“
I swear to you, Zane. I thought what I was doing was right. I searched for you after I left New York. You were out of my reach. When Burns read me in, the only thing I could think of was that it was the only way of getting back to you. Being partnered with you full-time, being able . . . being able to see you every day, to have you in my life. When he said you might need protecting, it was the only thing I heard. I swear to you. All I wanted from the day I left you in that hospital was you. To be back there with you.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
Someone sent me a letter that had one of the best quotes I've ever read. It said "What is to give light must endure burning." It's by a writer named Viktor Frankl. I've been turning that quote over and over in my head. The truth of it is absolutely awe-inspiring. In the end, I believe it's why we all suffer. It's the meaning we all look for behind the tragedies in our lives. The pain deepens us, burns away our impurities and petty selfishness. It makes us capable of empathy and sympathy. It makes us capable of love. The pain is the fire that allows us to rise from the ashes of what we were, and more fully realize what we can become. When you can step back and see the beauty of the process, it's amazing beyond words.
”
”
Damien Echols (Life After Death)
“
I feel your hands on your phone when you read my texts. I
go to the Stock after your shifts just to stand where you’ve stood. I fall asleep on the pillow you used
when you were in my bed. I need to share whatever piece of the world you’re in. Tell me you don’t
feel the same.
”
”
C.D. Reiss (Burn (Songs of Submission, #5))
“
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
Shut the door, they're coming through the window, shut the window, they're coming through the door," are the words to an old song. They fit my lifestyle with newly arriving butcher/censors every month. Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some 75 separate sections from the novel. Students, reading the novel which, after all, deals with censorship and book-burning in the future, write to tell me of this exquisite irony...
”
”
Ray Bradbury (Fahrenheit 451)
“
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
”
”
Olivia Gatwood (New American Best Friend)
“
And kid, you’ve got to love yourself. You’ve got wake up at four in the morning, brew black coffee, and stare at the birds drowning in the darkness of the dawn. You’ve got to sit next to the man at the train station who’s reading your favorite book and start a conversation. You’ve got to come home after a bad day and burn your skin from a shower. Then you’ve got to wash all your sheets until they smell of lemon detergent you bought for four dollars at the local grocery store. You’ve got to stop taking everything so goddam personally. You are not the moon kissing the black sky. You’ve got to compliment someones crooked brows at an art fair and tell them that their eyes remind you of green swimming pools in mid July. You’ve got to stop letting yourself get upset about things that won’t matter in two years. Sleep in on Saturday mornings and wake yourself up early on Sunday. You’ve got to stop worrying about what you’re going to tell her when she finds out. You’ve got to stop over thinking why he stopped caring about you over six months ago. You’ve got to stop asking everyone for their opinions. Fuck it. Love yourself, kiddo. You’ve got to love yourself.
”
”
Anonymous
“
Tori swiveled in her seat as we came in.
"There are more," she said. "He sent one every couple of weeks. The last one was only a few days ago."
"Good," I said. "Would you mind keeping and eye on Andrew?"
"Sure." She took off.
"Wait." I grabbed Derek's sleeve as he headed for the chair Tori had vacated. I wanted to say something. I didn't know what. But there was no way to tell him that wouldn't be much of a shock, so I ended up stupidly murmuring, "Never mind."
When he read what was on the screen, he went absolutely still, like he wasn't even breathing. After a few seconds, he yanked the laptop closer, leaning in to read it again. And again. Finally, he pushed back the chair and exhaled.
"He's alive," I said. "You're dad's alive."
He looked up at me and, I couldn't help it- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering, "I-I'm sorry. I'm just- I'm happy for you."
"I know."
Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it.
"There's more," I said after a few seconds. "More emails, Tori said."
He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think. Thankfully, I had my back to him because I was sure my cheeks were scarlet.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
And wasn't it this bright boy you selected for beating and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for their are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors. That's you, Montag, and that's me.
”
”
Ray Bradbury (Fahrenheit 451)
“
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected and tortured after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me?
”
”
Ray Bradbury (Fahrenheit 451)
“
I didn't read the book. I burned it after the first sentence.
”
”
Rodindeadpan
“
It is worse, much worse, than you think. The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isn’t happening at all, and comes to us bundled with several others in an anthology of comforting delusions: that global warming is an Arctic saga, unfolding remotely; that it is strictly a matter of sea level and coastlines, not an enveloping crisis sparing no place and leaving no life undeformed; that it is a crisis of the “natural” world, not the human one; that those two are distinct, and that we live today somehow outside or beyond or at the very least defended against nature, not inescapably within and literally overwhelmed by it; that wealth can be a shield against the ravages of warming; that the burning of fossil fuels is the price of continued economic growth; that growth, and the technology it produces, will allow us to engineer our way out of environmental disaster; that there is any analogue to the scale or scope of this threat, in the long span of human history, that might give us confidence in staring it down. None of this is true. But let’s begin with the speed of change. The earth has experienced five mass extinctions before the one we are living through now, each so complete a wiping of the fossil record that it functioned as an evolutionary reset, the planet’s phylogenetic tree first expanding, then collapsing, at intervals, like a lung: 86 percent of all species dead, 450 million years ago; 70 million years later, 75 percent; 125 million years later, 96 percent; 50 million years later, 80 percent; 135 million years after that, 75 percent again. Unless you are a teenager, you probably read in your high school textbooks that these extinctions were the result of asteroids. In fact, all but the one that killed the dinosaurs involved climate change produced by greenhouse gas. The most notorious was 250 million years ago; it began when carbon dioxide warmed the planet by five degrees Celsius, accelerated when that warming triggered the release of methane, another greenhouse gas, and ended with all but a sliver of life on Earth dead. We are currently adding carbon to the atmosphere at a considerably faster rate; by most estimates, at least ten times faster. The rate is one hundred times faster than at any point in human history before the beginning of industrialization. And there is already, right now, fully a third more carbon in the atmosphere than at any point in the last 800,000 years—perhaps in as long as 15 million years. There were no humans then. The oceans were more than a hundred feet higher.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
“
But always after that, for the rest of his life, he suspected that he did not know how to properly read the emotional landscape of those around him, and that what seemed solid and eternal probably wasn’t, and that love could run very, very deep and also end.
”
”
Peter Heller (Burn)
“
I've come to read and hear many unlikely things about the times when people lived in freedom, i.e., the unorganized savage state. But the most unlikely thing, it seems to me, is this: how could the olden day governmental power - primitive though it was - have allowed people to live without anything like our Table, without the scheduled walks, without the precise regulation of mealtimes, getting up and going to bed whenever it occurred to them? Various historians even say that, apparently, in those times, light burned in the streets all night long, and all night long, people rode and walked the streets. This I just cannot comprehend in any way. Their faculties of reason may not have been developed, but they must have understood more broadly that living like that amounted to mass murder - literally - only it was committed slowly, day after day. The State (humaneness) forbade killing to death any one person but didn't forbid the half-killing of millions. To kill a man, that is, to decrease the sum of a human life span by fifty years - this was criminal. But decreasing the sum of many humans' lives by fifty million years - this was not criminal. Isn't that funny?
”
”
Yevgeny Zamyatin (We)
“
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers and swimmers instead of examiners, critics, knowers and imaginative creators, the word 'intellectual' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally 'bright,' did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of a well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world [...] there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors.
”
”
Ray Bradbury (Fahrenheit 451)
“
Ah, senor!" said the niece, "your worship had better order these to be burned as well as the others; for it would be no wonder if, after being cured of his chivalry disorder, my uncle, by reading these, took a fancy to turn shepherd and range the woods and fields singing and piping; or, what would be still worse, to turn poet, which they say is an incurable and infectious malady.
”
”
Miguel de Cervantes Saavedra (Don Quijote de la Mancha I)
“
And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter – we never need read of another. [...] To a philosopher all “news”, as it is called, is gossip, and they who edit and read it are old women over their tea. Yet not a few are greedy after this gossip.
”
”
Henry David Thoreau (Walden & Civil Disobedience)
“
THE LESBIAN AVENGERS
Their motto playfully proclaimed “we recruit,” and recruit this group did. Formed in the 1990s to bring attention to lesbian causes, the Lesbian Avengers spent Valentine’s Day handing out chocolate kisses in Grand Central Station that read, “You’ve just been kissed by a lesbian.” In Bryant Park, they unveiled a papier-mâché sculpture of Alice B. Toklas embracing her lover, Gertrude Stein. The Avengers also ate fire, which would become their dramatic trademark—first practiced as an homage to an Oregon gay man and lesbian woman who were burned to death after a Molotov cocktail was thrown into the apartment they shared.
”
”
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
But ebooks will rule the day, and when people a few years from now talk about 'books', what they'll really be referring to are ebooks, not print books. Eventually the 'e' will be dropped, and books will be assumed to be digital, just as most music is now digital; after all, we don't refer to music as e-music.
”
”
Jason Merkoski (Burning the Page: The eBook Revolution and the Future of Reading)
“
I'm all the readers I have been. . . .
I'm still the twentysomething who doesn't know how to vet contemporary fiction, the new releases filling the bookstore shelves that haven't yet had the opportunity to stand the test of time, who somehow keeps finding her way to one modern lackluster title after another until—burned by too many disappointing modern works—she decides to reacquaint herself with the works that have endured: Jane Austen, Jane Eyre Anna Karenina. (And thereby learning the timeless lesson that would serve me well in the years to come: if you're looking for a great book, going old is never a terrible idea.)
”
”
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
“
You have books and papers, and can go where you please, and gather intelligence in a thousand ways. But your slaves have no privileges. You'd whip one of them if caught reading a book. They are held in bondage, generation after generation, deprived of mental improvement, and who can expect them to possess much knowledge? If they are not brought down to a level with the brute creation, you slaveholders would never be blamed for it. If they are baboons, or stand no higher in the scale of intelligence than such animals, you and men like you will have to answer for it. There's a sin, a fearful sin, resting on this nation, that will not go unpunished forever. There will be a reckoning yet, Epps, there's a day coming that will burn as an oven. It may be sooner or it may be later, but it's a coming as sure as the Lord is just.
