his fury inhumanly butchered one of his best friends and bravest captains; on the return of reason he began to conceive an horror suitable to the guilt of such a murder. In this juncture his council came to his assistance. But what did his council? They found him out a philosopher who gave him comfort. And in what manner did this philosopher comfort him for the loss of such a man, and heal his conscience, flagrant with the smart of such a crime? You have the matter at length in Plutarch. He told him, "that let a sovereign do what he wilt, all his actions are just and lawful, because they are his.
Edmund Burke (The Works of the Right Honourable Edmund Burke, Vol. 01 (of 12))
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
I was thrown together with Florence, or 'Florawns' as she was called, a pert girl of nineteen who worked in our kitchen and was sent out to help me. First, I followed her to a butcher where fat sausages hung from the ceiling like aldermen's chains, and I could choose the best of plump ducks, sides of beef, and chops standing guard like sentries on parade. Once the deal was done Florence paid him, gave me a wink and cast a trickle of coins into her apron pocket. So it seemed that serving girls will pay themselves the whole world over. The size of the Paris market made Covent Garden look like a tinker's tray. And I never before saw such neatness; the cakes arranged in pinks and yellows and greens like an embroidery, and the cheeses even prettier, some as tiny as thimbles and others great solid cartwheels. As for the King Cakes the French made for Twelfth Night, the scents of almond and caramelled sugar were to me far sweeter than any perfumed waters.
Martine Bailey (An Appetite for Violets)
except that Morgan’s face was too pinched and thin to pull off the look. “Your point being?” I did my best to keep from looking nervous or impressed. Truth be told, I was both. Morgan was my Warden, assigned to me by the White Council to make sure I didn’t bend or break any of the Laws of Magic. He hung about and spied on me, mostly, and usually came sniffing around after I’d cast a spell of some kind. I would be damned if I was going to let the White Council’s guard dog see any fear out of me. Besides, he would
Jim Butcher (The Dresden Files Collection 1-6 (The Dresden Files Box-Set Book 1))
My journey through the Congo had its ow unique category. It did not quite do it justice to call it adventure travel, and it certainly wasn't pleasure travel. My Congo journey deserved its own category: ordeal travel. At every turn I faced challenges, difficulties and threats when in the Congo. The challenge was to assess and choose the option best suited to making progress. But there were moments when there were no alternatives, or shortcuts or clever ideas. At these times, ordeal travel became really no ordeal at all.
Tim Butcher (Blood River: A Journey to Africa’s Broken Heart)
He sat down among the evidence at a barren communal desk in the basement of the station. He looked through the stack of extra fliers that my father had made up. He had memorized my face, but still he looked at them. He had come to believe that the best hope in my case might be the recent rise in development in the area. With all the land churning and changing, perhaps other clues whould be found that would provide the answer he needed. In the bottom of the box was the bag with my jingle-bell hat. When he'd handled it to my mother, she had collasped on the rug. He still couldn't pinpoint the moment he'd fallen in love with her. I knew it was the day he'd sat in our family room while my mother drew stick figures on butcher paper and Buckley and Nate slept toe to toe on the couch. I felt sorry for him. He had tried to solve my murder and he failed. He had tried to love my mother and he had failed. Len looked at the drawing of the cornfield that Lindsey had stolen and forced himself to acknowledge this: in his cautiousness, he had allowed a murderer to get away. He could not shake his guilt. He knew, if no one else did, that by being with my mother in the mall that day he was the one to blame for George Harvey's freedom. He took his wallet out of his back pocket and laid down the photos of all the unsolved cases he had ever worked on. Among them were his wife's. He turned them all face-down. 'Gone,' he wrote on each one of them. He would no longer wait for a date to mark an understanding of who or why or how. He would never understand all the reasons why his wife had killed herself. He would never understand how so many children went missing. He placed these photos in the box with my evidence and turned the lights off in the cold room.
