Butcher Babies Quotes

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There's more magic in a baby's first giggle than in any firestorm a wizard can conjure up, and don't let anyone tell you any different.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night. Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world. Was Rorschach. Does that answer your Questions, Doctor?
Alan Moore (Watchmen)
On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em.
David Sedaris (Me Talk Pretty One Day)
No one just starts giggling and wearing black and signs up to become a villainous monster. How the hell do you think it happens? It happens to people. Just people. They make questionable choices, for what might be very good reasons. They make choice after choice, and none of them is slaughtering roomfuls of saints, or murdering hundreds of baby seals, or rubber-room irrational. But it adds up. And then one day they look around and realized that they're so far over the line that they can't remember where it was.
Jim Butcher (Cold Days (The Dresden Files, #14))
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
Dresden. Am I interrupting something?" "Well, I was going to settle down with a porn video and a bottle of baby oil, but I really don't have enough for two.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Epic sex?" I sputtered. "By what standards, precisely, is sex judged to be epic?" "And tons and tons of mortal simps like you used as pawns." Bob sighed happily, ignoring my question. "There are no words. It was like the Lord of the Rings and All My Children made a baby with the Macho Man Randy Savage and a Whac-A-Mole machine.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Science, the largest religion of the twentieth century, had become tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who allowed the television to raise their children. People were looking for something - I think they just didn't know what. And even though they were once again starting to open their eyes to the world of magic and the arcane that had been with them all the while, they still thought I must be some kind of joke.
Jim Butcher (Storm Front (The Dresden Files, #1))
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
My brother threw up his hands. "What does a woman need to do, Harry? Rip her clothes off, throw herself on top of you, and shimmy while screaming, 'Do me, baby!'?" he shook his head. "Sometimes you're a frigging idiot.
Jim Butcher (Small Favor (The Dresden Files, #10))
Science, the largest religion of the twentieth century, had become somewhat tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who had allowed the television to raise their children.
Jim Butcher (Storm Front (The Dresden Files, #1))
Hello Angel,'Michael rumbled, and leaned over to give the woman a kiss on the cheek. She accepted it with all the loving tolerance of a Komodo dragon. 'Don't you hello angel me. Do you know what I had to go through to find a baby-sitter, get all the way out here, get the money together and then get the sword back for you?
Jim Butcher
British baby farmer Amelia Dyer, believed to have murdered several hundred infants in her care.[1
Harold Schechter (Hell's Princess: The Mystery of Belle Gunness, Butcher of Men)
There are no words. It was like The Lord of the Rings and All My Children made a baby with the Macho Man Randy Savage and a Whac-A-Mole machine.
Jim Butcher (Ghost Story (The Dresden Files, #13))
That's so typical. You won't steal a baby, but you're too lazy to conjugate.
Jim Butcher (Summer Knight (The Dresden Files, #4))
He clenched his hands into fists and opened them again several times, as though strangling baby ducks.
Jim Butcher (Academ's Fury (Codex Alera, #2))
There’s more magic in a baby’s first giggle than in any firestorm a wizard can conjure up, and don’t let anyone tell you any different. Magic comes from what is inside you. It is a part of you. You can’t weave together a spell that you don’t believe in.
Jim Butcher (Fool Moon (The Dresden Files, #2))
There are no words. It was like The Lord of the Rings and All My Children made a baby with the Macho Man Randy Savage and a Whac-A-Mole machine.” Butters sputtered
Jim Butcher (Ghost Story (The Dresden Files, #13))
The whole "lets find Bigfoot" thing seems a little ill-planned to me, personally. Granted, my perspective is different than that of non-wizards, but marching out into the woods looking for a very large and very powerful creature by blasting out what you're pretty sure are territorial challenges to fight (or else mating calls) seems... somewhat unwise. I mean, if there's no Bigfoot, no problem. But what if you're standing there, screaming "Bring it on!" and find a Bigfoot? Worse yet, what if he finds you? Even worse, what if you were screaming "Do me, baby!" and he finds you then? Is it me? Am I carzy? Or does the whole thing just seem like a recipe for trouble?
