“
“All I know is that the pain wants to be shared.”
“Does it?” The dancer smiled a little. “Even with Akos?”
“The pain isn’t me; it doesn’t discriminate,” I said. “The pain is my curse.”
“No, no,” the dancer said, her dark eyes locked on mine. But they weren’t brown anymore, as they had been when I saw her perform in the dining room; they were gray, and wary. Akos’s eyes, familiar to me even in a dream.
He had taken her place, perched at the edge of the seat as if ready to take flight, his long body dwarfing the chair.
“Every currentgift carries a curse,” he said. “But no gift is only a curse.”
“The gift part of it is that no one can hurt me,” I said.
But even as I said it, I knew it wasn’t true. People could still hurt me. They didn’t need to touch me to do it--they didn’t even need to torture me to do it. As long as I cared about my life, as long as I cared about Akos’s life, or the lives of renegades I barely knew, I was as vulnerable as everyone else was to hurt.
I blinked at him as a different answer came to me.
“You told me I was more than a knife, more than a weapon,” I said. “Maybe you’re right.”
He smiled that small, familiar smile that creased his cheek.
“The gift,” I said, “is the strength the curse has given me.” The new answer was like a blooming hushflower, petals unfurling. “I can bear it. I can bear pain. I can bear anything.”
He reached for my cheek. He became the dancer, and my mother, and Otega, in turn.
”
”