”
”
Solomon Northup (12 Years a Slave)
“
This was something new. Or something old. I didn’t think of what it might be until after I had let Aubrey go back to the clinic to bed down next to her child. Bankole had given him something to help him sleep. He did the same for her, so I won’t be able to ask her anything more until she wakes up later this morning. I couldn’t help wondering, though, whether these people, with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarret. It sounds like the sort of thing his people might do—a revival of something nasty out of the past. Did the Ku Klux Klan wear crosses—as well as burn them? The Nazis wore the swastika, which is a kind of cross, but I don’t think they wore it on their chests. There were crosses all over the place during the Inquisition and before that, during the Crusades. So now we have another group that uses crosses and slaughters people. Jarret’s people could be behind it. Jarret insists on being a throwback to some earlier, “simpler” time. Now does not suit him. Religious tolerance does not suit him. The current state of the country does not suit him. He wants to take us all back to some magical time when everyone believed in the same God, worshipped him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who was different. There was never such a time in this country. But these days when more than half the people in the country can’t read at all, history is just one more vast unknown to them. Jarret supporters have been known, now and then, to form mobs and burn people at the stake for being witches. Witches! In 2032! A witch, in their view, tends to be a Moslem, a Jew, a Hindu, a Buddhist, or, in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist, a “cultist,” or a well-to-do eccentric. Well-to-do eccentrics often have no protectors or much that’s worth stealing. And “cultist” is a great catchall term for anyone who fits into no other large category, and yet doesn’t quite match Jarret’s version of Christianity. Jarret’s people have been known to beat or drive out Unitarians, for goodness’ sake. Jarret condemns the burnings, but does so in such mild language that his people are free to hear what they want to hear. As for the beatings, the tarring and feathering, and the destruction of “heathen houses of devil-worship,” he has a simple answer: “Join us! Our doors are open to every nationality, every race! Leave your sinful past behind, and become one of us. Help us to make America great again.
”
”
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
“
poetry of Robert Burns. "Death and Dr. Hornbook" and "The Jolly Beggars," Burns's "Reply to his Tailor," he often read aloud to himself in his office, late at night, after a glass
”
”
Willa Cather (The Prairie Trilogy: O Pioneers!; The Song of the Lark; My Antoniá)
“
CUSTOMER (to her friend): What do you do with your books after you’ve read them? HER FRIEND: Sometimes I burn them. CUSTOMER: You burn them? HER FRIEND: Yeah. If I’m in the mood.
”
”
Jen Campbell (More Weird Things Customers Say in Bookshops)
“
One day a young fugitive, trying to hide himself from the enemy, entered a small village. The people were kind to him and offered him a place to stay. But when the soldiers who sought the fugitive asked where he was hiding, everyone became very fearful. The soldiers threatened to burn the village and kill every man in it unless the young man were handed over to them before dawn. The people went to the minister and asked him what to do. The minister, torn between handing over the boy to the enemy or having his people killed, withdrew to his room and read his Bible, hoping to find an answer before dawn. After many hours, in the early morning his eyes fell on these words: “It is better that one man dies than that the whole people be lost.” Then the minister closed the Bible, called the soldiers and told them where the boy was hidden. And after the soldiers led the fugitive away to be killed, there was a feast in the village because the minister had saved the lives of the people. But the minister did not celebrate. Overcome with a deep sadness, he remained in his room. That night an angel came to him, and asked, “What have you done?” He said: “I handed over the fugitive to the enemy.” Then the angel said: “But don’t you know that you have handed over the Messiah?” “How could I know?” the minister replied anxiously. Then the angel said: “If, instead of reading your Bible, you had visited this young man just once and looked into his eyes, you would have known.” While versions of this story are very old, it seems the most modern of tales. Like that minister, who might have recognized the Messiah if he had raised his eyes from his Bible to look into the youth’s eyes, we are challenged to look into the eyes of the young men and women of today, who are running away from our cruel ways. Perhaps that will be enough to prevent us from handing them over to the enemy and enable us to lead them out of their hidden places into the middle of their people where they can redeem us from our fears.
”
”
Henri J.M. Nouwen (The Wounded Healer: Ministry in Contemporary Society (Doubleday Image Book. an Image Book))
“
Of course she loved the komita more -- he must have been her sweetheart, her first big love. Most likely, they made plans together, imagined a little house, a pair of children. She wouldn't keep his diary for so many years otherwise. And then, with their love peaking, he was killed. I know that much without yet having read the end. At first she felt betrayed. He'd put some strange ideals, brotherhood and freedom, before his love for her. She hated him for that. But then one morning, almost a year after his death, the postman brought a package with foreign stamps. She read the diary, still hating him. She read it every day. She learned each letter by heart, and with the months her hatred thinned, and in the end his death turned their love ideal, doomed not to die. Yes, that's what I've come to think now. Their love was foolish, childish, sugar-sweet, the kind of love that, if you are lucky to lose it, flares up like a thatched roof but burns as long as you live. While our love...I am her husband, she is my wife.
”
”
Miroslav Penkov (East of the West: A Country in Stories)
“
Ah, but Senor!" exclaimed the niece, "your Grace should send them to be burned along with the rest; for I shouldn't wonder at all if my uncle, after he has been cured off this chivalry sickness, reading one of these books, should take it into his head to become a shepherd and go wandering through the woods and meadows singing and piping, or, what is worse, become a poet, which they say is an incurable disease and one that is very catching.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
It turns out, I had it all wrong. I was never a princess in need of a prince to whisk me away. I’ve been reading the wrong books. It wasn’t a fairytale I was after; a dark romance is where it’s at. I craved to be worshiped by the villain for the rest of eternity. Would a prince burn down the world to keep me safe? Or take a bullet for me? No. I needed the darkness to set fire to my soul. That’s why we fought this for so long. Our love was never going to be easy. It’s intense. All-consuming. It’s everything. That’s our happily ever after.
”
”
Luna Mason (Detonate (Beneath the Mask, #2))
“
Katie had gone through a phase where she tried to ban phones from their bedroom after she read some article about how the light was addictive. Messed up your brain waves somehow. He’d always assumed it was nonsense, but now his eyes burn in the screen’s glow and his brain feels scrambled.
”
”
Shelby Van Pelt (Remarkably Bright Creatures)
“
i wonder where you are right now
what are you doing?
what are you thinking about?
is it me
and what we used to be?
or is it someone else again?
do i ever cross your mind?
do you think about me now when i'm not there?
did you think about me when i was?
i wonder what we could have been
would there have been evenings by the fireplace
as you read to me?
or the candle light dinners on our balcony
because it was your last minute surprise?
would there have been long walks in central park on valentine's day evening?
or just any other night you wanted an excuse to hold my hand?
would there have been movie nights
after cancelling on that boring party we planned?
would there still have been a me and you
if i hadn't made you feel blue?
did i burn the bridge we found home at?
was i really such a brat?
then i'm sorry, i always say
but you didn't hear it as you walked away
”
”
Renesmee Stormer
“
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep.
When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously.
Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.”
“Did you find Mr. Bullard?”
“Yes, and no. First tell me what you did while I was gone.”
“I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.”
His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?”
Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.”
“No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.”
“I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.”
“You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore.
It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only.
The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.
”
”
Virginia Woolf (To the Lighthouse)
“
Seldom have I been more completely miserable than I was about 6.30 last night, reading over the last part of The Years. Such feeble twaddle—such twilight gossip it seemed; such a show up of my own decrepitude, and at such huge length. I could only plump it down on the table and rush upstairs with burning cheeks to L. He said: ‘This always happens.’ But I felt, No, it has never been so bad as this. I make this note should I be in the same state after another book. Now this morning, dipping in, it seems to me, on the contrary, a full, bustling live book. I looked at the early pages. I think there’s something to it.
”
”
Virginia Woolf (A Writer's Diary)
“
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone.
“Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“
“No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?”
Not again. Mr. Smith was obsessed with this Homer person, too.
“No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“
“Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.”
“The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?”
John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.”
I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.”
He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul.
“Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.”
A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak.
“However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man?
”
”
Ray Bradbury (Fahrenheit 451)
“
For what, in actual practice, should the critical, mature modernist Christian do when, for instance, he gathers his children around him to celebrate Christmas? Should he read Luke's Christmas Gospel and sing the Christmas carols as if they were true, even though he believes them to be crude and primitive theology? After all, the rest of his society has no scruples about doing this, the pagans and the department stores. Or if this seems too cynical, too dishonest, ought he rather, in the manner of early socialist Sunday schools, to devise a passionately rationalist catechesis, swap German for German, chant a passage from Bultmann instead of 'Joy to the World!'; ought he rather to gather his little ones about the Crib, light the candles, and read Raymond Brown instead of St. Luke on the virginal conception of Jesus: 'My judgment in conclusion is that the totality of the scientifically controllable evidence leaves an unresolved problem.' How their eyes will shine, how their little hearts will burn within them as they hear these holy words! How touched they will all be as the littlest child reverently places a shining question mark in the empty manger. And how they will rejoice when they find their stockings, which they have hung up to a Protestant parody of a Catholic bishop, stuffed with subscriptions to 'Concilium,' 'Catholic Update,' 'National Catholic Reporter,' and 'The Tablet.
”
”
Anne Roche Muggeridge (The Desolate City: Revolution in the Catholic Church)
“
From Desire to Reality in Six Easy Steps Six definite practical steps to transform a burning desire into reality. Fix in your mind an exact picture of what you desire. It's not sufficient merely to say, for example, "I want plenty of money." Be definite as to the amount. Determine exactly what you intend to give in return for the thing you desire. There's no such reality as something for nothing. Establish a definite date by which you intend to possess the desired thing. Create a definite plan for carrying out your desire and begin at once, whether you feel entirely ready or not to put this plan into action. Write out a clear, concise statement of your responses to the preceding four steps. Read your written statement aloud twice daily. Once after arising in the morning and once just before retiring at night. As you read, see and feel and believe yourself already in possession of whatever your goal happens to be. "Through some strange and powerful principle of mental chemistry, nature wraps up in the impulse [of a] strong desire that something which recognizes no such word as impossible and accepts no such reality as failure." - Napoleon Hill
”
”
Earl Nightingale (How to Completely Change Your Life in 30 Seconds)
“
One day when the Raiders were in Oakland, a reporter visited their locker room to talk to Ken Stabler. Stabler really wasn’t known as an intellectual, but he was a good quarterback. This newspaperman read him some English prose: “I would rather be ashes than dust. I would rather that my spark should burn out in a brilliant blaze than that it should be stifled by dry rot. I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy, impermanent planet. The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.” After reading this to the quarterback, the reporter asked, “What does this mean to you?” Stabler immediately replied, “Throw deep.” Go after it. Go out to win in life.
