Rocker Panel Quotes

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It was twenty-five minutes past nine when he got to the corner of Seventh and Spring, where the Metropole was. It was an old hotel that had once been exclusive and was now steering a shaky course between a receivership and a bad name at Headquarters. It had too much oily dark wood paneling, too many chipped gilt mirrors. Too much smoke hung below its low beamed lobby ceiling and too many grifters bummed around in its worn leather rockers. The blonde who looked after the big horseshoe cigar counter wasn’t young any more and her eyes were cynical from standing off cheap dates. (Nevada Gas)
Raymond Chandler (The Simple Art of Murder)
stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.
C.M. Sutter (Fallacy (Detective Jade Monroe, #3))