Bride Tribe Quotes

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how one’s tribe cannot be better than another tribe because they were all one tribe.
James McBride (The Heaven & Earth Grocery Store)
Arriving on Bainbridge Island is the opposite of arriving in Seattle. When you got in your car and waited to unload off the ferry in Seattle, you saw the Space Needle, cars, and a mound of urban construction. Once you exit the ferry terminal on Bainbridge, however, it’s mostly trees. Pine as far as the eye can see. Well, pines, firework and coffee stands, and eventually a casino. You drive through the Port Madison Indian Reservation when you leave the island. I couldn’t help but smile as I went past the casino. I didn’t really get gambling, since I’d never had money to throw away, but as I passed through all the beautiful countryside that I’m sure once belonged to the tribe, I sort of hoped they would rob the white man blind. Perhaps not politically correct, but the feeling was there all the same.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
And how she regretted, watching his face locked in grief even as he slept, his lip trembling, that she’d frittered hours away reading about socialists and unions and progressives and politics and corporations, fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe. An extraordinary wisdom came upon her, one she had not imagined possible, and she wanted to share it with him in those first—or perhaps last—moments of her consciousness. But after seeing his lovely face, she felt yet again an enormous
James McBride (The Heaven & Earth Grocery Store)
I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe.
James McBride (The Heaven & Earth Grocery Store)
It is not possible to understand the NT concept of the church if we overlook the numerous metaphors used to portray it. The church is Christ's body, a temple, a family, a royal priesthood, twelve tribes, the chosen race, Abraham's children, the new creation, the bride of Christ, and so on. Bible readers should be careful not to construct their theology of the church on a single metaphor.
David Ewert (How To Understand The Bible)
What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …
David Mitchell (The Bone Clocks)
she’d frittered hours away reading about socialists and unions and progressives and politics and corporations, fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe. An extraordinary wisdom came upon her, one she had not imagined possible, and she wanted to share it with
James McBride (The Heaven & Earth Grocery Store)
For while you may roar AS a lion, satan, I AM THE LION OF THE TRIBE OF JUDAH, AND WHEN I ROAR, HEAVEN AND EARTH TREMBLES, AND YOU TOO WILL TREMBLE AS I ROAR THROUGH THOSE WHOM I LOVE. FOR THIS IS THE SEASON THINGS ARE MADE RIGHT, THE SEASON WHEN MY BRIDE ARISES
Jeffrey Stewart (Words to His Beloved Bride)
WOMEN HAVE ALWAYS BEEN THE property of men. It’s a truth written into social customs, old legal doctrines, some would say it’s written into the very laws of nature itself. In the Bible, women are told that their husbands shall rule over them. Fathers give their daughters away on their wedding day. The new owner is the groom. Much of history is based on the practice. In Europe, kings gave their daughters as peace offerings to other nations. Peasants gave their daughters in marriage to landowners as a means of trading their way out of feudal servitude. In other lands, tribes and clans gave their women as sacrifices to their enemies or gifts to their heroes. A beautiful daughter was prized not because of who she was or what she was capable of, but for what she could be bartered for. The entire marriage ceremony, to this day, is a complicated, ritualized human sacrifice. It is a custom of bondage and ownership. The bride is adorned in the most intricate, delicate and expensive clothing possible. She represents wealth, a high dowry, a prized possession. She is walked down the aisle by her father, the current owner, and delivered, in payment for something, always in payment for something, to her new owner, her groom.