Alice Sebold
Sloane Sutherland, my beautiful Blackbird. From the moment I met you, you changed the course of my life. I can’t remember anything being fun or exciting or new without you. I can’t remember feeling anything but numb until you burst into my world in your smelly little cage of orzo pastas … I can’t envision the future without you in it. And I don’t want to, not ever. So marry me, Sloane, and we’ll go on crazy adventures forever and fuck shit up, and be best friends and do karate in the garage and make love every day and grow old together. Because I can’t imagine anyone I’d rather spend all those moments with than you.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Bearing witness takes the courage to realize the potential of the human spirit. Witnessing requires us to call forth the highest qualities of our species, qualities such as conviction, integrity, empathy, and compassion. It is easier by far to retain the attributes of carnistic culture: apathy, complacency, self-interest, and "blissful" ignorance. I wrote this book––itself an act of witnessing––because I believe that, as humans, we have a fundamental desire to strive to become our best selves. I believe that each and every one of us has the capacity to act as powerful witnesses in a world very much in need. I have had the opportunity to interact with thousands of individuals through my work as a teacher, author, and speaker, and through my personal life. I have witnessed, again and again, the courage and compassion of the so-called average American: previously apathetic students who become impassioned activists; lifelong carnists who weep openly when exposed to images of animal cruelty, never again to eat meat; butchers who suddenly connect meat to its living source and become unable to continue killing animals; and a community of carnists who aid a runaway cow in her flight from slaughter. Ultimately, bearing witness requires the courage to take sides. In the face of mass violence, we will inevitably fall into a role: victim or perpetrator. Judith Herman argues that all bystanders are forced to take a side, by their action or inaction, and that their is no such thing as moral neutrality. Indeed, as Nobel Peace Prize Laureate and Holocaust survivor Elie Wiesel points out, "Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented." Witnessing enables us to choose our role rather than having one assigned to us. And although those of us who choose to stand with the victim may suffer, as Herman says, "There can be no greater honor.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
Why do these people crave fame? Why do any of us? Well, I’d argue it’s not about money. If it were our tabloids would be devoted to the lives and times of bankers. I think we all want to leave a legacy. We want to be remembered. We want to be Great.... In short, Alexander [the Great] was Great because others decided he was Great, because they chose to admire and emulate him. ... We made Alexander Great, just as today we make people great when we admire them and try to emulate them. History has traditionally been in the business of finding and celebrating great men, and only occasionally great women, but this obsession with Greatness is troubling to me. It wrongly implies, first, history is made primarily by men and secondly, that history is made primarily by celebrated people, which of course makes us all want to be celebrities. Thankfully we’ve left behind the idea that the best way to become an icon is to butcher people and conquer a lot of land, but the ideals that we’ve embraced instead aren’t necessarily worth celebrating either. All of which is to say we decide what to worship and what to care about and what to pay attention to. We decide whether to care about [so-called ‘celebrities’]. Alexander couldn’t make history in a vacuum, and neither can anyone else.
John Green
Home, like love, hate, war, and peace, is one of those words that is so important that it doesn’t need more than one syllable. Home is part of the fabric of who humans are. Doesn’t matter if you’re a vampire or a wizard or a secretary or a schoolteacher; you have to have a home, even if only in principle—there has to be a zero point from which you can make comparisons to everything else. Home tends to be it. That can be a good thing, to help you stay oriented in a very confusing world. If you don’t know where your feet are planted, you’ve got no way to know where you’re heading when you start taking steps. It can be a bad thing, when you run into something so different from home that it scares you and makes you angry. That’s also part of being human. But there’s a deeper meaning to home. Something simpler, more primal. It’s where you eat the best food because other predators can’t take it from you very easily there. It’s where you and your mate are the most intimate. It’s where you raise your children, safe against a world that can do horrible things to them. It’s where you sleep, safe. It’s where you relax. It’s where you dream. Home is where you embrace the present and plan the future. It’s where the books are. And more than anything else, it’s where you build that world that you want.
Jim Butcher (Peace Talks (The Dresden Files, #16))
Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and
William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))
There are also, without their towns, places appointed near some running water for killing their beasts and for washing away their filth, which is done by their slaves; for they suffer none of their citizens to kill their cattle, because they think that pity and good-nature, which are among the best of those affections that are born with us, are much impaired by the butchering of animals; nor do they suffer anything that is foul or unclean to be brought within their towns, lest the air should be infected by ill-smells, which might prejudice their health.  In every street there are great halls, that lie at an equal distance from each other, distinguished by particular names. 