”
”
John C. Maxwell (Be All You Can Be: A Challenge to Stretch Your God-Given Potential)
“
I did not have an opportunity to speak privately with Peter until just as he was leaving, when he handed me one of the Burns song-sheets and (with a most earnest look) told me to read it before I went to bed.
The song was 'My Love is Like a Red, Red Rose,' but it was not until was up in my bedchamber that I saw he had written on the inside page: 'My mother would be honoured if you visited her after church tomorrow.
”
”
Jennifer Paynter (Mary Bennet)
“
I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious.
The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community.
Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
We need each other. Sometimes I’ll wonder what all art means after the sun explodes and we go extinct. No contribution is immortal and everything we do is for a temporary humanity. Books will burn, aliens won’t understand our albums, and movies will have no viewer. But something tells me that the sun’s bursting is just an impatient star longing to get its hands on some beautiful, fleeting human communication. Cheers to giving our sun the good read it deserves. And more importantly, a good world.
”
”
Kristian Ventura (The Goodbye Song)
“
In peace, what had been suppressed by anxiety and fear began to reawaken. Ye found that the real pain had just begun. Nightmarish memories, like embers coming back to life, burned more and more fiercely, searing her heart. For most people, perhaps time would have gradually healed these wounds. After all, during the Cultural Revolution, many people suffered fates similar to hers, and compared to many of them, Ye was relatively fortunate. But Ye had the mental habits of a scientist, and she refused to forget. Rather, she looked with a rational gaze on the madness and hatred that had harmed her. Ye’s rational consideration of humanity’s evil side began the day she read Silent Spring. As she grew closer to Yang Weining, he was able to get her many classics of foreign-language philosophy and history under the guise of gathering technical research materials. The bloody history of humanity shocked her, and the extraordinary insights of the philosophers also led her to understand the most fundamental and secret aspects of human nature. Indeed,
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
If the British navy acted in response to every foretold movement of the German fleet, it risked revealing to Germany that its codes had been broken. In a secret internal memorandum, Admiral Oliver wrote that “the risk of compromising the codes ought only to be taken when the result would be worth it.” But what did “worth it” mean? Some of the men within Room 40 contended that much useful information was stockpiled and never used because the Admiralty staff—meaning Dummy Oliver—had an obsessive fear of revealing the Mystery. For the first two years of the war, even the commander in chief of the British fleet, Sir John Jellicoe, was denied direct access to Room 40’s decrypted intercepts, although he would seem to have been the one officer in the fleet most likely to benefit from the intelligence they conveyed. In fact, Jellicoe would not be formally introduced to the secret of Room 40, let alone given regular access to its intelligence, until November 1916, when the Admiralty, sensing bruised feelings, agreed to let him see a daily summary, which he was to burn after reading.
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges?
Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash.
Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
”
”
Nathanael West
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
Subject: Some boat
Alex,
I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol.
The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask.
I won't ask.
My mother loves his wife's suits.
I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too.
I'll save you some cannoli.
-Ella
Subject: Shh
Fiorella,
Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you?
I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?).
Okay.
Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four.
Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits.
Three: We have a house kinda near Surf City. Maybe I'll be there when your there.
You'd better burn this after reading.
-Alexai
Subect: Happy Thanksgiving
Alexei,
Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course.
Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian.
She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back.
-F/E
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Has he invited you to dinner, dear? Gifts, flowers, the usual?”
I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.”
“He fed you?” Raphael stopped rubbing Andrea.
“How did this happen?” Aunt B stared at me. “Be very specific, this is important.”
“He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.”
“Did you accept?” Aunt B asked.
“Yes, I was starving. Why are the three of you looking at me like that?”
“For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.”
Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?”
“No. He chased everyone out.”
Raphael nodded. “At least he hasn’t gone public yet.”
“He might never,” Andrea said. “It would jeopardize her position with the Order.”
Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.”
“If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . .
“Food has a special significance,” Aunt D said.
I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.”
“There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.”
“In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.”
“If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.”
“But I didn’t know what it meant!”
Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.”
“You’re scaring me.”
“Scared might be too strong a word, but in your place, I would definitely be concerned.”
I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency.
As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire.
“Feel better?”
“It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
The Pillowcase"
is printed with iridescent fish, each facing
a different direction. I bought it for you
at the Portland Goodwill our last semester
in college. Spring break we brought it camping.
I pretended I’d eaten sardines before, pretended
I liked them. I don’t remember what you said
when the condom broke. Probably ‘Oh, shit.’
The next day we drove into town. I took a pill
and another pill and it was over. I couldn’t tell
the difference, could have told my friends
but didn’t, just made lots of dead baby jokes
and went to bed in your dorm room.
You’d put painter’s tape on all the edges.
With the pillowcase, it was like living in
the blueprint of an aquarium. I slept there
the night I smoked Sasha’s weed and you
stayed up for hours rubbing my back, telling
fairytales so I wouldn’t totally lose it.
I slept there the night I tried reading you
Haruki Murakami’s Sleep but fell asleep. I slept
there the night after the day I lost
the bet and had to wear a lampshade on my
head and your professor said ‘Nice hat.’ Later I learned
she owns a lamp in the shape of a woman.
I slept there the night you said ‘I think I’m
falling in love with you,’ igniting a great unendurable
belongingness, like a match in a forest fire.
I burned so long so quiet you must have wondered
if I loved you back. I did, I did, I do.
”
”
Annelyse Gelman (Everyone I Love is a Stranger to Someone)
“
You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected and tortured after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man?
”
”
Ray Bradbury (Fahrenheit 451)
“
What I mean — and I ought to know if any one does! — is that while most countries give, others take away. Egypt changes you. No one can live here and remain exactly what he was before.”
This puzzled me. It startled, too, again. His manner was so earnest. “And Egypt, you mean, is one of the countries that take away?” I asked. The strange idea unsettled my thoughts a little.
“First takes away from you,” he replied, “but in the end takes you away. Some lands enrich you,” he went on, seeing that I listened, “while others impoverish. From India, Greece, Italy, all ancient lands, you return with memories you can use. From Egypt you return with — nothing. Its splendour stupefies; it’s useless. There is a change in your inmost being, an emptiness, an unaccountable yearning, but you find nothing that can fill the lack you’re conscious of. Nothing comes to replace what has gone. You have been drained.’’
I stared; but I nodded a general acquiescence. Of a sensitive, artistic temperament this was certainly true, though by no means the superficial and generally accepted verdict. The majority imagine that Egypt has filled them to the brim. I took his deeper reading of the facts. I was aware of an odd fascination in his idea.
“Modern Egypt,” he continued, “is, after all, but a trick of civilisation,” and there was a kind of breathlessness in his measured tone, “but ancient Egypt lies waiting, hiding, underneath. Though dead, she is amazingly alive. And you feel her touching you. She takes from you. She enriches herself. You return from Egypt — less than you were before.”
What came over my mind is hard to say. Some touch of visionary imagination burned its flaming path across my mind. I thought of some old Grecian hero speaking of his delicious battle with the gods — battle in which he knew he must be worsted, but yet in which he delighted because at death his spirit would join their glorious company beyond this world. I was aware, that is to say, of resignation as well as resistance in him. He already felt the effortless peace which follows upon long, unequal battling, as of a man who has fought the rapids with a strain beyond his strength, then sinks back and goes with the awful mass of water smoothly and indifferently — over the quiet fall.
”
”
Charles Robert Maturin (Melmoth the Wanderer)
“
Connie Shultz: Our first date was 20 years ago today. We met at a nearly empty chain restaurant and, over candlelight, Sherrod read aloud two typed pages of his favorite quotes, including this one by George Bernard Shaw:
“I am of the opinion that my life belongs to the community, and as long as I live, it is my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work, the more I live. Life is no ‘brief candle’ to me. It is a sort of splendid torch which I have got hold of for a moment, and I want to make it burn as brightly as possible before handing it on to the future generations.”
After he finished reading that one, I pulled out the same quote from my wallet, handwritten on pink paper.
We married 15 months later.
”
”
George Bernard Shaw
“
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
”
”
Chuck Palahniuk (Fight Club)
“
I Won’t Write Your Obituary
You asked if you could call to say goodbye if you were ever really gonna kill yourself.
Sure, but I won’t write your obituary.
I’ll commission it from some dead-end journalist who will say things like:
“At peace… Better place… Fought the good fight…”
Maybe reference the loving embrace of Capital-G-God at least 4 times.
Maybe quote Charles fucking Bukowski.
And I won’t stop them because I won’t write your obituary.
But if you call me, I will write you a new sky, one you can taste.
I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them.
I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs.
I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer.
I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink.
I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together.
And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you.
I won’t say “goodbye” or “I love you” one last time.
You won’t leave on good terms with me,
Because I will not forgive you.
I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead.
I will not hold your hand steady around a gun.
And after, I won’t come by to pick up the package of body parts you will have left specifically for me.
I’ll get a call like “Ma’am, what would you have us do with them?”
And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.”
I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one.
I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore.
I don’t want a jar of your teeth as a memento.
I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here.
You won’t be there.
There’s no blood there, there’s no life there, there’s no you there. I want you.
And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here.
So the answer to your question is “yes”.
If you’re ever really gonna kill yourself, yes, please, call me.
