Dragon Quest Quotes

We've searched our database for all the quotes and captions related to Dragon Quest. Here they are! All 100 of them:

Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
We started this together, Leo. Seems only right you come along. You find us a ride, you're in." "Yes!" Leo pumped his fist. * * * * * Jason gazed up at the dragon and shook his head in amazement. "Leo, what have you done?" "Found a ride!" Leo beamed. "You said I could go on the quest if I got you a ride. Well, I got you a class-A metallic flying bad boy! Festus can take us anywhere!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
There's nothing like a mission to save the world to liven up a vacation.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Besides, if there were no dragons of flesh and blood and fire, whence would come the idea for these stone carvings?
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Well, what are we waiting for? ...She said 'children.' I bet that's anyone under a couple of centuries old. Let's go.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
A mouse slid out from under his hat and scrambled down his sleeve, across his lap, and down to the floor. Nothing,' said Fenworth, 'should distract from a wizard's dignity.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Were you hoping for a quest? A seemingly impossible task that you could relay to your queen afterward? Would you like to tell her that you found and slayed the dragon for love of her? -Queen Sorcha
Melissa Marr (Fragile Eternity (Wicked Lovely, #3))
Fenworth owned a world-famous library. More rooms held books than beds. Pillows stuffed in niches and comfortable chairs scattered throughout each room offered abundant paces to curl up and read.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Fenworth nodded. "Yes, yes. Urgent, deadly, insidious. The world is in peril and we must rise against evil." The old wizard released the general and patted him on the shoulder. "Tea and cake first, don't you think?
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Well then,' said Femworth as he came to his feet, 'let's go. Sounds like a delightful challenge before supper. Stimulate the appetite, or kill it. Interesting either way.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Companions. See the curve of that C like a pair of outstretched arms? It implied the sort of friends who might slay dragons or go on hopeless quests or swear blood oaths at midnight.
Alix E. Harrow (The Ten Thousand Doors of January)
It's a wisdom that comes from seeing how things work. Things you want to happen always take a long time.' She pointed one little finger at the meech dragon and shook it in his face. 'You may read books and know bunches, but I have lived life longer than you.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Wouldn't it be most logical for her to change herself into a living thing, like a cat or dog, a bird or mouse?' That would be the easiest transformation, but Risto is above doing something simple.' Still, I'd be happier if Dibl would quit eating those bugs. Dibl, stop it. You might eat Gilda.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
I have never cared for Castles or a Crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My Heart was born a Hero, my storm-bound sword won't rest, I left the Harbour long ago on a Never-ending Quest, I am off to the horizon, where the wild wind blows the foam, Come get lost with me, love, and the sea shall be our home!
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
Sometimes it is not until the Final Chapter that you realise what a quest has REALLY been about all along.
Cressida Cowell (How to Cheat a Dragon's Curse (How to Train Your Dragon, #4))
Mothers are like dungeons. Some really stink and you'll do anything to avoid them. And some are lush sanctuaries filled with gold, jewels, and butterscotch schnapps-spiked Nestle Nesquik.
Shelly Mazzanoble (Everything I Need to Know I Learned from Dungeons & Dragons - One Woman's Quest to Trade Self-Help for Elf-Help)
There is nothing lewd about biology, research, or basic facts, gentlemen, and you make yourselves fools when you try to classify the quest for understanding as obscene. The only thing more patently obscene than ignorance is willful ignorance. Arrest yourselves.
Kelly Barnhill (When Women Were Dragons)
We learned the seven traditional ways to make words unclear." "Seven? That many? Which was the most effective?" "Poor grammar skills.
Lita Burke (Ephraim's Curious Device (Clockpunk Wizard, #2))
Fire, water, earth, and air, All meet in the dragon's lair. Six brave hearts have failed the test;One continues in the quest. Remember well the words you know When on to find your fate you go.
Emily Rodda (Rowan of Rin (Rowan of Rin, #1))
Dragon droppings?” Per asked in awe, as if that were the most fantastic part of their tale.