Thomas More (Utopia)
they rounded us all up for interrogation. They wanted names and crimes and we gave them both in droves. One guy I knew just listed off everyone who worked on his old block. A week later the incursion force went and rounded up a bunch of accountants and butchers and grocery store clerks. Eventually, it got to be that the Blues had so much unreliable information on their hands, they had to let all those people go. But it was like a snake eating its own tail—by the time they got around to emptying those detention camps, they’d already turned most of the people there into exactly what they’d needed them to be in the first place. I always said the camps at Sugarloaf were the best recruiters the
Omar El Akkad (American War)
When the price of cattle, for example, rises so high that it is as profitable to cultivate land in order to raise food for them as in order to raise food for man, it cannot well go higher. If it did, more corn land would soon be turned into pasture. The extension of tillage, by diminishing the quantity of wild pasture, diminishes the quantity of butcher's meat which the country naturally produces without labour or cultivation, and by increasing the number of those who have either corn, or, what comes to the same thing, the price of corn, to give in exchange for it, increases the demand. The price of butcher's meat, therefore, and consequently of cattle, must gradually rise till it gets so high that it becomes as profitable to employ the most fertile and best cultivated lands in raising food for them as in raising corn. But it must always be late in the progress of improvement before tillage can be so far extended as to raise the price of cattle to this height; and till it has got to this height, if the country is advancing at all, their price must be continually rising. There are, perhaps, some parts of Europe in which the price of cattle has not yet got to this height. It had not got to this height in any part of Scotland before the union. Had the Scotch cattle been always confined to the market of Scotland, in a country in which the quantity of land which can be applied to no other purpose but the feeding of cattle is so great in proportion to what can be applied to other purposes, it is scarce possible, perhaps, that their price could ever have risen so high as to render it profitable to cultivate land for the sake of feeding them. In England, the price of cattle, it has already been observed, seems, in the neighbourhood of London, to have got to this height about the beginning of the last century; but it was much later probably before it got to it through the greater part of the remoter counties; in some of which, perhaps, it may scarce yet have got to it. Of all the different substances, however, which compose this second sort of rude produce, cattle is, perhaps, that of which the price, in the progress of improvement, first rises to this height.
Adam Smith (The Wealth of Nations)
I know that everyone in this room, Bernie Fain included, thinks I'm some kind of a nut with my so-called fixation on this vampire thing. OK, maybe I'm wrong. Maybe he only thinks he is. But there are things here that can't be explained away by so-called common sense. Not even Bernie's report can explain some of them. 'I was at the hospital yesterday.' I looked directly at Butcher. 'Your own people fired maybe fifty or sixty rounds at him, some at point-blank range. How come this man never even slowed down? How come a man seventy years old can outrun police cars for more than fifteen blocks? How come when he gets clubbed on the head he doesn't bleed like other people? Look at these photos! There's a gash on his forehead... and whatever is trickling down from the cut is clear... it isn't blood. 'How come three great, big, burly hospital orderlies weighing an estimated total of nearly seven-hundred fifty pounds couldn't bring one, skinny one-hundred sixty pound man to his knees? How come an ex-boxer, a light-heavyweight not long out of the ring, couldn't even faze him with his best punch, a right hook that should have broken his jaw? 'Face it. Whether it's science, witchcraft or black magic, this character has got something going for him you don't know anything about. He doesn't seem to feel pain. Or get winded. And he doesn't seem to be very frightened by guns, or discouraged by your efforts to trap him. 'Look at these photos! Look at that face! That isn't fear there. It's hate. Pure hate! This man is evil incarnate. He is insane and he may be something even worse although you'd laugh at me because I have no scientific documentation to back me up. Hell, even Regenhaus and Mokurji have all but confirmed that he sucks blood. 'Whatever he is, he's been around a long time and this seems to be the closest any police force has come to putting the finger on him. If you want to go on operating the way you've been doing by treating him like an ordinary man, go ahead. But, I'll bet you any amount of money you come up empty handed again. If you try to catch him at night he'll get away just like he did last night. He'll...' 'Jesus Christ!' bellowed Butcher. 'This son of a bitch has diarrhea of the mouth. Can't one of you people shut him up?