Abby Weeks (Given to the Pack (Wolfpack Trilogy, #1))
Though in many natural objects, whiteness refiningly enhances beauty, as if imparting some special virtue of its own, as in marbles, japonicas, and pearls; and though various nations have in some way recognised a certain royal preeminence in this hue; even the barbaric, grand old kings of Pegu placing the title “Lord of the White Elephants” above all their other magniloquent ascriptions of dominion; and the modern kings of Siam unfurling the same snow-white quadruped in the royal standard; and the Hanoverian flag bearing the one figure of a snow-white charger; and the great Austrian Empire, Caesarian, heir to overlording Rome, having for the imperial color the same imperial hue; and though this pre-eminence in it applies to the human race itself, giving the white man ideal mastership over every dusky tribe; and though, besides, all this, whiteness has been even made significant of gladness, for among the Romans a white stone marked a joyful day; and though in other mortal sympathies and symbolizings, this same hue is made the emblem of many touching, noble things— the innocence of brides, the benignity of age; though among the Red Men of America the giving of the white belt of wampum was the deepest pledge of honor; though in many climes, whiteness typifies the majesty of Justice in the ermine of the Judge, and contributes to the daily state of kings and queens drawn by milk-white steeds; though even in the higher mysteries of the most august religions it has been made the symbol of the divine spotlessness and power; by the Persian fire worshippers, the white forked flame being held the holiest on the altar; and in the Greek mythologies, Great Jove himself being made incarnate in a snow-white bull; and though to the noble Iroquois, the midwinter sacrifice of the sacred White Dog was by far the holiest festival of their theology, that spotless, faithful creature being held the purest envoy they could send to the Great Spirit with the annual tidings of their own fidelity; and though directly from the Latin word for white, all Christian priests derive the name of one part of their sacred vesture, the alb or tunic, worn beneath the cassock; and though among the holy pomps of the Romish faith, white is specially employed in the celebration of the Passion of our Lord; though in the Vision of St. John, white robes are given to the redeemed, and the four-and-twenty elders stand clothed in white before the great-white throne, and the Holy One that sitteth there white like wool; yet for all these accumulated associations, with whatever is sweet, and honorable, and sublime, there yet lurks an elusive something in the innermost idea of this hue, which strikes more of panic to the soul than that redness which affrights in blood.
Herman Melville (Moby-Dick)
The tribal ceremonies of birth, initiation, marriage, burial, installation, and so forth, serve to translate the individual's life-crises and life-deeds into classic, impersonal forms. They disclose him to himself, not as this personality or that, but as the warrior, the bride, the widow, the priest, the chieftain; at the same time rehearsing for the rest of the community the old lesson of the archetypal stages. All participate in the ceremonial according to rank and function. The whole society becomes visible to itself as an imperishable living unit. Generations of individuals pass, like anonymous cells from a living body; but the sustaining, timeless form remains. By an enlargement of vision to embrace this superindividual, each discovers himself enhanced, enriched, supported, and magnified. His role, however unimpressive, is seen to be intrinsic to the beautiful festival-image of man—the image, potential yet necessarily inhibited, within himself. Social duties continue the lesson of the festival into normal, everyday existence, and the individual is validated still. Conversely, indifference, revolt—or exile—break the vitalizing connectives. From the standpoint of the social unit, the broken-off individual is simply nothing—waste. Whereas the man or woman who can honestly say that he or she has lived the role—whether that of priest, harlot, queen, or slave—is something in the full sense of the verb to be. Rites of initiation and installation, then, teach the lesson of the essential oneness of the individual and the group; seasonal festivals open a larger horizon. As the individual is an organ of society, so is the tribe or city—so is humanity entire—only a phase of the mighty organism of the cosmos.
Joseph Campbell (The Hero With a Thousand Faces)
Few things once seemed to me more frigid and far-fetched than those interpretations […] of the Song of Songs, which identify the Bridegroom with Christ and the bride with the Church. Indeed, as we read the frank erotic poetry of the latter and contrast it with the edifying headlines in our Bibles, it is easy to be moved to a smile, even a cynically knowing smile, as if the pious interpreters were feigning an absurd innocence. […] First, the language of nearly all great mystics, not even in a common tradition, some of them Pagan, some Islamic, most Christian, confronts us with evidence that the image of marriage, of sexual union, is not only profoundly natural but almost inevitable as a means of expressing the desired union between God and man. The very word ‘union’ has already entailed some such idea. Secondly, the god as bridegroom, his ‘holy marriage’ with the goddess, is a recurrent theme and a recurrent ritual in many forms of Paganism […] And if, as I believe, Christ, in transcending and thus abrogating, also fulfils, both Paganism and Judaism, then we may expect that He fulfils this side of it too. This, as well as all else, is to be ‘summed up’ in Him. Thirdly, the idea appears, in a slightly different form, within Judaism. For the mystics God is the Bridegroom of the individual soul. For the Pagans, the god is the bridegroom of the mother-goddess, the earth, but his union with her also makes fertile the whole tribe and its livestock, so that in a sense he is their bridegroom too. The Judaic conception is in some ways closer to the Pagan than to that of the mystics, for in it the Bride of God is the whole nation, Israel. This is worked out in one of the most moving and graphic chapters of the whole Old Testament (Ezek. 16). Finally, this is transferred in the Apocalypse from the old Israel to the new, and the Bride becomes the Church, ‘the whole blessed company of faithful people’. It is this which has, like the unworthy bride in Ezekiel, been rescued, washed, clothed, and married by God—a marriage like King Cophetua’s.