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
Christ, Harry,” Murphy said quietly. “No one just starts giggling and wearing black and signs up to become a villainous monster. How the hell do you think it happens?” She shook her head, her eyes pained. “It happens to people. Just people. They make questionable choices, for what might be very good reasons. They make choice after choice, and none of them is slaughtering roomfuls of saints, or murdering hundreds of baby seals, or rubber-room irrational. But it adds up. And then one day they look around and realize that they’re so far over the line that they can’t remember where it was.
Jim Butcher (Cold Days (The Dresden Files, #14))
In 1884, the American physician William Pancoast injected sperm from his “best-looking” student into an anesthetized woman—without her knowledge—whose husband had been deemed infertile. Nine months later, she gave birth to a healthy baby. Pancoast eventually told her husband what he had done, but the two men decided to spare the woman the truth. Pancoast’s experiment remained a secret for twenty-five years.
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
People hate these shows, but their hatred smacks of denial. It's all there, all the old American grotesques, the test-tube babies of Whitman and Poe, a great gauntlet of doubtless eyes, big mouths spewing fantastic catchphrase fountains of impenetrable self-justification, muttering dark prayers, calling on God to strike down those who would fuck with their money, their cash, and always knowing, always preaching. Using weird phrases that nobody uses, except everybody uses them now. Constantly talking about 'goals.' Throwing carbonic acid on our castmates because they used our special cup annd then calling our mom to say, in a baby voice, 'People don't get me here.' Walking around half-naked with a butcher knife behind our backs. Telling it like it is, y'all (what-what). And never passive-aggressive, no. Saying it straight to your face. But crying...My God, there have been more tears shed on reality TV than by all the war widows of the world. Are we so raw? It must be so. There are simply too many of them-too many shows and too many people on the shows-for them not to be revealing something endemic. This is us, a people of savage sentimentality, weeping and lifting weights.
John Jeremiah Sullivan (Pulphead)
What does a woman need to do, Harry? Rip her clothes off, throw herself on top of you, and shimmy while screaming "Do me, baby!"? - Thomas Raith
Jim Butcher (Small Favor (The Dresden Files, #10))
The British investigators know what butchers have long known: If you want people to feel comfortable about dead bodies, cut them into pieces. A cow carcass is upsetting; a brisket is dinner. A human leg has no face, no eyes, no hands that once held babies or stroked a lover’s cheek. It’s difficult to associate it with the living person from which it came. The anonymity of body parts facilitates the necessary dissociations of cadaveric research: This is not a person. This is just tissue. It has no feelings, and no one has feelings for it. It’s okay to do things to it which, were it a sentient being, would constitute torture.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. “Is thems the thoughts of cows?” I’d ask the butcher, pointing to the calves’ brains displayed in the front window.
David Sedaris (Me Talk Pretty One Day)
if you so much as make a single joke right now or butcher a playground nursery rhyme about trees and kissing and baby carriages, I'll let myself into your apartment and use your comic book collection as kindling. Capiche?
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
Then they had grown. Edging into life from the back door. Becoming. Everybody in the world was in a position to give them orders. White women said, "Do this." White children said, "Give me that." White men said. "Come here." Black men said, "Lay down." The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the book and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hangs that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence--and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men, The legs that straddled a mule's back were the same ones that straddled their men's hips. And the difference was all the difference there was.
Toni Morrison (The Bluest Eye (A Play))
You dare speak to me of evil?... You murdered my wife. You butchered my baby. Everything I ever loved, you took from me. And I swear, by all I am and will ever be, you will burn in hell for what you've done. And I will see you there.
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least.
Lorrie Moore (A Gate at the Stairs)
As tight as it had been in the kitchen before they’d left, there were three times as many people crammed in there now, most of them men. Beverly’s mother was nowhere in sight and neither was the baby. Beverly was standing at the sink, a butcher’s knife in her hand. She was slicing oranges from an enormous pile that was sliding across the counter while the two lawyers from the L.A. County District Attorney’s Office, Dick Spencer and Albert Cousins—suit jackets off, ties off, and shirtsleeves rolled up high above the elbow—were twisting the halves of oranges on two metal juicers. Their foreheads were flushed and damp with sweat, their opened collars just beginning to darken, they worked as if the safety of their city relied on the making of orange juice.