Jeff Rice (The Night Stalker)
Freydis lifted a hand and rubbed briefly at the spot on her chin where the gun’s muzzle had left a mild indentation. Then she said, to Murphy, “Are you seeing anyone?” Murphy blinked. “Mortals make the best lovers by far,” Freydis explained. “And this job means I’m basically sexually frustrated around the clock. But it’s hard to find mortals I respect.” Murphy’s cheeks turned bright pink. “Um.” Freydis frowned slightly and glanced from Murphy to me and back. “I don’t mind sharing.” “I’m . . . I’m Catholic,” Murphy said. Freydis’s eyes shone with a wicked sparkle. “I don’t mind conflicted, either.” Murphy gave me a somewhat desperate glance. Huh. I’d officially seen everything now. Murphy asking for a rescue. From monsters and madmen, she’d never cried uncle. It had taken a redhead. “Business first, maybe?” I suggested. “We could all die tonight,” Freydis said. “But as you wish.
Jim Butcher (Peace Talks (The Dresden Files, #16))
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?” There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.” “Why don’t you ask Commander Narian? The two of you seemed fairly close.” “Quit making jokes.” “I haven’t made a single one.” “Well?” “It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not. “Oh.” This seemed to take Saadi aback. “And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad. “I’m sorry,” he muttered, seeming sincere enough. Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him. “Shaselle?” I stopped again, without the slightest idea why. “Your father--what was he like?” The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him. “You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.” For the second time, I attempted a dramatic departure. “Shaselle?” “What now?” I incredulously exclaimed. “Do you have plans tomorrow?” “What?” “I have a day off duty. We could--” “No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?” “Yes,” he affirmed, despite my outburst. I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.” Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight. I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower. What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.
Cayla Kluver (Sacrifice (Legacy, #3))
Say I decide that it would be a good thing to insert pictures here demonstrating cultural relativism, displaying an act that is commonsensical in one culture but deeply distressing in another. I know, I think, I'll get some pictures of a Southeast Asian dog meat market. Like me, most readers will likely resonate with dogs. Good plan! On to Google Images and the result is that I spend hours transfixed, unable to stop, torturing myself with picture after picture of dogs being carted off to market. Dogs being butchered, cooked and sold. Pictures of humans going about their day's work in a market indifferent to a crate stuffed to the top with suffering dogs. I imagine the fear those dogs feel. How they are hot, thirsty, in pain. I think, what if these dogs had come to trust humans? I think of their fear and confusion. I think, what if one of the dogs whom I've loved had to experience that? What if this happened to a dog my children loved? And with my heart racing, I realize that I hate these people. Hate! Every last one of them and despise their culture. And it takes a locomotive's worth of effort for me to admit that I can't justify that hatred and contempt. That mine is a mere moral intuition. That there are things that I do that would evoke the same response in some distant person whose morality and humanity are certainly no less than mine. And that but for the randomness of where I happen to have been born, I could have readily had their views instead. The thing that makes the tragedy of commonsense morality so tragic, is the intensity with which you just know that They are deeply wrong. In general, our morally tinged cultural institutions, religion, nationalism, ethnic pride, team spirit, bias us toward our best behaviors when we are single shepherds, facing a potential tragedy of the commons. They make us less selfish in Me versus Us situations, but they send us hurtling toward our worst behaviors when confronting Thems and their different moralities.