Murakami Books Quotes

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If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
Haruki Murakami (Norwegian Wood)
But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
I'm a very ordinary human being; I just happen to like reading books.
Haruki Murakami (1Q84 (1Q84, #1-3))
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.
Haruki Murakami (Norwegian Wood)
Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
Haruki Murakami (Norwegian Wood)
When I open them, most of the books have the smell of an earlier time leaking out between the pages - a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.
Haruki Murakami (Kafka on the Shore)
With my eyes closed, I would touch a familiar book and draw its fragrance deep inside me. This was enough to make me happy.
Haruki Murakami (Norwegian Wood)
I’m the kind of person who likes to be by himself. To put a finer point on it, I’m the type of person who doesn’t find it painful to be alone. I find spending an hour or two every day running alone, not speaking to anyone, as well as four or five hours alone at my desk, to be neither difficult nor boring. I’ve had this tendency ever since I was young, when, given a choice, I much preferred reading books on my own or concentrating on listening to music over being with someone else. I could always think of things to do by myself.
Haruki Murakami (What I Talk About When I Talk About Running)
You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.
Haruki Murakami (After Dark)
Most people are not looking for provable truths. As you said, truth is often accompanied by intense pain, and almost no one is looking for painful truths. What people need is beautiful, comforting stories that make them feel as if their lives have some meaning. Which is where religion comes from.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
If you never noticed, it never happened.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
There weren't any curtains in the windows, and the books that didn't fit into the bookshelf lay piled on the floor like a bunch of intellectual refugees.
Haruki Murakami (Sputnik Sweetheart)
I began to draw an invisible boundary between myself and other people. No matter who I was dealing with. I maintained a set distance, carefully monitoring the person’s attitude so that they wouldn’t get any closer. I didn’t easily swallow what other people told me. My only passions were books and music
Haruki Murakami (Sputnik Sweetheart)
The others in the dorm thought I wanted to be a writer, because I was always alone with a book, but I had no such ambition. There was nothing I wanted to be.
Haruki Murakami (Norwegian Wood)
I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.
Haruki Murakami (Kafka on the Shore)
Reality was utterly coolheaded and utterly lonely.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I've always liked libraries. They're quiet and full of books and full of knowledge.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.
Haruki Murakami (South of the Border, West of the Sun)
Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution because it follows 67?
Haruki Murakami (Kafka on the Shore)
Mental acuity was never born from comfortable circumstances.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I'm an average person. Is just that I like reading.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
You can have tons of talent, but it won't necessarily keep you fed. If you have sharp instincts, through, you'll never go hungry.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
‎If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
Haruki Murakami (Norwegian Wood)
What did it mean for a person to be free? she would often ask herself. Even if you managed to escape from one cage, weren't you just in another, larger one?
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
It is the same with anything - you have to learn through your own experience, paying your own way. You can't learn it from a book.
Haruki Murakami (Sputnik Sweetheart)
Have books ‘happened’ to you? Unless your answer to that question is ‘yes,’ I’m unsure how to talk to you
Haruki Murakami
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to. We'd just make small talk, play soccer together. When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own.
Haruki Murakami (Sputnik Sweetheart)
Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's only one reality.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
To be able to talk to your heart’s content about a book you like with someone who feels the same way about it is one of the greatest joys that life can offer.
Haruki Murakami
This may be the most important proposition revealed by history: At the time, no one knew what was coming.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older.
Haruki Murakami (Norwegian Wood)
It's true though: time moves in its own special way in the middle of the night," the bartender says, loudly striking a book match and lighting a cigarette. "You can't fight it.
Haruki Murakami (After Dark)
I go by the gut. I might not appear to have any talent but I've got plenty of gut instinct.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Everybody thinks I'm this delicate little girl. But you can't tell a book by it's cover.' To which she added a momentary smile.
Haruki Murakami (Norwegian Wood)
Violence does not always take visible form, and not all wounds gush blood
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Time passes slowly. Nobody says a word, everyone lost in quiet reading. One person sits at a desk jotting down notes, but the rest are sitting there silently, not moving, totally absorbed. Just like me.