Ann Patchett (Commonwealth)
Do not act so friendly, Savannah. You are a celebrity. We will have enough attention drawn to us. They are our neighbors. Try not to scare them to death, will you? Savannah took his arm, grinning up at him teasingly. "You look as fierce as a member of the Mafia. No wonder our neighbors are staring.People tend to be curious.Wouldn't you be if someone moved in next door to you?" "I don't abide next-door neighbors. When humans consider building in the vicinity of one of my homes, the neighborhood is suddenly inundated with wolves.It works every time." He sounded menacing. Savannah laughed at him. "You're such a baby,Gregori. Scared of a little company." "You scare me to death, woman. Because of you I find myself doing things I know are totally insane. Staying in a house built in a crowded city below sea level.Neighbors on top of us.Human butchers surrounding us." "Like I'm supposed to believe that would scare you," she said smugly,knowing his only worry was for her safety, not his.They turned a corner and headed toward the famous Bourbon Street. "Try to look less conspicuous," he instructed. A dog barked, rushed to the end of its lead,and bared its teeth. Gregori turned his head and hissed, exposing white fangs. The dog stopped its aggression instantly,yelped in alarm, and retreated whining. "What are you doing?" Savannah demanded, outraged. "Getting a feel for the place," he said absently, his mind clearly on other matters, his senses tuned to the world around him. "Everyone is crazy here, Savannah.You are going to fit right in." He ruffled her hair affectionately.
Christine Feehan (Dark Magic (Dark, #4))
In 1884, the American physician William Pancoast injected sperm from his “best-looking” student into an anesthetized woman—without her knowledge—whose husband had been deemed infertile. Nine months later, she gave birth to a healthy baby. Pancoast eventually told her husband what he had done, but the two men decided to spare the woman the truth. Pancoast’s experiment remained a secret for twenty-five years. After his death in 1909, the donor—a man ironically named Dr. Addison Davis Hard—confessed to the underhanded deed in a letter to Medical World.)
Lindsey Fitzharris (The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine)
I’m sorry you and your brothers went through that. But I’m happy for you that your art survived.” “And I’m sorry you don’t enjoy your art anymore.” “Me too. But thank you for teaching me yours. I may have only grated a baby’s head’s worth of cheese, but…” she pauses to take a deep breath, as though mustering up courage, “I’m having fun.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
Everybody in the world was in a position to give them orders. White women said, “Do this.” White children said, “Give me that.” White men said, “Come here.” Black men said, “Lay down.” The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the blood and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence—and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men. The legs that straddled a mule’s back were the same ones that straddled their men’s hips. And the difference was all the difference there was. Then they were old.
Toni Morrison (The Bluest Eye)
There were strange stories going around about adults who preyed on children. Not just for sex, but for food. Hyuck was told about people who would drug children, kill them, and butcher them for meat. Behind the station near the railroad tracks were vendors who cooked soup and noodles over small burners, and it was said that the gray chunks of meat floating in the broth were human flesh. Whether urban legend or not, tales of cannibalism swept through the markets. Mrs. Song heard the stories from a gossipy ajumma she had met there. “Don’t buy any meat if you don’t know where it comes from,” she warned darkly. The woman claimed she knew somebody who had actually eaten human flesh and proclaimed it delicious. “If you didn’t know, you’d swear it was pork or beef,” she whispered to a horrified Mrs. Song. The stories got more and more horrific. Supposedly, one father went so insane with hunger that he ate his own baby. A market woman was said to have been arrested for selling soup made from human bones. From my interviews with defectors, it does appear that there were at least two cases—one in Chongjin and the other in Sinuiju—in which people were arrested and executed for cannibalism. It does not seem, though, that the practice was widespread or even occurred to the degree that was chronicled in China during the 1958-62 famine, which killed as many as 30 million people.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.