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Baines told his son that children always got in the way of a marriage. Finding a state boarding school in England for Roland was good for everyone ‘all round’. Rosalind Baines, neé Morley, army wife, child of her times, did not chafe or rage against her powerlessness or sulk about it. She and Robert had left school at fourteen. He became a butcher’s boy in Glasgow, she was a chambermaid in a middle-class house near Farnham. A clean and ordered home remained her passion. Robert and Rosalind wanted for Roland the education they had been denied. This was the story she told herself. That he might have attended a day school and stayed with her was an idea she must have dutifully banished. She was a small nervous woman, a worrier, very pretty, everyone agreed. Easily intimidated, fearful of Robert when he drank, which was every day. She was at her best, her most relaxed, in a long heart-to-heart with a close friend. Then she told stories and laughed easily, a light and liquid sound that Captain Baines himself rarely heard. Roland was one of her close friends. In the holidays, when they did the housework together, she told stories of her childhood in the village of Ash, near the garrison town of Aldershot. She and her brothers and sisters used to brush their teeth with twigs. Her employer gave her her first toothbrush. Like so many of her generation she lost all her teeth in her early twenties. In newspaper cartoons people in bed were often shown with their false teeth in a glass of water on the bedside table. She was the oldest of five and spent much of her childhood minding her sisters and brothers. She was closest to her sister Joy who still lived near Ash. Where was their mother when Rosalind was minding the children? Her reply was always the same, a child’s view unrevised in adulthood: your granny would take the bus to Aldershot and spend the day window-shopping. Rosalind’s mother fiercely disapproved of make-up. In her teens, on rare nights out, Rosalind would meet her friend Sybil and together they
Ian McEwan (Lessons)
A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting. Christian seemed pleased to see him. “Falcon. It’s been a long time.” “Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.” Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.” Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.” Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.” “’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.” Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.” “Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.” Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.” “What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?” “Nay, my lord. I fear I am one of a kind.” He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.” Christian snorted at that prospect. “You would have a better chance courting my horse.” “Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.” Adara glanced over her shoulder as he fell back into the ranks with the other knights. “Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.” She gave him a meaningful look. “In that regard, he reminds me of someone else I know.” “Ouch, my lady, you wound me.” “Never, Christian. I would never wound you.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Come, get out of the way, boys Quick, get out of the way You'd better watch what you say, boys Better watch what you say We've rammed in your harbor and tied to your port And our pistols are hungry and our tempers are short So bring your daughters around to the port 'Cause we're the Cops of the World, boys We're the Cops of the World We pick and choose as please, boys Pick and choose as please You'd best get down on your knees, boys Best get down on your knees We're hairy and horny and ready to shack We don't care if you're yellow or black Just take off your clothes and lie down on your back 'Cause we're the Cops of the World, boys We're the Cops of the World Our boots are needing a shine, boys Boots are needing a shine But our Coca-cola is fine, boys Coca-cola is fine We've got to protect all our citizens fair So we'll send a battalion for everyone there And maybe we'll leave in a couple of years 'Cause we're the Cops of the World, boys We're the Cops of the World Dump the reds in a pile, boys Dump the reds in a pile You'd better wipe of that smile, boys Better wipe off that smile We'll spit through the streets of the cities we wreck We'll find you a leader that you can't elect Those treaties we sighned were a pain in the neck 'Cause we're the Cops of the World, boys We're the Cops of the World Clean the johns with a rag, boys Clean the johns with a rag If you like you can use your flag, boys If you like you can use your flag We've got too much money we're looking for toys And guns will be guns and boys will be boys But we'll gladly pay for all we destroy 'Cause we're the Cops of the World, boys We're the Cops of the World Please stay off of the grass, boys Please stay off of the grass Here's a kick in the ass, boys Here's a kick in the ass We'll smash down your doors, we don't bother to knock We've done it before, so why all the shock? We're the biggest and toughest kids on the block 'Cause we're the Cops of the World, boys We're the Cops of the World When we butchered your son, boys When we butchered your son Have a stick of our gum, boys Have a stick of our buble-gum We own half the world, oh say can you see The name for our profits is democracy So, like it or not, you will have to be free 'Cause we're the Cops of the World, boys We're the Cops of the World