”
”
Nora Cooper
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
He whispered: ‘Is it this? Is this possible? I’ll put a marvel to you. That your cousin has always hoped. That from the very first moment we met, she hoped, far down in her mind, that we should be like this — of course, very far down. That she fought us on the surface, and yet she hoped. I can’t explain her any other way. Can you? Look how she kept me alive in you all the summer; how she gave you no peace; how month after month, she became more eccentric and unreliable. The sight of us haunted her — or she couldn’t have described us as she did to her friend. There are details — it burned. I read the books afterwards. She is not frozen, Lucy, she is not withered up all through. She tore us apart twice, but in the rectory that evening she was given one more chance to make us happy. We can never make friends with her or thank her. But I do believe that, far down in her heart, far below all speech and behaviour, she is glad.
”
”
E.M. Forster (A Room with a View)
“
He whispered: ‘Is is this? Is this possible? I’ll put a marvel to you. That your cousin has always hoped. That from the very first moment we met, she hoped, far down in her mind, that we should be like this — of course, very far down. That she fought us on the surface, and yet she hoped. I can’t explain her any other way. Can you? Look how she kept me alive in you all the summer; how she gave you no peace; how month after month, she became more eccentric and unreliable. The sight of us haunted her — or she couldn’t have described us as she did to her friend. There are details — it burned. I read the books afterwards. She is not frozen, Lucy, she is not withered up all through. She tore us apart twice, but in the rectory that evening she was given one more chance to make us happy. We can never make friends with her or thank her. But I do believe that, far down in her heart, far below all speech and behaviour, she is glad.
”
”
E.M. Forster (A Room with a View)
“
On the bus, I pull out my book.
It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e.
Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie.
Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway.
Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple.
That's as far as I've gotten...
Diving back into Jane Eyre...
Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so.
Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all...
Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester.
Miss Ingram's portrait is soft and pink and silky.
Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown.
Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time.
Everyone needs a strategy, even Jane Eyre...
Mr. Rochester loves Jane Eyre and asks her to marry him.
Strange and serious, brown dress and all, he loves her.
How wonderful, how impossible.
Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible.
Just like in Jane Eyre, the story would end badly.
Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her.
Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces...
Oh right, I forgot.
Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself.
When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle.
He is maimed, blind, unkempt.
And she still loves him.
He can't believe it.
Neither can I.
Something like that would never happen in real life.
Would it?
... You'll see, the story ends well.
”
”
Fanny Britt (Jane, the Fox & Me)
“
... The influence of the Pre-Raphaelites was felt less through their paintings than through a book, The Poems of Tennyson, edited by Moxon and wonderfully illustrated by Rossetti and Millais. The influence on Maeterlinck stems less from the poems themselves than from the illustrations. The revival of illustrated books in the last two years of the century derives from this Tennyson, the books printed at William Morris' press, the albums of Walter Crane. These last two and the ravishing little books for children by Kate Greenaway were heralded by Huysmans as early as 1881.
Generally speaking, it is the English Aesthetic Movement rather than the Pre-Raphaelites which influenced the Symbolists, a new life-style rather than a school of painting. The Continent, passing through the Industrial Revolution some fifty years after England, found valuable advice on how to escape from materialism on the other side of the Channel. Everything that one heard about the refinements practised in Chelsea enchanted Frenchmen of taste: furniture by Godwin, open-air theatricals by Lady Archibald Campbell, the Peacock Room by Whistler, Liberty prints. As the pressure of morality was much less pronounced in France than in England, the ideal of Aestheticism was not a revolt but a retreat towards an exquisite world which left hearty good living to the readers of the magazine La Vie Parisienne ('Paris Life') and success to the readers of Zola. If one could not write a beautiful poem or paint a beautiful picture, one could always choose materials or arrange bouquets of flowers. Aesthetic ardour smothered the anglophobia in the Symbolist circle. The ideal of a harmonious life suggested in Baudelaire's poem L' Invitation au Voyage seemed capable of realization in England, whose fashions were brought back by celebrated travellers: Mallarmé after 1862, Verlaine in 1872. Carrière spent a long time in London, as did Khnopff later on. People read books by Gabriel Mourey on Swinburne, and his Passé le Détroit ('Beyond the Channel') is particularly important for the artistic way of life ...
Thus England is represented in this hall of visual influences by the works of Burne-Jones and Watts, by illustrated books, and by objets d'art ...
”
”
Philippe Jullian (The symbolists)
“
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night.
“Because my cave’s better than their cave.”
“You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.”
“I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance.
When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.”
He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?”
“Mine has bats.”
She breathed, “If I stick with you, I’ll have nothing but the best.”
“Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side.
Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts.
She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.”
“Or I could help you.”
“I’ve had a bit of practice bathing myself and think I can stumble my way through this.”
“But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.”
“You give me privacy or I go without.”
“Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
A box of dominoes, a deck of cards, those were under the folded blankets. There are a lot of paperbacks on the shelves in the bedrooms, detective novels mostly, recreational reading. Beside them are the technical books on trees and the other reference books, Edible Plants and Shoots, Tying the Dry Fly, The Common Mushrooms, Log Cabin Construction, A Field Guide to the Birds, Exploring Your Camera, he believed that with the proper guidebooks you could do everything yourself; and his cache of serious books: the King James Bible which he said he enjoyed for its literary qualities, a complete Robert Burns, Boswell’s Life, Thompson’s Seasons, selections from Goldsmith and Cowper. He admired what he called the eighteenth-century rationalists: he thought of them as men who had avoided the corruptions of the Industrial Revolution and learned the secret of the golden mean, the balanced life, he was sure they all practiced organic farming. It astounded me to discover much later, in fact my husband told me, that Burns was an alcoholic, Cowper a madman, Dr. Johnson a manic-depressive and Goldsmith a pauper. There was something wrong with Thompson also; “escapist” was the term he used. After that I liked them better, they weren’t paragons any more.
”
”
Margaret Atwood (Surfacing)
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
AUGUST 19 THE “ACCURSED THINGS” And you, by all means abstain from the accursed things, lest you become accursed when you take of the accursed things, and make the camp of Israel a curse, and trouble it. . . . But the children of Israel committed a trespass regarding the accursed things, for Achan . . . took of the accursed things; so the anger of the LORD burned against the children of Israel. —Joshua 6:18; 7:1 (NKJV) We have to leave “accursed things” behind. Led by Joshua, God delivered the city of Jericho into the Israelites’ hands. God just had one requirement: after the city is conquered, the Israelites should leave the “accursed things”—the idols, the spoils, the wicked items that corrupted Jericho—behind. After the victory, most of the Israelites obeyed God’s command. But one man, Achan, “took of the accursed things; so the anger of the LORD burned against the children of Israel.” We have to scan our lives to see if there are items within them not of God. Are we watching, consuming, or participating in things that the enemy can use for our destruction? If so, we have to leave them behind—not only for our sake, but for our children, and our children’s children. Dear God, help me leave behind the “accursed things.” Break me of any dependencies, and bring me into your light. Amen.
”
”
Joshua DuBois (The President's Devotional: The Daily Readings That Inspired President Obama)
“
Dear Wildfire,
Ember, you are a wildfire that is out of control. It doesn’t matter because nobody sees it; they only feel it. I burn and set fire to everyone who crosses me because they deserve it. If they don’t deserve it, so what, fuck it. Nobody deserves my kindness. My kindness to them is a weakness, so I created a wildfire in my mind and around me. My skin is brass, and I do not burn easily. I am a human hazard because I destroy everything and everyone who gets in my way. They made me this way. Every time they neglected me, I was slowly fuming with heat. Every time they ignored me the fumes grew hotter from the smoke. Therefore, I became a human being gone bad because I was a dangerous person. Every time they inhaled my fumes, I would cut them with my tongue's quadruple swords and kill them with my words.
My fumes surrounded everyone with darkness because they couldn’t ever figure me out. They couldn’t read my thoughts; I became fearless in the worst way ever. When I was born, I was a wildfire, but the flames were smothered by me, always having to find a way to survive. Wildfire defines me perfectly because, just like a wildfire, I was unplanned, unwanted, and now I am uncontrollable. Everyone says, Ember, you’ve come so far, and they are shocked by my actions. I don’t know why they are surprised. After all, it is not my fault. I was born this way.
I have officially exploded
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
”
”
Héctor Abad Faciolince (El olvido que seremos)
“
Ideas should be freely and dispassionately considered on their own merits, since after all, one generation’s heretic is another generation’s hero. Mystics like the Ramchal disagreed with rationalists like the Rambam on what exactly is the highest mode of being. The Rambam believed that the ultimate existence is purely spiritual, in Olam HaBah, while the Ramchal believed it to be corporeal resurrection in this world.1 In his time, the Ramchal was labeled a heretic and had his works burned by fellow Jews, but nevertheless lives on today as one of the most respected Jewish philosophers in history. The Rambam before him suffered the same fate, not just for his views on the afterlife, in which corporeal resurrection only played a minor role, but also for his “radical” belief that God does not have a body. It seems possible that his debate may find a sister in modern times: I would not be surprised if future generations view the figurative nature of Olam HaBah with the same certainty as modern Jews now view the Rambam’s “heresy” about the nature of God. Because frankly, these Talmudic passages make no sense unless viewed as metaphor, and the Rambam provides a kind of Rabbinic precedent to do so. It is precisely the same dialectic: as our scientific view of reality expands and sharpens, our religious teachings must evolve and conform. If the evidence confirms a literal reading, then so be it. If it refutes it, then so be it. Truth is truth, and we must cherish our integrity just as we cherish as our faith.
”
”
Shmuel Pernicone (Kol D'mamah Dakah: A Rationalist Take on the Jewish Afterlife)
“
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind.
“I want to adopt him,” I said.
Karl read the profile. He looked at the picture. “You want to be his mother?”
“It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.”
“We can do this,” Karl said.
We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie.
In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits.
“When do I meet Stevie?” I asked.
“Stevie?”
“The boy in the newspaper.” I had already told her the reason I was calling.
“Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.”
“So where’s Stevie?”
She said she wasn’t sure. She thought that maybe someone had adopted him.
It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms.
And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
”
”
Ann Patchett (These Precious Days: Essays)
“
I’ve made myself into the character of a book, a life one reads.