Haruki Murakami (Kafka on the Shore)
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to.
Haruki Murakami (Sputnik Sweetheart)
When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood.
Haruki Murakami (Dance Dance Dance)
Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals. But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
Where there is light, there must be shadow, and where there is shadow there must be light. There is no shadow without light and no light without shadow. Karl Jung said this about 'the Shadow' in one of his books: 'It is as evil as we are positive... the more desperately we try to be good and wonderful and perfect, the more the Shadow develops a definite will to be black and evil and destructive... The fact is that if one tries beyond one's capacity to be perfect, the shadow descends to hell and becomes the devil. For it is just as sinful from the standpoint of nature and of truth to be above oneself as to be below oneself.
Haruki Murakami (1Q84 (1Q84, #1-3))
Having a drink in bed while listening to music and reading a book. As precious to me as a beautiful sunset or good clean air.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That’s the world of hicks and slobs. Real people would be ashamed of themselves doing that.
Haruki Murakami (Norwegian Wood)
Why do you read books?” he asked. “Why do you drink beer?” I replied without glancing in his direction,
Haruki Murakami (Wind/Pinball: Two Novels)
The curious thing about individuals is that their singularity always goes beyond any category or generalization in the book.
Haruki Murakami (The Elephant Vanishes)
And just because I've written this book, don't think I've changed. I'm like I was back then, really.
Ryū Murakami (Almost Transparent Blue)
You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper.
Haruki Murakami (After Dark)
Like a Chinese box, the world of the novel contained smaller worlds, and inside those were yet smaller worlds. Together, these worlds made up a single universe, and the universe waited there in the book to be discovered by the reader.
Haruki Murakami (The Elephant Vanishes)
Once I began a book, I couldn’t put it down. It was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I’d keep the book hidden so I could read during class. But I had almost no desire to talk with anyone about the experience I gained through books and music. I felt happy just being me and no one else.
Haruki Murakami (South of the Border, West of the Sun)
She and I would trade books, talk endlessly, drink cheap whiskey, engage in unremarkable sex. You know, the stuff of everyday.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
This was his favorite time of day, reading to his heart's content before going to sleep. When he tired of reading, he would fall asleep.
Haruki Murakami (1Q84 (1Q84, #1-3))
Any explanation or logic that explains everything so easily has a hidden trap in it. I'm speaking from experience. Somebody once said if it's something a single book can explain, it's not worth having explained. What I mean is don't leap to any conclusions.
Haruki Murakami (Sputnik Sweetheart)
Where there is light, there must be shadow, and where there is shadow there must be light. There is no shadow without light and no light without shadow.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Is it possible to become friends with a butterfly?" "It is if you first become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or a flower. It takes time, but once the butterfly lets its guard down, you can become friends quite naturally." ... " ... I come here every day, say hello to the butterflies, and talk about things with them. When the time comes, though, they just quietly go off and disappear. I'm sure it means they've died, but I can never find their bodies. They don't leave any trace behind. It's like they've been absorbed by the air. They're dainty little creatures that hardly exist at all: they come out of nowhere, search quietly for a few, limited things, and disappear into nothingness again, perhaps to some other world.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I hate requests. They make me feel unhappy. It's like when I take a book out of the library. As soon as I start to read it, all I can think about is when I'll finish it.
Haruki Murakami (Blind Willow, Sleeping Woman)
April ended and May came along, but May was even worse than April. In the deepening spring of May, I had no choice but to recognize the trembling of my heart. It usually happened as the sun was going down. In the pale evening gloom, when the soft fragrance of magnolias hung in the air, my heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and wait for it to pass. And it would pass....but slowly, taking its own time, and leaving a dull ache behind. At those times I would write to Naoko. In my letters to her, I would describe only things that were touching or pleasant or beautiful: the fragrance of grasses, the caress of a spring breeze, the light of the moon, a movie I'd seen, a song I liked, a book that had moved me. I myself would be comforted by letters like this when I would reread what I had written. And I would feel that the world I lived in was a wonderful one. I wrote any number of letters like this, but from Naoko or Reiko I heart nothing.