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
Because then you would know my strength in Wulder instead of discovering your own.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
We need heroes, however outlandish, because although we might not be slaying real dragons, we all have our quests.
Russ Thorne
You have no idea what being declared Unwanted really feels like, and you never will.
Lisa McMann (Dragon Captives (The Unwanteds Quests, #1))
I have never cared for castles or a crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My heart was born a Hero, My storm-bound sword won't rest, I left this harbour long ago on a never-ending quest. I am off to the horizon, Where the wild wind blows the foam, Come get lost with me, love, And the sea shall be our home.
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
Felicia’s place is always off the edge of the map, where dragons wait, and this story is more than a memoir. It’s a quest. If you wanna survive, stay close to the redhead. She knows her way.
Felicia Day (You're Never Weird on the Internet (Almost))
And special appreciation to those who forgive me when I kill off your favorite characters.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Minli suddenly thought of Ma and Ba. A wave of longing washed through her and a dryness caught in her throat that the tea could not moisten. Where the Mountain Meets the Moon.
Grace Lin (Where the Mountain Meets the Moon)
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
Chase’s was a junkie’s banking strategy, shooting speed in the morning and spending all day foraging for the cash to dope down at night, an endless quest to chase the debt dragon.
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
The difference between the quest for the Holy Grail and someone saying ‘bring me a cup’ is the flavor text and the number of stops involved.
Bryan Fields (Life With a Fire-Breathing Girlfriend)
There are now, to the delight of parasitical writers like me, what I might almost call “public domain” plot items. There are dragons, and magic users, and far horizons, and quests, and items of power, and weird cities. There’s the kind of scenery that we would have had on earth if only God had had the money.
Terry Pratchett (A Slip of the Keyboard: Collected Nonfiction)
What do you need me to do to prove it? I’ll do anything, my lady! Send me on whatever quest you will! Wouldst thou have me fetch thee the prettiest rose from the farthest reaches of the east? I shall! Bring thee an ancient sparkling treasure from cursed ruins? Absolutely! Slay a dragon? Oh, wait, did that one already….
Liz Braswell (Once Upon a Dream)
You can deny it. But I have been with you, in every way that matters. As you have been with me. We’ve shared our thoughts and our food, bound each other’s wounds, slept close when the warmth of our bodies was all we had left to share. Your tears have fallen on my face, and my blood has been on your hands. You’ve carried me when I was dead, and I carried you when I did not even recognize you. You’ve breathed my breath for me, sheltered me inside your own body. So, yes, Fitz, in every way that matters, I’ve been with you. We’ve shared the stuff of our beings. Just as a captain does with her liveship. Just as a dragon does with his Elderling. We’ve been together in so many ways that we have mingled. So close have we been that when you made love to your Molly, she begat our child. Yours. Mine. Molly’s. A little Buck girl with a wild streak of White in her. “Oh, gods. Such
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
Know this: I, Mercurius, have here set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar, unless you heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God’s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faint-heartedness, read no farther lest I prove fatal to you. For I am the watery venomous serpent who lies buried at the earth’s centre; I am the fiery dragon who flies through the air. I am the one thing necessary for the whole Opus. I am the spirit of metals, the fire which does not burn, the water which does not wet the hands. If you find the way to slay me you will find the philosophical mercury of the wise, even the White Stone beloved of the Philosophers. If you find the way to raise me up again, you will find the philosophical sulphur, that is, the Red Stone and Elixir of Life. Obey me and I will be your servant; free me and I will be your friend. Enslave me and I am a dangerous enemy; command me and I will make you mad; give me life and you will die.
Patrick Harpur (Mercurius: The Marriage of Heaven and Earth)
Wide gape the gates of yellowed bone. A tongue of plank is our path between the teeth as we walk toward the gullet. Here I will be devoured. This is a true thing, near unavoidable on any path. I must enter those jaws.