Whatever I feel is felt (against my will) so that I can write that I felt it.
Whatever I think is promptly put into words, mixed with images that
undo it, cast into rhythms that are something else altogether. From so
much self-revising, I’ve destroyed myself. From so much self-thinking,
I’m now my thoughts and not I. I plumbed myself and dropped the
plumb; I spend my life wondering if I’m deep or not, with no remaining
plumb except my gaze that shows me – blackly vivid in the mirror at the
bottom of the well – my own face that observes me observing it.
I’m like a playing card belonging to an old and unrecognizable suit –
the sole survivor of a lost deck. I have no meaning, I don’t know my
worth, there’s nothing I can compare myself with to discover what I am,
and to make such a discovery would be of no use to anyone. And so,
describing myself in image after image – not without truth, but with lies
mixed in – I end up more in the images than in me, stating myself until I
no longer exist, writing with my soul for ink, useful for nothing except
writing. But the reaction ceases, and again I resign myself. I go back to
whom I am, even if it’s nothing. And a hint of tears that weren’t cried
makes my stiff eyes burn; a hint of anguish that wasn’t felt gets caught in
my dry throat. But I don’t even know what I would have cried over, if I’d
cried, nor why it is that I didn’t cry over it. The fiction follows me, like
my shadow. And what I want is to sleep.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.”
Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt.
“It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.”
“So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?”
He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions.
She never had been very good at resisting his dares.
“Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee.
Vaughn raised an eyebrow. “You have a list?”
“Yep.”
“Of course you do.”
Isabelle looked over, surprised. “You never told me about this.”
“What kind of list?” Kathleen asked interestedly.
“It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.”
Vaughn rolled his eyes. “And now I’ve heard it all.”
“Where did you find this list?” Simon asked. “Is this something all women know about?”
“Why? Worried you won’t pass muster?” Isabelle winked at him.
“I did some research,” Sidney said. “Pulled it together after reading several articles online.”
“Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?”
Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?”
She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.”
“But all it takes is one,” Isabelle said, with a loving smile at her fiancé.
Simon slid his hand across the table, covering hers affectionately. “The right one.”
Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow.
Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.”
Kathleen shushed him. “Don’t tease your brother.”
“What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.”
Sidney laughed out loud. Quickly, she bit her lip to cover.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
Yes, but what about the firemen, then?” asked Montag. “Ah.” Beatty leaned forward in the faint mist of smoke from his pipe. “What more easily explained and natural? With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word ‘intellectual,’ of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man? Me? I won’t stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior; official censors, judges, and executors. That’s you, Montag, and that’s me.
”
”
Ray Bradbury (Fahrenheit 451)
“
Then one evening he reached the last chapter, and then the last page, the last verse.
And there it was! That unforgivable and unfathomable misprint that had caused the owner of the books to order them to be pulped.
Now Bosse handed a copy to each of them sitting round the table, and they thumbed through to the very last verse, and one by one burst out laughing.
Bosse was happy enough to find the misprint. He had no interest in finding out how it got there. He had satisfied his curiosity, and in the process had read his first book since his schooldays, and even got a bit religious while he was at it. Not that Bosse allowed God to have any opinion about Bellringer Farm’s business enterprise, nor did he allow the Lord to be present when he filed his tax return, but – in other respects – Bosse now placed his life in the hands of the Father, the Son and the Holy Spirit. And surely none of them would worry about the fact that he set up his stall at markets on Saturdays and sold bibles with a tiny misprint in them? (‘Only ninety-nine crowns each! Jesus! What a bargain!’)
But if Bosse had cared, and if, against all odds, he had managed to get to the bottom of it, then after what he had told his friends, he would have continued:
A typesetter in a Rotterdam suburb had been through a personal crisis. Several years earlier, he had been recruited by Jehovah’s Witnesses but they had thrown him out when he discovered, and questioned rather too loudly, the fact that the congregation had predicted the return of Jesus on no less than fourteen occasions between 1799 and 1980 – and sensationally managed to get it wrong all fourteen times.
Upon which, the typesetter had joined the Pentecostal Church; he liked their teachings about the Last Judgment, he could embrace the idea of God’s final victory over evil, the return of Jesus (without their actually naming a date) and how most of the people from the typesetter’s childhood including his own father, would burn in hell.
But this new congregation sent him packing too. A whole month’s collections had gone astray while in the care of the typesetter. He had sworn by all that was holy that the disappearance had nothing to do with him. Besides, shouldn’t Christians forgive? And what choice did he have when his car broke down and he needed a new one to keep his job?
As bitter as bile, the typesetter started the layout for that day’s jobs, which ironically happened to consist of printing two thousand bibles! And besides, it was an order from Sweden where as far as the typesetter knew, his father still lived after having abandoned his family when the typesetter was six years old.
With tears in his eyes, the typesetter set the text of chapter upon chapter. When he came to the very last chapter – the Book of Revelation – he just lost it. How could Jesus ever want to come back to Earth? Here where Evil had once and for all conquered Good, so what was the point of anything? And the Bible… It was just a joke!
So it came about that the typesetter with the shattered nerves made a little addition to the very last verse in the very last chapter in the Swedish bible that was just about to be printed. The typesetter didn’t remember much of his father’s tongue, but he could at least recall a nursery rhyme that was well suited in the context. Thus the bible’s last two verses plus the typesetter’s extra verse were printed as:
20. He who testifies to these things says, Surely I am coming quickly. Amen. Even so, come, Lord Jesus!21. The grace of our Lord Jesus Christ be with you all. Amen.22. And they all lived happily ever after.
”
”
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
“
Observe the condescension of this fact. This Man, who towers above all other men, holy, harmless, undefiled, and separate from sinners--this Man receiveth sinners. This Man, who is no other than the eternal God, before whom angels veil their faces--this Man receiveth sinners. It needs an angel's tongue to describe such a mighty stoop of love. That any of us should be willing to seek after the lost is nothing wonderful--they are of our own race; but that he, the offended God, against whom the transgression has been committed, should take upon himself the form of a servant, and bear the sin of many, and should then be willing to receive the vilest of the vile, this is marvellous. "This Man receiveth sinners;" not, however, that they may remain sinners, but he receives them that he may pardon their sins, justify their persons, cleanse their hearts by his purifying word, preserve their souls by the indwelling of the Holy Ghost, and enable them to serve him, to show forth his praise, and to have communion with him. Into his heart's love he receives sinners, takes them from the dunghill, and wears them as jewels in his crown; plucks them as brands from the burning, and preserves them as costly monuments of his mercy. None are so precious in Jesus' sight as the sinners for whom he died. When Jesus receives sinners, he has not some out-of-doors reception place, no casual ward where he charitably entertains them as men do passing beggars, but he opens the golden gates of his royal heart, and receives the sinner right into himself--yea, he admits the humble penitent into personal union and makes him a member of his body, of his flesh, and of his bones. There was never such a reception as this! This fact is still most sure this evening, he is still receiving sinners: would to God sinners would receive him.
”
”
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
“
Pity those who are punished. Alas! Who are we, after all? Who am I who
speak to you now? Who are you, listening to me? Where do we come from?
And is it quite certain we did nothing before we were born? The earth is not
without some resemblance to a gaol. Who knows whether man is not a
previous offender against divine justice?
Take a close look at life. It is so organized that everywhere there is a
sense of punishment.
Are you what is called a happy man? Well, you are sad every day. Every
day has its great sorrow or petty anxiety. Yesterday you were trembling for
the health of someone dear to you, today you fear for your own; tomorrow
it will be financial worries, the next day some back-biter’s slander, the day
after that a friend’s misfortune. Then the weather, then something broken or
lost, then a pleasure that your conscience and your backbone begrudge you.
Another time, what is going on in the world. Not to mention heartache. And
so on and so forth. One cloud clears, another forms. Hardly one day in a
hundred that is entirely joyous, entirely sunny. And you are one of that
small number who are happy! As for the rest of mankind, stagnant night is
upon them.
Reflective minds rarely use those terms, ‘the happy’ and ‘the unhappy’.
In this world, the antechamber to another, of course, no one is happy.
The real human division is this: the enlightened and the benighted.
To reduce the numbers of the benighted, to increase the numbers of the
enlightened, that is the object. That is why we cry: Education! Science! To
teach someone to read is to light a fire! Every spelled-out syllable sparkles!
And he who says ‘light’ does not necessarily say ‘joy’. People suffer in
the light. An excess of it burns. The flame is enemy to the wing. To burn
without ceasing to fly, that is the marvel of genius.
Even if you have knowledge and even if you have love, you will still
suffer. Each day begins with tears. The enlightened weep, if only for the
benighted.
”
”
Victor Hugo (Les Misérables)
“
Mikhail’s hands were gentle as he helped her to lie down. He caressed her silky hair, bent to kiss her tenderly. “You have no idea what you did for me tonight. Thank you, Raven.”
Her eyes were closed, lashes lying like two dark crescents against her soft skin. She smiled. “Someone has to show you what love is, Mikhail. Not possession or ownership, but real unconditional love.” Her hand rose, and even with her eyes closed, her fingertips unerringly found the lines around his mouth. “You need to remember how to play, to laugh. You need to learn to like yourself more.”
The hard edges of his mouth softened, curved. “You sound like the priest.”
“I hope you confessed that you took advantage of me,” she teased.
Mikhail’s breath caught in his throat. Guilt washed over him. He had taken advantage. Maybe not the first time, when he was so out of control after such isolation. It had been necessary to make the exchange to save her life. But the second time had been pure selfishness. He had wanted the sexual rush, the total completion of the ritual. And he had uttered the ritual words. They were bound. He knew it, felt the rightness of it, felt the healing in his soul only a true lifemate could effect.
“Mikhail? I was teasing you.” The long lashes fluttered, lifted so her eyes could confirm what her fingertips tracing his frown told her.
His teeth caught her finger, his tongue stroking over her skin. His mouth was hot, erotic, his eyes burning down at her.
Answering heat leapt into her eyes. Raven laughed softly. “You have it all, don’t you? Charm, you’re so sexy you should be locked up, and you have a smile men would kill for. Or women, however you want to look at it.”