Barbara Brinson Curiel
What did we see at Entebbe? We saw an extremist left-wing German Nazi point a finger at the hostages: who shall go to the left and who shall go to the right – non-Jews one way, Jews the other. And we asked ourselves, Ribono shel olam – God Almighty – hardly thirty years after the Auschwitz crematoria, that cemetery without end, with the image of Dr. Mengele still fresh in our minds, standing there among the rows of Jews – of the men and of the women, of the children and of the babies – pointing his finger, ‘To the right: to death; to the left: to life.’ And there was no one to save them. “Well, now there is. Now we declare for all to hear: Never again! Our generation has taken a solemn oath consecrated in the blood of our slain mothers, our butchered fathers, our asphyxiated babes, and our fallen brave – never again will the blood of the Jew be shed with impunity. Never again will Jewish honor be easy prey. “We are no empire. We are but a small nation…but after all that has befallen our nation throughout all the generations – and not least the generation of the Holocaust – we declare that if there be anyone anywhere who is persecuted, or humiliated, or threatened, or abducted, or is in any way endangered simply because he or she is a Jew, then let the whole world know that we, Israel, the Jewish State, shall marshal all our strength to come to their aid and bring them to the safe haven of our homeland. This is the message of Entebbe.
Yehuda Avner (The Prime Ministers)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
I remember every detail of it, you insignificant cow,” Morwen panted, affecting a crooked grin that failed to convey the same confidence it had before. “You screamed. You cried and blubbered like a baby before you died.” “It won’t work,” said Jenny. “You can’t rile me anymore.” “No? You should have seen your handsome Howard Carson after our vamp got through with him,” Morwen went on. For all her venom, she looked as though she might pass out at any moment. The trip through the wall had left several gashes along her arms, and her eyes appeared to be having difficulty focusing. “You could barely recognize his butchered corpse in the end,” she hissed. “We pitched what was left into the fire like greasy table scraps.” Jenny did not rise to the bait. She only drifted slowly to a stop, looming over Morwen. Morwen gripped her dark dagger so tightly her knuckles whitened. She lashed out wildly at the specter, but the blade met nothing more substantial than moonlight. The effort cost the nixie her balance, and she collapsed again onto the carpet. “It’s frustrating, isn’t it?” said Jenny calmly. “Not being able to make contact.” She reached down and easily plucked the blade out of Morwen’s grasp. She shifted the weapon from one hand to the other, regarding the dark metal curiously. The solidity of the thing sat at odds with her translucent fingers. Morwen pushed herself up with great difficulty, swaying to an unsteady slouch on one knee. The fight had left the nixie, but not her fury. Her dress was torn and she had plaster ground into her hair. Her voice was hollow. “Just get it over with.” “It is over,” said Jenny. She dropped the blade onto the carpet behind her with a soft thump. Morwen narrowed her eyes. “Don’t waste your pity on me, ghost,” she spat. “I won’t,” said Jenny. “Nor any fear nor fury. I’m done with you, Morwen. My friends, however . . . are not. Mr. Jackaby?” Jackaby stepped forward. He unwound the chain from his hand as he moved around toward Morwen. “Done with me?” Morwen spat. “You only exist because of me, ghost! You’re nothing but a ripple in my wake, you worthless trash. I made you!” “You didn’t make me,” Jenny said gently. “I made myself, and I will continue to make myself forever after. What you did to me? That made you. It made you a murderer and it made you a monster. They buried the girl you killed, Morwen. I’m the spirit you couldn’t kill. You have no power over me.