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
He turned and snarled at me, eyes blazing. “Eep!” I said, because even though it was scary, it was still a scary unicorn, and I couldn’t help but fall in love just a little bit more. “If you ever lock yourself in a room like a spoiled brat again, I will track down my horn, go on a quest to get said horn, defeat whatever creature has the horn, restore it to its rightful place atop my head, come back to the City of Lockes, march in a parade in my honor, and then come up to your room and gore you to death. Do you understand?” “Your eyelashes are made of stars,” I whispered reverently. “I know,” he hissed angrily. “It’s because I’m beautiful. Now are we clear?
T.J. Klune (A Destiny of Dragons (Tales From Verania, #2))
You, little Dragon Keeper, are important in Wulder's plan. I would give you wisdom if it were like a gem to be plucked from one of my crowns. But I can only whisper caution. I can only say, 'Be still when dark clouds threaten. Listen for the word of Wulder.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Sky had been swept underwater into the mouth of the plunging volcanic Island of Fire and was gone.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
I saw bits and pieces of the Alex from Lani’s books for the first time. And I feel like I know you better now.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
Everybody knew that Scarlet and Crow were in the slowest-moving relationship anyone had ever witnessed.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
In a way it was like the poem Alex had written for Sky—not that Thisbe felt that way about Rohan, of course. He was just a friend, wasn’t he?
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
We dream of carving our dragon.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
The hero tales, the epic myths, the tales of quests and dragons, knights and journeys can enter the pain and confusion of a child’s mind with a healing clarity.
Sarah Clarkson (Caught Up in a Story: Fostering a Storyformed Life of Great Books & Imagination with Your Children)
In the shadows, Sean and Carina were swaying together and kissing, to Seth's obvious dismay, and Samheed and Lani were kissing too. Henry rested his head on Thatcher's chest as Thatcher held him close, and Crow and Scarlet slipped away and started walking along the shore holding hands.
Lisa McMann (Dragon Curse (The Unwanteds Quests, #4))
You might object, “Well, I just could not manage to take on something that important.” What if you began to build yourself into a person who could? You could start by trying to solve a small problem—something that is bothering you, that you think you could fix. You could start by confronting a dragon of just the size that you are likely to defeat. A tiny serpent might not have had the time to hoard a lot of gold, but there might still be some treasure to be won, along with a reasonable probability of succeeding in such a quest (and not too much chance of a fiery or toothsome death).
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Alex . . . he’d been struck down and sent to the hospital ward more times than Simber could remember. He’d even suffered permanent injuries, but he’d survived. He’d always, always survived. Until now.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
There are trials in life that feel as tremendous as a quest to slay dragons. These trials are daunting. They require hard work, determination, and courage. But when the dragon is finally slain, the relief is immense.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
I, the most important passenger, the youth who had once been the glorious god Apollo, was forced to sit in the back of the dragon. Oh, the indignities I had suffered since Zeus stripped me of my divine powers! It wasn’t enough that I was now a sixteen-year-old mortal with the ghastly alias Lester Papadopoulos. It wasn’t enough that I had to toil upon the earth doing (ugh) heroic quests until I could find a way back into my father’s good graces, or that I had a case of acne which simply would not respond to over-the-counter zit medicine. Despite my New York State junior driver’s license, Leo Valdez didn’t trust me to operate his aerial bronze steed!
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Why wouldn’t you want to rest in between?” asked Thisbe. It seemed crazy to not at least put his feet up for a while. Rohan opened one eye and looked at her with a lazy smile. “I needed to get back so I could knock on your wall.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
HOW TO REFUSE DEFEAT Life is fragile and uncertain. Sooner or later, you will experience a great loss in life, when suffering reveals that the world is not the place you think it is, and that your dreams will not come true after all. What then? Don’t blame others for what happened to you, even if it might well be their fault. This is a dead end. And don’t settle for stoic acceptance of your fate. Merely bearing up under strain is noble, but it’s wasting an opportunity for transformation. You have the power to turn your burden into a blessing. What if this pain, this heartbreak, this failure, was given to you to help you find your true self? Make adversity work for you by launching a quest inside your own heart. Find the dragons hiding there, slay them, and bring back the treasure that will help you live well.