He bent to kiss her, one hand closing over her breast possessively. “You need to mention what a great lover I am. Men need to hear these things.”
“Really?” She arched an eyebrow at him. “I don’t dare. You’re already as arrogant as I can stand.”
“You are crazy about me. I know. I read minds.” He suddenly grinned mischievously, like a little boy.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
For fifteen years, John and Barbara Varian were furniture builders, living on a ranch in Parkfield, California, a tiny town where the welcome sign reads “Population 18.” The idea for a side business came about by accident after a group of horseback riding enthusiasts asked if they could pay a fee to ride on the ranch. They would need to eat, too—could John and Barbara do something about that? Yes, they could. In the fall of 2006, a devastating fire burned down most of their inventory, causing them to reevaluate the whole operation. Instead of rebuilding the furniture business (no pun intended), they decided to change course. “We had always loved horses,” Barbara said, “so we decided to see about having more groups pay to come to the ranch.” They built a bunkhouse and upgraded other buildings, putting together specific packages for riding groups that included all meals and activities. John and Barbara reopened as the V6 Ranch, situated on 20,000 acres exactly halfway between Los Angeles and San Francisco. Barbara’s story stood out to me because of something she said. I always ask business owners what they sell and why their customers buy from them, and the answers are often insightful in more ways than one. Many people answer the question directly—“We sell widgets, and people buy them because they need a widget”—but once in a while, I hear a more astute response. “We’re not selling horse rides,” Barbara said emphatically. “We’re offering freedom. Our work helps our guests escape, even if just for a moment in time, and be someone they may have never even considered before.” The difference is crucial. Most people who visit the V6 Ranch have day jobs and a limited number of vacation days. Why do they choose to visit a working ranch in a tiny town instead of jetting off to lie on a beach in Hawaii? The answer lies in the story and messaging behind John and Barbara’s offer. Helping their clients “escape and be someone else” is far more valuable than offering horse rides. Above all else, the V6 Ranch is selling happiness.
”
”
Chris Guillebeau (The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future)
“
Somewhere Across the Universe, This Intergalactic Fairytale Is Being Told
In the far corner of the Virgo supercluster, a small galaxy called the Milky Way exists, and in one of the further spirals of that galaxy there is said to be a tiny planet called Earth. At a cursory glance, there is nothing seemingly unique about this planet, even though it is simply beautiful, cloaked in calypso blue with an oscillating belt of green. It is, in fact, one of millions like it that live in just this universe.
The extraordinary thing about this planet though, are the beings that exist on it. They have been through war after war. Empires that promised to burn brighter than their resident star, the sun, and disappeared in the blink of an eye. Savage rulers, dictators have destroyed entire portions of it, and yet … they simply refuse to stop existing, it is like they have this treasured thing within them to keep them surviving, and to keep knowing.
Look closer now, oh passer-by, look closer at these beings. They are survivors with a sense of awe and curiosity at everything around them. Sometimes they have lost their way, but this is a thing they never seem to lose, because they are so full of potential.
Promise. This planet may be called Earth, but it should have been called Promise.
If you do not believe this little story, and dismiss it as a silly old wives’ tale, a thing which cannot possibly exist, then I hope you come upon their legendary message. You see, 40 years ago, these beings sent out a message on a space probe that has travelled 20.5 billion kilometres, hoping to meet one of us in space. In it lies a message, the definition of this entire species, and it reads simply:
‘This is a present from a small distant world, a token of our sounds, our science, our images, our music, our thoughts, and our feelings. We are attempting to survive our time so we may live into yours.’
The Voyager is still out there, waiting for someone to come upon it. Maybe that someone is you. Maybe you will remind that species of the greatness that lies in their potential, their promise. Maybe you will be the being that turns that fairytale planet of promise into an intergalactic legend of green and blue.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up.
"What's going on?" she asked, her eyes bright.
Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse.
"That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class."
Betty made a face. "You like poetry stuff? I thought you were into maths and science."
"I like it all," Martha replied. "I love astronomy and hip-hop-"
Betty rolled her eyes. "Not hip-hop again."
"Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture."
"No," Betty said. "You didn't make up a rap to that."
"Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle:
"At the centre of our system is the molten sun,
A star that burns hot, Fahrenheit two billion and one.
But the sun, he ain't alone in the heavenly sphere,
He's got nine homeys in orbit, some far, some near.
Old Mercury's crowding in 'bout as close as he can,
Yo, Merc's a tiny planet who loves a tan....
Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party....
"Venus is next. She's a real hot planet,
Shrouded by clouds, hot enough to melt granite.
Earth is the third planet from the sun,
Just enough light and heat to make living fun.
Then comes Mars, a planet funky and red.
Covered with sand, the place is pretty dead.
Jupiter's huge! The largest planet of all!
Saturn's big, too, but Uranus is small.
So far away, the place is almost forgotten,
Neptune's view of Earth is pretty rotten.
And last but not least, Pluto's in a fog,
Far away and named after Mickey's home dog.
Yo, that's all the planets orbiting our sun,
But the Milky Way galaxy is far from done!"
When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering.
"Whoa," said Chad. "Martha's awesome.
”
”
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
“
OUR PAST BRINGS US TO OUR FUTURE “I will repay you for the years the locusts have eaten.” —Joel 2:25 I believe in a very deep way that our past is what brings us to our future. I understand the temptation to draw an angry X through a whole season or a whole town or a whole relationship, to crumple it up and throw it away, to get it as far away as possible from a new life, a new future. In my worst moments, I want to slam the door on the hard parts of our life in Grand Rapids. Deadbolt it, forget it, move forward, happier without it. But I don’t want to lose six years of my own history behind a slammed door. These days I’m walking over and retrieving those years from the trash, erasing the X, unlocking the door. It’s the only way that darkness turns to light. I’m mining through, searching for light, and the more I look, the more I find all sorts of things Grand Rapids gave me. I see moments of heartbreak that led to honesty about myself I wouldn’t have been able to get to any other way. I am thankful for what I learned, what I became, what God gave me and what God took away during that season. WHAT HAVE the hard, dark seasons of your life yielded in light and insight and growth and gifts? Have you sifted through those times, looking for those gifts? Ask God to bring light out of that darkness. May 11 WHY WE WRITE Shout for joy to the LORD, all the earth. —Psalm 100:1 A writer friend came over yesterday. She’s written a novel. She brought over a fat, beautiful binder full of story, and I can’t wait to read it. We talked about publication and agents and sharing your work, about marketing and the internet and a million other things. And we talked about why we write. You know those conversations when you think you’re helping someone, sharing from your vast well of knowledge, only to realize that this person is actually instructing you, reminding you of something fundamental that you’ve forgotten? My friend sat across the table from me, and it seemed like she could have combusted into flames, burning with sheer, clean passion about this story. After she left, I realized that some days I forget why we write, and she reminded me. I write because other writers’ words changed my life a million and one ways, and I want to be a part of that. I began writing because there were things I wanted to say with so much urgency and soul I would have climbed a tower and shouted them, would have written them in skywriting, would have spelled them out in grains of rice if I had to.
”
”
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional, plus 21 Delicious Recipes))
“
Would the pair of you like to turn your backs so you exclude us more effectively?” Jode asks.
“We’re just adding to the list.” I hold up my journal.
“Daryn.” Gideon shakes his head, pretending to be disappointed. “It’s our list.”
“A list?” Jode leans back, resting his head against his bag. “What’s this list about?”
Rather than explain it, I just lean over and give it to him.
Gideon puts his hand over his heart and winces. “I hate sharing, Martin.”
I lean up, whispering in his ear. “Some things are only for you.”
He gives me a long unblinking look that makes my face burn and my body feel light and hot.
“This is an outrage,” Jode says dryly. “I’m in here once and Gideon is here … two, three, four times?”
“Three,” I say. “The last one doesn’t really count.”
“Oh, it counts,” Gideon says.
“How many times am I in it?” Marcus asks.
“Are you guys making this a competition?”
“Of course.”
“Yeah.”
“Definitely. And I’m dominating.”
“For real,” Marcus says. “How many times am I on there?”
“Once, like me. For your winning smile.” Jode closes the notebook and tosses it to Marcus. “But don’t let it go to your head. Gideon’s arse has a spot on the list as well.”
Gideon looks at me and winks. “Like I said, dominating.”
“Dare, you got a pen?” Marcus asks.
This catches me by surprise for a moment. “Yes.” I toss it to him, smiling. This is perfect. Whatever he adds, it’s already perfect.
As Marcus writes, Jode leans back and gazes up at the trees. “You’re thinking it’ll be five for you after this. Aren’t you, Gideon?”
“You know me well, Ellis.”
Marcus finishes writing. He sets the pen in the fold and hands the journal to Gideon. I lean in and read.
Marcus’s handwriting is elegant cursive—almost astonishingly elegant. And what he wrote is, as expected, perfection. Even better is that Gideon reads it aloud.
“‘Twenty-eight. The family you make.’” He looks at Marcus. “Damn right, bro. This is the best one here.” He looks at me. “Tied with fourteen.”
“Ah, yes,” Jode says. “Gideon’s Super Lips.”
Marcus shakes his head at me. “Why?”
“It was a mistake. I wrote it before the list went public. What’s your addition, Jode? It can be anything. Anything that has significance to you.”
“Full English breakfast,” he says, without missing a beat. “Bacon, eggs, sausages, baked beans, grilled tomato, mushrooms, toast, marmalade. With tea, of course. One of life’s undeniable pleasures.”
My mouth instantly waters. “Well, it’s no trail mix, but all right.” I add “English Breakfast” to the list.
”
”
Veronica Rossi (Seeker (Riders, #2))
“
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie.
“At least there wasn’t any sex,” she said with dead–serious concern.
“No,” I said, “probably not a single bare breast.”
I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies.
“You know what I’m talking about,” she snapped. “I mean graphic sex.”
We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant.
“I don’t think children should see that kind of thing,” she added.
“What should children see?” I asked her.
I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene?