William Ritter (Ghostly Echoes (Jackaby, #3))
And then it sends a signal to turn off the system.” “So the universe with the wallet in the chamber waiting to be sent still exists,” added Allen. “But the universe from which it is actually sent never does.”  “That is just so messed up,” said Blake in exasperation, and Jenna, Walsh, and Soyer nodded their agreement. “Here is my advice to all of you,” said Cargill. “The best thing to do is ignore time travel, and don’t think about the paradoxes too hard. If you do, your head really will explode,” he added with a wry smile. “Just think of it as duplication and teleportation. But always keep in mind that the universe seems to go out of its way to ensure that infinite alternate timelines aren’t allowed. So no matter what, we only ever get this one universe.” He sighed. “So we’d better make sure we don’t screw it up.”     48   Brian Hamilton hated Cheyenne Mountain. Sure, it was one of the most interesting places in the world to visit, but living there only worked if you were a bat. The Palomar facility had also been underground, but nothing like this. It had a much larger security perimeter, so trips to the surface were easier to make happen. Not that it really mattered. Soon enough he would be traveling on another assignment anyway, living in a hotel room somewhere. But what he really wanted was to work side by side with Edgar Knight, toward their common goal. He was tired of being Knight’s designated spy, having to watch Lee Cargill squander Q5’s vast resources and capabilities. Watching him crawl like a wounded baby when he could be soaring. Cargill was an idiot. He could transform the world, but he was too weak to do it. He could wipe out the asshole terrorists who wanted nothing more than to butcher the helpless. If you have the ultimate cure for cancer, you use it to wipe out the disease once and for all. You don’t wield your cure only as a last resort, when the cancer has all but choked the life out of you. Edgar Knight, on the other hand, was a man with vision. He was able to make the tough decisions. If you were captain of a life raft with a maximum capacity of ten people, choosing to take five passengers of a sinking ship on board was an easy decision, not a heroic one. But what about when there were fifty passengers? Was it heroic to take them all, dooming everyone to death? Or was the heroic move using force, if necessary, to limit this number, to ensure some would survive? Sure, from the outside this looked coldhearted, while the converse seemed compassionate. But watching the world circle the drain because you were too much of a pussy to make the hard decisions was the real crime. Survival of the fittest was harsh reality. In the animal kingdom it was eat or be eaten. If you saw a group of fuck-nuts just itching to nuke the world back into the Dark Ages—who believed the Messiah equivalent, the twelfth Imam, would only come out to play when Israel was destroyed, and worldwide Armageddon unleashed—you wiped them out. To a man. Or else they’d do the same to you. It had been three days since Cargill had reported that he was on the verge of acquiring Jenna Morrison and Aaron Blake.
Douglas E. Richards (Split Second (Split Second, #1))
THE RISING SPIRIT OF ADOPTION But Ruth replied, “Don’t urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God.” Ruth 1:16 If we want to fundamentally restore America, we need to ensure that no mother feels that the only response to an unplanned pregnancy is to end the life of her unborn child. There’s a far better answer, and that is adoption and loving foster care. There are many families eager to adopt children, and churches across the country have made adoption a priority. There is no such thing as an unwanted child—we just need to make sure young mothers recognize that there are parents out there willing to help them and to adopt their son or daughter. Someday soon, I believe, abortion will be seen the same way that we view slavery—as a moral evil that America should never have tolerated. The Left always likes to talk about conservatives being on the “wrong side of history.” But a civilized society does not accept the butchering of babies, and there is no way that saving the lives of our littlest sisters and brothers in the womb can be on the “wrong side of history.
Sarah Palin (Sweet Freedom: A Devotional)
Holdfast The dead are for morticians & butchers to touch. Only a gloved hand. Even my son will leave a grounded wren or bat alone like a hot stove. When he spots a monarch in the driveway he stares. It’s dead, I say, you can touch it. The opposite rule: butterflies are too fragile to hold alive, just the brush of skin could rip a wing. He skims the orange & black whorls with only two fingers, the way he learned to feel the backs of starfish & horseshoe crabs at the zoo, the way he thinks we touch all strangers. I was sad to be born, he tells me, because it means I will die. I once loved someone I never touched. We played records & drank coffee from chipped bowls, but didn’t speak of the days pierced by radiation. A friend said: Let her pretend. She needs one person who doesn’t know. If I held her, I would have left bruises, if I undressed her, I would have seen scars, so we never touched & she never had to say she was dying. We should hold each other more while we are still alive, even if it hurts. People really die of loneliness, skin hunger the doctors call it. In a study on love, baby monkeys were given a choice between a wire mother with milk & a wool mother with none. Like them, I would choose to starve & hold the soft body.
Robin Beth Schaer
I just wouldn’t be safe from myself. I wouldn’t be safe from the loathing I would feel, using a tool made of life’s essence, its energy, to bring an end to life. Magic was more than just an energy source, like electricity or petroleum. It was power, true, but it was a lot of other things as well. It was all that was deepest and most powerful in nature, in the human heart and soul. The ways in which I applied it were crude and clumsy in comparison to magic in its pure form. There’s more magic in a baby’s first giggle than in any firestorm a wizard can conjure up, and don’t let anyone tell you any different.