Rod Dreher (How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem)
What manly task may I perform for you?" "If you care for me at all, you'll slay a dragon." "Such a simple task to prove my devotion? For you, I will gladly take up this quest. Why, by the age of ten, I had already felled my first ogre.
Betsy Schow (Spelled (The Storymakers, #1))
I am a hero. It is a trade, no more, like weaving or brewing, and like them it has its own tricks and knacks and small arts. There are ways of perceiving witches, and of knowing poison streams; there are certain weak spots that all dragons have, and certain riddles that hooded strangers tend to set you. But the true secret of being a hero lies in knowing the order of things. The swineherd cannot already be wed to the princess when he embarks on his adventures, nor can the boy knock at the witch's door when she is away on vacation. The wicked uncle cannot be found out and foiled before he does something wicked. Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a long time, but not forever. The happy ending cannot come in the middle of the story. Heroes know about order, about happy endings -- heroes know that some things are better than others.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Hux closed his eyes and gave a ragged sigh, as if he’d been through a battle. Everyone around them became quiet, waiting to hear his response. Finally the dragon opened his eyes and looked at Alex, completely dejected. “Because if you don’t come, my sister Arabis the orange will be killed.
Lisa McMann (Dragon Captives (The Unwanteds Quests, #1))
The Revinir . . . and Queen Eagala . . . Thisbe stopped walking suddenly as she pondered it. Could it be? The Revinir is Queen Eagala—who is supposed to be dead. She looked up at Rohan, and the blood drained from her face when she realized that the child who had stolen Queen Eagala’s magical powers . . . was Fifer.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
A bite.” She touched the hilt of her sword, the sword that he had given her. Oathkeeper. “My lord, you gave me a quest.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Eli spun until he was upside down. "Ambrose, only you can say something so boring when you're floating with purple dragon wings.
R.K. Ashwick (A Rival Most Vial: Potioneering for Love and Profit (Side Quest Row, #1))
Frieda did too. “I feel sorry for your boy, having a murderer for a father.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Why doesn’t Arabis just fly away and dump the old bag off her back?
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Dev
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
She’d saved his life once that day, but he had died anyway.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
Carina covered Alex’s body with a blanket. And they all gathered around to mourn their beloved leader. Their friend and brother. There was nothing else they could do.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
Thisbe rose to her tiptoes and placed a tiny kiss on his lowered cheek, catching him by surprise.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
How do you know how many rocks to give?” whispered Fifer. “No idea,” said Fifer.
Lisa McMann (Dragon Captives (The Unwanteds Quests, #1))
Because you’re on your own, like me,” he said. “And because you deserve to be saved.
Lisa McMann (Dragon Fire (The Unwanteds Quests #5))
alas,
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Rohan fell asleep holding Thisbe’s hand but woke sprawled sideways with Thisbe’s shoe in his face.
Lisa McMann (Dragon Curse (The Unwanteds Quests #4))
Come on, come on,” said Seth, trying to placate them. “Whenever you two fight, Seth loses.
Lisa McMann (Dragon Curse (The Unwanteds Quests #4))
Odd lair for a dragon", Darnak said, "and I've seen one or two in my times." "Do all dragons own flower gardens?" "This is the first one I've come across.
Jim C. Hines (Goblin Quest (Jig the Goblin, #1))
Fifer’s brother was gone. Alex Stowe, head mage of Artimé, was dead.
Lisa McMann (Dragon Bones (The Unwanteds Quests #2))
Everything about the brain of a gnome is amped up. They weren't just intelligent. They were more susceptible to the effects of an emotional stimulus.
C.A. Tedeschi (Lion Knight saga 2, The Tree of Despair)
Worry steals joy out of the moment and doesn’t buy you future safety.