I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
”
”
David Zindell (Splendor)
“
What if she had already done it to herself? What if she had shaved away from the surface of her brain whatever synaptic interlacings had formed her gift? She remembered reading somewhere that some pop artist once bought an original drawing by Michelangelo—and had taken a piece of art gum and erased it, leaving blank paper. The waste had shocked her. Now she felt a similar shock as she imagined the surface of her own brain with the talent for chess wiped away. At home she tried a Russian game book, but she couldn’t concentrate. She started going through her game with Foster, setting the board up in the kitchen, but the moves of it were too painful. That damned Stonewall, and the hastily pushed pawn. A patzer’s move. Bad chess. Hungover chess. The telephone rang, but she didn’t answer. She sat at the board and wished for a moment, painfully, that she had someone to call. Harry Beltik would be back in Louisville. And she didn’t want to tell him about the game with Foster. He would find out soon enough. She could call Benny. But Benny had been icy after Paris, and she did not want to talk to him. There was no one else. She got up wearily and opened the cabinet next to the refrigerator, took down a bottle of white wine and poured herself a glassful. A voice inside her cried out at the outrage, but she ignored it. She drank half of it in one long swallow and stood waiting until she could feel it. Then she finished the glass and poured another. A person could live without chess. Most people did. When she awoke on the sofa the next morning, still wearing the Paris clothes she had worn when losing the game to Foster, she was frightened in a new way. She could sense her brain being physically blurred by alcohol, its positional grasp gone clumsy, its penetration clouded. But after breakfast she showered and changed and then poured herself a glass of wine. It was almost mechanical; she had learned to cut off thought as she did it. The main thing was to eat some toast first, so the wine wouldn’t burn her stomach. She kept drinking for days, but the memory of the game she had lost and the fear of what she was doing to the sharp edge of her gift would not go away, except when she was so drunk that she could not even think. There was a piece in the Sunday paper about her, with one of the pictures taken that morning at the high school, and a headline reading CHESS CHAMP DROPS FROM TOURNEY. She threw the paper away without reading the article. Then one morning after a night of dark and confusing dreams she awoke with an unaccustomed clarity: if she did not stop drinking immediately she would ruin what she had. She had allowed herself to sink into this frightening murk. She had to find a foothold somewhere to push herself free of it. She would have to get help.
”
”
Walter Tevis (The Queen's Gambit)
“
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Surely you’re not going to destroy another book, are you?” “I’ve decided my obsession with reading has gotten me absolutely nowhere, so . . . I’m tossing all the nonsense out of my life and intend to travel forth with less baggage.” “You love to read.” “And I’ll occasionally indulge that love, but enough is enough.” She held up her copy of Pride and Prejudice. “This, for all intent and purposes, is a fairy tale. I’m done with fairy tales for good, as well as anything by Shakespeare. I loathe his stories, don’t understand most of what he’s written, and I was only reading them because of any future children I hoped to have. But since I’m destined to remain a spinster forever . . . I’m chucking them into the fire.” “What do Shakespeare and any children you might have in the future have in common?” Millie sent him a look that clearly said she found him a little dense. “I wanted to be knowledgeable so that my children wouldn’t suffer any embarrassment because of my ignorance and lack of education.” Everett’s mouth dropped open before he had the presence of mind to snap it shut when she shot him a glare. Bracing himself in case she got it into her head to punch him as she’d done Mr. Victor, Everett stepped closer to her and pried the copy of Pride and Prejudice out of her hand. “Any child would be lucky to call you mother, Millie. You’re smart, well-read, curious about everything, and have a true love for children.” Staring at him for a long moment, Millie tilted her head. “I knew we should have summoned the physician to take a look at you after your last brawl.” “My wits are not addled, Millie. Quite honestly, my mind is clearer right now than it’s been in years.” He brought her hand up to his lips and kissed it, relieved when her eyes widened just a bit. “And I have to tell you something else.” “What?” she asked in a voice that sounded somewhat breathless. “I can’t allow you to burn any Jane Austen book—but especially not Pride and Prejudice.” “That’s what you have to say to me—that I can’t burn a silly book?” “I finished the story, Millie. I read Pride and Prejudice from cover to cover, and . . . I’m your Mr. Darcy and you’re my Lizzy.” “You . . . finished . . . the story?” “Indeed. And if you didn’t hear me the first time, I’m Mr. Darcy.” “I’m fairly certain Mr. Darcy would have had an English accent, but since Lizzy did enjoy reading, I suppose it’s not too much of a stretch to compare me with her, although. . . .” As Millie continued talking, really rapidly at that, Everett simply watched her, taking in every detail of her face. Her green eyes were sparkling and her cheeks were flushed a delicate shade of pink. Brown curls had begun to escape the pins someone had put in her hair, and a spray of flowers that had been tucked into that hair was hanging somewhat forlornly over her ear. Her lips were still moving incredibly fast, but the second his gaze settled on them, he couldn’t seem to look away. They were delightful lips, just the right shade of pink, and . . . Everett leaned forward and claimed those rapidly moving lips with his own. For
”
”
Jen Turano (In Good Company (A Class of Their Own Book #2))
“
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?”
“Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.”
Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist.
“We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.”
Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him.
Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast.
Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his.
“Gary,” she whispered. “Don’t forget about Gary.”
Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.”
“Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.”
Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations.
“You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.”
She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I put my hand on his forearm, I don't know why I do this, and it's not exactly natural, although it's not unnatural, except that I really want to touch his skin. It's smooth and tan just a little bit and feels like summer, like something familiar and warm and good, like my skin did on the first days aboard 'Fishful Thinking' before it salted and burned and peeled.
'We broke up three years after that.'
I sit back in my chair and give a sly smile. Relationships are complex and sometimes you can't really explain them to an outside party.
'I can't believe I just told you that'
'YES! YOU! ARE! LIVING! YOUR! FULL! LIFE!'
A third time. I am not imagining it.
'There you are.'
This time my heart does skip a beat. I look down at his arm, and we are still touching, and he has made no attempt to retract his arm or retreat. All my surroundings, the red formica table top, the pink yogurt, the blue sky, the green vegetables in the market, they all come alive in vibrant technicolor as the sun peers from behind a cloud. I am living my full life.
'Honesty in all things,' Byron adds, lifting his cup of yogurt for a toast of sorts.
I pull my hand away from him and the instant my hand is back by his side, I miss the warmth of his arm, the warmth of him. Honesty in all things. I should put my hand back, that's where it wants to be, that's Lily's lesson to me. Be present in the moment, give spontaneous affection. I'm suddenly aware I haven't spoken in a bit.
'Did you know that an octopus has three hearts?'
As soon as it comes out of my mouth, I realize I sound like that kid from 'Jerry McGuire.' 'Did you know the human head weighs eight pounds?' I hope my question comes off almost a fraction as endearing.
'No,' Byron says with a glint in his eye that reads as curiosity, at least I hope that it does, but even if it doesn't I'm too into the inertia of the trivia to stop it.
'It's true, one heart called the systemic heart that functions much like the left side of the human heart, distributing blood throughout the heart, then two smaller branchial heart with gills that act like the right side of our hearts to pump the blood back.'
'What made you think of that?'
I smile. It may be entirely inappropriate first date conversation, but at least it doesn't bore me in the telling. I look up at the winsome August sky, marred only by the contrails of a passing jet, and a vaguely dachshund shaped cloud above the horizon. I don't believe in fate. I don't believe in love at first site. I don't believe in angels. I don't believe in heaven and that our loved ones are looking down on us, but the sun is so warm and the breeze is so cool and the company is so perfect and the whole afternoon so intoxicating, ti's hard not to hear Lily's voice dancing in the gentle wind, 'one! month! is Long! Enough TO! BE! SAD!'
...
'I recently lost someone close to me....I don't know, I feel her here today with us, you, me, her, three hearts, like an octopus,' I shrug.
If I were him, I would run. What a ridiculously creepy thing to say. I would run and I would not stop until I was home in my bed with a gallon of ice cream deleting my profile from every dating site I belonged to. Maybe it's because it's not rehearsed, maybe it's because it's as weird a thing to say as it is genuine, maybe it's because this is finally the man for me.
Byron stands and offers me his hand, 'Let's take a walk and you can tell me about her.'
The gentle untying of a shoe lace.
It takes me a minute to decide if I can do this, and I decide that I can, and I throw our yogurt dishes away, and I put my hand in his, and it's soft and warm, and instead of awkward fumbling, our hands clasp together like magnets and metal, like we've been hand-in-hand all along, and we are touching again.
...
”
”
Steven Rowley (Lily and the Octopus)
“
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets
returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted
stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one
eye on the black-and-white television in the distance; of the old booksellers who lurch from
one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of
the barbers who complain that men don’t shave as much after an economic crisis; of the
children who play ball between the cars on cobblestoned streets; of the covered women
who stand at remote bus stops clutching plastic shopping bags and speak to no one as they
wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of
the teahouses packed to the rafters with unemployed men; of the patient pimps striding up
and down the city’s greatest square on summer evenings in search of one last drunken
tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of
the wooden buildings whose every board creaked even when they were pashas’ mansions,
all the more now that they have become municipal headquarters; of the women peeking
through their curtains as they wait for husbands who never manage to come home in the
evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in
the courtyards of mosques; of the tens of thousands of identical apartment house entrances,
their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries
on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the
markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled;
of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the
pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold
mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of
the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the
smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings,
now porn cinemas frequented by shamefaced men; of the avenues where you never see a
woman alone after sunset; of the crowds gathering around the doors of the state-controlled
brothels on one of those hot blustery days when the wind is coming from the south; of the
young girls who queue at the doors of establishments selling cut-rate meat; of the holy
messages spelled out in lights between the minarets of mosques on holidays that are
missing letters where the bulbs have burned out; of the walls covered with frayed and
blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces
in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow
alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose
lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like
gateways to a second world, and of their cypress trees; of the dim lights that you see of an
evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets
who try to sell the same packet of tissues to every passerby; of the clock towers no one ever
notices; of the history books in which children read about the victories of the Ottoman
Empire and of the beatings these same children receive at home; of the days when
everyone has to stay home so the electoral roll can be compiled or the census can be taken;
of the days when a sudden curfew is announced to facilitate the search for terrorists and
everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
”
”
Orhan Pamuk (Istanbul: Memories and the City)
“
I went a day. Spent that evening standing at the window lighting one cigarette off the last, after she’d gone, to keep myself from sitting and writing out the scene as freshly recalled. One week, thirty packs of cigarettes. Weeks. Without spooling out more of a tale, creating more to burn, knitting away at the front of the long knotted scarf that will have to be unraveled at the back. How helpless I feel before this flood of words, how ridiculous. A hundred times trying to shut off the flow. Under orders from Mother. From Frida and Diego, arms crossed, feet tapping, stop it. In the name of the law. Stop writing down everything, it makes me nervous. And something inside the boy cries out, Those are the only two choices: read, or dead.