Jim Butcher (Fool Moon (The Dresden Files #2))
You’ll get through it.” “What if I don’t?” I squeezed her fingers. “Then I will personally make fun of you every day for the rest of your life,” I said. “I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Black men said, “Lay down.” The only people they need not take orders from were black children and each other. But they took all of that and re-created it in their own image. They ran the houses of white people, and knew it. When white men beat their men, they cleaned up the blood and went home to receive abuse from the victim. They beat their children with one hand and stole for them with the other. The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence—and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men. The legs that straddled a mule’s back were the same ones that straddled their men’s hips. And the difference was all the difference there was.
Toni Morrison (The Bluest Eye)
Whatever happened to that girl? Don’t you remember her? Where did she go? In America we went to Florence Crittenton homes. In England to Clark’s House, or any of the various homes run mostly by the Anglican Church. In Australian hospitals, babies were taken from mothers who were drugged, incapacitated, unwilling. And some of us didn’t go anywhere at all. We bled to death on butcher’s tables. We jumped off bridges. The age of disappearing women. It had been going on forever. Thousands of us vanished, with not a single police officer searching. Not a word from the newspapers. Only our long absences and quiet returns. If we ever returned at all.
Nina de Gramont (The Christie Affair)
Then I noticed the top envelope had my name on it. My real name, not Judith Broch but Julie Pike. My mother had long since stopped using that name for me. She’d lived under an assumed name herself. The only person who’d be writing to me with that name, at that address was him. Or more likely, someone working for him. Raymond Wayfield; serial rapist and murderer. My father. I stared at that letter for a long time. The light shifted in the flat as cars went by outside. Blue whirling lights and sirens went past, setting off a series of thumps and a baby’s cries in the flat above. Still I couldn’t bring myself to reach out and open that envelope. As if by doing so I’d be letting that man back into my life. Into my reality. As if he’d ever left.
Sarah Goodwin (The Butcher's Daughter)
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
We learned an awful lot about cats’ day-to-day behavior, habits and movements and, critically, the circumstances that led them to migrate or go missing. Some cats, we noted, reacted adversely to a change within the household—the arrival of a new baby, perhaps, or even a room being redecorated—and others were driven from their usual territory by an aggressive cat encroaching on their home or garden.
Colin Butcher (Molly the Pet Detective Dog: The true story of one amazing dog who reunites missing cats with their families)
They beat their children with one hand and stole for them with the other. The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence—and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men.
Toni Morrison (The Bluest Eye)
When people take the short lifetime of an animal, filled with suffering and abuse, rape and mutilation, humiliation and commodification, and reduce all that down to "meat", this is such an incredibly selfish attitude, filled with arrogance and apathy towards the animal in question. You'll often hear such people cry "freedom of choice", while at the same time depriving these animals of any "freedom" throughout the entirety of their lives. Beings who are given zero "choice" in the matter. At the merciless hands of consumer demand, they will have their tails docked, their ears clipped, their beaks cut off, their testicles twisted and pulled off, searing hot irons pushed into the sides of their bodies(all without anaesthetics). They'll be sexually violated, have their babies stolen, their movements restricted, forced to live lives of anguish, despair and torment. They'll suffer long, arduous journeys, In cramped conditions, with nothing to drink or eat, until finally they are prodded, kicked and shocked along a production line that ends in,bolts to their heads (often ineffective), and knives to their throat, scalding water or even the gas chamber. All so that these people can gratify themselves with the fleeting, perverse pleasure of their secretions (milk and eggs) or the slayed animal's butchered fried flesh. The same people will cry out for "respect", while simultaneously fully disrespecting and disregarding the lives of others that they will do their utmost to downplay and ignore.