Phil Ochs
The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven. And so the Sandwich Maker sang as he worked. He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies. The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting. And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter. Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
And then it sends a signal to turn off the system.” “So the universe with the wallet in the chamber waiting to be sent still exists,” added Allen. “But the universe from which it is actually sent never does.”  “That is just so messed up,” said Blake in exasperation, and Jenna, Walsh, and Soyer nodded their agreement. “Here is my advice to all of you,” said Cargill. “The best thing to do is ignore time travel, and don’t think about the paradoxes too hard. If you do, your head really will explode,” he added with a wry smile. “Just think of it as duplication and teleportation. But always keep in mind that the universe seems to go out of its way to ensure that infinite alternate timelines aren’t allowed. So no matter what, we only ever get this one universe.” He sighed. “So we’d better make sure we don’t screw it up.”     48   Brian Hamilton hated Cheyenne Mountain. Sure, it was one of the most interesting places in the world to visit, but living there only worked if you were a bat. The Palomar facility had also been underground, but nothing like this. It had a much larger security perimeter, so trips to the surface were easier to make happen. Not that it really mattered. Soon enough he would be traveling on another assignment anyway, living in a hotel room somewhere. But what he really wanted was to work side by side with Edgar Knight, toward their common goal. He was tired of being Knight’s designated spy, having to watch Lee Cargill squander Q5’s vast resources and capabilities. Watching him crawl like a wounded baby when he could be soaring. Cargill was an idiot. He could transform the world, but he was too weak to do it. He could wipe out the asshole terrorists who wanted nothing more than to butcher the helpless. If you have the ultimate cure for cancer, you use it to wipe out the disease once and for all. You don’t wield your cure only as a last resort, when the cancer has all but choked the life out of you. Edgar Knight, on the other hand, was a man with vision. He was able to make the tough decisions. If you were captain of a life raft with a maximum capacity of ten people, choosing to take five passengers of a sinking ship on board was an easy decision, not a heroic one. But what about when there were fifty passengers? Was it heroic to take them all, dooming everyone to death? Or was the heroic move using force, if necessary, to limit this number, to ensure some would survive? Sure, from the outside this looked coldhearted, while the converse seemed compassionate. But watching the world circle the drain because you were too much of a pussy to make the hard decisions was the real crime. Survival of the fittest was harsh reality. In the animal kingdom it was eat or be eaten. If you saw a group of fuck-nuts just itching to nuke the world back into the Dark Ages—who believed the Messiah equivalent, the twelfth Imam, would only come out to play when Israel was destroyed, and worldwide Armageddon unleashed—you wiped them out. To a man. Or else they’d do the same to you. It had been three days since Cargill had reported that he was on the verge of acquiring Jenna Morrison and Aaron Blake.
Douglas E. Richards (Split Second (Split Second, #1))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
An assassin with serial killer tendencies. I became the best. It wasn’t a matter of conceit. It was fact. An uncontested truth. I was the best because I enjoyed what I did.
Francette Phal (Flawed (The Butcher, #1))
he looked down at me and said, “Are you scared?” “Scared shitless,” I said as I plunged the butcher knife into the center of his chest. The giant clown monster rocked back and then teetered forward, gripping my shoulders to steady himself with what felt like rubber claws. A stream of his warm blood soaked my Phantom of the Opera T-shirt. Urine ran down my leg into my shoe as bright lights illuminated the darkness. Three cameramen and my best friend, Larry, ran into view from the bushes screaming in unison, “You don’t have to be scared. We’re broadcasting this on live TV.