Haruki Murakami (Norwegian Wood)
Somewhere between 'not enough' and 'not at all.' I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once.
Haruki Murakami (Norwegian Wood)
Aomame raised her glass to the moon and asked, “Have you gone to bed with someone in your arms lately?” The moon did not answer. “Do you have any friends?” she asked. The moon did not answer. “Don’t you get tired of always playing it cool?” The moon did not answer.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
The book didn't come to any conclusion, and nobody wants to read a book that doesn't have one. For me, though, having no conclusion seemed perfectly fine.
Haruki Murakami (Kafka on the Shore)
What do we talk about? Just ordinary things. What happened today, or books we've read, or tomorrow's weather, you know. Don't tell me you're wondering if people jump to their feet and shout stuff like 'It'll rain tomorrow if a polar bear eats the stars tonight!
Haruki Murakami (Norwegian Wood)
[...] he made it a rule never to touch a book by any author who had not been dead at least 30 years. "That's the only kind of book I can trust", he said. "It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.
Haruki Murakami (Norwegian Wood)
لا بد أن يكون ثمة خاتمة ما. المشكلة هي أنه ليس هناك شيء يحمل علامة "هذه هي الخاتمة" هل الدرجة الأعلى في السلم تحمل علامة "هذه هي الدرجة الأخيرة . رجاء لا تصعد أعلى من ذلك" ؟
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
A state of chronic powerlessness eats away at a person
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
It was Aomame’s firm belief that the human body was a temple, to be kept as strong and beautiful and clean as possible, whatever one might enshrine there.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
In this world, there is no absolute good, no absolute evil. Good and evil are not fixed stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Nights without work I spent with whisky and books.
Haruki Murakami (Norwegian Wood)
It was a stillness so profound one had to adjust one’s hearing to it. .... The silence seemed to be trying to tell him something about itself.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
All my books are weird love stories. I love weird love stories.
Haruki Murakami
It's not just that I'm dumb. Nakata's empty inside. I finally understand that. Nakata's like a library without a single book. It wasn't always like that. I used to have books inside me. For a long time I couldn't remember, but now I can. I used to be normal, just like everybody else. But something happened and I ended up like a container with nothing inside.
Haruki Murakami
В края на краищата това е светът: една безкрайна битка на противоречиви спомени.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
Haruki Murakami (Norwegian Wood)
I always say—a prejudice on my part, I'm sure—you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves. This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes. There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
If possible, I would like my readers to savor that same emotion when they read my books. I want to open a window in their souls and let the fresh air in. This is what I think of, and hope for, as I write—purely and simply.
Haruki Murakami (Novelist as a Vocation)
I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself.
Haruki Murakami (Dance Dance Dance)
You can't go anywhere if you resign yourself to being attacked.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
My only passions were books and music. As you might guess, I led a lonely life.
Haruki Murakami (Sputnik Sweetheart)
When granted hope, a person uses it as fuel, as a guidepost to life. It is impossible to live without hope.
Haruki Murakami (1Q84: Book 3)
I have a million things to talk to you about. A million things we have to talk about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.
Haruki Murakami (Norwegian Wood)
Too many memories of her were crammed inside of me, and as soon as one of them found the slightest opening, the rest would force their way out in an endless stream, an unstoppable flood.
Haruki Murakami (Norwegian Wood)
You don't get it" she said ''Don't get what?" ''We are one" ''We are one?" Tengo asked with a shock. ''We wrote the book together" Tengo felt the pressure of Fuka-Eri's fingers against his palm. ... ''That's true. We wrote Air Crysalis together. And when we are eaten by the tiger, we'll be eaten together.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Lumea nu este decat o lupta nesfarsita intre amintirile unor tabere opuse.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper.