Mango Wodzak
A long time ago, in a small village, there lived a wise old monk named Tenzen. One day his neighbors discovered that their sixteen-year-old daughter was pregnant. Furious, the parents confronted her and demanded to know the name of the baby’s father. Through tears she confessed, “It was the Zen master, Tenzen.” The parents went to Tenzen and angrily accused him of betraying their trust. “How could you do this?” they cried out. “You are going to raise this child!” The great sage listened attentively, replying with no emotion. “Is that so?” When the baby was born, they brought the infant to the master’s door and said, “This baby is now your responsibility.” Taking the child in his arms, he replied, “Is that so?” He then compassionately cared for the newborn. As word of the teacher’s misdeeds spread throughout the countryside, he lost both his reputation and his followers. This meant nothing to him as he continued to care for the child with great love. A year later, feeling terrible about what she had done, the young mother confessed to her parents that Tenzen was not the father. Instead, it was the young man in the butcher shop whom they had forbidden her to see. Horrified and embarrassed, the parents returned to the master’s compound to seek forgiveness. “We are so sorry,” they said. “We have just learned you are not the baby’s father.” “Is that so?” “With your blessing, we would like our baby back.” “Is that so?” And with that the master gently returned the child to the parents.
Paul Dolman (Hitchhiking with Larry David: An Accidental Tourist's Summer of Self-Discovery in Martha's Vineyard)
Daily Bread by Stewart Stafford Butcher short-changed me again, There’s sawdust in the sausages, Grocer’s growing grosser and then, A proposition with my messages. The driving instructor’s pissed on bends, I went and told his mother, The barman’s watering down pints for friends Like he’s feeding his baby brother. The barber’s still one hair off, One side doesn’t match the other, Bookie won’t take my bets and lends, The landlord another sucker. Tossed out in the street to fend for myself, With all the other refuse, Garbage man fills his truck with me, At least I still have one use. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
In America we went to Florence Crittenton homes. In England to Clark’s House, or any of the various homes run mostly by the Anglican Church. In Australian hospitals, babies were taken from mothers who were drugged, incapacitated, unwilling. And some of us didn’t go anywhere at all. We bled to death on butcher’s tables. We jumped off bridges. The age of disappearing women. It had been going on forever. Thousands of us vanished, with not a single police officer searching. Not a word from the newspapers. Only our long absences and quiet returns. If we ever returned at all.
Nina de Gramont (The Christie Affair)
A unicorn sighs. I swear I hear a fairy laugh. Or maybe it’s the baby rabbits at my feet, and the bird singing on my shoulder that gives away my delirium. Either way, I'm sure some Disney tune is about to start piping out of nowhere. The moment is perfect . . . too perfect.
Max Henry (Devil You Know (Butcher Boys, #1))
We stop for a snack, a couple of slices of prosciutto, some cheese, and the heel of a loaf of Italian bread. Because I'm training Chloe to have a sophisticated palate, I do not heed the butcher's maxim that prosciutto di Parma shouldn't be wasted on someone who has no teeth. Besides, she has four. Not that she needs them, anyway. The meat really does melt in your mouth.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Why aren’t you in Canada?” “That’s pretty much none of your business. I guess Rising Hawk never told you about Oniata, the Dry Hand?” Livy glared at him. “You’d best watch out for it. It’s a hand that flies around looking for nosy people and pokes their eyes out.” “My father and Uncle John fought Butler and Johnson. They were at Cherry Valley. Were you? They said the Indians had a Seneca war chief. Did you go?” “No. Would it matter?” “My father and Uncle John helped bury the bodies afterwards. Women and children, even babies, lying butchered in the snow. The slush was red, mixed with their blood. A hundred or more.” “There were thirty killed, Livy. Your uncle was exaggerating.” “My uncle said that when the scalp’s off a body, the mouth hangs all slack in a scream, and he said the Indians killed babies by dashing their brains out.” “He shouldn’t have told you that. It’s not fitting for a child.” “Neither’s getting your brains dashed out.
Betsy Urban (Waiting for Deliverance)
The end of the twentieth century and the dawn of the new millennium had seen something of a renaissance in the public awareness of the paranormal. Psychics, haunts, vampires—you name it. People still didn’t take them seriously, but all the things Science had promised us hadn’t come to pass. Disease was still a problem. Starvation was still a problem. Violence and crime and war were still problems. In spite of the advance of technology, things just hadn’t changed the way everyone had hoped and thought they would. Science, the largest religion of the twentieth century, had become somewhat tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who had allowed the television to raise their children. People were looking for something—I think they just didn’t know what. And even though they were once again starting to open their eyes to the world of magic and the arcane that had been with them all the while, they still thought I must be some kind of joke.
Jim Butcher (Storm Front (The Dresden Files, #1))