Sarah K.L. Wilson (Dire Quest (Dragon School, #13))
Are you afraid the Ender Dragon is coming after you?” Lucy joked. “I’m looking at the moon,” Steve said quite seriously. “I think I want to explore the moon. Are you guys in?” “Funny,
Winter Morgan (The Quest for the Diamond Sword (An Unofficial Gamer's Adventure, #1))
The first four dragons stayed diligent to their code of only harming those who were more than 50 percent evil. But Drock wasn’t much of a rule follower, and he torched anyone who got in his way. As
Lisa McMann (Dragon Captives (The Unwanteds Quests, #1))
Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
The sad thing about miracles is that they’re unique. They can’t be explained, or shared, or duplicated. And they absolutely cannot be captured and made to perform on demand. If that day ever came, our world would die for lack of wonder.
Bryan Fields (Life With a Fire-Breathing Girlfriend)
There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
I, too, have a higher purpose. But quests for these lofty goals are like sailing a ship around the world. The course isn’t a straight line. But if your heart is true, it will lead you through the roughest seas to the place you were meant to find.
Robert Vane (A Dragon's Quest (The Remembered War #3))
There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl.
Erin Morgenstern (The Night Circus)
As a kid in the ’90s, I fought goblins and demons. I learned new magic spells and traded in old gear for shiny weapons. Raised rebellions, traveled through time, and rode a whale into space. I became the Dragonmaster and the Hero of Light. Didn’t we all?
Aidan Moher (Fight, Magic, Items: The History of Final Fantasy, Dragon Quest, and the Rise of Japanese RPGs in the West)
It suddenly occurred to me just how absurd this scene was: a guy wearing a suit of armor, standing next to an undead king, both hunched over the controls of a classic arcade game. It was the sort of surreal image you'd expect to see on the cover of an old issue of Heavy Metal or Dragon magazine.
Ernest Cline (Ready Player One (Ready Player One, #1))
I’m quick,” Leo said. “And lucky. Now, am I on this quest, or what?” Jason scratched his head. “You named him Festus? You know that in Latin, ‘festus’ means ‘happy’? You want us to ride off to save the world on Happy the Dragon?” The dragon twitched and shuddered and flapped his wings. “That’s a yes, bro!” Leo said.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Sky knelt and talked to him quietly. “I have Thisbe with me,” she said through tears. “Everything is going to be okay. I just . . . I miss you. I can’t believe you’re gone.” She cried harder and collapsed on the dirt that covered him. “This just isn’t fair! I’d give anything,” she sobbed. “Anything to have you back.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
This is the story of someone who found her place in a corner of the world that literally didn’t exist till just before she showed up. Felicia’s place is always off the edge of the map, where dragons wait, and this story is more than a memoir. It’s a quest. If you wanna survive, stay close to the redhead. She knows her way.
Felicia Day (You're Never Weird on the Internet (Almost))
Sky hummed a few bars, remembering the lilting, mournful notes. She hesitated, then haltingly began to sing: This song is from the crushed part of my heart. Sky`s voice, permantly scarred by the thornament she`d been forced to wear on warbler island as a child, was husky and pleasant, though it faltered with emotion now. She continued, half in a whisper as she trudged to the beat. The part that thrums reminders that you`re gone. I don't regret a moment of our days. But i won`t fall. I`ll be okay, you know. I`ve always been that way. As much as I wish you back with me, I`m still the same. My dreams remain. I don`t need a soul to know my name. And I`ll get on just fine- I always do. Alone and away. Alone and away.