Billy Wells (In Your Face Horror- Volume 1)
If you're having a bad hair day or a bad boy day, he'll whip up one of his yummy mango smoothies for you, sit you down, and say, "Little one, remember what's really important in life: a family that loves you, good friends, and not putting too much garlic in the pesto." — Chloe Carlson
Nancy Butcher (Best Friends Forever (So Little Time, #12))
On Friday morning, September 1, the young butcher’s lad came and told us: There has been a radio announcement, we already held Danzig and the Corridor, the war with Poland was under way, England and France remained neutral,” Victor Klemperer wrote in his diary on September 3. “I said to Eva [that] a morphine injection or something similar was the best thing for us; our life was over.”1
Saul Friedländer (The Years of Extermination: Nazi Germany and the Jews, 1939-1945)
The guns on both sides were silent until they returned. Suddenly, a fierce cannonade from the British ships exploded onto the beach at Turtle Gut Inlet, but only one American was hit, “Shott through the arm and body.” It was Richard Wickes. A cannonball took his arm and half his chest away. Fresh from the Reprisal, Lambert Wickes arrived on the beach at the head of his reinforcements just as his younger brother died: “I arrived just at the Close of the Action Time enough to see him expire . . . Captn Barry . . . says a braver Man never existed.”123 Taking Richard Wickes's body, the American sailors left the spit of sand they fought over that morning. The powder was stowed in the Wasp's hold and sent up the Delaware. “At 2 weighed and made Sail,” Hudson briefly noted in his journal.124 The British returned to Cape Henlopen. As before, Barry had taken long odds, assessed the best plan that could succeed, and beaten the British. The Nancy was destroyed, but the Wasp would reach Philadelphia safely with the desperately needed gunpowder. Despite superior firepower, the “butcher's bill” was far heavier for the British. But the victory brought no cheers or satisfaction among the Americans, and Barry was particularly saddened by the death of the gallant young Wickes.125 The next morning—Sunday, June 30—the men of the Lexington and Reprisal gathered to mourn their shipmate at the log meetinghouse in the small village of Cold Spring, just north of Cape May. Under the same light breezes of the day before, the American sailors, with “bowed and uncovered heads,” filed inside and sat on the long, rough-cut wooden pews. After “The Clergyman preached a very deacent Sermon,” Lambert Wickes and the Reprisal's officers silently hoisted the coffin. Shuffling under its weight, they carried it outside to the little cemetery, and laid their comrade to rest.126 Lambert Wickes now faced the task of informing his family in Maryland of Richard's death. On July 2, in a sad but disjointed letter to his brother Samuel, he mentioned Richard's death among a list of the items—including the sugar and “one Bagg Coffee” that accompanied the letter. “You'll disclose this Secret with as much Caution as possible to our Sisters,” he pleaded. He quoted Barry's report that Richard “fought like a brave Man & was fore most in every transaction of that day,” dying for the cause of the “united Colonies.”127 By the time Lambert's package reached his family in Maryland, the “united Colonies” ceased to exist as well. The same day Wickes posted his letter, Congress approved the Declaration of Independence. Barry, Wickes, and the rest of the Continental Navy were now fighting for the survival of a new country: the United States of America.
Tim McGrath (John Barry: An American Hero in the Age of Sail)
When America Cuts My Daughter’s Hair" every chair in the strip mall salon where she rents a little space of her own reflects a face waiting to make a change. Another mother next to me rips an ad for the full Hollywood wax & here the best graffiti: DON’T DO DRUGS, BE SAD. They’ll grow back, my own mom on the bangs I butchered more than once. Do you think America is pretty? This skinny blonde kid who never really has to ask if she is, asks me as we walk more hot city blocks because by now we’ve chopped the pecans to protect the power lines. I think America is pretty. A pierced Xicana with one side of her own do done in deep brown waves, the other buzzed tight & dyed a bright chemical green. America fits the description & when she’s done holds up her small mirror in the big one turning my girl around so she can see herself. You can call me Erica, she says if you like, but we like America better here.
Jenny Browne
Learning to pass, it turns out, is less a matter of acting than not acting. You can become part of a given scene, situation, or people ('our people,' as it were), simply by letting yourself serve as a mirror for those around you. When I was still in college, when I still thought I might make a good priest, I spent some time in a Trappist monastery. I found that by exerting as little of my own personality as possible, I was able to fit right in. The monks in no time came to call me brother, believing I was destined to make vows as one of their own. Passing begins with the assumptions of those around you. The best thing you can do to maintain the illusion is to come as close as possible to doing nothing at all.
Peter Manseau (Songs for the Butcher's Daughter)
we heard the clinking of glasses and faint, conversational laughter. A human torso, crudely butchered, lay across a glass table with its innards still wet and glistening. Lauren sat beside it, dressed in her Sunday best and sipping tea from a delicate porcelain cup. A man in a dapper black suit sat across from her. His face was a featureless black void, a smudge of frozen smoke. “Eugene!” Lauren said. “You’re just in time for high tea.” “Abelard,” Eugene gasped, obviously in shock, “says he can’t leave the camp. He says the road—” “Right, we can’t let anyone leave. Obviously. Mr. Gray, would you please do something about that pesky man?” The black void buzzed, and the suited man hoisted his teacup emphatically. He spoke in the droning voice of a thousand flies’ wings.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))