C.S. Lewis (Reflections on the Psalms)
The Bible itself shows that our ultimate goal in reading the Bible is that God’s infinite worth and beauty would be exalted in the everlasting, white-hot worship of the blood-bought bride of Christ from every people, language, tribe, and nation.
John Piper (Reading the Bible Supernaturally: Seeing and Savoring the Glory of God in Scripture)
Then one of the seven angels who had the seven bowls full of the seven last plagues came and said to me, "Come, I will show you the bride, the wife of the Lamb." And in the spirit he carried me away to a great, high mountain and showed me the holy city Jerusalem coming down out of heaven from God. It has the glory of God and radiance like a very rare jewel, like jasper, clear as crystal. It has a great, high wall with twelve gates, and at the gates twelve angels, and on the gates are inscribed the names of the twelve tribes of the Israelites; on the east three gates, on the north three gates, on the south three gates, and on the west three gates. And the wall of the city has twelve foundations, and on them are the twelve names of the twelve apostles of the Lamb. I saw no temple in the city, for its temple is the Lord God the Almighty and the Lamb. And the city has no need of sun or moon to shine on it, for the glory of God is its light, and its lamp is the Lamb. The nations will walk by its light, and the kings of the earth will bring their glory into it. Its gates will never be shut by day—and there will be no night there. People will bring into it the glory and the honor of the nations. Revelation 21:9-14, 22-26
Marek P. Zabriskie (Are We There Yet?: Pilgrimage in the Season of Lent)
First, then, the Lord began His final work by casting Adam into a deep sleep. And so did the second Adam lie three days in the sleep of death before the creation of His bride could be commenced. While the first Adam slept, God opened his side and took out the rib wherewith He made the woman. So while the second Adam slept in death upon the cross, a soldier pierced His side, so that there came forth blood and water; and by means of that blood, without the shedding of which there could never have been remission of sins, the Church is now in process of formation. Thou “didst purchase unto God by Thy blood men of every tribe, and tongue, and people, and nation,”[158] is the cry of the elders when the time has at length come to sing the new song.
G.H. Pember (Earth's Earliest Ages and Their Connection with Modern Spiritualism and Theosophy)
The reason Jesus celebrates the Last Supper with the twelve disciples is that together they represent the bride of God -- the people of Israel. This is a prophetic sign whose symbolism would have been recognized by any Jew familiar with the prophecies of God's future wedding. Just as YHWH wed himself to the twelve tribes of Israel at Mount Sinai through the blood of the old covenant, so now Jesus unites himself to the twelve disciples through the blood of the new covenant, which is sealed in his blood.
Brant Pitre (Jesus the Bridegroom: The Greatest Love Story Ever Told)
It’s part of a woman’s hypergamous nature to always seek the best male that she could get. Warring tribe wins? Then the men in that tribe now become her best option for survival. Men have always been disposable protectors. Women have always selected the best men for survival. Even if that meant becoming a war bride to a conquering army that killed off, or enslaved, their family.
Richard Cooper (The Unplugged Alpha: The No Bullsh*t Guide To Winning With Women & Life)
Furthermore, the New Jerusalem is identified as the Bride of Christ (Revelation 21:9, 10), no doubt because it is the eternal home of all who are saved (Revelation 21:24), those who collectively constitute His Bride. But this city has twelve gates, inscribed with the names of the twelve tribes of Israel, and twelve foundations, in which are the names of the twelve apostles of the Lamb (Revelation 21:12, 14). This surely means that within the city are both the redeemed of ancient Israel and the redeemed of the later Church of Christ. And this in turn must mean that all of these are somehow a part of "the bride, the Lamb's wife." The Bride, therefore, represents and includes all her attendants and all the wedding guests as well. The symbolism in the parables cannot be pressed beyond its purpose. The real message is that all believers in the true God, both Creator and Redeemer, of all the ages, will one day be restored to perfect fellowship with Him and united with Him forever. Glorious will be the great wedding feast, and blessed indeed are all who are called into it. Whatever distinctions may exist between the saints of the pre-Abrahamic period, the saints in Israel before Christ, the saints among the Gentiles from Abraham to Christ, the saints of the tribulation, and the saints in the churches from Christ to the rapture (and no doubt these will continue to be identifiable groups even in the ages to come) such distinctions are secondary to the great primary truth that all will be there by virtue of the saving work of Christ and their personal trust in the true Creator God and His provision of salvation. There is only one God (not one God identified with Israel and one God associated with the Church) and that one triune God will be in personal fellowship forever with all the redeemed saints of all the ages. He will dwell with them in the Holy City forever (Revelation 21:2, 3).