Lisa McMann (Dragon Ghosts (The Unwanteds Quests #3))
Life is one long story we tell ourselves to make sense of the world, and in our quest for meaning, we make other people players in our own psychomachia. Sometimes the consequence of doing that can be terrible, like what happened to me. But it’s worth remembering that everyone is trying their best to look for their dragon, to find the heart of their story, and to then tell it as well as they are able
Ken Liu (The Passing of the Dragon)
Rosabella Beauty was the daughter of the famous Beauty, a girl whose love had turned the Beast back into a prince. Darling Charming was the daughter of the renowned King Charming, whose royal storyline stretched back to the very beginning of stories. The Charming men had always been known for their heroic deeds, luxurious hair, and enchanting eyes. Darling's two brothers were expected to follow in King Charming's heroic footsteps by saving damsels, slaying dragons, and basically conquering whatever evil stepped into their paths. Darling, however, was not a son. She was a daughter. And being a daughter was a different matter altogether. No heroic deeds were expected of her. No quests or adventures. While the activities of the Charming princes had always been celebrated by poets and storytellers, the Charming princesses had a singular destiny- to be damsels in distress waiting for rescue.
Suzanne Selfors (A Semi-Charming Kind of Life (Ever After High: A School Story, #3))
In the old tales, when people undertake quests, they find themselves fighting dragons or serpents or giant dogs. Or maybe a dark warrior of some kind, folk who are enemies from the start. But it's far more frightening when someone seems friendly and good, and turns out to be different altogether. The odd and uncanny are not terrifying in themselves. The most disturbing thing is the ordinary turned strange. Things familiar and safe becoming not right.
Juliet Marillier
Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister’s story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act?
Erin Morgenstern (The Night Circus)
It was hard to measure time, but Jason figured his friends slept about four hours. Jason didn’t mind. Now that he was resting, he didn’t really feel the need for more sleep. He’d been conked out long enough on the dragon. Plus, he needed time to think about the quest, his sister Thalia and Hera’s warnings. He also didn’t mind Piper using him for a pillow. She had a cute way of breathing when she slept – inhaling through the nose, exhaling with a little puff through the mouth. He was almost
Rick Riordan (The Lost Hero (The Heroes of Olympus #1))
«Eppure dev’esserci una correlazione. Lo scienziato che gioca col destino dei draghi, e i draghi che si organizzano in segreto per fondare un nuovo regno. Sta accadendo tutto nello stesso momento, vedete? Se i draghi sono sempre esistiti, allora perché è solo oggi, in quest’epoca, che hanno deciso di muoversi? Forse perché è adesso che si sentono davvero minacciati.» «Quando si tratta del dottor Brandi, la minaccia si estende anche a noi.» Disse Eleonora. «Hai ragione, Ale. I draghi sono coloro che potrebbero salvarci.»
Valentina Bellettini (Eleinda² - La formula dell'immortalità)
Today, more then ever, the chance to confront one's own dragons, to travel into one's own dark wood is truly possible. It requires the inner journey that awaits all of us at every moment of our lives. It involves as much grandeur, suspense, and need for courage as any story of medieval knights. To travel to the unknown parts of yourself, that is something not even Michael Jordan in his Nike Airs can do for you. At the same time, that journey is precisely what gives you more importance than a Michael Jordan, for you are the only one breathing with your lungs and living your life.
Michael Brant DeMaria (Ever Flowing On: On Being and Becoming Oneself)
The Quest of the Dragon-gold, the main theme of the actual tale of The Hobbit, is to the general cycle quite peripheral and incidental – connected with it mainly through Dwarf-history, which is nowhere central to these tales, though often important. But in the course of the Quest, the Hobbit becomes possessed by seeming ‘accident’ of a ‘magic ring’, the chief and only immediately obvious power of which is to make its wearer invisible. Though for this tale an accident, unforeseen and having no place in any plan for the quest, it proves an essential to success. On return the Hobbit, enlarged in vision and wisdom, if unchanged in idiom, retains the ring as a personal secret.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Amor Fati means accepting our fate, a term from Nietzsche that both Jung and Campbell were fond of using. This is really a second-half-of-life need—that is, a state of longing for meaning. We are thrust into this state after experiencing the psychological heroism of the first half of life. As you may know, heroism, in the first half of life, describes the quest for independence, identity, and a place in the world. We need this heroic attitude in order to overcome and subdue the dragon of our dependency needs. Heroism supports our struggle to achieve a place in the world and stability in love and work. But when midlife, unhappiness, trauma, or illness thrusts us into the search for meaning—as well as the need for the support of our own depths and the Divine within us, the Self—a new kind of heroism is called for. This heroism is the ability to say yes to our fate, to what is already happening to us, to dive into it and into our own depths.