Haruki Murakami (After Dark)
My only passions were books and music. As you might guess, I led a lonely life… Not that I knew what I wanted in life - I didn’t. I loved reading novels to distraction, but didn’t write well enough to be a novelist; being an editor or a critic was out, too, since my tastes ran to the extremes. Novels should be for pure personal enjoyment, I decided, not part of your work or study. That’s why I didn’t study literature
Haruki Murakami
Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to slip through it. But even if you go to the ends of the earth, you won’t be able to escape it. Still, you have to go there - to the edge of the world. There’s something you can’t do unless you get there.
Haruki Murakami (Kafka on the Shore)
Nakata’s empty inside. I finally understand that. Nakata’s like a library without a single book. It wasn’t always like that. I used to have books inside me. For a long time I couldn’t remember, but now I can. I used to be normal, just like everybody else. But something happened and I ended up like a container with nothing inside.
Haruki Murakami (Kafka on the Shore)
You don't get it, do you? Person A understands Person B because the time is right for that to happen, not because Person B wants to be understood by Person A. (...) it's not a mistake, most people would call that love, if you think you want to understand me.
Haruki Murakami (Norwegian Wood)
I think memory is the most important asset of human beings. It’s a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That’s why I want to write a book.
Haruki Murakami
Is it possible to become friends with a butterfly?.. It is if you become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or flower. It takes time, but once the butterfly lets it guard down, you can become friends quiet naturally.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
I can't imagine finding anybody to take your place." "You might not find a person that easily, but you could probably find a way without too much trouble," Aomama noted. The dowager looked at Aomame calmly, her lips forming a satisfied smile. "That may be true," she said, "but I almost surely could never find anthing to take the place of what we are sharing here and now. You are you and only you. I'm very grateful for that. More grateful than I can say.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Walking to the subway, Aomame kept thinking about the strangeness of the world. If, as the dowager had said, we were nothing but gene carriers, why do so many of us have to lead such strangely shaped lives? Wouldn’t our genetic purpose – to transmit DNA – be served just as well if we lived simple lives, not bothering our heads with a lot of extraneous thoughts, devoted entirely to preserving life and procreating? Did it benefit the genes in any way for us to lead such intricately warped, even bizarre, lives? … how could it possibly profit the genes to have such people existing in this world? Did the genes merely enjoy such deformed episodes as colorful entertainment, or were these episodes utilized by them for some greater purpose?
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
It's not that I don't believe in contemporary literature, but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short. (...) If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that.
Haruki Murakami (Norwegian Wood)
Then I got undressed and, crawling under the covers, sat up in bed and sipped my drink. I felt like I was going to fade out any second, but I had to allow myself this luxury. A ritual interlude I like so much between the time I get into bed and the time I fall asleep. Having a drink in bed while listening to music and reading a book. As precious to me as a beautiful sunset or good clean air.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Most of these university types are total phonies. They’re scared to death somebody’s gonna find they don’t know something. They all read the same books and they all throw around the same words, and they get off listening to John Coltrane and seeing Pasolini movies. You call that ‘revolution’? That does it for me, then. I’m not going to believe in any damned revolution. Love is all I’m going to believe in.
Haruki Murakami (Norwegian Wood)
Or maybe that’s what it’s all about: this religion’s substance is its lack of substance. In McLuhanesque terms, the medium is the message. Some people might find that cool.” “McLuhanesque?” “Hey, look, even I read a book now and then,” Ayumi protested. “McLuhan was ahead of his time. He was so popular for a while that people tend not to take him seriously, but what he had to say was right.” “In other words, the package itself is the contents. Is that it?” “Exactly. The characteristics of the package determine the nature of the contents, not the other way around.