Henry M. Morris
Hulking piece of rust,” she grumbled, then gave it a little pat on the wheel well as she scooted out between her truck and Hannah’s car. “Can’t let the car gods hear you dis their minions,” she said when she caught Cooper’s amused look. “They’ll strand you in the desert as sure as look at you. Besides, she might be a hulking piece of rusted metal but she’s my hulking piece.” She stopped when she reached her sister and gave her a one-armed hug. “And to what do I owe this pleasure? Cross-examining my afternoon date, are we?” “Maybe,” Hannah said, hugging her back. “Oh, good.” Kerry grinned, rubbing her hands together. “What did you learn?” “Hey, now,” Cooper said, chuckling. “What makes you think I’d give anything up?” “Oh, she’s good,” Kerry told him. “She once talked a tribal chief in Papua New Guinea, out of marrying me to his youngest son.” Cooper looked at Hannah, who just raised an arched brow but didn’t refute the statement. “Well, then, I suppose I’m even more in your debt,” he told Kerry’s oldest sister. “Unless of course the tribe believes in polygamy.” Kerry looked affronted. “You’d share me? Well, well, good to know.” She folded her arms. “So glad we’re having this little chat.” “Oh, no, Starfish, no such luck. You’d be stuck making do with only me. You see, I know a guy who could fly us out of there on his helicopter, and I’m guessing your erstwhile tribal spouse wouldn’t go anywhere near one of those flying birds. I’d spirit you off and--” “And leave my poor first husband brokenhearted and alone? Do I get a say in this?” She looked to her sister. “You’re drawing up my pre-nup, right?” Cooper brightened and clapped his hands together, which earned him an arched brow from Kerry. “Well, while I’m not too thrilled about your attachment to Number One, speaking as Number Two, I will say I’m happy to hear we’re in the negotiation phase.” “Husband Number One is a lot younger,” she said consideringly. “And while he doesn’t have as many head of cattle as you do, he does come with an entire village, and if something happens to his other six brothers, he’ll be chief one day.” She smiled sweetly. “Just saying.” Cooper flashed her a smile that might have been a little too private with her sister standing right there, but what the hell. “Keep in mind, Number Twos traditionally try harder. So I have that going for me.” Hannah looked from Cooper to Kerry, then at both of them, before finally looking at Kerry. “Seriously, marry him before he wises up.” “Hey,” Kerry replied, mock wounded. “And why do you say that?” “You speak the same language.” “Says the woman who communicates with her husband using old movie quotes that nobody gets but the two of you.” Hannah smiled, really smiled, and it transformed her often more serious expression into something truly radiant. “Yes, that’s exactly who’s saying that.” She looked at Cooper. “I have a feeling you and Calder will become fast friends.” “Thank you,” Cooper said, “for both sentiments.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
And how she regretted, watching his face locked in grief even as he slept, his lip trembling, that she’d frittered hours away reading about socialists and unions and progressives and politics and corporations, fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe. An
James McBride (The Heaven & Earth Grocery Store)
And how she regretted, watching his face locked in grief even as he slept, his lip trembling, that she’d frittered hours away reading about socialists and unions and progressives and politics and corporations, fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe.
James McBride (The Heaven & Earth Grocery Store)
Did you know that bridesmaids’ dresses were traditionally white?” I say. “How could anyone tell the bridesmaids from the bride?” Ethan asks. “They couldn’t. It’s the whole reason the concept of the bridesmaid came about. In tribal times, the bridesmaids, clad in white bridal dresses, served as decoys. If the wedding was raided by a neighboring tribe, the hope was that the invaders would be confused and would accidentally kidnap a bridesmaid instead of the bride.
Michelle Richmond (The Marriage Pact)
Other times she went further, as when Muhammad arranged to seal an alliance with a major Christian tribe in the time-honored manner by marrying its leader’s daughter, a girl renowned for her beauty. When the bride-to-be arrived in Medina, Aisha volunteered to help prepare her for the wedding and, under the guise of sisterly advice, told her that Muhammad would think all the more highly of her if she at first resisted him on the wedding night by saying, “I take refuge with God from thee.” The new bride had no idea that this was the phrase used to annul a marriage; the moment she said it, Muhammad left, and the next day she was bundled unceremoniously back to her own people. It may have been inevitable, then, that when scandal hit in the form of a lost necklace, the headstrong Aisha would be at the center of it.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe.
James McBride (The Heaven & Earth Grocery Store)
one’s tribe cannot be better than another tribe because they were all one tribe
James McBride