Bud Harris (Becoming Whole: A Jungian Guide to Individuation)
Stories have changed, my dear boy," the man in the grey suit says, his voice almost imperceptibly sad. "There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister's story is part of many other stories, and there is no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
Erin Morgenstern (The Night Circus)
Arian paced the cavern in his mountain in agitation and a wee bit of anxiety. He was shaking off the dragon sleep from the past six hundred years. Not only had it been six centuries since he had been in human form, but there was a war the Dragon Kings were involved in. Con and the others were waiting for him to join in the war. Every King had been woken to take part. After all the wars they had been involved in, Arian wasn’t happy to be woken to join another. Because of Ulrik. The banished and disgraced Dragon King hadn’t just made a nuisance of himself, but he somehow managed to get his magic returned. Which meant the Kings needed to put extra magic into keeping the four silver dragons sleeping undisturbed deep within the mountain. They were Ulrik’s dragons, and he would want to wake them soon. But it wasn’t just Ulrik that was causing mischief. The Dark Fae were as well. It infuriated Arian that they were once more fighting the Dark. Hadn’t the Fae Wars killed enough Fae and dragons? Then again, as a Dragon King as old as time itself, they were targets for others who wanted to defeat them. For Ulrik, he just wanted revenge. Arian hated him for it, but he could understand. Mostly because Arian had briefly joined Ulrik in his quest to rid the realm of humans. Thoughts of Ulrik were pushed aside as Arian found himself thinking about why he had taken to his mountain. When he came here six hundred years earlier, it was to remain there for many thousands of years. The Dragon Kings sought their mountains for many reasons. Some were just tired of dealing with mortals, but others had something they wished to forget for a while. Arian was one of the latter. There were many things he did in his past when the King of Kings, Constantine, asked. Not all of them Arian was proud of. The one that sent him to his mountain still preyed upon him. He didn’t remember her name, but he remembered her tears. Because of the spell to prevent any of the Dragon Kings from falling in love with mortals, Arian had easily walked away from the female. Six centuries later, he could still hear her begging him to stay with her, still see the tears coursing down her face. Though he hadn’t felt anything, it bothered him that he had so easily walked away. Because Con had demanded it. Loyalty—above all else. The Dragon Kings were his family, and Dreagan his home. There was never any question if he were needed that Arian would do whatever it took to help his brethren in any capacity asked of him.
Donna Grant (Dragon King (Dark Kings #6.5; Dark World #20.5))
The hero-deed to be wrought is not today what it was in the century of Galileo. Where then there was darkness, now there is light; but also, where light was, there now is darkness. The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated soul. Obviously, this work cannot be wrought by turning back, or away, from what has been accomplished by the modern revolution; for the problem is nothing if not that of rendering the modern world spiritually significant—or rather (phrasing the same principle the other way round) nothing if not that of making it possible for men and women to come to full human maturity through the conditions of contemporary life. Indeed, these conditions themselves are what have rendered the ancient formulae ineffective, misleading, and even pernicious. The community today is the planet, not the bounded nation; hence the patterns of projected aggression which formerly served to coordinate the in-group now can only break it into factions. The national idea, with the flag as totem, is today an aggrandizer of the nursery ego, not the annihilator of an infantile situation. Its parody rituals of the parade ground serve the ends of Holdfast, the tyrant dragon, not the God in whom self-interest is annihilate. And the numerous saints of this anticult—namely the patriots whose ubiquitous photographs, draped with flags, serve as official icons—are precisely the local threshold guardians (our demon Sticky-hair) whom it is the first problem of the hero to surpass.
Joseph Campbell (The Hero With a Thousand Faces)
Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would.
Douglas M. Laurent
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))