Haruki Murakami (1Q84 (1Q84, #1-3))
But, when I was growing up, the one thing that did help me not to feel so isolated and crazy was reading - especially books by authors who fearlessly examined and exposed their highly imperfect inner lives. Books like "Confessions of a Mask" by Yukio Mishima; "Tropic of Cancer" by Henry Miller; "Try" by Dennis Cooper; and, of course, the works of authors like Bukowski, Salinger, Hesse, Bataille, Iceberg Slim, and Murakami. These writers revealed the things that existed beneath most humans' seemingly secure and confident exteriors. I suddenly realized, after reading their work, that I wasn't unique - that my doubts and fears and insecurities were more universal that I could've ever imagined. Their words gave me strength. They have me permission to start trying to accept my flaws, my darkness, my insanity. They let me know that it was okay not to fit in with everyone else - to be a sensitive person - and that others struggled just like I did. It was such a relief when I finally began to understand this. It was like I could breathe - maybe for the first time.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
Did you know that only a tiny minority of viruses cause illness in humans? No one knows how many viruses there are, but their real role, when you get right down to it, is to aid in mutations, to create diversity among life forms. I've read a lot of books on the subject-when you don't need much sleep you have a lot of time to read-and I can tell you that if it weren't for viruses, mankind would never have evolved on this planet. Some viruses get right inside the DNA and change your genetic code, did you know that? And no one can say for sure that HIV, for example, won't one day prove to have been rewriting our genetic code in a way that's essential to our survival as a race. I'm a man who consciously commits murders and scares the hell out of people and makes them reconsider everything, so I'm definitely malignant, yet I think I play a necessary role in this world.
Ryū Murakami (In the Miso Soup)
След като толкова харесвам математиката, защо хвърлям толкова много усилия да пиша литературни творби ли? [...] Хм. Действителността се различава от математиката. В живота нещата невинаги следват най-краткия път. За мен математиката е... как да го кажа... прекалено естествена. Като красив пейзаж. Просто я има. И не се налага да се заменя с нищо друго. Затова, когато се занимавам с математика, от време на време имам чувството, че ставам прозрачен. А това понякога е страшно. А докато пиша проза, използвам думите, за да преобразувам онова, което ме заобикаля, в нещо, което е по-естествено за мен. С други думи, извършвам реконструкция. Това ми позволява да утвърдя отвъд всякакво съмнение, че личността, наречена "аз", наистина съществува на този свят.
Haruki Murakami (1Q84 Book 1 (1Q84, #1))
Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which -- or, rather, all the more because -- here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here. Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself.
Haruki Murakami (Dance Dance Dance)
I think of human existence as being like a two-story house. On the first floor people gather together to take their meals, watch television, and talk. The second floor contains private chambers, bedrooms where people go to read books, listen to music by themselves, and so on. Then there is a basement; this is a special place, and there are a number of things stored here. We don’t use this room much in our daily life, but sometimes we come in, vaguely hang around the place. Then, my thought is that underneath that basement room is yet another basement room. This one has a very special door, very difficult to figure out, and normally you can’t get in there—some people never get in at all. . . . You go in, wander about in the darkness, and experience things there you wouldn’t see in the normal parts of the house. You connect with your past there, because you have entered into your own soul. But then you come back. If you stay over there for long you can never get back to reality.
Haruki Murakami
One guy yelled at me, 'You stupid bitch, how do you live like that with nothing in your brain?' Well, that did it. I wasn't going to put up with that. OK, so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working classes that get exploited. What kind of revolution is it that just throws out big words that working-class people can't understand? What kind of crap social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions. (...) So that's when it hit me. These guys are fakes. All they've got on their minds is impressing the new girls with the big words they're so proud of, while sticking their hands up their skirts.(...) They marry pretty wives who've never read Marx and have kids they give fancy new names to that are enough to make you puke. Smash what educational-industrial complex? Don't make me laugh! (...) They're scared to death somebody's gonna find out they don't know something. They all read the same books and they all spout the same slogans, and they love listening to John Coltrane and seeing Pasolini movies. You call that 'revolution'? (...) Revolution or not, the working class will just keep on scraping a living in the same old shitholes. And what is a revolution? It sure as hell isn't just changing the name on city hall. But those guys don't know that - those guys with their big words.
Haruki Murakami (Norwegian Wood)