”
”
Barbara Kingsolver (The Lacuna)
“
How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. After that, I read the whole book.
”
”
Penny Reid (Beard in Mind (Winston Brothers, #4))
“
Amy was mentally packing for a midnight flight to the mail coach to Dover (plan C), when Jane’s gentle voice cut through the listing of ovine pedigrees.
"Such a pity about the tapestries," was all she said. Her voice was pitched low but somehow it carried over both the shouting men.
Amy glanced sharply at Jane, and was rewarded by a swift kick to the ankle. Had that been a ‘say something now!’ kick, or a ‘be quiet and sit still’ kick? Amy kicked back in inquiry. Jane put her foot down hard over Amy’s. Amy decided that could be interpreted as either ‘be quiet and sit still’ or ‘please stop kicking me now!'
Aunt Prudence had snapped out of her reverie with what was nearly an audible click. "Tapestries?" she inquired eagerly.
"Why, yes, Mama," Jane replied demurely. "I had hoped that while Amy and I were in France we might be granted access to the tapestries at the Tuilleries."
Jane’s quiet words sent the table into a state of electric expectancy. Forks hovered over plates in mid-air; wineglasses tilted halfway to open mouths; little Ned paused in the act of slipping a pea down the back of Agnes’s dress. Even Miss Gwen stopped glaring long enough to eye Jane with what looked more like speculation than rancour.
"Not the Gobelins series of Daphne and Apollo!" cried Aunt Prudence.
"But, of course, Aunt Prudence," Amy plunged in. Amy just barely restrained herself from turning and flinging her arms around her cousin. Aunt Prudence had spent long hours lamenting that she had never taken the time before the war to copy the pattern of the tapestries that hung in the Tuilleries Palace. "Jane and I had hoped to sketch them for you, hadn’t we, Jane?"
"We had," Jane affirmed, her graceful neck dipping in assent. "Yet if Papa feels that France remains unsafe, we shall bow to his greater wisdom."
At the other end of the table, Aunt Prudence was wavering. Literally. Torn between her trust in her husband and her burning desire for needlepoint patterns, she swayed a bit in her chair, the feather in her small silk turban quivering with her agitation.
"It surely can’t be as unsafe as that, can it, Bertrand?" She leant across the table to peer at her husband through eyes gone nearsighted from long hours over her embroidery frame.
"After all, if dear Edouard is willing to take responsibility for the girls…"
"Edouard will take very good care of us, I’m sure, Aunt Prudence! If you’ll just read his letter, you’ll see – ouch!" Jane had kicked her again.
”
”
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
“
When Philip of Macedonia, the father of Alexander the Great, was told that a certain city in his army’s path was impregnable, he asked: “Is there not a pathway to it wide enough for an ass laden with gold?” It was the fate of Vidkun Quisling to be nothing but an ass.
”
”
Ladislas Farago (Burn After Reading: The Espionage History of World War II)
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A leader among the Lollards was Sir John Oldcastle, Lord Cobham, a distinguished soldier. His castle of Cowling was a refuge for the travelling preachers, and meetings were held there, in spite of their being forbidden under severe penalties. Henry IV did not venture to interfere with him, but as soon as Henry V came to the throne he besieged and captured the castle and took its owner prisoner. He escaped from the Tower, however, and was able for some years to elude pursuit, though many others were taken and executed, including thirty-nine of the Lollard leaders. When Sir John was finally captured in Wales he was burnt, the first English nobleman to die for the faith. After his death a law was passed that whoever read the Scriptures in English should forfeit land, chattels, goods and life, and be condemned as a heretic to God, an enemy to the crown, and a traitor to the kingdom; that he should not have any benefit of sanctuary; and that, if he continued obstinate, or relapsed after being pardoned, he should first be hanged for treason against the king, and then burned for heresy against God.
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E.H. Broadbent (The Pilgrim Church: Being Some Account of the Continuance Through Succeeding Centuries of Churches Practising the Principles Taught and Exemplified in The New Testament)
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After Giles Palot was burned to death, Sylvie’s mother went into a depression. For Sylvie this was the most shocking of the traumas she suffered, more seismic than Pierre’s betrayal, even sadder than her father’s execution. In Sylvie’s mind, her mother was a rock that could never crumble, the foundation of her life. Isabelle had put salve on her childish injuries, fed her when she was hungry, and calmed her father’s volcanic temper. But now Isabelle was helpless. She sat in a chair all day. If Sylvie lit a fire, Isabelle would look at it; if Sylvie prepared food, Isabelle would eat it mechanically; if Sylvie did not help her get dressed, Isabelle would spend all day in her underclothes. Giles’s fate had been sealed when a stack of newly printed sheets for Bibles in French had been found in the shop. The sheets were ready to be cut into pages and bound into volumes, after which they would have been taken to the secret warehouse in the rue du Mur. But there had not been time to finish them. So Giles was guilty, not just of heresy but of promoting heresy. There had been no mercy for him. In the eyes of the church, the Bible was the most dangerous of all banned books—especially translated into French or English, with marginal notes explaining how certain passages proved the correctness of Protestant teaching. Priests said that ordinary people were unable to rightly interpret God’s word, and needed guidance. Protestants said the Bible opened men’s eyes to the errors of the priesthood. Both sides saw reading the Bible as the central issue of the religious conflict that had swept Europe.
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Ken Follett (A Column of Fire)
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Do they put the piece of paper with the fortune on it inside the cookie before they bake it or after?” Paris scoffed as if it was a ridiculous question, but then paused. “You know, I have no idea. You’d think the fortunes would burn if they went in the oven, right?” “But if you wait until after, how do you slide it in without breaking the cookie?” Paris did a quick search on his phone. “It’s in the middle of the process.” “What do you mean?” asked Rio. “They bake the cookies as flat circles,” Paris answered as he read about it. “Then they put the fortune in and fold the cookie while it’s still warm. When it cools, it holds its shape and the fortune is inside.
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James Ponti (Golden Gate (City Spies, #2))
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By summer’s end, there were more black than white communists in Birmingham, a situation that infuriated Magic City officials. Everyone knew that the Reds practiced social and racial equality in their ranks, and Hiram Evans, the Klan’s Imperial Wizard, writing in his Kourier newsletter, maintained that they were “dangling before the ignorant lustful and brutish negroes . . . a tempting bait . . . that negro men should take white women and live with them, declaring this is their God-given right under a communist regime.” Several Birmingham Klansmen became so incensed after reading Evans’s editorial that they burned Tom Johnson in effigy.13
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Mary Stanton (Red, Black, White: The Alabama Communist Party, 1930–1950)
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Okay, what’s it say?” He looked down at it, as if reading it for the first time. “‘Trust No One.’” I ate some more, my face burning. “My mom know that?” He nodded. “After Vietnam I was stationed in Okinawa. A couple of us went out and got these. Thought we were real hot shit. Had it all figured out. Idiots.” He shook his head. “I learned a lot of lessons the hard way. And this?” He tapped the tattoo. “As a life philosophy? It doesn’t serve. Now it’s just a reminder of how stupid I am most of the time.” “Still?” “You tell me.
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Gregg Hurwitz (Trust No One: A Thriller)
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The examination:
1) Imagine a radical and formidable contextualism that derives from a hypostatization of language and that it anticipates a liquefied language, a language that exists only in its mode of streaming. How is a speaker to avoid the pull into the whirl of its nonoriented stream of language?
2) Is the I one's body? Is fantasy the specular image? And what does this have to do with the Borromean knot? In other words, why is there no symptom too big for its britches?
3) How might it feel to burn with missionary zeal? Don't be shy in your answer.
We students looked at each other with varying degrees of confusion, panic, and anger. And like idiots, we set to work. At least they did. I read the questions over and over and after the number 1 and 2 on my paper I wrote, I don't know. After the number 3 I wrote, Awful, then added, damn it.
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Percival Everett (I Am Not Sidney Poitier)
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I’d like you to imagine that you are about to attend one of the most important occasions of your life. It will be held in a room sufficiently large to seat all of your friends, your family, your business associates—anyone and everyone to whom you are important and who is important to you. Can you see it? The walls are draped with deep golden tapestries. The lighting is subdued, soft, casting a warm glow on the faces of your expectant guests. Their chairs are handsomely upholstered in a golden fabric that matches the tapestries. The golden carpeting is deeply piled. At the front of the room is a dais, and on the dais a large, beautifully decorated table, with candles burning at either end. On the table, in the center, is the object of everyone’s attention. A large, shining, ornate box. And in the box is…you! Stiff as the proverbial board. Do you see yourself lying in the box, not a dry eye in the room? Now, listen. From the four corners of the room comes a tape recording of your voice. Can you hear it? You’re addressing your guests. You’re telling them the story of your life. How would you like that story to go? That’s your Primary Aim. What would you like to be able to say about your life after it’s too late to do anything about it? That’s your Primary Aim. If you were to write a script for the tape to be played for the mourners at your funeral, how would you like it to read? That’s your Primary Aim. And once you’ve created the script, all you need to do is make it come true. All you need to do is begin living your life as if it were important. All you need to do is take your life seriously. To create it intentionally. To actively make your life into the life you wish it to be.
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Michael E. Gerber (The E-Myth Revisited: Why Most Small Businesses Don't Work and What to Do About It)